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ARCH.2003.29, Rendition: 803498
This is a scanned image of a single page from The New York Times, dated Sunday, June 25, 1944. The page appears aged, with a yellowish-brown tint and some creasing, and has visible holes punched on the right margin, suggesting it was stored in a binder. A handwritten note, possibly "F/F," is scribbled in pencil near the top right corner.
At the top, centered, is the heading “Among Collectors’ Clubs”. Below that is the masthead of The New York Times and the date: “JUNE 25 1944”.
This is a cultural column by Edward Alden Jewell, titled “RETROSPECT OF EVENTS ELSEWHERE”. The article is formatted in multiple columns and provides a survey of recent and ongoing art exhibitions, museum activities, and artistic trends across major U.S. cities.
Key points from the article:
Philadelphia: Highlights exhibitions including a Thomas Eakins centenary show, a memorial to Henry McCarter, and a “Fifty-seventh Street Gallery” survey of Philadelphia’s 1943-44 season. It notes strong representation of local art and a well-rounded memorial to McCarter.
Washington, D.C.: Mentions the Corcoran Gallery’s focus on international art, the National Gallery’s special exhibitions of paintings from the National Collection (including prints from the Rosenwald Collection), and increased attention to American art, particularly through acquisitions by Director Robt. Natkin.
Boston (Wedgeood Club): Reports on a private event held on June 2 at the Wedgwood Club in Boston, featuring a collection of Wedgwood items including “3,500 objects of art,” with special emphasis on Queen Charlotte’s portrait and early 18th-century items. The event was hosted by Mrs. Charles P. Gorey Jr.
New England: Notes shifts in museum programming, including Yale University’s “Integration of Modern Art and Science” and exhibitions celebrating the centenary of John Trumbull, as well as shows at the Worcester Museum and the New Britain Museum of American Art.
General Observations: Jewell remarks on the “kaleidoscopic multiplicity” of current exhibitions and urges for retrospective analysis of the season. He reflects on how American art is evolving beyond mere imitation of European styles and calls for more definitive “retrospective surveys” to assess developments properly.
This page offers a valuable historical snapshot of mid-century American art culture. It reflects the growing institutionalization of American art, the efforts of regional museums to assert their own identities, and the postwar context in which American art was beginning to assert itself independently from European traditions. The tone is reflective and scholarly, characteristic of cultural journalism in the 1940s.
The aged physical condition of the page and handwritten annotations lend it an archival, research-oriented quality, suggesting it was preserved and possibly referenced for historical study.
The image appears to be a scanned document containing articles from a newspaper, specifically sections from The New York Times. The articles are discussing various art exhibitions and events held across different cities, including Boston, Philadelphia, and Washington, D.C. The title at the top of the document is "Among Collectors' Clubs," and it seems to focus on the Wedgwood Club's activities, particularly a private view of the Grenville Lindell Winthrop collection of Old Wedgwood at the Fogg Museum in Harvard University in Cambridge, Massachusetts.
The text mentions events and exhibitions related to art, including the bequest of more than 3,500 objects of art to Harvard University by the Winthrop collection. The articles are dated June 16, 1944, and June 25, 1944, and they provide details about various exhibitions, the opening of the Thomas Eakins Centenary show, and other art-related activities. The document appears to be aged, as evidenced by the yellowed paper, and it has annotations and markings, including a handwritten note at the top that reads "128F." There are also hole punches in the top right corner, suggesting that the document might have been part of a collection or folder.
The image shows a page from a scrapbook or collection of newspaper clippings. The page is made of brown paper and has several cut-out articles from newspapers pasted onto it. Here are the details of the articles:
"Among Collectors' Clubs" - This article, dated June 16, 1944, discusses the Wedgwood Club in Boston, Massachusetts. It mentions an event where almost 150 members and guests attended a private view of the Grenville Lindell Winthrop collection of Old Wedgwood at the Fogg Museum, Harvard University. The article describes the event and the significance of the collection.
"RETROSPECT OF EVENTS ELSEWHERE" - This article, dated June 25, 1944, is written by Edward Alden Jewell. It provides a review of various art exhibitions and events that took place in different locations. The article discusses the Philadelphia Museum's contributions, the Thomas Eakins centenary show, and other notable art events in New York and Washington, D.C.
"Philadelphia Continued" - This section continues the discussion from the previous article, focusing on the Philadelphia Museum and its exhibitions, particularly the "291 and After" show honoring Alfred Stieglitz.
"Back to New England" - This section discusses art events in New England, including the Yale Gallery of Art in New Haven and various exhibitions in different museums.
The page also has handwritten notes and markings, including "126 F" and the date "JUN 25 1944" written on the top of the central article. There are two metal rings on the right side of the page, likely used to bind the scrapbook.
The image shows a page from a newspaper or magazine. The page is dated June 25, 1944, and the headline reads "Retrospect of Events Elsewhere." The article is written by Edward Alden Jewell. The article discusses various art exhibitions and events that took place in different cities, including Boston, Pittsburgh, Philadelphia, and Washington, D.C. The article provides a retrospective look at these events and highlights some of the notable works and artists featured in the exhibitions. The page has a brownish color and appears to be from an old newspaper or magazine.
