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This image shows a yellowed, aged newspaper clipping mounted on a slightly larger, similarly aged sheet of paper, likely for archival purposes. The clipping is from The Christian Science Monitor, dated July 17, 1944, and was distributed by the Boston News-Clip Bureau at 8 Bosworth Street, Boston, Massachusetts.

The article is titled:
“Dürer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum”
and is written by Dorothy Adlow.

The text discusses a special summer exhibition at the Fogg Museum of Art, Cambridge. The exhibit featured a significant collection of graphic arts, including woodcuts and etchings, with a focus on the works of two masters: Albrecht Dürer (German, 15th–16th century) and Rembrandt van Rijn (Dutch, 17th century).

Key details from the article:

• The collection was described as “fascinating” and included “more recent acquisitions,” many from “seasoned gallery-trusted” sources.
• The Fogg Museum’s holdings were noted for their breadth, encompassing “ancient and modern, with pictures, sculptures, decorative objects, religious and secular artifacts,” and the print collection was said to “far exceed the building space.”
• The article highlights several Dürer woodcuts, including:
  • The Four Horsemen of the Apocalypse
  • Martyrdom of the 10,000
  • Simson and the Lion
  • A set of 54 miniatures from Fall and Redemption of Man
• For Rembrandt, it mentions:
  • “Old Man with Divided Fur Cap”
  • “Abraham and Isaac” (with a corresponding etching shown in the image)
  • “Christ Before Pilate”
  • Prints by his pupils, such as Georg Pencz and Gabriel Salmon
  • French printmakers like Jacques Callot, Gauguin, and Toulouse-Lautrec

On the right side of the article is a black-and-white reproduction of Rembrandt’s etching, “Abraham and Isaac”, which the caption notes is “Etching now on view at the Fogg Museum of Art in Cambridge.”

Physical characteristics of the item:

• The clipping appears to be on fragile, discolored newsprint.
• It is pasted onto a slightly larger, light brown or tan folder or mounting sheet, which has two binder holes punched along the left edge.
• Handwritten pencil markings, “128 F,” are visible in the upper left corner of the clipping itself.
• The overall appearance suggests it is a preserved news clipping from 1944, likely collected by a library, archive, or researcher.

In summary, this is a historical newspaper clipping that serves as a contemporary review and announcement of a major art exhibition at the Fogg Museum in 1944, offering insight into how Dürer and Rembrandt’s prints were received and interpreted by art critics mid-20th century.

The image is a newspaper clipping from "The Christian Science Monitor," dated July 17, 1944. The article is titled "Dürer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum," written by Dorothy Adlow. The clipping discusses a special display of prints at the Fogg Museum of Art, Cambridge, featuring works by Dürer and Rembrandt, among other artists. The article highlights the significance of the exhibition, noting the variety and quality of the prints, including woodcuts, engravings, and etchings. It also provides details about the specific artists and their contributions to the field of print making.

The article mentions the presence of Dürer's woodcuts and engravings, such as "The Four Horsemen of the Apocalypse" and "Samson and the Lion," and highlights Rembrandt's etchings, including "View of Amsterdam," "Old Man with Divided Fur Cap," and "Abraham and Isaac." The piece also references works by other artists such as Manet, Daumier, Rouault, Lehmbruck, Gauguin, Toulouse-Lautrec, and Bellows.

On the right side of the clipping, there is a photograph of Rembrandt's "Abraham and Isaac," an etching now on view at the Fogg Museum of Art in Cambridge. The clipping has a beige background and appears to be attached to a beige folder. There is a visible crease running vertically along the left edge of the clipping, and the top left corner has a label that reads "BOSTON NEWS-CLIP BUREAU" with an address in Massachusetts. Additionally, there is a handwritten note on the top left indicating "128 F."

This image is a scanned page of an article from The Christian Science Monitor newspaper dated July 17, 1944. The article is titled "Dürer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum" and is written by Dorothy Adlow. The clipping is pasted onto a brownish manila folder, likely for archival purposes.

