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This image displays a vintage press clipping, mounted on a piece of aged, tan-colored paper with two visible punched holes on the left margin, suggesting it was stored in a binder or file.

At the top of the clipping, a small label from the “Press Clipping Service” at “2 Park Square, Boston, Mass.” identifies the source as “C. S. Monitor, Boston, Mass.” and is stamped with the date “DEC 3 1943.”

The central feature is a black-and-white photographic reproduction of a drawing, identified below the image as:

“SUSANNA OF BAVARIA”. A Drawing by Albrecht Dürer

A handwritten “175” in blue ink appears in the upper left corner of the reproduction. The drawing itself is a portrait in three-quarter view of a woman, presumably Susanna of Bavaria. She wears a large, wide-brimmed hat, a high-necked gown with decorative trim, and a prominent necklace. Her expression is calm and composed, looking slightly to her left (the viewer’s right). The technique is sketchy, with expressive lines and shading that suggest the medium is likely silverpoint or chalk on paper, consistent with Dürer’s style.

Beneath the image, a lengthy article by Dorothy Adlow provides context and analysis. Key points include:

• Artist and Subject: Albrecht Dürer (1471–1528), who created this portrait of Susanna of Bavaria (sister of Emperor Maximilian I, known as “Dürer’s great Protectress”).
• Artistic Context: The article discusses Dürer’s artistic evolution, noting his early Gothic style with expressive line and later assimilation of Italian Renaissance ideals emphasizing form and structure.
• Portrayal Style: It highlights Dürer’s attention to the fashionable dress, jewelry, and accessories of his subjects, as well as his skill in capturing personality and the “implacable trait of form, feature, and costume.”
• Medium and Provenance: The article specifies that this drawing is in “soft lead point on green paper,” and that other likenesses of Susanna, including a full-length portrait, exist in a Brussels tapestry at Neuburg.

In summary, this is a 1943 newspaper clipping from Boston preserving an image and analysis of a Dürer portrait drawing of Susanna of Bavaria, serving as a historical artifact of art criticism and documentation during the mid-20th century.

The image appears to be a historical clipping from a newspaper or magazine, specifically from the Christian Science Monitor, dated December 9, 1943. It features a reproduction of an etching titled "Susanna of Bavaria," which is attributed to the artist Albrecht Dürer. The etching is placed on top of a page with accompanying text explaining the artwork and its context.

The text discusses the etching as part of the Fogg Museum of Art collection at Harvard University. It describes how Susanna of Bavaria was portrayed in the drawing, noting Dürer's transition from Gothic influences to Italian Renaissance techniques. The author of the accompanying text, Dorothy Adlow, provides additional information about Susanna, her connection to Maximilian I, and other works related to her.

This image is a scanned or photographed document, likely clipped from a newspaper or magazine article, and preserved on a brownish, aged paper with punched holes on the left side, suggesting it was part of a scrapbook or binder. The clipping is dated December 9, 1943, as indicated by the stamp in the top right corner, and it is associated with the "Press Clipping Service" and "C.S. Monitor," both located in Boston, Massachusetts.

The central feature of the clipping is a black-and-white reproduction of a drawing titled "Susanna of Bavaria" by Albrecht Dürer. The drawing depicts a woman wearing a large hat, looking to the side, with a small figure, possibly a child, at her side. The woman is dressed in period clothing, and the drawing is detailed with shading and texture.

Below the image, there is a caption that reads: "By Courtesy of the Fogg Museum of Art, Harvard University, to THE CHRISTIAN SCIENCE MONITOR 'SUSANNA OF BAVARIA': A Drawing by Albrecht Dürer."

The article discusses Albrecht Dürer (1471-1528) and his artistic style, mentioning his transition from Gothic influences to Renaissance techniques. It describes his portrait drawings, including this one of Susanna of Bavaria, and notes her significance as the sister of Emperor Maximilian I and Dürer's "great Protectress." The article is signed by Dorothy Adlow.

The text is printed in a serif font typical of newspapers from the 1940s, and the overall appearance of the document suggests it is a historical piece, likely used for educational or archival purposes.

