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This is a vintage press clipping from February 6, 1944, issued by the “Press Clipping Service” located at 2 Park Square, Boston, Mass., for C. S. Monitor, also in Boston. The clipping, mounted on a yellowed, aged paper page with two punch holes on the left edge, features a black-and-white photograph of a ceramic figurine titled:

“A CHINESE FIGURINE FROM THE TANG DYNASTY”

The photograph, credited to “The Fogg Museum of Art, Harvard University, in The Christian Science Monitor,” depicts a dynamic sculpture of a woman riding a galloping horse. The rider is depicted in a flowing robe, with her hair tied up in a bun, holding what appears to be a small object or instrument. The horse is captured mid-stride, with one foreleg extended forward and the other bent, conveying motion and energy. The craftsmanship suggests glazed earthware, characteristic of Tang Dynasty ceramics (618–906 CE).

Beneath the photograph is a detailed article by Dorothy Arrow, which contextualizes Tang Dynasty pottery:

• It explains that large quantities of Tang ceramic statuettes were recently discovered accidentally during railway excavations.
• The Tang statuettes are compared to ancient Greek terracottas — both were mass-produced, inexpensive, and widely distributed, though valued artistically for their grace and style.
• The article notes that Tang pottery was often used as mortuary provision, depicting people and animals in everyday activities, with a “faint and graphic” execution.
• It describes the characteristic glazing — often lightly fired — and mentions the popularity of pale white-pink-buff tones. Common subjects included camels, horses, dancers, and musicians.

A handwritten “195” appears in blue ink in the upper left corner of the photograph, possibly for cataloging or filing purposes.

This clipping serves as a historical artifact itself, preserving a moment when Tang Dynasty art was being introduced to a wider American public through mainstream media, and offers insight into how museum collections were shared and promoted in the mid-20th century.

The image appears to be a scanned page from a document or magazine, possibly a historical newspaper or a clipping service archive. It features a black-and-white photograph of a ceramic figurine from the Tang Dynasty of China. The figurine is depicted in a dynamic pose, with one leg extended and the other bent, suggesting movement. The style of the clothing and the overall posture are characteristic of Tang Dynasty art.

Below the photograph, there is a caption that reads: "A CHINESE FIGURINE FROM THE T'ANG DYNASTY." This is followed by a short article or description about Tang Dynasty ceramic statuettes, authored by Dorothy Adlow. The article discusses the historical context of these statuettes, their mass production, and their role as mortuary provisions. It mentions that the statuettes often depict people and animals in everyday activities and that they are typically unglazed or have a light glaze with pale white-pink-buff tones of clay. The text also notes that subjects of the Tang figurines include camels, horses, dancers, and musicians.

The document has a vintage appearance, with a beige-colored background and some wear and age marks, suggesting it is from an older collection. There are also some labels and markings, such as "Press Clipping Service" and "C.S. Monitor," indicating that it may have been part of a news clipping or historical archive. The date "FEB 16 1944" is visible, suggesting the date of the clipping or when the article was printed.

This image is a newspaper clipping, dated February 16, 1944, from the C.S. Monitor in Boston, Massachusetts. The clipping is attached to a brown paper with two binder holes on the left side. The article is titled "A Chinese Figurine from the T'ang Dynasty" and features a black-and-white photograph of a ceramic figurine.

The figurine depicts a person, likely a woman, riding a horse. The rider is dressed in flowing robes and appears to be in mid-gallop, with the horse's legs raised. The horse is also adorned with intricate details, including a saddle and reins. The photograph is credited to the Fogg Museum of Art, Harvard University.

The article, written by Dorothy Adlow, discusses the discovery of large quantities of ceramic statuettes from the T'ang Dynasty of China (618-906). These statuettes were found inadvertently during the excavation for a railway. The article compares the T'ang statuettes to the ancient wares of Greece, particularly the Tanagra terra-cottas, noting their mass production and common use. It highlights the appealing qualities of these statuettes, which capture the everyday activities of people and animals during the T'ang Dynasty, and their artistic expression. The article also mentions the various subjects depicted in the T'ang figurines, including camels, horses, dancers, and musicians.

The image depicts a newspaper clipping that is attached to a piece of cardboard. The clipping is from the Boston Monitor and is dated February 16, 1944. The clipping features a photograph of a Chinese figurine from the Tang Dynasty. The figurine is of a man riding a horse, and the photograph is in black and white. The photograph is accompanied by a caption that reads "A Chinese Figurine from the Tang Dynasty." Below the photograph is a paragraph of text that provides additional information about the figurine and the Tang Dynasty.

A newspaper clipping from the Christian Science Monitor, dated February 6, 1944, features an image of a Chinese figurine from the Tang Dynasty and an article about Tang dynasty ceramic statuettes. The article discusses the discovery of these statuettes, which were found in the path of excavations for a greenhouse. The statuettes are described as inexpensive and commonly produced, with glazes ranging from camel, horses, dancers, and musicians. The article also mentions that the Tang dynasty is known for its passion for horses and pottery.

