Archives Scrapbooks

The image shows a page from "Art Digest," dated November 1, 1943. The page is titled "Winthrop Collection Goes to Fogg" with a subtitle "Cortissoz Knew Winthrop." It discusses the bequest of the Winthrop Collection to the Fogg Museum of Art at Harvard University.

The page includes a photograph of a woman in a white dress, described as "Girl in White Dress: David." Another photograph shows a stone Buddha statue, labeled as "Stone Buddha from the Tien Lung Shan Caves, Shansi."

The text provides details about Grenville L. Winthrop, the collector, and the breadth of his collection, which includes works from various schools and periods, such as Chinese art, European paintings, and sculptures from different traditions. The article highlights Cortissoz's admiration for Winthrop's taste and the richness of his collection.

The page appears to be part of a larger document or binder, as indicated by the presence of a hole punch on the left side. The bottom of the page has a continuation of the article from a previous page.

This image shows a page from the "Art Digest," dated November 1, 1943. The page is a clipping, likely part of a larger document or scrapbook, as it is affixed to a brown folder or paper with two punched holes on the left side.

The article is titled "Winthrop Collection Goes to Fogg" and discusses the donation of the Grenville L. Winthrop collection to the Fogg Museum of Art at Harvard University. The text describes the significance of the collection, its history, and its impact on the museum.

There are two images on the page:

1. A black-and-white photograph of a sculpture labeled "Girl in White Dress: DAVID."
2. A black-and-white photograph of a stone Buddha statue labeled "Stone Buddha from the Tien Lung Shan Caves, Shansi."

The article mentions various artworks and artists included in the collection, such as paintings, sculptures, drawings, prints, furniture, and porcelain. It also highlights the breadth and quality of the collection, noting the inclusion of works by famous artists and the historical and cultural significance of the items.

The text is dense and contains detailed information about the collection and its transfer to the Fogg Museum.

This image shows a page from a vintage magazine, specifically The Bulletin dated November 1, 1966. The page is titled "Winthrop Collection Goes to Fogg" and features an article detailing the donation of the art collection of Grenville L. Winthrop (1864–1943) to the Fogg Museum at Harvard University.

The article is structured with two columns of text, several black-and-white photographs, and a clear, bold headline. The page appears to have been removed or is part of a bound volume, evidenced by two punched holes along the left margin.

Main Content Summary:

The article explains that Grenville Winthrop, a Harvard graduate and prominent Boston lawyer, was deeply passionate about art and amassed one of the most significant private art collections in America. Upon his death in 1943, he bequeathed his entire collection — nearly 4,000 objects — to Harvard’s Fogg Museum. The collection spans nearly 2,000 years of art history, encompassing works from ancient Egypt and Greece, Medieval and Renaissance Europe, 19th-century American painting, and 20th-century European masters.

Key highlights include:

• Winthrop’s collecting philosophy: He favored quality over quantity, seeking “mystery, rhythm, and beauty” in art. He especially loved Egyptian, Byzantine, and early Christian art, and he was a major collector of American artists like John Singer Sargent and Winslow Homer.
• Notable works mentioned: The article references several specific pieces, such as “Stone Buddha from the T’ang Long Shan Caves, Shansi,” “Cortona’s Rome Window,” and “Botticelli’s Madonna and Child.” It also notes his appreciation for the work of French sculptor Auguste Rodin, calling it “one of their finest” works.
• Special emphasis on “special character”: The collection is praised for its cohesion and the personal, almost spiritual connection Winthrop fostered with each piece.
• Legacy and impact: The collection has remained largely unchanged since its donation and has become essential for the study and teaching of art history at Harvard.

Photographs:

There are four embedded black-and-white photos on the page:

1. Top right: A portrait of Grenville L. Winthrop, dressed in formal attire, looking directly at the camera. Caption reads: “Grenville Winthrop, who died in January of the present year and left nearly 4,000 objects, the nature of which is so well known that the collection has often been called the ‘special character’ of the museum.”

2. Lower left: A photo of Stone Buddha from the T’ang Long Shan Caves, Shansi — an ancient Chinese Buddhist sculpture, shown seated on a pedestal.

3. Lower right: A photo of Cortona’s Rome Window — a detail of a Renaissance painting showing architectural elements and figures.