The image shows a piece of paper with a drawing of a person and text. The paper is folded in half, and the drawing is on the left side of the fold. The drawing depicts a person wearing a hat and a dress, with their head tilted to the side. The person's face is partially obscured by the hat, and their hair is tied back in a ponytail. The text on the right side of the fold provides information about the drawing, including the name of the artist, the title of the work, and a brief description of the subject matter. The paper appears to be old and worn, with creases and folds indicating that it has been handled frequently. The drawing and text suggest that the paper is a promotional or informational piece, possibly created for an exhibition or publication.

A clipping from the C.S. Monitor is attached to a brown sheet of paper. The clipping contains an image of a drawing of a woman wearing a hat and holding a baby. The drawing is titled "Suzanne of Bavaria" and is attributed to Albrecht Durer. The clipping also includes a brief description of the drawing and its historical context. The clipping is dated December 9, 1948, and has a reference number of 175.

The image depicts a page from a historical archive or collection, likely part of a press clipping service or museum archive. The page features a detailed description and illustration of a drawing titled "Susanna of Bavaria: A Drawing by Albrecht Dürer."

Key Elements of the Image:

1. Top Left Corner:

   • A header indicates this is from the Press Clipping Service, located at 2 Park Square, Boston, Mass., C.S. Monitor, Boston, Mass. This suggests the page is part of a curated collection or archive.

2. Illustration:

   • The central illustration is a detailed drawing of a woman, identified as Susanna of Bavaria, depicted in a three-quarter profile view.
   • She is wearing an elaborate hat adorned with feathers and other decorative elements, typical of Renaissance or early modern fashion.
   • The drawing is attributed to Albrecht Dürer, a renowned German artist and printmaker of the Northern Renaissance.

3. Caption and Description:

   • Below the illustration, there is a detailed caption and description. It provides context about the drawing, including:
     • Artist: Albrecht Dürer (1471–1528).
     • Subject: Susanna of Bavaria, sister of Emperor Maximilian I.
     • Medium: The drawing is executed in soft lead point on green paper.
     • Historical Context: The description discusses Dürer's artistic evolution, noting his transition from Gothic influences to Renaissance ideals. It highlights the expressive vigor and decorative linework characteristic of his style.
     • Details: The caption emphasizes the three-quarter perspective, the detailed rendering of the subject's attire, and the overall composition, which reflects Dürer's mastery of portraiture and his ability to convey personality and authenticity.

4. Archival Markings:

   • The page includes several markings:
     • A handwritten number "195" in the top left corner, likely an archival or cataloging identifier.
     • A typed label at the top indicating "Press Clipping Service" and the location.
     • A stamp or label reading "DCS 1943", suggesting the year the clipping was archived or cataloged.

5. Condition and Format:

   • The page appears to be part of a bound or archived document, with visible holes on the left edge, likely for binding or filing purposes.
   • The paper has a warm, aged tone, consistent with historical documents.

Summary:

The image shows a carefully preserved archival page featuring a detailed description and illustration of a Renaissance-era drawing by Albrecht Dürer. The drawing portrays Susanna of Bavaria, and the accompanying text provides historical and artistic context, emphasizing Dürer's skill and the significance of the work. The page is part of a press clipping or museum archive, dated 1943, and includes cataloging markings for organizational purposes.

The image presents a vintage clipping of an article featuring a drawing by Albrecht Dürer, titled "Susanna of Bavaria." The clipping is attached to a piece of aged paper with a hole punch on the left side and a label at the top that reads "Press Clipping Service" in black text. The label also includes the address "C. S. Monitor, Boston, Mass." and the date "Dec 9 1943" in blue ink.

Key Features:

• Drawing: The drawing depicts a woman wearing a hat and holding a plant, with a detailed description of her attire and accessories.
• Article: The article provides information about the drawing, including its title, artist, and historical context.
• Label: The label at the top of the clipping indicates that it was part of a press clipping service, which was likely used to track and organize news articles and other publications.
• Paper: The paper itself is aged and worn, with a brownish color and visible creases and tears.
• Hole Punch: The hole punch on the left side of the paper suggests that it was once part of a larger collection or binder.

