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This image displays a single, aged page from the Art Digest magazine, dated November 1, 1943. The page is from page 8 of the issue and features an article titled “Winthrop Collection Goes to Fogg.”

The page is printed on off-white paper, showing signs of aging with a yellowish-brown tone and some creases. It is bound with two white plastic comb-binding rings visible on the left margin, suggesting it was part of a bound volume or scrapbook. A small, partially torn newspaper clipping is pasted onto the bottom right corner.

Article Summary: “Winthrop Collection Goes to Fogg”

The article reports on the acquisition of the extensive art collection of Grenville L. Winthrop by the Fogg Museum at Harvard University.

Key Points:

• Who was Grenville L. Winthrop?

  • A direct descendant of the first governor of Massachusetts.
  • A wealthy Boston gentleman who lived in Lenox, Massachusetts, but was known for his frequent attendance at the Metropolitan Opera, Tanglewood concerts, and Carnegie Hall.
  • An ardent art collector, amassing over 4,000 objects over many years. He kept his collection secret until a request to Harvard was made shortly before his death.

• The Collection:

  • The article highlights the Chinese collection as the most important in the country, rivaling the best museums and tracing China’s civilization from the dawn of history to the 12th century.
  • Other significant holdings included:
    • 60 drawings by Ingres
    • Whistler’s Self-Portrait
    • 52 watercolors by Blake
    • “Truly regal” Egyptian, Mayan, and Aztec sculptures
    • 400 19th-century European drawings and watercolors
    • 200 reliefs from the Great Palace of Persepolis
    • A superb Benoit Still Life and a Canaletto View of St. Mark's, Venice.
  • The French school section was noted as “large,” including David and Ingres, with particular praise for David’s Self-Portrait and Oedipus.
  • The collection also included portraits of Napoleon I by Joseph Suvée and a collection of Ingres portraits, which the article states were “beyond competition.”

• The Transfer:

  • Winthrop had long expressed a desire for his collection to go to the Fogg Museum.
  • He had a close relationship with Cortissoz, a critic who wrote in The New York Herald Tribune, and the collection was said to be the “best in the world for a generation of students who have been trained in the appreciation and understanding of the arts.”
  • An anonymous donor had provided an endowment fund to support the collection.

• Quotations:

  • Cortissoz described Winthrop as “a critic who had the warm confidence... the rare privilege granted only a few.”
  • Winthrop was quoted as saying: “‘I never buy anything in it.’ By ‘music’ he meant poetry, rhythm, in a word, beauty.”

Visual Elements:

• Top Right: A black-and-white portrait photograph of Grenville L. Winthrop is featured next to the article text.
• Caption for Photo: The caption reads, “Girl in White Dress: David” — referring to David’s painting, not the portrait subject.
• Bottom Left: A black-and-white photograph of a stone sculpture titled: “Stone Buddha from the Tien Lung Shan Caves, Shansi.” The caption is below the image.

Additional Elements:

• Cortissoz Quote Box: A separate text box titled “Cortissoz Knew Winthrop” further details their relationship and Winthrop’s personal taste.
• Bottom Right Clipping: A small, torn piece of newspaper is affixed to the page. Though mostly illegible, it appears to be a snippet from another article or advertisement, possibly related to “The Saint Louis Committee” and a “National R.X.C.” It is an artifact that has been added to the page after its original publication.

Overall Impression:

This page is a historical document capturing a major art world event: the transfer of one of America’s most significant private collections to a leading university museum. The article is written in a reverent, almost nostalgic tone, celebrating Winthrop as an erudite connoisseur driven by aesthetic passion rather than investment. The inclusion of the portrait and the Buddha sculpture adds a visual dimension to the story of this “special character” and his extraordinary trove of art.

The image appears to be a page from a vintage publication, specifically Art Digest dated November 1, 1943. The page is titled "Winthrop Collection Goes to Fogg" and discusses the bequest of the Grenville L. Winthrop Collection to the Fogg Museum of Art at Harvard University. The article highlights the significance of the collection and its impact on art education and research.

The page contains two black-and-white photographs. The first photograph is of a seated woman wearing a white dress, identified as a work by David, titled "Girl in White Dress." The second photograph is of a stone Buddha statue, described as being from the Tien Lung Shan Caves, Shanxi.

