Archives Scrapbooks

This image displays a vintage newspaper clipping, mounted on a tan, aged piece of paper or scrapbook page, likely from a press file or archive.

Key Components of the Image:

1. Header Sticker:

   • At the top left, a white rectangular sticker identifies the source: “BOSTON NEWS-CLIP BUREAU,” located at “8 Bosworth Street, Boston, Mass.,” and affiliated with the “Christian Science Monitor, Boston, Mass.”
   • The date “SEP 2-1944” is stamped on the sticker.
   • Below the sticker, handwritten in blue ink, is the notation “128 F.”

2. The Clipping itself:

   • The clipping features a black-and-white reproduction of a watercolor painting titled “‘In the Tyrol’: A Water Color by John Singer Sargent.”
   • The painting depicts several figures, presumably women, dressed in voluminous, light-colored, billowy garments and wide-brimmed hats, seated or reclining under trees. The style is loose, impressionistic, and sketchy, capturing the effect of dappled light and shadow.
   • Below the image, a credit line reads: “By Courtesy of the Fogg Art Museum, Harvard University.”

3. Accompanying Text:

   • Below the painting and credit, a lengthy article by Dorothy Arlow discusses John Singer Sargent and his watercolor technique.
   • The article highlights that Sargent, known for his oil portraits, used watercolor as a “great joy” and a “relief” from portraiture.
   • It praises his ability to depict “great scenic expanse,” “architectural motifs,” “peasant houses,” “gardens,” “sculptures,” “flowers,” and “trees” with “light, the suitable abbreviation in strokes of pigment, of textures, shapes, masses.”
   • It notes his detachment and lack of sentimentality, emphasizing his role as an “efficient reporter.”
   • Specifically regarding “In the Tyrol,” the article describes Sargent painting “women of a generation ago relaxing under sunshades, reading or sketching,” enveloped in “billowy garments, to which Sargent gave full modish sweep.”
   • The article mentions his influences (Velasquez, Hals, Manet) and his self-perception as a chronicler who “did not judge, I chronicle.”

4. Mounting Paper:

   • The entire clipping is affixed to a piece of tan, slightly yellowed paper.
   • Two small, white, circular plastic or paper fasteners are visible on the right-hand side, indicating it was likely part of a bound file or scrapbook.

Overall Description:
This is a historical archival item: a 1944 press clipping from the Boston News-Clip Bureau, featuring a reproduction of John Singer Sargent’s watercolor “In the Tyrol.” The clipping includes a detailed article by Dorothy Arlow analyzing Sargent’s artistic process, style, and the specific characteristics of the watercolor medium in his hands. The artifact showcases how art criticism and museum collections were disseminated to the public through newspapers and press services during the mid-20th century.

The image appears to be a clipping from a magazine or newspaper dated September 2, 1944, from the Christian Science Monitor in Boston, Massachusetts. The clipping is from the Boston News-Clip Bureau and includes a reproduction of a watercolor painting titled "In the Tyrol" by John Singer Sargent. The painting depicts two women in a natural setting, likely the Alps, as suggested by the title and the attire they are wearing. The women are dressed in light, flowing garments and are seated under a tree or within a shaded area, possibly enjoying the outdoors or having a conversation. The text accompanying the image provides information about the artist John Singer Sargent, his style, and his appreciation for watercolor painting. The article discusses his techniques, influences, and the characteristics of his work. The paper on which the clipping is printed shows signs of age, with a yellowed appearance, and there are labels and markings on the top left corner, indicating it was processed by the news bureau.

The image is a scanned page from a document with several elements. At the top left corner, there is a label from the "Boston News-Clip Bureau" with the address "8 Bosworth Street, Boston, Mass." and "Christian Science Monitor, Boston, Mass." The date "SEP 2 - 1944" is also printed on the label.

The main content of the page is a black-and-white reproduction of a watercolor painting titled "In the Tyrol" by John Singer Sargent. The painting depicts two women dressed in light, flowing garments, seated outdoors with a natural, rocky background. The attire and setting suggest a leisurely scene from a past era.

Below the painting, there is an article discussing John Singer Sargent's work in watercolor. The text explains that Sargent enjoyed painting in watercolor, finding it a relief from his oil paintings and personal portraits. It mentions his facility in painting quickly and efficiently, capturing the surface appearance of his subjects with a summary manner. The article also notes Sargent's detachment from sentiment in his paintings and his focus on detail and accuracy.

The article is signed by Dorothy Adlow. The document appears to be a clipping from the Christian Science Monitor, as indicated by the label and the text at the bottom of the page. The page itself is an older, yellowed paper, suggesting it is an archival document. There are two holes punched on the right side of the page, likely for filing in a binder.

The image depicts a newspaper clipping with a photograph and text. The clipping is attached to a piece of paper with a hole punch on the right side. The photograph shows two women wearing shawls and hats, possibly posing for a portrait. The text below the photograph reads "IN THE TYRO," followed by a brief description of the photograph and the names of the individuals in the image. The newspaper clipping appears to be from the Boston News-Clip Bureau, and the date is September 2, 1944.

A piece of paper with a brown background has a clipping of a woman's portrait titled "In the Tyrol" by John Singer Sargent. The clipping is from the Christian Science Monitor. The clipping has a date of September 2, 1944, and a number 128 F. The clipping also has a description of the painting and the artist, John Singer Sargent. The clipping is placed on a brown folder with a hole in the upper right corner.