Overall:

The image provides a glimpse into the past, showcasing a rare and valuable piece of art history. The clipping's age and condition add to its historical significance, making it a unique and fascinating artifact.

This image depicts a vintage newspaper clipping featuring a sketch of a man wearing a hat, accompanied by an article about the artist Albrecht Dürer. The clipping is attached to a piece of paper with two holes punched in it, likely from a binder or folder.

Key Features:

• Sketch: A black-and-white sketch of a man wearing a hat, possibly a self-portrait by Albrecht Dürer.
• Article: An article about Albrecht Dürer, discussing his life and work as an artist.
• Paper: The clipping is attached to a piece of paper with two holes punched in it, suggesting that it was once part of a larger collection or archive.
• Date: The clipping appears to be from the early 20th century, based on the style of the article and the paper it is printed on.

Overall Impression:

The image suggests that the clipping was carefully preserved and stored in a binder or folder, possibly as part of a research project or art history collection. The article provides valuable information about Albrecht Dürer's life and work, while the sketch offers a glimpse into his artistic style and technique.

The image depicts a newspaper clipping featuring a sketch of a woman, accompanied by an article discussing the artwork.

• The clipping is affixed to a yellowed paper with two holes punched on the left side.
  • The paper appears to be aged and worn, with visible signs of yellowing and creasing.
  • The two holes suggest that the paper was once part of a binder or folder.
• A label at the top of the clipping reads "Press Clipping Service" and provides an address in Boston, Massachusetts.
  • The label indicates that the clipping was obtained through a press clipping service, which collected and distributed news articles to clients.
  • The address suggests that the service was based in Boston, Massachusetts.
• The clipping itself features a sketch of a woman wearing a hat and holding a fan.
  • The sketch is rendered in black and white, with bold lines and shading.
  • The woman's facial expression is serene, and she appears to be dressed in attire from a bygone era.
• The accompanying article discusses the artwork, attributing it to Albrecht Dürer.
  • The article provides context about Dürer's life and artistic style.
  • It highlights the significance of the sketch, which is described as a portrait of Susanna of Bavaria.
• The overall appearance of the clipping and the surrounding paper suggests that it is an archival document, possibly from a museum or library collection.
  • The yellowing of the paper and the presence of holes punched along the edge suggest that the document has been stored for an extended period.
  • The clipping and article provide valuable information about the artwork and its historical context.

The image presents a vintage newspaper clipping featuring a drawing of Susanna of Bavaria, accompanied by an article about the artwork. The clipping is affixed to a piece of brown paper, which appears to be from a binder or folder.

• Newspaper Clipping:
  • The clipping is rectangular in shape and features a black-and-white drawing of Susanna of Bavaria.
  • The drawing depicts Susanna wearing a large hat and a dress, with her hands resting on her lap.
  • The clipping includes a caption below the drawing that reads "'Susanna of Bavaria': A Drawing by Albrecht Dürer."
  • The article provides information about the artist Albrecht Dürer and his work, including his early accomplishments and his use of perspective in his drawings.
  • The article also describes the drawing of Susanna of Bavaria, noting that it is one of Dürer's portrait drawings of notable men and women.
• Brown Paper:
  • The brown paper is rectangular in shape and has two holes punched along its left edge.
  • The paper appears to be from a binder or folder, as evidenced by the holes and the fact that the clipping is affixed to it.
  • The paper has a yellowed appearance, suggesting that it is old.
• Text at the Top of the Clipping:
  • The text at the top of the clipping reads "Press Clipping Service" and provides an address in Boston, Massachusetts.
  • The date "Dec 9 1943" is also visible at the top of the clipping.

In summary, the image presents a vintage newspaper clipping featuring a drawing of Susanna of Bavaria, accompanied by an article about the artwork. The clipping is affixed to a piece of brown paper, which appears to be from a binder or folder. The image provides a glimpse into the artistic style and techniques of Albrecht Dürer, as well as the historical context in which the drawing was created.