Archives Scrapbooks

This image displays a single, aged, yellowish-brown page of press clippings, likely from a scrapbook or archive, related to the Fogg Art Museum (now part of the Harvard Art Museums) in Cambridge, Massachusetts, during early 1944.

The page is organized with multiple newspaper clippings, each bearing a "Press Clipping Service" header from either the Herald, C. S. Monitor, or Chronicle-Sun, all based in Boston or Cambridge, Mass. The clippings are dated between January 23, 1944, and February 11, 1944.

The primary subject of the clippings is the Fogg Art Museum's special exhibitions and programming.

Left Side:

• Jan 23, 1944 (Herald): An article announcing special exhibits featuring Chinese sculptures, bronzes, jades; Egyptian sculptures; Persepolis sculptures; paintings and drawings by David and Ingres; Italian 18th-century paintings; Pre-Columbian art; and art from the bequest of Grenville Lindall Winthrop. It also mentions gallery talks and museum hours.
• Jan 31, 1944 (C. S. Monitor): A note about an exhibit at the Fogg Museum of Art, Harvard University, listing similar artworks as above and noting the exhibit runs through Feb. 18.
• Feb 7, 1944 (C. S. Monitor): Another notice detailing the Fogg Museum's exhibits and hours, including gallery talks on Sundays at 3:30 P.M. and a general tour of the galleries on Sunday, Feb. 13.
• Feb 11, 1944 (Chronicle-Sun): A detailed listing of the museum’s hours, gallery talks, tours, and special exhibitions, reiterating the contents of the exhibits and the end date (until February 18).

Right Side:

• Feb 8, 1944 (C. S. Monitor): This is a larger article with a photograph. The photo is a black-and-white portrait of a young woman, identified in the caption as Miss Elsie Palmer. The accompanying text identifies the image as “Portrait of Miss Elsie Palmer: A Sketch in Oils by John Singer Sargent”.

The article provides biographical context:

• John Singer Sargent painted Elsie Palmer, the daughter of General Palmer, in England around 1890 while staying with her family at Ightham Mote.
• It notes that the painting was highly successful and later made into a reproduction.
• It also mentions that the completed canvas is now in the collection of the Fine Arts Academy, Buffalo, New York.

The text further discusses Sargent’s portraiture technique, comparing his style to Hals and Velazquez, highlighting his confidence, bold brushwork, and “fresh departure to aquarelle and mural painting.” The article concludes with a quote from critic Dorothy Anlow describing the portrait’s qualities.

Additional Details:

• The page has three white plastic binder rings along the left edge, indicating it is part of a bound collection.
• The page has been handwritten on: “1944” is written in blue ink at the top right.
• The word “Swaghed” is written in black ink below the main article, possibly a note or correction by the archivist.
• The overall condition shows signs of aging, including discoloration and slight wear.

In Summary:
This is a historical press clipping page documenting the Fogg Art Museum’s programming and exhibitions in early 1944, focusing on its diverse collection and special events. The most prominent feature is an article with a portrait photograph of Miss Elsie Palmer, painted by John Singer Sargent, accompanied by critical commentary on the artwork and the artist’s technique.

This image appears to be a collection of newspaper clippings and a photograph, all related to the Fogg Art Museum at Harvard University. The clippings are from various newspapers including the "Herald," "C.S. Monitor," and the "Chronicle-Sun," and are dated between January 23, 1944, and February 11, 1944. These clippings include details about the museum's exhibitions, which showcased Chinese sculptures, bronzes, jades, Egyptian sculptures, and other art pieces.

The photograph, which is a black-and-white image, is titled "Portrait of Miss Elsie Palmer: A Sketch in Oils by John Singer Sargent." It depicts a young girl in a white dress with a dark background. The clipping on the right provides information about the portrait, mentioning that John Singer Sargent painted this sketch in oils around 1890, when he was painting portraits of fashion and rank. The text also notes the location of the portrait in the Fine Arts Academy in Buffalo, New York. The photograph and the accompanying text highlight the artist's work and the subject's importance.

This image is a scanned page of a scrapbook or archival document, likely from a collection related to the Fogg Art Museum and its exhibits in 1944. The page contains several press clippings from newspapers and articles, as well as a photograph of a portrait painting.

Key Elements:

1. Press Clippings:

   • There are six press clippings on the left side of the page, each with a header indicating the source and date:
     • Two clippings from the Herald, dated January 23, 1944, and January 30, 1944.
     • Two clippings from the C.S. Monitor, dated January 31, 1944, and February 7, 1944.
     • One clipping from the Chronicle-Sun, dated February 11, 1944.
   • The clippings provide information about the Fogg Art Museum's special exhibitions, including sculptures, bronzes, jades, Egyptian sculptures, sculptures from Persepolis, Italian 18th-century paintings, and Pre-Columbian Art. The clippings also mention gallery talks and museum hours.