4. Middle right (text only — no image visible in this scan, but referenced in text): Mentions of “Botticelli’s Madonna and Child,” “Rubens’ Self-Portrait,” and other major European works.

Style and Layout:

• The layout is typical of mid-20th-century magazines: dense text, serif font, justified alignment.
• The photos are captioned and placed strategically to illustrate key points.
• The text is divided into subsections such as “Winthrop Gift (Continued from page 31),” indicating this is part of a longer article.
• The tone is scholarly yet accessible, aimed at art enthusiasts and general readers interested in cultural heritage.

Historical and Cultural Significance:

The article captures a pivotal moment in American art history — when a major private collection entered the public scholarly domain. Winthrop’s gift significantly enriched the Fogg Museum’s holdings and established it as a leader in art education and research. The article also reflects mid-century values regarding taste, connoisseurship, and the democratization of art through institutional collections.

In summary, this page is a well-preserved artifact from 1966 that documents the legacy of one of America’s great art collectors and the enduring cultural impact of his generosity to Harvard University.

The image is a page from an old newspaper or magazine, possibly from the early 20th century, as indicated by the style and the date at the top, which reads "ART DIGEST, November 1, 1935." The page is mounted on a brown background, suggesting it might be part of a scrapbook or a preserved collection.

The page is divided into several sections, each with a different article or feature. The top left section is titled "Winthrop Collection Goes to Fogg," and it features an article about a collection of art being donated to the Fogg Art Museum at Harvard University. There is a photograph of a woman, presumably the donor or a related figure, dressed in a white dress with a hat, standing in front of a large painting. The article discusses the collection's significance and the donor's background.

Below this section, there is another article with a photograph of a seated Buddha statue, titled "Cernuschi Collection." This article likely discusses the acquisition or exhibition of the Cernuschi Collection, which is known for its Asian art.

The right side of the page contains several smaller articles and advertisements. One article is titled "Winthrop Gift," which might be a continuation or related piece to the "Winthrop Collection" article. Another section is titled "Winthrop Collection," which seems to be a separate piece or an advertisement related to the collection.

The bottom of the page has additional text, possibly more articles or advertisements, but the details are not clear from the image provided. The overall layout is typical of early 20th-century publications, with a mix of text and images, and a focus on art and cultural news.

The image appears to be a page from a magazine or newspaper article. The article is about the Winthrop Collection and its donation to the Fogg Art Museum. The page contains text and two images - a photo of a woman in a white dress and a photo of a seated Buddha statue. The article discusses the history and significance of the Winthrop Collection, which was donated by Mr. Winthrop and contains works of art from China, Japan, and India. The article also mentions the collection's display at the Fogg Art Museum and its importance for students and art enthusiasts.

The image shows a page from a publication titled "Art Digest," dated November 1, 1948. The page is focused on the Winthrop Collection, specifically its Goes to the Fogg section. The layout is typical of mid-20th-century magazines, featuring a combination of text and illustrations.

Visual Elements:

Text Content:

1. Headline:
   The main headline reads "Winthrop Collection Goes to the Fogg", indicating that the text discusses the transfer of a significant art collection to the Fogg Art Museum at Harvard University.

2. Body Text:
   The article is written in a formal, descriptive tone, detailing the history, significance, and contents of the Winthrop Collection. Key points include:

   • The Winthrop Collection was amassed by Grenville L. Winthrop, a Harvard alumnus and art collector.
   • The collection includes over 4,000 items, such as paintings, drawings, prints, sculpture, textiles, and furniture.
   • Notable artists represented include John Singer Sargent, John Singer Sargent, and others from the 19th and early 20th centuries.
   • The collection is described as one of the richest in America, with a particular emphasis on 19th-century art.
   • The article highlights the donation of the collection to the Fogg Art Museum, emphasizing its importance for academic study and public display.

3. Sidebar Text:
   On the right side of the page, there is additional text discussing the Winthrop Gift, which appears to be a separate commentary or review. This section references works by artists such as Arthur B. Davies, John Marin, and others, suggesting a broader discussion of modern art and its place in the collection.

