Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.29, Rendition: 803499
The image appears to be a vintage scrapbook page from July 1944, featuring a collection of newspaper clippings and a watercolor painting. Here's a detailed description:
Upper Center: There is a watercolor painting of a rhododendron plant. The painting is labeled as "Rhododendron: A Water Color by Charles Henry Moore." The artist is noted to be from the Fogg Museum of Art, Harvard University.
Upper Left Corner: A label reads "Boston News-Clip Bureau 8 Bosworth Street Boston, Mass." and "Christian Science Monitor Boston, Mass." with the date "JUL 7 - 1944."
Lower Left Corner: Another label reads "Herald Boston, Mass." with the date "JUL 2 - 1944." Below this, there is a poem titled "Aubade" by David Morton, which describes a tranquil moment at dawn.
Lower Right Corner: A label reads "Boston News-Clip Bureau 8 Bosworth Street Boston, Mass." with the date "JUL 3 - 1944." This label also mentions the Fogg Museum of Art and an exhibition of illustrations by Beardsley presented by the Museum Class Seminar.
Bottom Right Corner: Another label reads "Boston News-Clip Bureau 8 Bosworth Street Boston, Mass." with the date "JUL 9 - 1944." This label mentions an exhibition of Old Wedgwood.
The page seems to be a collection of news clippings and announcements related to art exhibitions and museum events in Boston during the summer of 1944.
This image is a scanned page from a scrapbook or archive of newspaper clippings related to the Fogg Museum of Art at Harvard University. The page appears to be organized with various clippings from different dates in July 1944, specifically from the "Boston News-Clip Bureau" and "Christian Science Monitor."
The page appears to be part of a collection documenting the exhibitions and activities at the Fogg Museum of Art during the summer of 1944. The clippings are neatly arranged and labeled with the source and date, indicating a systematic effort to preserve this information.
This image displays a vintage newspaper clipping file page, likely from a press archive or research collection, dated July 1944. The page is mounted on aged, tan-colored paper with two binder holes on the left side.
The central feature is a black-and-white reproduction of a watercolor painting titled “Rhododendron” by American artist Charles Henry Moore (1845–1930), described in the accompanying text as both a painter and etcher. The artwork, showing a branch of rhododendron with leaves and buds, is noted as being “By Courtesy of the Fogg Museum of Art, Harvard University, in The Christian Science Monitor.”
Surrounding the artwork are several newspaper clippings, each bearing a pre-printed label from the “BOSTON NEWS-CLIP BUREAU” at “8 Bosworth Street, Boston, Mass.” These labels indicate the date each clipping was compiled and the associated newspaper or publication:
Below the painting is an article about Charles Henry Moore, which praises his “painting brushwork” and “delicacy and sensitiveness of an Asiatic artist.” It discusses his traditional style amid a trend toward freer, more open representation, asserting the enduring value of his work.
Also included is a short prose poem titled “Aubade” by David Morton, celebrating the arrival of dawn, which appears connected to the Christian Science Monitor’s July 7 clipping — perhaps as a poetic reflection on the beauty of nature that Moore’s painting evokes.
In summary, this file page is a curated archival collection of 1944 media clippings centered on cultural events in Boston, particularly art exhibitions at the Fogg Museum, including a prominent feature on Charles Henry Moore’s work. It serves as a historical record of art criticism, museum programming, and local journalism from the mid-1940s.
The image is a photograph of a paper with multiple pieces of paper attached to it. The paper is brown and has a hole punch on the top left corner. The pieces of paper are attached to the brown paper with tape. The pieces of paper have text and a drawing of a plant on it. The text is written in black ink and is arranged in a grid-like pattern.
The image shows a collection of newspaper clippings and articles related to the Boston News-Clip Bureau, a service that provided news and information to the Christian Science Monitor newspaper. The clippings are organized in a folder with a label that reads "Boston News-Clip Bureau, 8 Bosworth Street, Boston, Mass." The clippings include articles from the Christian Science Monitor and the Boston Herald, covering topics such as art exhibitions, flower painting, and the work of Charles Henry Moore, an American artist known for his watercolors of rhododendrons. The clippings are dated from July 1944, and some of them have a small circle or hole in the top left corner, possibly indicating that they were selected for inclusion in a larger collection or archive.
