Archives Scrapbooks

The image is a clipping from the Boston News-Clip Bureau, dated September 1, 1944. It features an article about a sculpture titled "Head of a Woman," which is attributed to the fourth century B.C. and is in the collection of the Fogg Museum at Harvard University. The sculpture is a portrait of Olympias, the wife of Philip II of Macedon and the mother of Alexander the Great.

The article discusses the sculpture's artistic qualities and historical context. It notes that the sculpture has been subjected to scientific analysis, including X-ray examination, to reveal details about its construction and any modifications made over time. The analysis suggests that the sculpture was initially a portrait of a young woman, not a goddess, and was likely created for a private patron rather than for public display.

The text highlights the skill of the Greek sculptors of the fourth century B.C., who were known for their ability to balance individual characterization with ideal beauty. The sculpture's design and craftsmanship are praised for their subtlety and attention to detail, reflecting the high standards of Greek art during this period. The article concludes by noting the enduring appeal of Greek sculpture, which continues to captivate viewers with its combination of technical skill and artistic vision.

The image is a newspaper clipping from the Christian Science Monitor, dated September 1, 1964. The headline reads "HEAD OF A WOMAN: Ascribed to the Fourth Century, B.C." and notes that the piece is from the Fogg Museum of Art at Harvard University. The article describes the sculpture as a head of a woman that may be a portrait of a noble Macedonian woman, possibly a relative of Alexander the Great. The sculpture is noted for its classical beauty, with a wavy head of hair, clearly defined brow, and a straight nose. The article also provides historical context, mentioning that the Greeks of the fourth century were not interested in idealizing their subjects but rather in capturing their individuality. The author, Dorothy Arrow, highlights the serene and dignified expression of the woman, reflecting the good taste and discipline of Greek sculptors.

The image shows a newspaper clipping from the Boston News-Clip Bureau dated September 1, 1944. The clipping is published in the Christian Science Monitor from Boston, Massachusetts.

The main focus of the clipping is a photograph of an ancient head sculpture. The caption reads:

"Head of a Woman: Ascribed to the Fourth Century, B.C."

The accompanying text by Dorothy Arlow describes the sculpture as follows:

• It is a beautiful head of a woman and is attributed to the fourth century B.C.
• The head is likely to be a representation of Aspasia, the mother of Alexander the Great.
• The article discusses the dating and authentication of ancient artifacts, highlighting the challenges in determining the exact age and origin of the sculpture.
• The sculpture reflects the characteristics of Hellenistic art, which emphasized naturalism and idealization.
• The detailed features such as the waves of hair, the brow, and the chin are emphasized, showcasing the skill and artistry of the sculptor.
• The article mentions the balance between naturalism and idealism in Hellenistic sculptures, noting that these works often portrayed a sense of realism while maintaining a stylized, harmonious form.

The photograph shows a frontal view of the head, which is presented in a realistic yet idealized manner. The background of the clipping is a sepia-toned paper, giving it a vintage feel.

The image is a newspaper clipping from the Boston News-Clip Bureau, specifically from the Christian Science Monitor dated September 1, 1944. The clipping features an article about a sculpted head of a woman, dated to the fourth century B.C.

The article, titled "Head of a Woman: Ascribed to the Fourth Century, B.C.," describes the sculpture in detail. The head is attributed to the period of the fourth century B.C., specifically the era of Alexander the Great's mother, Olympias, and is believed to be from Macedonia. The article notes that the head is part of the Fogg Museum of Art at Harvard University.

The text discusses the characteristics of the sculpture, highlighting the traits that distinguish it from earlier works. It mentions the era's shift from idealism to naturalism, with the sculptors focusing on realistic details and individual expressions. The sculpture shows fine, naturalistic features, such as the wavy hair and the calm, serene expression, indicating the artist's mastery of naturalistic representation.

The article is written by Dorothy Arlow and emphasizes the head's detailed and realistic depiction, which stands out from the idealized figures of earlier periods. The clipping is mounted on a beige card with a small circular hole in the corner, likely for filing.

The image is a newspaper clipping from the Christian Science Monitor, dated September 1, 1944. The clipping is from the Boston News-Clip Bureau, located at 8 Bowersworth Street, Boston, Mass.

The article is titled "Head of a Woman: Ascribed to the Fourth Century, B.C." The clipping includes a photograph of a sculpted head of a woman, described as being from the Fog Museum of Art at Harvard University.

The text accompanying the image discusses the sculpture in detail:

1. Historical Context: The head of a woman is attributed to the fourth century B.C. It may have been carved by one of the sculptors from the court of Macedon, mother of Alexander the Great, who was renowned for her beauty and wisdom.

2. Artistic Characteristics: The article mentions that this sculpture exhibits traits typical of the Hellenistic period, which followed the Classical Age. The features include a finely modeled head with a balance between the ideal and the realistic.

3. Technical Details:

   • The head shows the wear and woes of time, with a smooth, well-defined brow and hair that is neatly styled.
   • The sculptor's technique is noted for its attention to detail and the naturalistic representation of the head.
   • The eyes, nose, and mouth are crafted with a delicate balance between realism and idealism.
   • The sculpture is praised for its calm and serene expression, reflecting good taste and discipline.

4. Artistic Influence: The Greeks of the fourth century had a desire to erect great monuments, and their sculptures often had personal references and were influenced by private patrons.

The article highlights the head's beauty and the skill of the sculptor, emphasizing the Hellenistic period's emphasis on blending realism with idealism in their artworks. The author, Dorothy Arlow, is credited with the article.