Key Elements:

1. Article Content:

   • The article discusses a special display of important prints at the Fogg Museum of Art in Cambridge.
   • It highlights the museum's collection of graphic arts and recent acquisitions, which include works by Dürer, Rembrandt, and other notable artists.
   • The text mentions various types of prints, such as woodcuts, copper engravings, and etchings, and describes their artistic qualities and historical significance.
   • It also touches on the evolution of graphic arts in the 19th century and the impact of artists like Manet, Daumier, and Rouault.

2. Illustration:

   • On the right side of the article, there is an illustration titled "Rembrandt's 'Abraham and Isaac' Etching". The image depicts a scene with two figures, one of whom appears to be an older man, possibly Abraham, and the other a younger figure, likely Isaac. The scene is set in a dramatic and somewhat somber atmosphere.

3. Stamp and Label:

   • At the top of the page, there is a stamp or label from the Boston News-Clip Bureau located at 8 Bosworth Street, Boston, Mass. This indicates that the article was clipped and possibly distributed by this bureau.
   • The label also includes the date JUL 17 1944.

4. Punch Holes:

   • The manila folder has two punch holes on the left side, suggesting that it was part of a binder or folder system.

Overall, this image provides a glimpse into a historical newspaper article about a museum exhibition, showcasing the printmaking techniques and artistic works of renowned artists like Dürer and Rembrandt.

The image shows a newspaper clipping, which is a piece of paper that has been cut out from a newspaper. The clipping is pinned to a brown paper sheet with two holes at the top and bottom. The newspaper clipping has a headline that reads "Durer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum." The clipping also has a picture of two people and a caption that reads "Rembrandt's 'Abraham and Isaac' Etching now on view at the Fogg Museum of Art in Cambridge." The clipping is from the Christian Science Monitor, dated July 17, 1944.

This image is a clipping from the Christian Science Monitor newspaper dated July 17, 1944. The clipping is about an exhibition of masterpieces of print making by artists like Durer and Rembrandt at the Fogg Museum of Art in Cambridge. The clipping mentions that there is a fascinating display of prints by Giovanni Battista Piranesi, who was a Venetian artist trained by Giovanni Paolo Pannini. The clipping also describes the prison scenes by Piranesi as a fantastic series of architectural grotesques that evoke great visions of arches, columns, and abstract patterns. The clipping further mentions that graphic art blossomed during the Renaissance, growing fearless, self-expressive, and artistic, and that etching was a sympathetic medium for artists like Rembrandt, who used it to portray the inner life and emotions of his subjects.

The image is a scanned newspaper clipping from the Boston News-Clip Bureau, dated July 17, 1944, and published in the Christian Science Monitor. The headline reads: "Dürer and Rembrandt in Cambridge", and the subheading states: "Masterpieces of Print Making Shown at the Fogg Museum". The article is authored by Dorothy Adcock.

Description of the Image Content:

Header and Layout:

• The top of the clipping features the header of the Boston News-Clip Bureau, located at 8 Bromwich Street, Boston, Mass.
• Below the header, the name of the publication, Christian Science Monitor, is prominently displayed, along with the date JUL 17 1944.
• The article is titled "Dürer and Rembrandt in Cambridge", with a subheading emphasizing the display of "Masterpieces of Print Making Shown at the Fogg Museum".

Main Text:

• The article discusses an exhibition of printmaking masterpieces at the Fogg Museum of Art in Cambridge, Massachusetts. It highlights the display of works by Albrecht Dürer and Rembrandt, among other notable artists.
• The text describes the historical significance of the prints, noting that the Fogg Museum has recently acquired a large collection of prints, including works by Dürer and Rembrandt, which are now on display.
• The article emphasizes the importance of printmaking as an art form, noting that it was highly regarded in the past but is often overlooked in modern times. It also discusses the technical and artistic qualities of the prints, such as their intricate details, symbolism, and historical context.
• The article mentions specific works on display, including Rembrandt's "Abraham and Isaac", which is illustrated in the image.

Illustration:

• On the right side of the clipping, there is an illustration of Rembrandt's "Abraham and Isaac". The caption below the illustration reads: "Rembrandt's 'Abraham and Isaac' Etching now on view at the Fogg Museum of Art in Cambridge."
• The illustration depicts a dramatic scene with figures in period clothing, characteristic of Rembrandt's style, showcasing the emotional intensity and depth typical of his work.

