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The image appears to be a page from a press clipping service, dated February 15, 1944. The page contains a photograph and an accompanying article.

Photograph:
The photograph shows a ceramic figurine from the Tang Dynasty of China. The figurine depicts a rider on a horse, both in a dynamic pose, suggesting movement. The rider is dressed in traditional attire and appears to be in mid-action, possibly riding or performing a maneuver. The horse is depicted in a galloping stance.

Article:
The article accompanying the photograph provides information about the Tang Dynasty ceramic statuettes. Key points from the article include:

1. Historical Context: The Tang Dynasty (618-906) is noted for its ceramic statuettes, which were often buried in tombs to accompany the deceased.
2. Discovery: These statuettes were discovered in the 1920s and have since been excavated in large numbers.
3. Artistic Style: The statuettes are described as being in a style similar to Greek art, which was also prevalent in China during that period. They were made in molds and often depict figures in everyday activities such as riding, hunting, and playing musical instruments.
4. Materials and Techniques: The statuettes were made from clay and glazed, with some featuring intricate details and vibrant colors.
5. Cultural Significance: The article highlights the cultural and artistic significance of these figurines, noting their role in Chinese art history and their representation of the Tang Dynasty's aesthetic and cultural values.

The article is credited to Dorothy Andrew, and the photograph is courtesy of the Fogg Museum of Art, Harvard University. The press clipping service is identified as C.S. Montier, located at 2 Fay Square, Boston, Mass.

The image shows a press clipping from the Christian Science Monitor, dated February 6, 1944. The article, titled "A Chinese Figurine From the Tang Dynasty," features a black-and-white photograph of a ceramic figurine of a woman riding a horse, both in dynamic poses. The figurine is part of the collection at the Fogg Museum of Art at Harvard University.

The accompanying text explains that the figurine belongs to the Tang dynasty (618-907 A.D.) and was likely discovered in the Shih-ning district in Shensi province. The article describes the figurine as an example of the mass-produced, low-fired pottery that was often placed in tombs to serve the deceased in the afterlife. The figurine is characterized by its stylistic features, which include a sense of movement and individuality, and it is representative of the vibrant art of the Tang period, which often depicted subjects like horses, camels, dancers, and musicians. The author of the article is Dorothy Apcar.

The image is a photograph from a press clipping service dated February 6, 1944, published in the C. S. Monitor from Boston, Massachusetts.

The clipping features an article discussing a Chinese figurine from the Tang Dynasty. The main photograph shows a detailed depiction of a ceramic figurine that appears to be of a person riding a horse or a similar animal. The caption under the image reads "A Chinese Figurine from the Tang Dynasty."

The accompanying text provides historical context:

• It mentions that Tang Dynasty pottery included numerous ceramic statues, which were discovered accidentally during excavations.
• These statues are often referred to as terracotta and were mass-produced, not intended for high-end collectors.
• The figurines are inexpensive and were used in burial practices, likely serving as offerings to the deceased.
• The statues often depict various figures like soldiers, animals, and musicians, embodying images of daily life and activities.
• The text highlights the simplicity and functional design of these terracottas, which are often glazed and fired lightly, making them durable and attractive.

The article is credited to Dorothy Anlow. The clipping is from the collection of the Peabody Museum of Art, Harvard University.

The image is a historical press clipping from the Boston Monitor, dated February 6, 1944. It features a black-and-white photograph of a Chinese figurine from the Tang Dynasty.

The photograph depicts a ceramic statue of a rider on a horse, which is part of the collection at the Fogg Museum of Art at Harvard University. The rider appears to be in an active pose, holding something in one hand.

Below the photograph, there is an article titled "A Chinese Figurine From the Tang Dynasty." The article discusses the prevalence of ceramic statuettes from the Tang Dynasty in China, which spanned from 618 to 907 AD. These statuettes were initially discovered inadvertently during the construction of a railroad, but their discovery proved significant.

The text describes the Tang statuettes as being in a class with the ancient wares of Greece, made in mass production and not intended to be highly refined. They were inexpensive and were used for various purposes, including as mortuary offerings. The figures often depict everyday scenes and people, with a focus on capturing life in a graphic and lively manner. The article mentions that these figures were generally fired lightly, making them porous and fragile.

The article is credited to Dorothy Arnold. The clipping is part of a press clipping service archive, with the notation "Press Clipping Service, 2 Park Square, Boston, Mass." in the top left corner.

The image is a clipping from a press service dated February 6, 1944, published by the C.S. Monitor in Boston, Massachusetts. The clipping is about a Chinese figurine from the Tang Dynasty (618-907 AD).

The photograph shows a ceramic figurine of a person riding a horse. The accompanying article provides detailed information about Tang Dynasty ceramic figurines:

1. Discovery and Production: Great quantities of ceramic figurines were produced during the Tang Dynasty and were discovered during excavations. These figurines were made in large numbers, often prepared in mass production and not held to high standards of craftsmanship.

2. Quality and Usage: The figurines were inexpensive and disposable, used as grave goods and offerings. They were not meant for high artistic value but were functional and widely used.

3. Style and Features: The figurines are noted for their versatility in style, embodying a range of subjects and activities. They were glazed and fired, with a generally light finish.

4. Subjects: The article mentions that the subjects of these Tang figurines include camels, horses, dancers, and musicians, indicating a variety of representations.