The image is a vintage newspaper clipping, dated June 25, 1944, from The New York Times. The clipping features a section titled "Retrospect of Events Elsewhere," written by Edward Alden Jewell. The article provides a retrospective look at various art exhibitions and events that occurred in different cities across the United States during the spring and early summer of that year.
The article mentions several exhibitions, including:
The Philadelphia Museum's exhibition of contemporary art, which showcased works by artists like Whistler, Homer, Ryder, Eakins, and Bonnard. The museum also planned to open a retrospective of the work of the American painter John Singer Sargent in New York.
The Corcoran Gallery of Art's exhibition in Washington, D.C., which focused on portraits by artists like Robert Henri, Andrew Wyeth, and others. The gallery also received a significant donation from the Corcoran family.
The Carnegie Institute's exhibition in Pittsburgh, featuring the works of Chester Dale and modern American art. The exhibition was notable for its diverse range of modern art, including works by artists like Picasso, Matisse, and others.
The Metropolitan Museum of Art's exhibition in New York, which showcased works by artists like Sargent, Whistler, Homer, and Bonnard. The museum also announced plans to open a retrospective of the work of the American painter John Singer Sargent in New York.
The article also mentions other exhibitions and events in cities like Boston, Cambridge, and Cambridge, Massachusetts, as well as the Boston Museum of Fine Arts' acquisition of a significant collection of modern art.
Overall, the image provides a glimpse into the art scene of the mid-20th century, highlighting the importance of art exhibitions and the diverse range of artists and styles that were being showcased during that time.
The image depicts a page from a newspaper or magazine, dated June 25, 1944, and titled "Among Collectors' Clubs." The page is part of a publication titled "The New York Times", as indicated by the header at the top. The content is formatted in a classic newspaper style, featuring multiple columns of text and a structured layout.
The image is a historical newspaper page from June 25, 1944, focusing on art and collecting. It highlights various museum exhibitions, acquisitions, and cultural events across the United States, with a particular emphasis on the Philadelphia Museum of Art, the Carnegie Institute, and the Corcoran Gallery of Art. The page also includes a report on the Wedgwood Club, reflecting the era's interest in art collecting and museum activities. The layout and design are characteristic of mid-20th-century newspapers, with dense text and structured columns.
The image displays a collection of newspaper clippings pasted onto a brown paper background. The headline of the main article reads "RETROSPECT OF EVENTS ELSEWHERE" by Edward Alden Jewell, from the "N Y Times" dated "JUN 25 1944." The article seems to be about historical events, art exhibitions, and museum collections. The text is tightly packed, written in the journalistic style typical of the era. Above the main article, there is a smaller heading titled "Among Collectors' Clubs" which details meetings and announcements of various collectors' clubs at the time. The brown paper serves as a makeshift scrapbook page with holes punched on the side, suggesting it might have been part of a collection or archive.
The image shows a scrapbook page with three newspaper clippings attached. The page is light brown and has two eyelets on the right side, which suggest it could be part of a binder or album.
The clippings are as follows:
The first clipping is titled "Among Collectors' Clubs" and specifically talks about the Wedgwood Club. It is located on the upper left side of the page. This article discusses a meeting held by the Wedgwood Club at Harvard University where members viewed a collection of Wedgwood pieces.
The second clipping, located in the middle, is a larger article with the headline "RETROSPECT OF EVENTS ELSEWHERE" by Edward Alden Jewell. The article is dated June 25, 1944, and was published in the New York Times. The text discusses various art exhibitions and events happening in different cities like Boston, Philadelphia, Washington D.C., and New England.
The third clipping is a continuation of the second one and is titled "Philadelphia Continued." It details museum activities, art shows, and collections particularly focusing on the Philadelphia Museum and other cultural events in the region.
Overall, the page seems to be part of a collection that focuses on art exhibitions, collectors' clubs, and museum-related news from mid-1944.
The image shows a scrapbook page with a tan background containing three newspaper clippings related to art and collectors' clubs. The clippings seem to be historical, as they include publication dates such as "JUN 25 1944" from the "NY Times".
Top Left: A clipping titled "Among Collectors’ Clubs" discusses a meeting and gathering of a Wedgwood club, detailing the activities and participants.
Center Section: A clipping titled "RETROSPECT OF EVENTS ELSEWHERE" by Edward Alden Jewell reflects on art events and exhibitions across different regions, including Philadelphia and Washington, D.C. It mentions institutions such as the Philadelphia Museum and their contributions to the art scene.
Right Column: A continuation of the center article discusses specific exhibitions, contributions of art societies and museums, and renewed initiatives, providing broader insights into the art world.
The entire page has a vintage appearance, and a hole-punched circular slot on the right edge suggests the page may have been stored in a binder. Minimal annotations or edits are visible, aside from the handwritten “12 & F” near the top center.