2. Photograph:

   • On the right side of the page, there is a black-and-white photograph of a portrait painting. The caption below the photograph reads: "PORTRAIT OF MISS ELSIE PALMER: A Sketch in Oils by John Singer Sargent."
   • The portrait depicts a woman standing, wearing a light-colored dress with a bow at the waist. The background is dark, which contrasts with the light dress, highlighting the figure.

3. Article Excerpt:

   • Below the photograph, there is an excerpt of an article discussing the painting and the artist, John Singer Sargent. The article provides historical context about Sargent's work and his time spent in England. It also includes a quote from Sargent: "I do not judge, I chronicle," and mentions the qualities of the best period of portraiture by Sargent.

4. Annotations:

   • There are handwritten annotations on the page, including the word "Svaghed" (which is Italian for "weakness") written in blue ink near the bottom right corner.

The overall layout suggests that this page was part of a collection or archive documenting the activities and exhibitions at the Fogg Art Museum during the early 1940s. The inclusion of both press clippings and a photograph of a significant artwork provides a comprehensive view of the museum's offerings and the critical reception of the art.

The image shows a collection of newspaper clippings that are pasted on a piece of paper. The clippings are from different newspapers, including the Boston Herald, Boston, Mass., and the C.S. Monitor, Boston, Mass. The clippings are dated from January 1944 to February 1944. The clippings are about the Fogg Art Museum, which is located in Boston, Massachusetts. The museum is hosting an exhibition of Chinese, Egyptian, and Italian sculptures, paintings, and drawings. The exhibition is open from 9 a.m. to 5 p.m. on weekdays and from 2 p.m. to 5 p.m. on Sundays. The museum also offers guided tours of the museum galleries. The clippings also mention a portrait of Miss Elsie Palmer, a sketch by John Singer Sargent, and a painting by Hals and Velasquez.

This image is a clipping from a newspaper or magazine, featuring an article about an exhibition of Chinese sculptures at the Fogg Art Museum. The article includes details about the exhibition's dates, the types of sculptures on display, and the artist's background. The image also includes a photograph of a woman in a white dress, possibly related to the exhibition or the artist. The clipping is part of a collection of press clippings, as indicated by the text at the top of the image.

The image depicts a collection of press clippings from various newspapers and publications, all dated between January 1944 and February 1944. The clippings are organized into a scrapbook or folder format, with each item labeled "Press Clipping Service" and including the location (Boston, Mass.) and the name of the publication (e.g., Herald, C. S. Monitor, Chronicle-Sun).

Key Features of the Image:

1. Clippings Layout:

   • The clippings are arranged in a grid-like format, with multiple articles visible on the page.
   • Each clipping is labeled with the date, publication name, and location, indicating they are part of a press clipping service.

2. Content of Clippings:

   • The articles appear to cover a variety of topics, including:
     • Art Exhibitions: Several clippings mention the Fogg Art Museum at Harvard University, highlighting exhibitions of Chinese art, including sculptures, jade, drawings, paintings, and other artifacts. One article specifically mentions a special exhibition of Chinese art, including works by David and Ingres, as well as Italian 18th-century paintings.
     • Portraits and Artists: One of the clippings features a detailed article about a portrait of Miss Elise Sargent Palmer, painted by John Singer Sargent. The article discusses the artist's technique, the subject's background, and the historical context of the portrait. It also includes a sketch of the portrait, described as a study in oil by Sargent, and mentions that the portrait is part of the Fogg Museum's collection.
     • Museum Hours and Events: Some clippings provide information about the Fogg Museum's hours of operation, including weekdays, Sundays, and holidays.

3. Visual Elements:

   • On the right side of the image, there is a printed reproduction of a portrait sketch by John Singer Sargent. The sketch is labeled as a study in oil and is attributed to the Fogg Museum of Art at Harvard University. The caption beneath the sketch provides context about the subject, Miss Elise Sargent Palmer, and the artist, John Singer Sargent.
   • The sketch is accompanied by descriptive text that elaborates on the portrait's creation, the artist's technique, and the subject's significance.

4. Annotations:

   • Handwritten notes and markings are visible on the clippings, suggesting they were reviewed or cataloged by someone. For example, there are blue markings and numbers (e.g., "1145") on some clippings, possibly for indexing or filing purposes.
   • The word "Svaghed" is handwritten near the bottom of the sketch, which might be a note or annotation related to the image or the clipping service.

5. Design and Format:

   • The clippings are typed, with consistent formatting, indicating they were part of a professional clipping service.
   • The overall appearance suggests this is an archival or research collection, likely used for historical or academic purposes.

Summary:

The image shows a page from a press clipping service archive, dated early 1944, focusing on art-related news from Boston-area publications. The clippings include articles about art exhibitions at the Fogg Museum, details about museum hours, and a detailed feature on a portrait by John Singer Sargent. The inclusion of a printed sketch and handwritten annotations suggests the clippings were curated for research or reference purposes.

This image shows a collection of aged press clippings from various newspapers, dated around February 1944. The clippings appear to be related to art exhibitions and events, with mentions of the Fogg Art Museum and the critiques of different artworks and exhibitions from that era. One larger image of an artwork is present on the right side, with text describing a portrait and mentioning a sketch in oil by John Singer Sargent. Specific publications mentioned in the clippings include the Boston Herald, the C. S. Monitor, and the Chronicle. These clippings are affixed to a larger piece of paper; holes and staple marks indicate they've likely been compiled for reference or archival purposes. Additionally, some handwriting and stamps with dates are visible on the paper, probably used for organizing or categorizing the clippings in a collection or archive.

The image shows a scrapbook page with multiple press clippings and a black-and-white photograph. The clippings primarily come from Boston newspapers and press clipping services dated from January and February 1944. They mention the Fogg Art Museum and exhibition details about Chinese sculptures, bronzes, jades, Egyptian sculptures, and paintings including those by David and Ingres, Italian eighteenth-century paintings, and Pre-Columbian art from the bequest of Grenville Lindall Winthrop.

On the right side of the page is a monochromatic image of a portrait painting of a seated woman in a long dress. The portrait is titled "Portrait of Miss Elsie Palmer: A Sketch in Oils by John Singer Sargent." Below the image is an article describing the portrait, mentioning that it depicts the eighteen-year-old daughter, Elsie Palmer, of General Palmer. The article notes John Singer Sargent’s exhibition history and style, emphasizing his ability to produce highly satisfactory portraits combining efficiency and brilliance without sacrificing imagination.

The page overall documents an art exhibition related to the Fogg Art Museum and highlights a specific artwork and artist's background. Several press clipping service labels from Boston and Cambridge provide context about the sources and dates of the clippings. There is a handwritten note "Svaghed" near the bottom center next to the portrait article.

• A vintage scrapbook page on brown, aged paper.
• On the left side there are multiple small newspaper clippings labeled “Press Clipping Service” from Boston/Cambridge, with dates around early 1944. They mention art topics and museums (including the Fogg Art Museum).
• On the right side is a large black-and-white reproduction/photo of a seated woman in a long, white gown. The head appears to be obscured or blurred.
• There is a caption beneath the photo that references a portrait by John Singer Sargent and a description of the subject, with some accompanying text about the painting from around 1890.
• The page shows two binder holes on the left margin and overall signs of aging and wear.

This image shows a scrapbook or archival page featuring a collection of press clippings and a reproduction of an artwork. The page itself is brown and has two hole punches on the left side for binding. Here's a breakdown:

1. Left Section (Clippings):

   • Multiple press clippings from Boston newspapers are pasted in an organized fashion.
   • Each clipping appears to provide information about the Fogg Museum at Harvard University and its exhibitions. Dates such as January 23, 1944, and February 13, 1944, are visible.
   • The clippings discuss topics such as Chinese sculpture, Roman glass art, pre-Columbian works, and other artistic pieces that were part of the museum's collection.

2. Right Section (Artwork Reproduction):

   • There is a black-and-white reproduction of a painting titled Portrait of Miss Elsie Palmer: A Sketch in Oils by John Singer Sargent.
   • The illustration depicts a woman in a white gown sitting in a formal pose. Her facial features have been blurred or obscured in the reproduction.
   • Below the artwork, there is text providing context about the painting and its history. For instance, it explains this unfinished painting was created by John Singer Sargent, an American artist, circa 1890, and that it depicts Miss Elsie Palmer. Additional information describes Sargent's career and artistic significance.

3. General Notes:

   • A handwritten word "Svaghed" appears below the article on the right, marked in blue ink.
   • The yellowed patina of the paper gives the document an archival or vintage aesthetic, indicative of its preservation over time.

Overall, the page seems to be part of a collection documenting exhibitions at the Fogg Museum and features an illustration and detailed coverage of one significant artwork.