Archives Scrapbooks

This image shows a single, aged, yellowed newspaper clipping page, dated Saturday, September 23, 1944, and labeled Page Twelve at the top left.

The page is composed of several clipped articles and press releases, pasted onto a piece of archival paper with two round, metal-ringed holes on the right margin, suggesting it was stored in a binder.

Main Article: Portrait of Monsieur Choquet

The largest and most prominent feature is a black-and-white reproduction of a portrait painting on the left, captioned:

“PORTRAIT OF MONSIEUR CHOCQUET: A Painting by Pierre-Auguste Renoir”

By Courtesy of the Fogg Museum of Art, Harvard University, in The Christian Science Monitor

The portrait, rendered in Renoir’s soft, impressionistic style, depicts a middle-aged Frenchman with long, dark, wavy hair and a beard, looking directly at the viewer with an intense, intelligent gaze.

Accompanying the portrait is a multi-paragraph article by Dorothy Arlow. It discusses:

• Monsieur Choquet’s role as a passionate supporter and collector of early Impressionist artists like Renoir and Cézanne, despite having no social standing or great wealth.
• Renoir’s admiration for Choquet, who introduced him to Cézanne.
• The circumstances of the painting’s creation in 1874, when Renoir was part of the Impressionist group.
• The style of the portrait — more “spontaneous, yielding to the influence of feeling as well as of observation” — contrasting with later, more formal works.
• The painting’s later history, including its display at the Fogg Museum of Art as part of the Grenville Winthrop Bequest.

Press Releases from the “Boston News-Clip Bureau”

On the right side of the page, there are four smaller, typewritten press releases, all dated October 6, 1944, and stamped with a circular ink date stamp “SEP 25 1944” (likely the date the clipping was filed).

1. Boston News-Clip Bureau (Christian Science Monitor, Boston, Mass.)

   • This is a header label only for the first press release.

2. Boston News-Clip Bureau (Tribune, Cambridge, Mass.)

   • This contains details of the Fogg Museum of Art’s October exhibitions:
     • Hours: Weekdays 9 AM–5 PM (including holidays); Sundays 2–5 PM.
     • Exhibitions:
       • Watercolors by Winslow Homer, Oct. 9–Nov. 1.
       • American Portraits, Oct. 9–Nov. 30.
       • Recent additions to the Print Collection through Nov. 30.
       • Abstractions in Graphic Art through Oct. 14.
       • (Note: Print room closed Sat. afternoons and Sundays.)

3. Press Clipping Service (Chronicle, Somerville, Mass.)

   • Identical content to the previous press release, distributed to a different newspaper.

4. Fogg Museum of Art (Oct. 6, 1944)

   • Repeats the same exhibition schedule and hours as above, possibly a direct release from the museum.

Overall Impression

This clipping page serves as a historical record of art news from September and October 1944. It combines a detailed art historical article from the Christian Science Monitor with standardized press releases sent to various Boston-area newspapers about the Fogg Museum’s upcoming exhibitions. The page offers insight into how art news was disseminated to the public through syndicated clippings and bureau services during the mid-20th century. The presence of the circular “SEP 25 1944” stamp suggests it was part of a formal clipping or archiving service, possibly maintained by the museum or an art organization.

This image appears to be a scanned page from a newspaper or a bulletin, dated Saturday, September 23, 1944, and marked as page twelve. The page contains a portrait of a man with a beard, dressed in period clothing, and a short article about the portrait. The article is titled "Portrait of Monsieur Chocquet: A Painting by Pierre-Auguste Renoir." It discusses the importance of Monsieur Chocquet, a devoted art enthusiast, who collected works by young French artists, including Renoir. The portrait is attributed to Renoir and is described as one of the first of a series of likenesses made by the artist. The article also mentions the Fogg Museum of Art in Cambridge, Massachusetts, and includes information about exhibitions and museum hours. Additionally, there are three clippings from different sources, including the Boston News-Clip Bureau and the Press Clipping Service, related to exhibitions at the Fogg Museum of Art. The page shows some wear and a hole in the corner, suggesting it is an older document.

This image is a scanned page from a newspaper dated Saturday, September 23, 1944, Page Twelve. The page appears to be a clipping from the Christian Science Monitor, as indicated by the label on the top left corner.

Key Elements:

1. Main Article and Image:

   • The majority of the page is occupied by an article titled "Portrait of Monsieur Chocquet: A Painting by Pierre-Auguste Renoir."
   • The article is written by Dorothy Adlow and discusses the significance of Monsieur Chocquet in supporting the Impressionist painters in Paris during the 1870s and 1880s.
   • There is a black-and-white image of a portrait painting, which is presumably the painting mentioned in the article. The text describes Chocquet as having a beard and a friendly demeanor.

