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This image displays a vintage, typewritten article mounted on an aged, brownish-yellow paper backing, likely for archival or editorial purposes. The document is secured at the right edge with two white, circular plastic fasteners.

Here is a detailed description:

• Source and Date: The article is from THE SUN, Baltimore, specifically the Sunday Morning, May 7, 1944 edition.

• Author and Title: It is an ART NOTES column written by A. D. EBBART.

• Content: The article reviews an exhibition at The Museum of Art in Baltimore (now the Baltimore Museum of Art). The show features paintings by three Italian Rococo painters: Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta.

  • The author notes that the exhibit is a significant and well-curated display, borrowed from major institutions like the Metropolitan Museum and private collectors, and accompanied by a useful introductory catalogue by Hans Tietze.
  • Ebbart argues that the exhibition provides the first substantial treatment of Rococo painting in Baltimore and offers valuable historical context.
  • The review distinguishes between "Rococo" and "baroque" art, suggesting the latter is often misunderstood as merely decorative or emotional, when its true focus is on appearance, gesture, and psychological perception.
  • The author then provides a critical analysis of each painter:
    • Strozzi is praised for his bold, dynamic compositions with strong contrasts of light and shadow.
    • Crespi is highlighted for his striking portraits and religious scenes, noting his distinctive but technically uneven style.
    • Piazzetta is described as the most conservative of the three, with a style more reminiscent of the earlier Venetians and Rococo, though his handling of color and decorative elements in certain works is deemed interesting.
  • The conclusion praises the trio for their individualized approach to "realism" and notes that their work offers valuable insight for students of art history.

• Physical Characteristics:

  • The article is printed on off-white, aged paper with a classic typewriter font.
  • The backing sheet is significantly darker, indicating age and handling.
  • In the top-left corner of the article itself, there is a faint handwritten notation: "8.52".
  • The edges of the backing paper are slightly worn and uneven, showing signs of age.

Overall, the image captures a piece of mid-20th-century art criticism, preserving both the text of the review and the physical context of its preservation.

The image shows a page from a document dated May 7, 1944, from "The Sun" newspaper in Baltimore. The page features a typed article titled "ART NOTES" by A. D. Emmart. The document discusses an exhibition of paintings by Bernardo Strozzi, Giuseppe Maria Crospi, and Giovanni Battista Piazzetta at the Museum of Art. The author provides a critique of the exhibition, analyzing the works of these artists and discussing the themes of Baroque art. The text references specific pieces by the artists and comments on their styles and techniques. The page is bound in a folder with a brown cover, and there are two punch holes on the right side, indicating it was likely part of a collection or portfolio of articles. The paper shows some signs of age with slight discoloration and wear.

This image shows a page from an article published in The Sun, Baltimore, dated Sunday morning, May 7, 1944. The article is titled "ART NOTES" and is written by A. D. Emmart. The content discusses an art exhibition at the Museum of Art featuring paintings by three Baroque masters: Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta. The article praises the exhibition and the artists' works, emphasizing their historical significance and artistic qualities. It also mentions the availability of an excellent catalog with Hans Tietze's useful and stimulating introductory essay and encourages visitors to buy it. The article further elaborates on the characteristics of Baroque art and provides detailed descriptions of specific paintings by each artist. The page appears to be old and slightly yellowed, indicating its age. There are some handwritten markings on the page, including a signature or initials "L.S." in the top left corner. The page is attached to a brown folder or envelope with two circular cutouts on the right side.

The image shows a page from a newspaper, specifically from "The Sun," dated May 7, 1944. The page contains an article titled "ART NOTES" by A. D. EMART. The article discusses an exhibition of paintings by three Baroque artists: Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta. The exhibition is held at the Museum of Art in Baltimore.

The author praises the museum for its excellent curation, noting that the paintings have been carefully selected and arranged to provide a meaningful introduction to Baroque art. The article highlights the emotional and expressive nature of Baroque art, contrasting it with the more restrained and formal aspects of the style. The author also comments on the individual works of the three artists, noting their unique contributions to the Baroque tradition.

