Archives Scrapbooks

This image displays a single, aged, yellowed page from a press clipping service, dated March 1944. The page is filled with multiple newspaper clippings, arranged in a columnar layout, and secured to the page with two white fasteners at the right edge.

General Information:

• Service Provider: "Press Clipping Service, 2 Park Square, Boston, Mass." — This header is repeated across multiple clippings, indicating the source of the collection.
• Recipients: Clippings are addressed to different individuals, including "Herald, Boston, Mass." and "C. S. Monitor, Boston, Mass."
• Date Range: The clippings span from March 1 to March 20, 1944.
• Handwritten Notes: Some clippings have handwritten markings, including a “195” (possibly a page or reference number) and a circled "115" on one article dated March 1.

Key Articles and Topics:

1. “Bryn Mawr Club To Meet Saturday” (March 1, 1944)

   • Announces a February meeting at the Fogg Art Museum in Cambridge featuring Miss Agnes Mongan and the Grenville Lindall Winthrop collection.
   • The collection is described as “one of the foremost small museums of the world,” highlighting treasures such as Chinese jade, French miniatures, and paintings by David, Ingres, and Watteau.
   • Lists attendees including several “Mrs.” and “Miss” names, plus “Mr. Arthur Brooks” and “Mr. E. Merrick Dodd.”

2. “News of Art / History at Fogg; Handicrafts at Arts & Crafts” (March 5, 1944)

   • Focuses on Fogg Museum’s exhibitions, noting the “remarkable proof of the historical sense” in its collections.
   • Mentions “Franklin’s experiments with electricity” and “Washington’s portrait” as highlights of the historical exhibit.
   • Also references a “French chateau” exhibit with 18th-century drawings and “Franklin’s pictures” showing his “engaging humor.”

3. “ART / Dr. Rosenberg Talks of Albrecht Durer, His Works” (March 10, 1944)

   • Reports on a lecture by Dr. Jakob Rosenberg (Harvard University) at Faneuil House on Albrecht Dürer.
   • Describes Dürer’s career: engraver, painter, and experimental draftsman.
   • Notes his preference for watercolor landscapes and his use of “color” and “characteristic features of both Court and Common” in artworks.
   • Highlights Dürer’s “strong religious feeling” and mentions specific engravings like “The Knight, Death, and the Devil,” “Melancholy,” and “St. Jerome in His Study.”
   • Notes that “Dürer’s most interesting slides” were portraits, including one of a man from the Netherlands, which sold for 50 cents.

4. “FOGG MUSEUM OF ART—‘Washington, Franklin, Lafayette’” (Multiple Dates including March 5, 13, 19, 20)

   • Repeatedly advertises the exhibition “Washington, Franklin, Lafayette,” running through April 2.
   • Features lithographs and etchings by Robert Minor, Thomas Nast, and drawings by David and Ingres, from the Grenville Lindall Winthrop collection.
   • Notes opening hours: weekdays 9–5, Sundays 2–5 p.m.
   • Mention of gallery talks by Dr. E. Bernard Cohen (March 5, 13, 20).

5. “Press Clipping Service / March 12, 1944 / Fogg Museum of Art—Exhibits...”

   • Brief recap of the ongoing “Washington, Franklin, and Lafayette” exhibit.
   • Reiterates key artists and artworks, with an end date of April 2 and gallery talks scheduled for March 13, 19, and 20.

6. “FOGG MUSEUM OF ART, Harvard University...” (March 20, 1944)

   • Announces a lecture by Dr. E. Bernard Cohen at the Fogg Museum, focusing on the “recently acquired Grenville Lindall Winthrop collection.”

Context & Significance:

• The page serves as an archival record of cultural news from Harvard’s Fogg Art Museum during early 1944, likely collected for media or institutional monitoring.
• The repeated emphasis on the Winthrop Collection and exhibitions such as “Washington, Franklin, Lafayette” suggests a focus on American historical iconography during World War II.
• The presence of multiple recipients (e.g., Herald, C.S. Monitor) indicates this clipping service was distributed to multiple Boston-based newspapers or organizations for reporting or reference.

Physical Description:

• The paper is aged, with visible foxing or discoloration.
• The layout is typical of press clipping services — clipped, pasted, and annotated for easy reference.
• A blue “195” stamp and handwritten numbers suggest it was part of a larger, cataloged collection.

In summary, this image is a historical press clipping sheet from March 1944 documenting art exhibitions and lectures at the Fogg Art Museum, Harvard University, with a special focus on the Winthrop Collection and American historical figures. It provides a snapshot of cultural reporting and museum programming during mid-20th century Boston.

This image appears to be a compilation of newspaper clippings and articles, likely from a press clipping service or a collection of historical articles. The clippings are from various sources, including the Herald and the C.S. Monitor, and are dated between March 1 and March 13, 1944. The articles cover a range of topics, such as news of art, exhibitions at the Fogg Museum of Art at Harvard University, and cultural events. Some of the articles also include annotations or hand-written notes, such as the years "1945" and "1944," and the date "MAR 10 1944." The clippings are arranged on a single page, with some overlapping each other. The overall appearance of the document suggests it may have been part of a research project or a private collection of historical news articles related to art and culture.