Additional Details:

• The article provides context about the Fogg Museum's collection, noting that it is one of the most important collections of prints in the country.
• It also mentions other artists whose works are included in the exhibition, such as Jacques Callot, Giovanni Battista Tiepolo, and Andrés Mantegna.
• The article highlights the educational value of the exhibition, suggesting that it offers a unique opportunity to appreciate the technical and artistic mastery of printmaking.

Overall Impression:

The image is a historical newspaper clipping that serves as a promotional piece for an art exhibition at the Fogg Museum. It combines textual information with a visual representation of one of the featured artworks, providing readers with both a narrative and a glimpse of the exhibition's content. The layout and design reflect the style of mid-20th-century newspaper clippings, with a focus on clear typography and visual appeal.

This is an image of a newspaper clipping pasted onto a brown sheet of paper with two punched holes on the left margin, suggesting it's part of a collection or a filing system. The newspaper is from the "Boston News-Clip Bureau" and the clipping itself is from the "Christian Science Monitor, Boston, Mass., dated July 17, 1944."

The article's headline reads "Dürer and Rembrandt in Cambridge" with the subtitle "Masterpieces of Print Making Shown at the Fogg Museum." The article, by Dorothy Adlow, discusses an exhibition featuring the works of the famous artists Albrecht Dürer and Rembrandt. It mentions various aspects of the artists' works, techniques, and themes.

In the bottom right corner of the clipping, there's a small image of Rembrandt's "Abraham and Isaac" with a caption that reads "Etching now on view at the Fogg Museum of Art in Cambridge."

The overall condition of the paper suggests some aging, and it's likely that the clipping was preserved for its historical or informational value.

This is a vintage scrapbook clipping mounted on a brown manila folder.

• Source and date: Boston News-Clip Bureau item from the Christian Science Monitor, dated July 17, 1944.
• Headline: “Durer and Rembrandt in Cambridge” with a subheading about masterpieces of print making shown at the Fogg Museum.
• Content: A long column of article text describing prints by Durer and Rembrandt on display at the Fogg Museum.
• Image: A small black‑and‑white illustration on the right showing Rembrandt’s etching (caption reads something like “Rembrandt’s ‘Abraham and Isaac’ Etching now on view at the Fogg Museum of Art in Cambridge”).
• Presentation: The clipping is attached to the folder, which has two punched holes along the left edge. The overall look is aged, newspaper print on tan paper.

This image shows a scrapbook page with a newspaper clipping attached. The clipping is from the Christian Science Monitor, dated July 17, 1944, and comes from the Boston News-Clip Bureau in Boston, Mass. The headline of the article reads, "Dürer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum."

The article, written by Dorothy Adlow, discusses a special display at the Fogg Museum of Art in Cambridge featuring recent acquisitions, including prints and etchings by famous artists such as Dürer and Rembrandt. It mentions various artworks and artists displayed, emphasizing the craftsmanship and significance of the prints.

To the right of the text, there is an image of a print titled "Rembrandt's 'Abraham and Isaac,'" described as an etching now on view at the Fogg Museum of Art in Cambridge. The print depicts a biblical scene with two central figures: an older man holding a knife and a young boy kneeling.

The scrapbook page has two hole punches on the left side and some handwritten markings in blue ink at the top of the clipping. The paper itself is aged, showing a yellowish-brown tone.

This image shows a clipping of a newspaper article mounted on heavy brown paper. The article is titled "Dürer and Rembrandt in Cambridge: Masterpieces of Print Making Shown at the Fogg Museum" and is from The Christian Science Monitor, dated July 17, 1944, as indicated by the "Boston News-Clip Bureau" stamp at the top. The article, written by Dorothy Adlow, discusses exhibitions of famous prints by Albrecht Dürer, Rembrandt, and others at the Fogg Museum of Art in Cambridge.

On the right side of the page is a reproduction of Rembrandt's etching, "Abraham and Isaac," accompanied by a caption indicating that the work is part of the display at the museum. The article delves into various artistic techniques, the significance of the exhibited works, and the cultural relevance of the pieces on display, touching on subjects like etching, engraving, and the artistry of the prints featured in the exhibition. The clipping has a neat, aged appearance with some discoloration and two hole punches on the left edge, suggesting it was part of an archival or scrapbook collection.