2. Labels and Stamps:

   • There are several labels and stamps on the page indicating that it was collected and organized by the Boston News-Clip Bureau, located at 8 Bosworth Street, Boston, Mass.
   • The labels include dates and sources such as the Christian Science Monitor (September 25, 1944), Tribune (October 6, 1944), and Chronicle (October 6, 1944).

3. Additional Text:

   • There is additional text on the right side of the page providing information about the Fogg Museum of Art, including its hours of operation and upcoming exhibitions. The exhibitions mentioned include watercolors by Winslow Homer, American Portraits, recent additions to the Print Collection, and Abstractions in Graphic Art.

4. Physical Condition:

   • The page shows signs of age, with some wear and tear visible along the edges. There are also two holes punched into the right side of the page, likely for filing purposes.

Overall, the page is a historical document that provides insight into the art world of the mid-19th century, focusing on the support of Impressionist painters by individuals like Monsieur Chocquet.

The image depicts a newspaper clipping from Saturday, September 23, 1944, on page twelve. It features an article about the portrait of Monsieur Chocolat, a painting by Pierre-Auguste Renoir. The article is accompanied by a black-and-white photograph of the painting. The clipping also includes advertisements for the Boston News-Clip Bureau and the Fogg Museum of Art. The museum's advertisement lists its hours of operation and upcoming exhibitions, including an exhibition of American Portraits from October 9 to November 1 and recent additions to the Print Collection from October 14 to November 30.

The image appears to be a clipping from an old newspaper or magazine. It contains several sections, including:

1. A portrait of Monsieur Choquet by Pierre-Auguste Renoir, accompanied by a brief description of the painting and its historical context.

2. A section titled "Boston News-Clip Bureau" with various dates and locations, possibly indicating when and where the clipping was created or published.

3. A section titled "Fogg Museum of Art" with information about the museum's hours, exhibitions, and events, including a water color exhibition and an American Portraits exhibit.

4. A section titled "Press Clipping Service" with details about the service's location and services offered.

5. Another section titled "Fogg Museum of Art" with similar information as the previous section, possibly indicating a duplicate or continuation of the museum information.

Overall, the image seems to be a collection of clippings or excerpts from various sources, possibly related to art, exhibitions, or cultural events in Boston during the mid-20th century.

Description of the Image

The image depicts a newspaper clipping or page from a publication dated Saturday, September 23, 1944, and labeled as Page Twelve. The page features a combination of text and an illustration, along with several smaller clippings or advertisements on the right side.

Main Illustration and Text:

• Illustration:
  The left portion of the page shows a black-and-white portrait of Monseigneur Chocquet, a historical or notable figure. The portrait is labeled as "Portrait of Monseigneur Chocquet: A Painting by Pierre-Auguste Renoir." The image is credited to the Fogg Museum of Art, Harvard University, and is described as "The Chocquet Portrait of Renoir."

• Caption and Article:
  Below the illustration is a detailed article discussing the portrait and its significance. The article highlights:

  • The portrait's historical and artistic importance.
  • The relationship between Renoir and Monseigneur Chocquet, emphasizing Chocquet's role as a patron and collector of Renoir's works.
  • The context of the painting, including Chocquet's influence on Renoir's career and the circumstances surrounding the creation of the portrait.
  • The article also mentions the Fogg Museum of Art, noting that the portrait is part of their collection and was exhibited there.

Right Side of the Page:

The right side of the page contains several smaller clippings or advertisements, likely from the Boston News-Clip Bureau, as indicated by the header. These clippings include:

1. Boston News-Clip Bureau

   • Location: 8 Bosworth Street, Boston, Mass.
   • Publication: Christian Science Monitor, Boston, Mass.
   • Date: September 25, 1944.

2. Tribune

   • Location: Cambridge, Mass.
   • Date: October 6, 1944.

3. Fogg Museum of Art

   • Hours: Weekdays, 9 A.M. to 5 P.M.; Sundays, 2 P.M. to 5 P.M. (excluding holidays).
   • Exhibitions:
     • Winter Homer: American Portraits, October 9 to November 1.
     • 1: American Portraits, October 9 to November 30.
     • Additions to the Print Collection, through November 30.
   • Abstractions in Graphic Art, through October 14.
   • Note: Print room closed on Saturday afternoons and Sundays.