This image shows a page from a press clipping service file, dated around March 1944. The page contains several newspaper clippings from the Herald, Boston, Mass., and the C. S. Monitor, Boston, Mass. The clippings are related to art events and exhibitions at the Fogg Museum of Art, Harvard University.

Key points from the clippings include:

1. A meeting of the Bryn Mawr Club of Boston at the Fogg Art Museum on March 4, 1944, where Miss Agnes Mongan, keeper of drawings, will show the newly-acquired Grenville Lindall Winthrop collection.

2. An exhibit titled "History at Fogg; Handicrafts at Arts & Crafts" featuring the Grenville Lindall Winthrop bequest, which includes early Chinese jades, Blake watercolors, and paintings by Washington, Franklin, and Lafayette.

3. A lecture by Dr. Jakob Rosenberg of Harvard University's Fogg Museum on Albrecht Dürer and his works, discussing Dürer's artistic career and showing slides of his engravings, drawings, woodcuts, watercolors, paintings, and experimental ventures into etching and drypoint.

4. The Fogg Museum of Art also has special exhibits including "Washington, Franklin and Lafayette," lithographs and etchings by Edouard Manet, and paintings and drawings by David and Ingres from the Grenville Lindall Winthrop Bequest.

The clippings are dated from March 1 to March 19, 1944, and are arranged in a somewhat scattered manner on the page. The clippings are from various newspapers and bulletins, as indicated by the different headers and dates. The page is bound with two metal rings on the right side.

The image is a photograph of a collection of newspaper clippings, arranged on a beige background. The clippings are from various newspapers, including the Boston Herald, Boston Monitor, and Boston Post, and are dated from March 1 to March 5, 1944. The clippings are primarily about art exhibitions and events, with headlines such as "Dr. Rosenberg Talks of Albrecht Durer, His Works" and "News of Art: History at Fogg: Handicrafts at Arts & Crafts." The clippings are arranged in a grid-like pattern, with some overlapping each other. The edges of the clippings are slightly curled, and some have been trimmed or folded. The overall appearance of the image suggests that it is a collection of newspaper clippings that have been preserved and organized for reference or research purposes.

The image depicts a collection of press clippings from the Boston Herald, dated between March 1 and March 19, 1944. The clippings are primarily focused on art and cultural events, specifically related to the Fogg Museum of Art at Harvard University in Boston.

The clippings include:

1. A notice about the Bryn Mawr Club's meeting on March 5, 1944, to discuss the newly acquired Greenville Lindell collection, which includes 63 Chinese paintings and is the largest art collection of its kind in the United States. The collection will be on display at the Fogg Museum of Art.

2. An article titled "News of Art: History at Fogg; Arts and Crafts" that provides details about the Fogg Museum's exhibition, highlighting the historical and scientific aspects of painting and printmaking.

3. A report on Dr. Albrecht Durer's talk about his works, focusing on his religious beliefs and artistic techniques.

4. A mention of the Fogg Museum's special exhibit of Washington, Franklin, and Lafayette through April 12, 1944.

5. An article about the Franklin Museum of Art at Harvard University, showcasing its collection of Washington, Franklin, and Lafayette paintings and drawings, as well as a display of a clock and a beautiful antique chair.

Each clipping is neatly organized and placed on a brown, aged paper, with some clippings having a white border around them. The text is printed in black ink, and the paper has a worn appearance, indicating that these clippings are from an older collection.

The image depicts a collection of newspaper clippings, likely from the Fogg Museum of Art at Harvard University, compiled into a scrapbook or archive. The clippings are dated between March 1, 1944, and March 19, 1944, and are organized in a grid format, with each clipping labeled as part of the "Press Clipping Service" from 2 Park Square, Boston, Mass. The clippings are typed and printed, with some handwritten annotations, such as dates and page numbers.

Key Observations:

Layout and Structure:

• The clippings are arranged in a 6-column by 3-row grid, forming a total of 18 clippings.
• Each clipping is labeled with a header indicating the source, date, and location (e.g., "Herald, Boston, Mass.").
• The clippings are dated between March 1, 1944, and March 19, 1944, suggesting they were collected over a short period.

Content:

• The clippings primarily focus on art news, particularly related to the Fogg Museum of Art and its exhibitions, events, and notable figures.
• The headlines and content discuss topics such as:
  • Exhibitions: Including a special exhibition of paintings by Franklin and Lafayette, and the Grenville Lindall Winthrop Bequest.
  • Lectures and Talks: For example, a talk by Dr. Rosenberg on Albrecht Dürer, his works, and the history of art.
  • Art News: Updates on the Fogg Museum, including its collections, acquisitions, and notable artists.
  • Art History: Discussions about Albrecht Dürer, his engravings, drawings, and the influence of his work on modern art.