The image is a newspaper clipping from the Christian Science Monitor, dated September 1, 1944. It features an article titled "Head of a Woman: Acquired by the Fogg Museum of Art, Harvard University, To Be Curious Resource for Students."

The article discusses a newly acquired sculpture by the Fogg Museum, depicting the head of a woman from the fourth century B.C. Here are some key points from the article:

1. Historical Significance:

   • The sculpture is attributed to the era following the death of Macedon's ruler, Alexander the Great.
   • It is noted for its combination of Greek and non-Greek elements of style, which is rare for sculptures from that period.

2. Artistic Features:

   • The head features finely modeled traits, which are more revealing than frontal views.
   • The forehead drapery has disappeared, showing the hair more clearly.

3. Cultural Context:

   • The article highlights that Greek sculptors of that time did not aim for exact likeness but rather idealized forms.
   • The sculptors worked towards creating an individual yet balanced character in their work.

4. Observations on Naturalism:

   • The head shows the waviness of the hair, clearly defined brows, and a softly modeled forehead.
   • The nose is damaged, and the lips are parted slightly, adding to the naturalism of the piece.
   • The representation emphasizes calmness and serenity, traits valued by the Greeks.

5. Signature:

   • The article is signed by Dorothy Adlow.

The photograph accompanying the article shows the sculpture from a side profile, allowing readers to see the details described in the text.

This image shows a vintage piece of paper with a photograph and an article. The photograph appears to depict a sculpture of a head, specifically titled "Head of a Woman: Ascribed to the Fourth Century, B.C." Below the photo is a portion of an article, which seems to discuss artistic trends and the portrayal of individuals in art, referencing Greek contributions to sculpture and portraiture. Two holes with reinforcing rings suggest that this page was once part of a binder or folder. The paper includes the header "BOSTON NEWS-CLIP BUREAU" from "Christian Science Monitor, Boston, Mass." with a date stamp indicating "SEP 1 1934." The aged look of the paper, along with the typographic style, suggests this is from an earlier 20th-century publication.

The image shows a page from a newspaper clipping file. The page has a beige-colored background and is filled with text and a black-and-white photograph. The text is arranged in a structured format, with headings and paragraphs. The photograph depicts a bust of a woman, likely a sculpture or artwork. The bust is shown from a frontal view, with the woman's head and shoulders visible. The photograph is accompanied by a caption that provides information about the artwork and its historical context.

The image depicts a historical document or archival item, likely from a news-clipping bureau, titled "Boston News-Clip Bureau." The document is dated September 1, 1944, and is associated with the Christian Science Monitor in Boston, Massachusetts.

Visual Elements:

1. Central Illustration:

   • The document features a detailed black-and-white sketch of a bust of a woman. The bust is shown in profile, facing to the left, and appears to be a classical or ancient sculpture. The head is adorned with a stylized hairstyle typical of ancient Greek or Roman art, and the facial features are rendered with careful attention to detail, including the nose, mouth, and chin.

2. Text Content:

   • The text below the illustration is an artistic and historical analysis of the bust. It discusses the attribution of the sculpture to the fourth century B.C., identifying the subject as Olympia, the wife of Philip II of Macedon, and mother of Alexander the Great.
   • The text elaborates on the stylistic elements of the sculpture, noting its classical features and naturalism, and compares it to other works from the same period. It also touches on the cultural and historical context, mentioning the role of Carvers in creating such monumental works for private patrons.
   • The analysis highlights the balance between idealism and naturalism in ancient sculpture, emphasizing how the artist maintained a harmonious representation of the subject.

3. Archival Markings:

   • The document includes handwritten notes and markings, such as the date "SEP 1 1944" and other annotations, indicating it is part of an archival collection.
   • There is also a stamp or label at the top left corner that reads "BOSTON NEWS-CLIP BUREAU" along with the address: "8 Bosworth Street, Boston, Mass."

4. Condition:

   • The document appears aged, with a yellowed, slightly worn paper and visible holes along the left edge, suggesting it has been stored or handled over time.

Contextual Details:

• The document is likely part of a news clipping or historical archive, possibly used for research or reference purposes. The inclusion of the Boston News-Clip Bureau label suggests it was collected and preserved for journalistic or academic use.
• The detailed analysis of the bust reflects an interest in classical art and sculpture, providing insights into ancient Greek and Roman artistic practices and the cultural significance of such works.

Overall, the image captures a historical artifact that combines visual art (the bust sketch) with written commentary, offering a glimpse into the study and appreciation of ancient sculpture in the mid-20th century.

The image is a photograph of a document that appears to be a clipping from a newspaper or a magazine. The clipping is affixed to a larger piece of paper, possibly for archival purposes. The clipping features a photograph of a sculpture of a woman's head, which is described as "Head of a Woman: Ascribed to the Fourth Century, B.C." The sculpture is shown in profile, and the text provides a detailed description of its features and historical context.

The text mentions that the sculpture is believed to be a portrait of Olympias, the wife of Philip II of Macedon and the mother of Alexander the Great. The description highlights the serene and reflective qualities of the sculpture, noting that the traits of the subject are more apparent than in other sculptures of the same period. The text also discusses the historical context of the sculpture, including the societal norms and artistic trends of the time.

The clipping is dated September 1, 1944, and is attributed to the "Christian Science Monitor." The larger piece of paper to which the clipping is affixed has a label that reads "BOSTON NEWS-CLIP BUREAU" and includes additional information about the source of the clipping. The paper also has a hole punch in the top left corner, indicating that it may have been part of a larger collection or archive.