4. Press Clipping Service

   • Location: 2 Park Square, Boston, Mass.
   • Publication: Somerville Chronicle, Somerville, Mass.
   • Date: October 6, 1944.

Additional Details:

• The page appears to be part of an archive or collection, as indicated by the perforated edges and the visible staple holes, suggesting it may have been part of a bound volume or scrapbook.
• The layout is typical of mid-20th-century newspaper pages, with a mix of editorial content, advertisements, and informational clippings.

Overall Context:

The image captures a historical newspaper page from 1944, focusing on an art-related article about a Renoir portrait of Monseigneur Chocquet. The inclusion of museum exhibition details and news-clipping advertisements suggests the page was part of a broader effort to disseminate cultural and artistic information to the public. The layout and design reflect the journalistic style of the era.

The image shows an old newspaper clipping, purportedly from Saturday, September 23, 1944, on a brown paper background with multiple tears and a white circular reinforcement sticker. The main article features an artwork with a caption that reads, "Portrait of Monsieur Courtin, a Magistrate, now at the House of a Private Collector, by Jean-Baptiste Greuze," and discusses the story and significance of the painting. To the right of the article are three other sections titled "BOSTON NEWS-CLIP BUREAU" and "FOGG MUSEUM OF ART," indicating details such as address, dates, and exhibition information. The text from these sections alludes to events and services related to the Fogg Museum of Art during October 1944, and mentions a press clipping service that provides the articles and information to a subscriber.

This image shows a scrapbook or journal page with various newspaper clippings attached to a brownish paper background. The page features a prominently placed black-and-white photograph of a person, with their face blurred. The photograph is accompanied by an article titled "PORTRAIT OF MONSIEUR CHOQUET: A Painting by Pierre-Auguste Renoir" by Dorothy Arrow, which discusses the painting and its background.

The page includes several small clippings from different sources such as the Boston News-Clip Bureau, Christian Science Monitor, Tribune Cambridge, Mass., and Press Clipping Service, containing dates ranging from late September to early October 1944. These clippings provide information related to art exhibitions at the Fogg Museum of Art, including highlighted works and schedules for October. The overall theme of the page appears to focus on art, particularly the Renoir painting and the exhibitions displayed at the Fogg Museum.

• A vintage scrapbook page mounted on tan kraft paper, dated Saturday, September 23, 1944 (page twelve).
• On the left is a large black-and-white reproduction of a portrait, with the figure’s face obscured by a gray rectangle. The caption reads: “Portrait of Monsieur Choquet: A Painting by Pierre-Auguste Renoir,” with a credit to the Fogg Museum of Art, Harvard University.
• Below the image is a column of article text describing the painting and exhibition details.
• On the right are several small newspaper clippings clipped to the page, including notices from the Boston News-Clip Bureau and the Christian Science Monitor with dates like SEP 25 1944 and OCT 6 1944, plus a short clipping about the Fogg Museum of Art’s hours and exhibits.
• A “Press Clipping Service” clipping (from Boston, MA) with museum address and hours.
• The page shows wear: punched holes on the right edge for a binder, torn bottom edge, and overall vintage typography and layout.

This is a scrapbook page containing a newspaper article and clippings from 1944.

Key Elements:

1. Main Article on Page:

   • Title: "Portrait of Monsieur Charcot: A Painting by Pierre-Auguste Renoir."
   • Content: The article discusses a portrait painted by Renoir, describing its historical significance. It recounts the subject’s life as an official in the customs office and provides details about the artist's style and technique.
   • Author: Dorothy Adlow (mentioned at the conclusion of the article).
   • Image: A grainy black-and-white image of the portrait; the subject's face has been blurred.

2. Date and Source Information:

   • Date: Saturday, September 23, 1944, is noted at the top of the page—likely the date of publication or when the article was clipped.

   • Sources: Three clippings on the right indicate the involvement of the Boston News-Clip Bureau and Press Clipping Service in retrieving this article.

   • Publication references:

     • Christian Science Monitor (September 25, 1944).
     • Other clippings are dated October 6, 1944, and mention the "Fogg Museum of Art."
     • This museum is associated with an exhibition of watercolors by Winslow Homer and other works.

3. Visual Presentation:

   • Background: A tan, aged scrapbook page with frayed edges.
   • Layout: The article is pasted in the center-left of the page, with three small clippings on the right, indicating publication details and exhibitions.

This scrapbook page emphasizes archival efforts to preserve writings about art, particularly focusing on Renoir's portrait.