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ARCH.2003.29, Rendition: 803475
This image displays a historical press clipping mounted on aged, yellowed paper, likely from a scrapbook or archive. The clipping is dated March 21, 1944, and was distributed by the Press Clipping Service, C. S. Monitor, Boston, Mass.
The main feature is a black-and-white photograph from an exhibition at the Fogg Museum of Art, Harvard University, titled:
“A CHINESE GROUP, INCLUDING ROBES FROM THE SEVENTEENTH AND EIGHTEENTH CENTURIES”
The photograph shows two ornate Chinese robes displayed on mannequins, set against a gallery wall with framed artworks behind them. One robe, on the left, appears lighter with subtle, possibly embroidered, floral patterns. The robe on the right is darker, richly decorated with bold, intricate motifs — likely symbolic emblems or auspicious figures — consistent with Qing dynasty ceremonial attire. Between them sits a small, dark, ceremonial object on a low stand. Vertical banners or hanging scrolls appear to flank each robe.
Below the photograph is an article written by Dorothy Anslow. The text describes the exhibition of Chinese paintings and court robes from the collection of Mr. and Mrs. Walter Iamfree of New York. The article highlights the mutual enhancement between textile art and painted imagery, noting that the robes are “exquisitely woven and embroidered” and laden with symbolic meaning — referencing pre-historical motifs, Taoist and imperial iconography (like the five-clawed dragon, bat, pagoda, stars, “eight precious things”), and the cultural roles of priests and laymen in accessing symbolic emblems.
The clipping is affixed to the brown paper with tape, and faint pencil markings (“195”) and blue ink notes are visible on the clipping itself. Two binder holes are punched to the left, indicating it was stored in a loose-leaf binder.
In summary, this is a 1944 press review documenting an exhibition of 17th- and 18th-century Chinese court robes and paintings, emphasizing their artistic craftsmanship and deep symbolic heritage, as presented at Harvard’s Fogg Museum. It captures both the visual splendor of the garments and the scholarly interpretation of their cultural significance.
The image appears to be a scanned copy of a historical newspaper clippings page dated March 21, 1944. The page includes a photograph and a descriptive article about a display of Chinese robes and paintings from the 17th and 18th centuries, courtesy of the Fogg Museum of Art, Harvard University, and published in The Christian Science Monitor.
The photograph shows two traditional Chinese robes displayed on mannequins in front of a backdrop of a Chinese landscape painting. The robes are richly decorated with intricate patterns and designs, reflecting the craftsmanship and cultural significance of the time.
Below the photograph, the article discusses the exhibition and provides insights into the symbolism and artistry of the robes and paintings. The text by Dorothy Adlow elaborates on the techniques used in weaving and embroidery, the significance of the symbols and emblems depicted, and the cultural context of these works. It mentions that the robes represent a wealth of symbolism, tracing back to pre-recorded history and folklore.
The page has a vintage appearance, with a yellowed paper and a hole punch in the left margin, suggesting it was likely part of a collection or a scrapbook. The overall content and style indicate a focus on cultural and historical appreciation.
This image appears to be a historical clipping from a publication dated March 21, 1944, by the C.S. Monitor in Boston, Massachusetts. It is a scanned page of what looks like a scrapbook entry, as indicated by the perforated holes on the left side, suggesting it was part of a binder. The clipping is mounted on a beige or light brown paper background.
The clipping features an article discussing a Chinese art exhibition that took place at the Fogg Museum of Art, Harvard University. The exhibition showcased Chinese paintings and court robes from the collection of Mr. and Mrs. Walter Innisfree of New York. The article emphasizes the mutual enhancement of the art of textiles and painted pictures, highlighting their rich background of tradition.
The article is accompanied by a photograph of the exhibition. The photo shows two Chinese robes on display in a glass case. The robes are ornately embroidered and appear to be from the seventeenth and eighteenth centuries. Behind the robes, there are framed paintings and a small vase on a table.
The article goes into detail about the symbolism and craftsmanship of the robes, mentioning the intricate embroidery techniques developed over many centuries. It also discusses the use of various symbols and insignia in the robes, which represent meaningful ideas and folklore, and how they relate to the concept of the Ruler. The article mentions specific symbols such as the five-clawed dragon, the bat, and the "eight precious things."
The clipping is attributed to Dorothy Adlow. The overall tone of the article is one of appreciation for the artistry and cultural significance of the Chinese robes and paintings on display.
The image shows a clipping of an article from a newspaper. The clipping is attached to a brown piece of paper with a hole punch on the left side. The article is titled "A Chinese Group, Including Robes from the Seventeenth and Eighteenth Centuries." The article features a black-and-white photograph of two Chinese robes displayed in a museum setting. The robes are intricately designed and embroidered, showcasing the craftsmanship of the era. The article provides information about the robes and their historical significance.