Illustrations:

1. Top Right Illustration:
   A black-and-white photograph of a woman dressed in a white dress, seated gracefully. The caption below the image reads "Girl in White Dress—Davies." This suggests the photograph is an artwork by the artist Arthur B. Davies, part of the Winthrop Collection.

2. Bottom Left Illustration:
   A black-and-white photograph of a Buddha statue, depicted in a meditative pose with hands in a dhyana mudra (meditation gesture). The caption below reads "Corinne Knowlton—Buddhist Figure from Now, the University Langshan Shrine, China." This indicates the statue is part of the collection and originates from China.

Design and Layout:

• The page features a clean, structured layout with a mix of text and images.
• The text is typeset in a classic serif font, typical of the era.
• The illustrations are placed strategically to complement the written content, with captions providing context for each image.
• The page includes a hole punch on the left margin, suggesting it was designed for binding into a larger publication or archive.

Overall Impression:

The page serves as an informative and visually engaging summary of the Winthrop Collection’s donation to the Fogg Art Museum. It combines historical context, artistic commentary, and visual representation to highlight the collection’s significance in the world of art and its value to academic and public audiences. The inclusion of both modern and traditional art pieces reflects the eclectic nature of the collection.

This image displays an article from "Art Digest" dated November 1, 1943, discussing the Winthrop Collection going to the Fogg Museum. The page from the magazine or newspaper is pinned onto a brown corkboard with two metallic fasteners at the top. The article features a large chunk of text and includes a small inset image of a statue of a seated figure in the lower left corner. The article details the history of the collection, its significance, and provides some specifics about the art and its donors. There is a note indicating a continuation from a different page, suggesting that this is part of a larger article. Toward the bottom right, a smaller, separate section continues under the heading "Winthrop Gift" and appears to provide further context related to the collection and its benefactors. The text in both sections is dense and appears to be educational, offering insights about the collection's importance to the arts and cultural heritage.

This image shows a page from the "ART DIGEST" dated November 1, 1943. The article is titled "Winthrop Collection Goes to Fogg" and discusses the donation of the Winthrop art collection to the Fogg Museum at Harvard University. The text highlights the significance of the Winthrop collection within the art world and details some of the key contributions of Grenville Winthrop, the collector.

The page features two black-and-white photographs of classical sculptures with the faces of the figures pixelated or obscured for privacy. The first photo is captioned "Girl in White Dress: DAVID," and the second photo depicts a seated figure with a caption indicating it is "Stone Buddha, Thirteenth Lung Shan Chaves, Shanxi."

There is a small piece of tape on the right side of the page, partially highlighting a section of text about the Rosettis and a special exhibition. The article continues towards the bottom of the page under the heading "Winthrop Gift," describing more about Grenville Winthrop's collection and his art preferences.

The page is mounted on a brown backing sheet, slightly worn at the edges. The text covers topics such as the art collectors, specific artworks, and the impact on the Fogg Museum's collection.

The image shows an archival newspaper clipping mounted on a brown manila folder. The clipping is a two-column article with the heading “Winthrop Collection Goes to Fogg” and a small note at the very top in red that reads something like “ARE DIGEST, November 1, 1943.” There are two black-and-white photos in the article, both of people in historical dress, but the faces are blocked out with dark rectangles. A second, narrower clipping titled “Winthrop Gift” is attached along the right edge, forming a vertical strip of text. The whole piece looks like a vintage scrapbook page, with binder holes on the left and a slightly aged, yellowed print.

The image is a page from a magazine or publication, dated "Art Digest, November 1, 1945." It consists of an article titled "Winthrop Collection Goes to Fogg," discussing the donation of Grenville L. Winthrop's art collection to the Fogg Museum at Harvard University. The article provides historical context about the collection, its significance, and Winthrop's life and passion for art.

Within the article are two black-and-white photographs:

1. A portrait titled "Girl in White Dress" by artist David.
2. A sculpture image titled "Stone Buddha from the Tien Lung Shan Caves, Shansi."

Both photographs depict the focused works mentioned in the text.

The page includes details about notable artworks in the collection, Winthrop's contribution to the art world, and the future impact of this gift on artistic and academic communities. The text is printed on white paper and is mounted on an aged brown backing, with two punched holes along the left margin, possibly for placement in a binder. A yellow-highlighted continuation note appears near the bottom.