Handwritten Annotations:

• Some clippings have handwritten notes, such as:
  • "195" next to the first clipping, possibly indicating a page number or reference.
  • "195" and "195" again, suggesting a system of indexing or cataloging.
  • Other handwritten markings, such as "Providence, R.I." and "C.S. Monitor", likely indicating the source or recipient of the clippings.

Design and Condition:

• The clippings appear to be typed and printed, with a clean and formal layout.
• The paper has a slight yellowish tint, indicating age, and there are staples or binding holes along the left edge, suggesting the clippings were bound together.
• The overall condition suggests careful preservation, likely for archival or research purposes.

Contextual Insights:

• The clippings reflect the cultural and artistic milieu of 1944, with a focus on European art, particularly the works of Albrecht Dürer, a prominent Renaissance artist.
• The inclusion of lectures, exhibitions, and museum activities highlights the educational and public engagement role of the Fogg Museum during this period.
• The systematic organization and indexing suggest these clippings were part of a research or archival project, possibly for a scholar, curator, or institution.

Conclusion:

This image showcases a well-organized collection of newspaper clippings focused on art news, particularly centered around the Fogg Museum of Art and its activities in early 1944. The clippings include exhibition announcements, lectures, and discussions about notable artists, reflecting the cultural and intellectual environment of the time. The handwritten annotations and structured layout indicate a deliberate effort to preserve and catalog this information for future reference or study.

The image shows a collection of press clippings from different sources organized on a single page and varying dates from early March 1944. The clippings, provided by "Press Clipping Service, 2 Park Square, Boston, Mass.", are pasted onto a brown piece of paper or card. These clippings discuss a range of topics, mainly focusing on art exhibitions, museum events, and talks from that period.

There are clippings pertaining to exhibitions and art-related events, including topics such as "Bryn Mawr Club To Meet Saturday," a clipping discussing "News of Art; History of Fogg; Handicrafts at Arts & Crafts," an article about "Dr. Rosenberg Talks of Albrecht Durer, His Works," another on the Fogg Museum of Art showcasing "Washington, Franklin, and Lafayette," and a few mentions of the Boston Herald and the C.S. Monitor.

Also notable in the image are the dates and the service provider's headers stamped onto each clipping, indicating the provisions by the Press Clipping Service, along with small handwritten marking, perhaps referencing cataloging or importance. In the top right corner of the paper, a metal paper fastener or brad keeps the clippings together.

Given the specificity of the clippings and their organization, this sheet was likely used for research or to maintain a record of media coverage on particular subjects or events related to art and cultural history at that time.

The image shows a scrapbook page with multiple newspaper clippings attached to it. The clippings are from various dates in March 1944 and appear to be related to art news and events, particularly focused on exhibits and activities at the Fogg Art Museum in Cambridge and the Bryn Mawr Club.

The clippings include mentions of:

• The Bryn Mawr Club meeting on a Saturday.
• News about the history at the Fogg Art Museum and its display of artistic works such as painting and lithographs.
• An article discussing Dr. Rosenberg's talk about Albrecht Durer and his works.
• Several smaller notices about exhibitions involving art by Washington, Franklin, Lafayette, and other artists, including paintings, drawings, and etchings.
• Multiple "Press Clipping Service" headers from Boston, Massachusetts, and Providence, Rhode Island, indicating where the clippings were sourced.

The clippings are arranged in columns with some handwritten notes and stamped dates, mostly from March 1944, highlighting the archival nature of the page. The page background is a light brown paper with some holes on the right side, possibly for binding in a scrapbook or folder.

A vintage scrapbook/clip page on brown manila paper. It consists of multiple small newspaper clippings arranged in several columns, all labeled “Press Clipping Service” from Boston, Mass. The clippings are dated with blue stamp marks (e.g., MAR 1, 1944; MAR 5, 1944; MAR 13, 1944; MAR 19, 1944).

Topics visible include:

• Art news and exhibition notes (e.g., “News of Art,” “ART,” and references to the Fogg Museum of Art)
• A feature about Dr. Rosenberg and Albrecht Durer
• Local club notices (e.g., “Bryan Mawr Club To Meet Saturday”)
• Miscellaneous items about handicrafts and arts & crafts

The page is bound with two holes on the right edge, suggesting it came from a binder. Overall, it looks like a historical artifact—a 1940s era collection of art-related press clippings.

This image shows a scrapbook or archival page featuring organized newspaper clippings from March 1944. The page is titled "Press Clipping Service" and contains articles from newspapers in Boston, Massachusetts, and Providence, Rhode Island. The articles primarily discuss events, art exhibitions, and lectures related to the Fogg Museum of Art at Harvard University and associated topics, such as Albrecht Dürer's works and historical artifacts. Each clipping includes stamps or notes about their publication dates and sources, making it a curated collection for historical reference or record-keeping.