The image shows a mounted news clipping or archival document from the Boston News-Clip Bureau, dated September 2, 1944. The document is titled "In 'The Tyrant,' A Water-Color by John Singer Sargent" and is sourced from the Christian Science Monitor, Boston, Mass. The clipping includes a black-and-white photograph of a painting titled "In the Tyrant", attributed to John Singer Sargent.

Visual Elements of the Image:

1. Photograph of the Painting:

   • The photograph depicts a scene with two women in a relaxed, intimate setting.
   • Both women are dressed in loose, flowing garments, suggesting a casual or domestic environment.
   • One woman is seated and appears to be holding or interacting with the other, who is lying down or reclining.
   • The setting seems to be outdoors, with foliage visible in the background, indicating a natural or garden-like environment.

2. Textual Content:

   • The caption beneath the photograph identifies the artwork as a watercolor painting by John Singer Sargent.
   • The text provides context about Sargent, noting that he was an American portrait painter born in Florence, Italy, and that he produced quantities of oil paintings and personal portraits in London and Boston.
   • It highlights Sargent's skill in watercolor, describing his ability to strike off in a summary manner the striking appearance of the subject. The text also mentions that Sargent had an inborn faculty of painting quickly and efficiently, and that his method was not a sort of painter's shorthand but too fast.
   • The article quotes Sargent himself, who said, "No, I don't judge; I chronicle," indicating his approach to capturing subjects with authenticity rather than judgment.

3. Archival Details:

   • The document is labeled with a file number 128 F and includes a header indicating it is from the Boston News-Clip Bureau located at 5 Bosworth Street, Boston, Mass.
   • There is a note at the bottom of the clipping that reads: "By courtesy of the Fogg Art Museum, Harvard University (To The Christian Science Monitor)."

Overall Context:

The image is a historical news clipping that serves as an art critique or appreciation of John Singer Sargent's watercolor technique. It emphasizes Sargent's unique style, his rapid execution, and his philosophical approach to painting. The photograph of "In the Tyrant" illustrates his ability to capture intimate, candid moments with grace and efficiency, reflecting his reputation as a master of watercolor and portraiture. The document is preserved as part of an archival collection, likely for research or historical reference.

This image appears to be a scanned or photographed page from a publication, possibly an archival or historical document. The top portion of the document features a header indicating it belongs to the "BOSTON NEWS-CLIP BUREAU" from "8 Bosworth Street, Boston, Mass." associated with "Christian Science Monitor." The date "SEP 2 - 1944" is stamped in red.

Beneath the header, there is a reproduction of a watercolor painting; it has an annotated caption "In the Tyrol: A Water Color by John Singer Sargent," credited to "Courtesy of the Fine Arts Museums, Boston transmitted to The Christian Science Monitor." The painting depicts two figures wearing wide-brimmed hats that obscure their faces slightly and sitting amidst a landscape that appears to be outdoors, although details are not crisp.

Below the picture, there is an article entitled "Water-color Painting was a great joy to John Singer Sargent." The article discusses Sargent's proficiency and passion for watercolor painting and makes mention of his work being "in great demand by the fashionable world of London and Boston." It gives a brief commentary on Sargent's technique, subjects, and his approach to painting, as well as his skill as a watercolorist.

The bottom right corner contains a signature or acknowledgment to "Dorothy Adlow." The entire document, including the clipping and the brown paper it is attached to, shows signs of age and handling with discoloration and some creased edges.

The image shows a vintage newspaper clipping pasted onto a brown page with two punched holes on the right side. The clipping features a black and white reproduction of a painting titled "In The Tyrol" by John Singer Sargent. The painting depicts two women dressed in bonnet-style hats and flowing garments, sitting closely together in what appears to be an outdoor setting with foliage in the background.

Below the image is a printed article that discusses John Singer Sargent's work, his approach to painting, and his transition to watercolor as a relief from portraiture. The piece highlights Sargent's quick and efficient style, his ability to capture the surface appearance of subjects, and his focus on light and shapes rather than sentiment. The article also notes that the women in the painting are from a generation relaxing under sunshades, dressed in billowy garments to which Sargent gave a full modish sweep. The clipping is from the Boston News-Clip Bureau, Christian Science Monitor, dated September 2, 1944. The article is authored by Dorothy Adlow.

• The image shows a vintage archival page (tan/brown folder) with two punched holes on the right edge for a binder.
• Attached near the top-left is a small newspaper clipping from the Boston News-Clip Bureau, stamped “SEP 2-1944.”
• The clipping features a black-and-white reproduction of a painting titled “In the Tyrol: A Water Color by John Singer Sargent,” showing figures in a snowy Tyrolean setting.
• The image credits note it’s courtesy of the Fogg Art Museum, Harvard University, to The Christian Science Monitor, with a block of text beneath describing the painting.
• The overall look is aged and documentary, typical of a scrapbook or archival file.

This image depicts a newspaper clipping mounted on brown paper. The clipping features a black-and-white reproduction of a watercolor painting by John Singer Sargent, titled "In the Tyrol." The image shows two women seated outdoors, dressed in voluminous clothing and sun hats typical of the late 19th or early 20th century. They appear to be relaxing in a natural setting, with trees or foliage in the blurred background. Below the image, there is an article describing Sargent’s watercolor technique and its artistic merits. A label at the top left corner reads “Boston News-Clip Bureau” and is stamped with the date "SEP 2 - 1944." A hole reinforcement is seen at the right margin, likely for placement in a binder.