The image depicts a collection of newspaper clippings and a botanical illustration, all preserved within a file folder labeled "BOSTON NEWS-CLIP BUREAU." Here is a detailed description:
"RHODODENDRON: 'A Country of the Peat Museums of Art, Harvard University, in This Century's Serious Monitor'"
This suggests the illustration was featured in a publication or exhibit related to the Peabody Museum of Art at Harvard University.
The folder contains several newspaper clippings, each with its own header and date. Here is a breakdown:
The image captures a historical moment in Boston, Massachusetts, in 1944, focusing on an art exhibition at the Peabody Museum of Art, Harvard University. The central botanical illustration of a rhododendron, created by Charles Henry Moore, is highlighted alongside newspaper clippings that provide context about the exhibition and the artist's work. The inclusion of a poem adds a literary dimension, enriching the visual and textual content of the folder. This collection serves as a snapshot of cultural and artistic activity in Boston during World War II.
This image shows a page with multiple news clippings pasted onto a brown paper background. There is a large news clipping on the upper half of the page featuring a black-and-white image of what appears to be a watercolor painting of rhododendrons with the caption "Rhododendron: A Water Color by Charles Henry White" and an explanatory text below it that begins with "Charles Henry Moore was an American artist, born in New York." Below the main clipping, there are four smaller clippings arranged vertically, each with a header from the "BOSTON NEWS-CLIP BUREAU." These smaller clippings are dated July 1, 2, 3, and 5 of 1944 and include the address "8 Bosworth Street, Boston, Mass."
Moreover, one small news snippet, titled "Aubade" and written by Dave Morrah, is a poem about dawn is visible between the clippings dated July 2 and July 3, 1944. On the top left corner, "BOSTON NEWS-CLIP BUREAU" is also pasted onto the brown background with the address provided. There are two punched holes on the left of the page, typical for documents intended to be filed or bound in a binder.
This image depicts a scrapbook page featuring a newspaper clipping and associated materials. At the top, there's a black and white image of a rhododendron plant, which is noted to be a watercolor artwork by Charles Henry Moore. Beneath the image is an article describing Moore's background as an artist specializing in depictions of nature. There is also the text of a poem titled "Aubade" by David Morton.
On the right side and along the bottom of the page, multiple smaller cutouts are affixed, all labeled "Boston News-Clip Bureau" with dates ranging from July 2 to July 10, 1944, associated with publications such as the Christian Science Monitor and the Boston Herald.
The page is neatly arranged on aged brown scrapbook paper with two visible hole punches on the left, suggesting it was part of a larger collection. The overall presentation gives a sense of preserving historical clippings and artistic recognition.
A vintage scrapbook page on brown, aged paper. The focal point is a large black-and-white clipping of a rhododendron branch with leaves, mounted in the center. A caption beneath the image identifies it as a water color of “Rhodedendron” by Charles Henry Moore (courtesy of a museum).
Around the main image are several small newspaper clippings from the Boston News-Clip Bureau and other Boston papers (Herald, Christian Science Monitor, etc.), all dated in July 1944. In the lower-left area there is a short poem titled “Aubade” and a small block of text about the artist. The page has two binding holes along the left edge, indicating it came from a binder. Overall, it looks like a pressed-clip art spread documenting a specific artwork and related press clippings.
This image shows a scrapbook page that contains an old newspaper clipping attached to it. The newspaper clipping features a watercolor painting of a rhododendron branch, along with an article about Charles Henry Moore, an American artist known for his watercolor paintings including botanical subjects. The article discusses his style and artistic qualities, specifically highlighting this painting of a flowering branch.
Below the article and image is a poem titled "Aubade" by David Morton, which reflects on the dawn and the beauty of the natural world.
The scrapbook page also has multiple small labels or stamps from the "Boston News-Clip Bureau" with addresses in Boston, Massachusetts. These labels show dates in July 1944 and mention various newspapers such as the Christian Science Monitor and the Herald. Some additional text references exhibitions at the Fogg Museum of Art.
The overall appearance indicates this page is part of a collected press or news clipping archive focused on art-related content from July 1944. The page has two punched holes on the left for placing in a binder.