The image depicts a historical document or clipping from a Press Clipping Service, dated February 6, 1944, and associated with C.S. Monitor in Boston, Mass. The document features a black-and-white photograph of a Chinese figurine from the Tang Dynasty. The figurine shows a stylized figure riding a galloping animal, likely a horse, with the rider holding a fan-like object in one hand and a small object in the other. The figure is rendered in a dynamic pose, suggesting motion and grace.

Below the photograph, there is descriptive text that provides context about the figurine and Tang Dynasty ceramics. The text explains that Tang Dynasty figurines, often made of ceramic or terra-cotta, were mass-produced and served as both market items and mortuary provisions. These figurines depicted everyday activities, such as riding animals, dancing, or playing musical instruments, and were inexpensive and widely disseminated. The text also compares Tang Dynasty figurines to ancient Greek terracottas, noting their similar mass production and cultural significance.

The document includes a caption beneath the photograph: "A Chinese Figurine from the Tang Dynasty," and credits the source as the Peabody Museum of Art, Harvard University, and the Chinese Historical Society of America. The text is attributed to Dorothy Aronow. The overall presentation suggests this is an archival or historical clipping, likely preserved for research or reference purposes.

This image appears to be a photograph of a clipping from a press service, specifically from the "Christian Science Monitor," dated February 16, 1944. The clipping includes an image of a sculpture labeled as "A Chinese Figurine from the Tang Dynasty" and below it, there is an article that discusses "Gray earthenware" or "ceramic statuettes belonging to the Tang epoch of China" from approximately 618-907 CE. The text mentions that these figurines were discovered relatively recently at that time, and they varied in size and level of detail.

The article goes on to describe the Tang statuettes as being close in style with the ancient art of Greece which was also popular in far-away Rome at that time. These figurines were made of terra-cotta and appear both robust and lifelike, indicating the artisans' high level of skill and the importance of these objects culturally. The final part of the visible article discusses the different types of figurines made, including warriors, attendants, horses, camels, and more.

The page also shows some signs of wear and age, such as discoloration, creases, and small tears. There are markings on the paper, like a blue line on the top right corner and handwritten numbers at the top of the page, possibly for archival or organizational purposes. There is a small circular object on the top left that appears to be pinning the article onto the background paper or cardboard.

This image shows a mounted newspaper clipping affixed to a piece of brown paper or cardboard. The clipping includes a black-and-white photograph of a ceramic figurine depicting a person riding a horse. The figurine is from the Tang Dynasty, as indicated by the caption beneath the photo.

The clipping also contains a detailed article discussing the significance of these ceramic statuettes from the Tang epoch of China (618-906). It mentions that many such statuettes have been accidentally discovered during excavation for a great railway and that they represent a class of ancient wares comparable to the Tanagra terracottas of Greece. The article highlights the artistic and cultural value of these works and notes that the figures often depict people and animals involved in everyday activities. It specifies that Tang figurines include camels, horses, dancers, and musicians.

A small label at the top left corner states "Press Clipping Service," with the address "2 Park Square, Boston, Mass. C. S. Monitor, Boston, Mass." and a date stamp "FEB 16 1944."

The article is credited to Dorothy Adlow, and the photo is credited to the Fogg Museum of Art, Harvard University, and the Christian Science Monitor.

A vintage scrapbook page on brown kraft paper. The main feature is a black-and-white photo pasted in the center: a Chinese Tang Dynasty figurine of a rider on a rearing horse. The rider appears to be wearing traditional dress and headgear. Under the photo is a caption reading “A Chinese Figurine From the Tang Dynasty.”

In the top-left corner there is a small clipping label from a Press Clipping Service with a date stamp (Feb 16, 1944). A separate newspaper clipping is affixed to the right side, containing a column of text written by Dorothy Adlow about Tang dynasty ceramics. The page shows binder holes along the left edge and a few blue pencil markings. The overall look is that of a mid-20th-century clipping file.

This image shows a newspaper clipping mounted on a tan piece of paper. At the top of the clipping, a box titled "Press Clipping Service" lists information such as "2 Park Square, Boston, Mass." and "C. S. Monitor, Boston, Mass." with a handwritten date "Feb 16 1944." Below this, there is a black-and-white photograph of a figurine depicting a horse and rider. The horse is shown in a dynamic galloping pose with its legs stretched out. The rider is seated upright, dressed in flowing garments, and appears to be holding an object in one hand.

Below the image, text provides a description of the figurine, identifying it as a Chinese artifact from the Tang Dynasty (618–906 AD). The writing highlights the historical and artistic significance of Tang ceramic statuettes, comparing them to works from ancient Greece. The text further explains how these artifacts depict activities and figures from daily life, including musicians, camel drivers, and dancers, offering insights into the culture of the time.

The name “Dorothy Adlow” appears as the author of the commentary at the bottom of the clipping.