The article concludes by emphasizing the importance of studying the works of these artists for a better understanding of art history, despite the challenges posed by the limited resources available at the time. The overall tone of the article is appreciative and informative, providing readers with insights into the Baroque art exhibition and the artists featured.

The image appears to be a newspaper clipping or article from The Sun, Baltimore, dated May 7, 1944. The article is titled "ART NOTES" and is written by A. D. Ehmann. It discusses an exhibition of Baroque paintings at the Museum of Art in Baltimore, featuring works by artists such as Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta.

The article provides an overview of the exhibition, highlighting the importance of Baroque art in the museum's collection and the value of the individual paintings on display. It also mentions that the exhibition has been mounted with an excellent catalogue, which includes an introduction by Hans Tietze.

The article goes on to analyze the characteristics of Baroque art, describing it as a mode of expression that is typically emphatic, emotional, and exaggerated. However, it also notes that Baroque art can be more than just a display of emotion and can convey a sense of psychological depth and architectural perception.

The article then focuses on the works of the three main artists in the exhibition: Strozzi, Crespi, and Piazzetta. It discusses their individual styles and how they relate to the broader Baroque movement. The author praises Strozzi's ability to balance emotion and restraint in his paintings, while also noting the limitations of Piazzetta's work. Crespi is described as a painter of distinct and limited vision, with a unique approach to the handling of emotion and decorative treatment.

Overall, the article provides a thoughtful analysis of the Baroque art exhibition at the Museum of Art, highlighting the importance of the individual paintings and the value of the exhibition as a whole.

Description of the Image:

The image shows a scanned page from a newspaper or magazine titled "The Sun, Baltimore, Sunday Morning, May 7, 1964." The page is part of a section labeled "Art Notes" and is authored by A. D. Emmart. The content is a detailed art critique or review discussing an exhibition of paintings by Bernardo Strozzi, Giovanni Battista Piazzetta, and Giuseppe Maria Crespi, collectively referred to as the "Three Baroque Masters."

Key Elements of the Page:

1. Header Information:

   • The top of the page includes the publication name, date, and section title:
     • "THE SUN, Baltimore, Sunday Morning, May 7, 1964"
     • "ART NOTES by A. D. EMART"

2. Content Overview:

   • The article begins by acknowledging the gratitude of gallery visitors for the exhibition of paintings by the three Baroque masters. It notes that the exhibition was organized by the Museum of Art and supplemented with works by other artists.
   • The author highlights that the style of these three artists is considered "the most grandest or most indigenous" of Baroque art, and their work is "the son of being its greatest" in terms of influence.

3. Exhibition Details:

   • The exhibition includes numerous private and municipal museum collections, as well as works borrowed from the Metropolitan, Fogg, and Chicago Institute of Art.
   • The author praises the excellent catalogue provided, which is described as "indispensable" for understanding the exhibition. However, they note that the visitor must purchase the catalogue themselves, as it is not included with the admission ticket.

4. Baroque Art Analysis:

   • The article delves into the nature of Baroque art, emphasizing that it is typically seen as a mode of expression rather than a mode of form. It discusses how Baroque art conveys emotion, sensation, attitude, and even thought, often through emphatic, forceful, and exaggerated means.
   • The author contrasts Baroque art with earlier Renaissance styles, noting that Baroque art is more psychological and perceptual, focusing on individualized feeling and happening rather than formal structure.

5. Specific Artists:

   • Bernardo Strozzi is highlighted as the most interesting of the three artists. The author praises his power of expression, noting that while his work is fluctuant and striking, it sometimes lacks a good deal of strange, rather sentimental portraits. Specific works mentioned include "The Visitation," "The Adoration of the Magi," and "The Flight into Egypt."
   • Giovanni Battista Piazzetta is described as holding his own alongside Strozzi and Crespi, with a sober color scheme and manner of painting. His works, such as "The Madonna and Child," "The Portrait of a Scholar," and "The Portrait of Omphalo," are noted for their oddity and laboriousness.
   • Giuseppe Maria Crespi is praised for his ambitious handling of contour and decorative treatment, though the author suggests that some of his work may be overloaded with literal passages.