The image appears to be a clipping from a newspaper or magazine. The clipping features an article about an exhibition of Chinese robes from the 17th and 18th centuries, displayed at the Fogg Museum of Art, Harvard University. The article provides details about the exhibition, the techniques used in creating the robes, and the symbolism and meaning behind the designs and patterns.
The clipping includes a black-and-white photograph of the robes on display, along with a caption that reads "A Chinese Group, Including Robes From the Seventeenth and Eighteenth Centuries." The article discusses the intricate embroidery and weaving techniques used to create the robes, as well as the symbolism and meaning behind the designs and patterns.
The article also mentions that the robes were exhibited alongside paintings that reflected the study of nature and the exploration of the landscape. The author, Dorothy Arrow, highlights the connection between the robes and the paintings, and how they provide insight into the Chinese aesthetic and cultural values of the time.
Overall, the clipping provides a glimpse into the history and cultural significance of Chinese robes from the 17th and 18th centuries, and the exhibition at the Fogg Museum of Art, Harvard University.
The image depicts a historical press clipping from the C.S. Monitor, dated March 21, 1944, and published by the Press Clipping Service located at 2 Peck Square, Boston, Mass. The clipping features a photograph of two traditional Chinese garments displayed in a museum setting.
Photograph Content:
Caption and Text:
Additional Details:
The image is a historical artifact that documents an exhibition of Chinese art, specifically focusing on traditional robes from the 17th and 18th centuries. It reflects the interest in Chinese culture and art during the mid-20th century, as well as the efforts to preserve and showcase these artifacts in Western museums. The detailed description in the clipping underscores the cultural and artistic significance of the robes, highlighting their intricate designs and symbolic meanings.
This image displays an old newspaper clipping pasted on a manila paper folder or organizer with a label "Press Clipping Service" at the top. The clipping features a black and white photograph of a museum exhibit, showing two traditional Chinese robes on display. The headline under the photograph reads "A Chinese Group, Including Robes From the Seventeenth and Eighteenth Centuries." Accompanying the photograph is an article with a dateline indicating "MAR 2 1944" and a byline of the Peabody Museum of Art, Harvard University, given to The Christian Science Monitor.
The photo illustrates part of an exhibition, with the robes featured prominently against a backdrop that seems to include a display of a painting or large textile. The background elements are not entirely distinguishable due to the photo's age and monochromatic reproduction. There also appears to be a small object on a pedestal between the robes, which might be a vase or similar decorative element.
Below the photograph is a block of text describing the exhibition and presumably providing context and information about the robes. However, the resolution doesn't allow for reading the text's specifics.
The edges of the brown folder are slightly worn, with creases visible, and there are two holes punched on the left-hand side as though for placing in a binder. A blue mark can be observed on the right edge of the photo, possibly from a paperclip or pen.
This image shows a historical newspaper clipping mounted on a brown sheet of paper. The clipping is dated March 21, 1944, and is labeled "Press Clipping Service" from Boston, Massachusetts, specifically referencing the Christian Science Monitor. The main feature is a grayscale photograph showing Chinese robes and artwork as part of an exhibit at the Fogg Museum of Art, Harvard University.
The photo prominently displays two intricately woven and embroidered robes, which are flanked by hanging scrolls depicting traditional Chinese landscape scenes. A small vase sits at the center, further enhancing the visual arrangement.
Below the photograph is the article, which discusses the exhibition of Chinese robes and art pieces from the 17th and 18th centuries, emphasizing the cultural significance, artistry, and symbolism represented in the textiles and paintings. It details the decorative motifs, their meanings, and how they reflect Chinese tradition. The article also touches on the study of nature and the intricate depictions of landscapes in the paintings.
The brown paper edges, holes along the left, and some wear at the corners suggest archival preservation.
The image is a photograph of a pinned newspaper clipping attached to a brown scrapbook page. The clipping is from the "C. S. Monitor," Boston, Mass., dated March 21, 1944, and has the heading "A CHINESE GROUP, INCLUDING ROBES FROM THE SEVENTEENTH AND EIGHTEENTH CENTURIES."
The photograph within the clipping shows an exhibit display that includes Chinese robes and paintings. The display features two intricately embroidered robes, one on the left and another on the right, mounted on stands. Between them is a framed picture centered on the wall, with two vertical scrolls flanking the robes on either side. Below the framed picture sits a small vase.
The accompanying text discusses a group of Chinese paintings and court robes from the collection of Mr. and Mrs. Walter Innisfree of New York that were exhibited at the Fogg Museum of Art, Harvard University. The text elaborates on the rich tradition and symbolism in the robes' embroidery techniques, the significance of various motifs, and the harmonious relationship between the textiles and paintings. It also mentions the symbolic meanings behind the pictorial emblems, such as the five-clawed dragon and other attributes related to Taoist priests. The article is signed by Dorothy Adlow.
Here’s what is visible: