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ARCH.2003.29, Rendition: 803454
This image displays a vintage newspaper clipping from the Buffalo, N.Y. Evening News, dated Saturday, December 4, 1948. It appears to be a single, aged page from the “Local News” section, as indicated by the heading “Local News 3” near the top left. The paper is brittle and yellow-brown with visible creases, fold marks, and three punched holes along the right edge, suggesting it was stored in a binder.
The page features two main articles addressing a controversy surrounding the Buffalo Fine Arts Academy (now the Buffalo AKG Art Museum).
Main Article:
Headline:
“NEW YORK AUCTION OF LOCAL PAINTINGS STIRS UP ART STORM”
This article details an outcry within the art community after the Albright Art Gallery (part of the Buffalo Fine Arts Academy) sold 143 paintings in a New York City auction. The sale was intended to raise funds for the gallery’s permanent collection, but many artists and art advocates protested. The key grievance was that the paintings were auctioned for very low prices — between $300 and $600 — and many of the artists were still alive, making the sale feel like a betrayal. The article mentions that the gallery had previously acquired some of these works for as little as $30-40 paintings.
The controversy was championed by Albert T. Reid, president of the American Artists Professional League, who called the auction “terrifically damaging to an artist who is still living.” He warned that such actions would deter artists from donating or selling work to public institutions. The article also quotes Louis Kronberg, a noted New York artist and patron, who condemned the sale.
The piece references a similar controversy in New York City, where the Metropolitan Museum was accused of “discouraging people who make complete donations,” and notes a parallel situation in Boston concerning the Museum of Fine Arts.
Second Article (Right Column):
Headline:
“Ritchie Says Auctioned Art Was Not of Museum Quality”
This article features a statement from Dr. Andrew C. Ritchie, director of the Albright Art Gallery. He defends the auction, asserting that the 143 paintings were not of “museum quality” and that their disposal had been “carefully considered” by the Art Committee over three years. He also declines to discuss the “Kronberg painting” specifically — likely referring to the one mentioned in the main article — citing a “present policy.”
Additional Article (Below the above, partly covered):
Headline:
“Buffalo Artist Proposes Drive on ‘Insane’ Art”
This article features an opinion piece or letter from Alex Levy, a Buffalo artist and member of the Buffalo Fine Arts Academy. He suggests the City of Buffalo organize a “drive on rats” — a satirical metaphor — to rid the community of “salacious, insane art.” He criticizes the Academy for displaying “sado-masochistic” and “pernicious” art and accuses them of ignoring local citizens and their tastes. He contrasts the Academy’s “contemporary” gallery with the “superb” art found in Shakespeare, Beethoven, or Rembrandt. Levy also references “The Yugo Muses” and “Mr. Frank Granger” of Chicago, and urges citizens to pressure the Common Council to support “true” art.
Visual Elements:
Historical Significance:
This clipping captures a moment of mid-20th-century cultural tension: the clash between modernist or “contemporary” art and traditionalist tastes, the role of public institutions in collecting and preserving art, and the rights of living artists. It also reveals how art world debates were covered in mainstream local newspapers, showing public engagement with cultural policy.
This particular controversy surrounding the Albright Art Gallery’s auction was part of a broader national conversation about the direction of American art and museum practices in the late 1940s.
The image appears to be a scanned copy of an old newspaper article from "The Buffalo Evening News," dated Saturday, December 4, 1943. The article discusses the local paintings auction and the controversy surrounding it. It mentions that the Albright Art Gallery, located in Buffalo, New York, auctioned off some of its stored paintings at "ridiculous prices." The article highlights the artists' reactions and complaints about the sale, suggesting they believe the artworks should not have been auctioned off and were of poor quality for museum standards. It also includes a statement from Dr. Andrew C. Ritchie, director of the Albright Art Gallery, defending the decision to sell the artworks. There is another article on the same page about a Buffalo artist proposing to drive on "insane" art, along with a signed article by Alex Levy, discussing the art field in Buffalo. The document shows signs of age, with a yellowed appearance, and the text has been timestamped and marked with numbers, possibly for organizational purposes.
This image shows a piece of aged yellowish paper, likely a scrapbook page or a collection of newspaper clippings related to an art controversy in 1943. The paper has several items glued to it:
Newspaper Clippings:
Handwritten Notes:
Additional Text:
The overall theme of the clippings and notes suggests a significant debate and controversy in the art community of Buffalo in 1943 regarding the disposal of art pieces and the quality of art being displayed. The paper itself shows signs of age, with some wear and tear, indicating it has been preserved for a long time.
The image is a scanned page from a newspaper or magazine, likely from the early 20th century, given the style and the content. The page is slightly aged, with a brownish tint and some visible creases and folds. There are several articles and headlines, each with distinct sections and subheadings.
Top Section:
Middle Section:
Bottom Section:
Additional Details:
Analysis:
The page reflects a period of debate and controversy within the art community, particularly around the themes of art valuation, the direction of art institutions, and the quality of art being produced and auctioned. The articles highlight the tensions between traditionalists and modernists in the art world, as well as the concerns of artists about the commercialization and perceived devaluation of their work. The handwritten notes suggest that the reader was engaged with the content, possibly indicating a personal or professional interest in the topics discussed.
The image appears to be a clipping from a newspaper. The clipping is from the Buffalo Evening News and is dated December 4, 1943. The clipping contains an article with the headline "NEW YORK AUCTION OF LOCAL PAINTINGS STIRS UP ART STORM." The article discusses an auction of local paintings in New York that has caused controversy among artists and art enthusiasts.
The article mentions that the American Artists' Professional League, which reports in the December issue of the League's publication, has expressed concern over the auction. The League's director, Dr. Albright, has stated that the auction does not meet the attitude of the American Artists' Professional League and that the gallery's actions are not of museum quality.
The article also discusses the Buffalo Fine Arts Academy's proposal to drive an "insane" auction having a detrimental effect on the local art scene. The Academy's director, Louis Kronberg, argues that the Buffalo Fine Arts Academy, which employs a large number of its artists in a permanent capacity, should not be subject to the whims of a private gallery.
The clipping also includes a letter from a Buffalo artist, Jack Gardner, who purchased a painting by another artist, Warren Quintin, at the auction. Gardner expresses his concern over the gallery's actions and the potential harm it could cause to the reputation of the artists involved.
Overall, the clipping provides insight into the controversy surrounding the auction of local paintings in New York and the concerns of the American Artists' Professional League and other artists and art enthusiasts.
The image shows a scanned page from a newspaper, specifically the Buffalo Evening News, dated Saturday, December 4, 1943. The page contains a collection of news articles and clippings, primarily focused on art and cultural events in Buffalo, New York, during that era. Here is a detailed breakdown of the content:
Article Title: "NEW YORK AUCTION OF LOCAL PAINTINGS STIRS UP ART STORM"
Article Title: "Ritchie Says Auctioned Art Was Not of Museum Quality"
Article Title: "Buffalo Artist Proposes Drive on 'Inane' Art"
The image captures a snapshot of mid-20th-century art discourse, focusing on the controversy surrounding an auction of local paintings in New York and a local artist's critique of art quality in Buffalo. The articles provide insight into the challenges faced by artists and institutions in evaluating and promoting art during this period.
This image is a photograph of a page featuring newspaper clippings from the Buffalo, N.Y., Evening News, dated December 4 and 8, 1943. The clippings are pasted onto a light brown paper sheet, which shows some signs of aging, indicated by the yellowed color and worn edges.
The largest article is titled "NEW YORK AUCTION OF LOCAL PAINTINGS STIRS UP ART STORM" and is under the "Local News" section of the newspaper. The story discusses the controversy arising from local art pieces being sold outside of their community, stirring up a negative reaction from the Buffalo art scene.
To the right, there's a smaller, partial clipping with the headline "Ritchie Says Auctioned Art Was-Not of Museum Quality" related to the outcome of the aforementioned auction, potentially addressing issues of quality and provenance of the auctioned pieces.
Below the main article are two smaller clippings. The one on the left is not fully visible, but the heading seems to say something about providing items for the "TAXPAYER." The piece on the right is titled "Buffalo Artist Prospers Drive on 'Insane' Art" and discusses an individual's apparent opposition to the prevailing art trends and the impact on local art institutions.
There are two dates visible, "1943" handwritten above the right clipping and the printed dates on both articles indicate the first article is from December 4, 1943, and the other clippings from December 8, 1943. The overall impression is that these articles provide a glimpse into the art community and local opinions at that time in Buffalo, New York.
This image depicts a scrapbook page containing three newspaper clippings from "Buffalo, N.Y. Evening News" dated December 4 and 5, 1943. Each clipping focuses on discussions around an art auction and art-related issues in New York.
The primary clipping on the left-hand side has the headline: "New York Auction of Local Paintings Stirs Up Art Storm" and describes a controversy involving local artists and an art auction that included works potentially deemed unsuitable or non-museum quality.
The two smaller clippings on the upper right and lower center continue the discussion. The top right article addresses statements reportedly made by Andrew Ritchie, the director of the Albright Art Gallery, regarding museum-quality artwork. The bottom center article discusses a Buffalo artist proposing a drive to address "Insane Art," possibly hinting at a broader debate about the standards and critiques of modern art.
The scrapbook page is yellowed with age, suggesting its archival preservation, and is slightly damaged (hole-punched on the side and a torn edge in the bottom left corner).
The image shows a brown paper sheet with three old newspaper clippings attached to it. The clippings are from the Buffalo, N.Y. Evening News, dated December 4, 1943, and December 8, 1943. The articles discuss an art controversy:
The largest clipping on the left is titled "NEW YORK AUCTION OF LOCAL PAINTINGS STIRS UP ART STORM." It reports on artists' outrage over the Albright Art Gallery's auction of local paintings at "ridiculous prices," with some works initially purchased for large sums being sold for much less. It mentions that the artists who painted many of the works are still living, and it details complaints about the auction and the gallery's actions.
The small clipping at the top right is titled "Ritchie Says Auctioned Art Was Not of Museum Quality." It features a statement by Dr. Andrew C. Ritchie, director of the Albright Art Gallery, defending the decision to auction 142 miscellaneous art objects that were deemed not of museum quality after careful consideration.
The medium clipping at the bottom right is dated December 8, 1943, and is titled "Buffalo Artist Proposes Drive on 'Insane' Art." It condemns the Buffalo Fine Arts Academy for selling its permanent art collection secretly and criticizes the institution for potentially wasting public funds. The article calls for citizen action to protest this move and protect the arts. The piece is signed by Alex Levy.
The sheet has two punched holes on the right side and some signs of aging, such as discoloration and slight tears.