6. Conclusion:

   • The author concludes by noting that while the three artists exhibit a triple approach to individualized "realism," their works are contemplative and sentimental in many respects. Despite their technical skill, the author suggests that their facility with craft and mastery over materials does not always translate into merit and admiration.

Visual Characteristics:

• The page appears to be a photocopy or scan of a printed document, with visible signs of aging, such as browning edges and faint stains.
• The text is typed or printed in a serif font, typical of mid-20th-century publications.
• There are no illustrations or images on the page; it is purely textual.
• The page is oriented vertically, and the text is neatly aligned in paragraph form.

Summary:

The image depicts a page from "The Sun" dated May 7, 1964, featuring an art critique by A. D. Emmart. The article reviews an exhibition of paintings by Bernardo Strozzi, Giovanni Battista Piazzetta, and Giuseppe Maria Crespi, collectively known as the Three Baroque Masters. The author analyzes the style, themes, and technical qualities of their works, highlighting the expressive and psychological nature of Baroque art. The page is a textual critique with no accompanying visuals, and it reflects the art criticism style of the mid-20th century.

This is an image of a typed document, titled "ART NOTES by A. D. BLAIR" from "THE SUN, Baltimore, Sunday Morning, May 7, 1944." The document appears to be an article or essay discussing an exhibition of paintings by artists Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta, complemented with some Piazzetta drawings. The author expresses gratitude to various sources that contributed to the exhibition, such as the Metropolitan, Fogg, Walters, and private collections. The text goes on to detail aspects of baroque art and the contribution of these artists to the genre, analyzing aspects like emotional expression, technique, and the influence on later art movements. The document is held in a folder with two punched holes bound by a round white fastener on the right side, which is likely part of an archival collection or personal files. The paper has aged, giving it a slightly yellow tone, and typographical errors in the text suggest it's an original typed manuscript rather than a published article.

This image features a typed document mounted on a brown paper or cardboard background. The document is labeled "THE SUN, Baltimore, Sunday Morning, May 7, 1944" and is titled "ART NOTES by A. D. Emmart." It appears to be an art review or essay, discussing an exhibition at a museum. The text extensively evaluates paintings by artists such as Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta, and refers to a baroque style. The author offers insights into the artistic observations and interpretations of the exhibited works. Two holes are punched along the right edge, likely for binding purposes. The paper has a vintage appearance, consistent with its 1944 publication date.

The image shows a page of typewritten text titled "ART NOTES by A. D. EMMART" from THE SUN, Baltimore, dated Sunday Morning, May 7, 1944. The page appears to be mounted on a larger, aged beige cardboard backing with two circular punched holes on the right side reinforced with white paper rings, likely for filing or storage.

The text discusses an art exhibition by Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Baptista Piazzotta, described as "Three Baroque Masters." It praises the Museum of Art for presenting these works and comments on the characteristics of Baroque painting, highlighting its emotive power and distinct style. The piece also offers specific insights into each painter's style and contributions, particularly focusing on Crespi and Piazzotta's artistic qualities and impact.

The page has some slight discoloration and wear at the edges but is generally in good condition. There is a handwritten notation "2.5." in pencil at the top left corner of the page.

A vintage, typewritten newspaper clipping mounted on a light brown kraft folder. The clipping header reads: “THE SUN, Baltimore, Sunday Morning, May 7, 1944” followed by “ART NOTES by A. D. E.” The article discusses an art exhibition at the Museum of Art, mentioning artists such as Bernardo Strozzi, Giuseppe Maria Crespi, and Giovanni Battista Piazzetta, with observations on the paintings and gallery visitors. The page shows slight yellowing and creases, with a small “L.S.” annotation in the top left. The mounting folder has two white rings or reinforcements along the right edge.