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ARCH.2003.29, Rendition: 803504
The image shows a page from the Christian Science Monitor dated August 1, 1944. It features an illustration and a accompanying text. The illustration, titled "Street in Bourges or Rouen: A Drawing by Herman A. Webster," depicts a narrow, medieval street lined with old-fashioned buildings. The architecture of the buildings suggests a European setting, likely from the 15th century. The text provides a description of the street, emphasizing its narrowness and cobblestone paving, as well as the unique architectural details of the buildings. It highlights the historical and cultural significance of such streets, particularly in the context of Normandy, France. The image appears to be clipped from a newspaper, as indicated by the header from the Boston News-Clip Bureau and the address of 8 Bosworth Street, Boston, Mass. The overall tone of the text is reflective and appreciative of the preserved historical aspects of the city.
This image is a historical newspaper clipping from the "Christian Science Monitor," dated August 1, 1944. The clipping is mounted on a brown folder with a visible binding hole on the right side. The top of the clipping includes a label from the "Boston News-Clip Bureau," located at 8 Bosworth Street, Boston, Mass.
The main feature of the clipping is an illustration titled "Street in Bourges or Rouen: A Drawing by Herman A. Webster." The drawing depicts a narrow, cobblestone street lined with old, medieval-style buildings. The buildings are tall and closely packed, with some leaning slightly. The architecture includes arched doorways, uneven gables, and various windows, giving the scene a quaint, historical feel.
Below the illustration, there is a text article discussing the drawing. The article mentions that the sketch is from the pencil of Herman A. Webster, a well-known contemporary artist, and was used on parchment paper. The text also notes that the authorities at the Fogg Art Museum, where the sketch is included in the Paul J. Sachs Collection, are not sure whether the artist drew a street in Rouen or in Bourges. The article goes on to describe the characteristics of medieval streets in Normandy, mentioning their narrowness, cobblestone paving, and the unique architecture of the buildings.
The overall tone of the article is reflective and nostalgic, evoking the historical charm and atmosphere of the depicted street. The clipping provides a glimpse into the cultural and historical context of the time, likely during the World War II era, as it mentions the possibility of such scenes being swept away in the path of war.
This image displays a vintage newspaper clipping mounted on a piece of aged, tan-colored archival paper or folder. The clipping is from the Christian Science Monitor and is dated August 1, 1944, as indicated by a white label from the Boston News-Clip Bureau at the top left.
The main feature of the clipping is a black-and-white pencil drawing by the American artist Herman A. Webster, captioned:
“Street in Bourges or Rouen; A Drawing by Herman A. Webster”
The drawing depicts a narrow, cobbled medieval street in a French town, lined with tall, old buildings that have steeply pitched roofs, ornate gables, and timber-framed facades. The street recedes into the distance, creating a strong sense of depth. Small figures of people and possibly carts can be seen along the street, suggesting daily life. The style is finely detailed and evocative of historic European architecture.
Below the drawing is a textual commentary from the newspaper. It describes the scene, noting that such streets—whether in Bourges or Rouen—may have already been destroyed in the war. It praises the authenticity and charm of the medieval architecture—narrow streets, rough cobblestones, crooked houses, arched doorways, and flower boxes overhanging the walkway—and suggests that walking such a street evokes a feeling of stepping back into the fifteenth century.
A note beneath the drawing states:
By Courtesy of the Fogg Art Museum, Harvard University, in the Caroline Dukes Simonds Collection.
At the top right of the clipping, part of a headline is visible:
“...ATOMIC FORCES” — likely referring to the atomic bomb development during WWII, though it’s unrelated to the drawing itself.
The paper on which the clipping is mounted has two visible white plastic or paper reinforcement rings on the right edge, suggesting it was part of a binder or archive file. The overall appearance — the yellowed paper, the style of the clipping, and the wartime context — gives the item a strong historical, archival feel, capturing a moment of cultural reflection amid the destruction of World War II.
In summary, this is a 1944 newspaper clipping from the Christian Science Monitor, featuring an evocative drawing by Herman A. Webster of a medieval French street, accompanied by a poignant editorial celebrating its timeless beauty — a beauty that may have already been lost to war.
The image shows a clipping of an article from the Christian Science Monitor, published on August 1, 1944. The article is about a drawing of a street in Rouen, France, by Herman A. Webster, a well-known contemporary artist. The drawing is from the Fogg Art Museum in Cambridge, Massachusetts, and is part of the Sachs Collection. The article describes the street in Rouen as narrow, with rough cobblestones and high old houses with sharply pitched roofs. The street is lined with sharply pointed doorways and worn stone thresholds, flower boxes, and pre-possible positions. The article suggests that walking down the street is like taking a step back in time to the fifteenth century.
The image shows a clipping from the Christian Science Monitor, dated August 1, 1944. It contains a black-and-white sketch of a street in the French town of Rouen, drawn by Herman A. Webster. The sketch depicts a narrow, cobblestone street with medieval buildings, high-rise houses, and arched doorways. The clipping also includes a brief description of the street and its historical significance, as well as a mention of the sketch being included in the collection of the Fogg Art Museum at Harvard University.
The image depicts a historical newspaper clipping from the Christian Science Monitor, dated August 1, 1944. The clipping is part of the Boston News-Clip Bureau collection, as indicated by the header at the top. The clipping features an illustration titled "Street in Bourges on the River", created by Herman A. Webster.
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Overall, the image captures a blend of historical illustration, journalistic commentary, and archival preservation, offering a glimpse into mid-20th-century perspectives on European architecture and culture.
The image shows a newspaper clipping of an article about a sketch of a street in Rouen, France. The clipping is on a piece of paper with a hole punch in the top-right corner and a date stamp in the top-left corner.
The image appears to be a scanned copy of a newspaper clipping, likely from the Boston News-Clip Bureau. The clipping is on a piece of paper with a hole punch and a date stamp, indicating that it was likely used for filing or storage purposes. The background of the image is a solid gray color, which suggests that it may have been scanned or photographed against a plain background.
The image depicts a newspaper clipping featuring an illustration of a street in Rouen, France. The clipping is from the Boston News-Clip Bureau and is dated August 1, 1944. It includes a sketch by Herman A. Webster, titled "Street in Bounces or Rouen: A Drawing by Herman A. Webster." The sketch is accompanied by a brief description of the artist's work and style.
The clipping is attached to a piece of paper with three holes punched along the right side, suggesting that it was once part of a binder or folder. The overall appearance of the image suggests that it is a historical document or artifact, possibly from a museum or archive collection.
The image is a scanned page from a newspaper or magazine, featuring an article about a drawing by Herman A. Webster.
The image appears to be a scanned page from a newspaper or magazine article about a drawing by Herman A. Webster, featuring a street scene in France. The page is yellowed and has been punched with holes, suggesting that it was once part of a binder or scrapbook. The article discusses the artist's work and the inspiration behind the piece, and is written in a formal, descriptive style.
The image presents a vintage newspaper clipping, likely from the Christian Science Monitor, featuring an article and a drawing of a street scene. The clipping is attached to a piece of aged paper with two holes punched on the right side.
In summary, the image presents a vintage newspaper clipping featuring a drawing of a street in Rouen, France, accompanied by an article discussing the artwork and its context. The clipping is attached to a piece of aged paper with two holes punched on the right side, and a sticker indicates that it was obtained from the Boston News-Clip Bureau in 1944.