The article is credited to Dorothy Arrow, and it provides insight into the cultural and artistic practices of the Tang Dynasty, highlighting the figurines' role in burial customs and their wide variety of subjects.

This image is a press clipping from the Christian Science Monitor, dated February 6, 1944. It features an article about a Chinese figurine from the Tang Dynasty (618-906 A.D.).

The article includes a photograph of a ceramic sculpture depicting a human figure riding a horse. The figurine showcases typical Tang Dynasty artistry, with detailed attention to the rider and the horse's form.

Here's a detailed summary of the article:

Title: A Chinese Figurine from the Tang Dynasty

Content:

• The Tang Dynasty is renowned for its great quantities of ceramic sculptures.
• These sculptures were initially discovered inadvertently during the construction of China's growing railway system in the early 20th century. Many of these artifacts were found in graves.
• The Tang statues are part of a class that includes both humans and animals, primarily made from a type of pottery known as "terracotta."
• Unlike Greek terracotta, Tang pottery is not painted but glazed, which gives it a unique finish.
• Tang Dynasty figurines are noted for their naturalism, depicting a wide array of subjects with expressive and dynamic compositions.
• The pottery often portrays a variety of human figures, including people from different ethnic backgrounds, animals, and mythical creatures.
• These figures typically show a high degree of detail and were intended to serve as funerary objects to accompany the dead.
• The glaze used on these figures is usually a three-color glaze (Sancai), which includes shades of white, amber, green, and sometimes blue.
• The article lists various types of figurines found from the Tang Dynasty, such as camels, horses, dancers, musicians, and more.

The article is authored by Dorothy Adlow. The press clipping is provided by the Press Clipping Service in Boston, Massachusetts.

This image shows a mounted newspaper clipping affixed to a piece of brown paper or cardboard. The clipping includes a black-and-white photograph of a ceramic figurine depicting a person riding a horse. The figurine is from the Tang Dynasty, as indicated by the caption beneath the photo.

The clipping also contains a detailed article discussing the significance of these ceramic statuettes from the Tang epoch of China (618-906). It mentions that many such statuettes have been accidentally discovered during excavation for a great railway and that they represent a class of ancient wares comparable to the Tanagra terracottas of Greece. The article highlights the artistic and cultural value of these works and notes that the figures often depict people and animals involved in everyday activities. It specifies that Tang figurines include camels, horses, dancers, and musicians.

A small label at the top left corner states "Press Clipping Service," with the address "2 Park Square, Boston, Mass. C. S. Monitor, Boston, Mass." and a date stamp "FEB 16 1944."

The article is credited to Dorothy Adlow, and the photo is credited to the Fogg Museum of Art, Harvard University, and the Christian Science Monitor.

This image appears to be a photograph of a clipping from a press service, specifically from the "Christian Science Monitor," dated February 16, 1944. The clipping includes an image of a sculpture labeled as "A Chinese Figurine from the Tang Dynasty" and below it, there is an article that discusses "Gray earthenware" or "ceramic statuettes belonging to the Tang epoch of China" from approximately 618-907 CE. The text mentions that these figurines were discovered relatively recently at that time, and they varied in size and level of detail.

The article goes on to describe the Tang statuettes as being close in style with the ancient art of Greece which was also popular in far-away Rome at that time. These figurines were made of terra-cotta and appear both robust and lifelike, indicating the artisans' high level of skill and the importance of these objects culturally. The final part of the visible article discusses the different types of figurines made, including warriors, attendants, horses, camels, and more.

The page also shows some signs of wear and age, such as discoloration, creases, and small tears. There are markings on the paper, like a blue line on the top right corner and handwritten numbers at the top of the page, possibly for archival or organizational purposes. There is a small circular object on the top left that appears to be pinning the article onto the background paper or cardboard.

The image depicts a historical document or clipping from a Press Clipping Service, dated February 6, 1944, and associated with C.S. Monitor in Boston, Mass. The document features a black-and-white photograph of a Chinese figurine from the Tang Dynasty. The figurine shows a stylized figure riding a galloping animal, likely a horse, with the rider holding a fan-like object in one hand and a small object in the other. The figure is rendered in a dynamic pose, suggesting motion and grace.

Below the photograph, there is descriptive text that provides context about the figurine and Tang Dynasty ceramics. The text explains that Tang Dynasty figurines, often made of ceramic or terra-cotta, were mass-produced and served as both market items and mortuary provisions. These figurines depicted everyday activities, such as riding animals, dancing, or playing musical instruments, and were inexpensive and widely disseminated. The text also compares Tang Dynasty figurines to ancient Greek terracottas, noting their similar mass production and cultural significance.

The document includes a caption beneath the photograph: "A Chinese Figurine from the Tang Dynasty," and credits the source as the Peabody Museum of Art, Harvard University, and the Chinese Historical Society of America. The text is attributed to Dorothy Aronow. The overall presentation suggests this is an archival or historical clipping, likely preserved for research or reference purposes.

A newspaper clipping from the Christian Science Monitor, dated February 6, 1944, features an image of a Chinese figurine from the Tang Dynasty and an article about Tang dynasty ceramic statuettes. The article discusses the discovery of these statuettes, which were found in the path of excavations for a greenhouse. The statuettes are described as inexpensive and commonly produced, with glazes ranging from camel, horses, dancers, and musicians. The article also mentions that the Tang dynasty is known for its passion for horses and pottery.