The text on the page provides details about the bequest, the nature of the collection, its value, and its contribution to the Fogg Museum. It also includes a section titled "Cortissoz Knew Winthrop," which references the art critic Royal Cortissoz's relationship with Grenville L. Winthrop and his collection. The article is rich with historical context and details about the art world of the early 20th century.

This image shows a page from the "Art Digest" magazine, dated November 1, 1943. The page is titled "Winthrop Collection Goes to Fogg" and discusses the donation of the Winthrop Collection to the Fogg Museum of Art at Harvard University. The text describes the history and significance of the collection, highlighting its art and cultural artifacts.

The page includes two black-and-white images:

1. At the top right, there is an image of a painting titled "Girl in White Dress" by David.
2. At the bottom left, there is a photograph of a "Stone Buddha from the Tien Lung Shan Caves, Shansi."

The text is divided into two columns, with the left column focusing on the history and details of the Winthrop Collection and the right column providing additional commentary and context. The bottom right corner of the page has a small section titled "Cortissoz Knew Winthrop," which appears to be a sidebar or footnote related to the main article.

The image shows a page from an old magazine or newspaper, dated November 1, 1943. The page is titled "Winthrop Collection Goes to Fogg" and features an article about the Winthrop Collection, a collection of art and artifacts donated to the Fogg Art Museum at Harvard University. The article includes a photograph of a woman sitting on the ground, which is likely a depiction of the museum's founder, Grenville L. Winthrop. The article also includes a photograph of a Buddha statue, which is part of the collection. The page has a brown border and appears to be part of a larger publication.

This image is a page from the November 1, 1943, edition of Art Digest magazine. The page features an article titled "Winthrop Collection Goes to Fogg" that discusses the history of the Winthrop Collection, a significant art collection amassed by David A. Winthrop, and its eventual donation to the Fogg Museum at Harvard University.

The article provides a detailed account of Winthrop's life, his passion for collecting art, and the circumstances leading to the donation of his collection to the Fogg Museum. It highlights the breadth and depth of the collection, which includes Chinese jades, bronzes, porcelains, and Buddhist sculptures, as well as European paintings and sculptures from the 15th to the 19th centuries.

The article also includes a photograph of David A. Winthrop, dressed in a white dress, and a photograph of a stone Buddha from the Tien Lung Shan Caves, which was part of the collection. The page is bordered by a brown background and has a small hole in the upper left corner, suggesting it may have been part of a bound volume or a scrapbook.

The image shows a page from the Art Digest magazine, dated November 1, 1943. The page features an article titled "Winthrop Collection Goes to Fogg", discussing the transfer of the George Arthur Plimpton Winthrop Collection to the Fogg Art Museum at Harvard University. The article is structured into several sections, with accompanying photographs and text.

Key Elements in the Image:

1. Header and Title:

• The top of the page displays the magazine's name, Art Digest, along with the issue date: November 1, 1943.
• The main headline reads: "Winthrop Collection Goes to Fogg".

2. Text Content:

• The article provides a detailed account of the Winthrop Collection, which was bequeathed to Harvard University by Grenville L. Winthrop, a prominent collector and patron of the arts.
• It highlights the significance of the collection, noting that it includes nearly 4,000 objects, such as paintings, drawings, prints, furniture, porcelain, Chinese jade, and bronzes.
• The text emphasizes the historical and artistic value of the collection, particularly its Chinese art, which includes a "Stone Buddha from the T'ien Lung Shan Cave, Shansi."

3. Photographs:

• Top Right Photograph:

  • A black-and-white photograph of a woman in a white dress, identified as "Girl in White Dress: David".
  • The caption beneath the photograph provides context, noting that David Winthrop was a direct descendant of John Winthrop, the first governor of Massachusetts, and that he practiced law and lived in Lenox.

• Bottom Left Photograph:

  • A black-and-white photograph of a Stone Buddha from the T'ien Lung Shan Cave, Shansi.
  • This image visually represents one of the notable pieces in the Winthrop Collection, underscoring the importance of the Chinese art within the collection.

4. Layout and Design:

• The page has a classic magazine layout with a mix of text and images.
• The text is organized into paragraphs, with some sections highlighted or emphasized in larger or bold fonts.
• The photographs are placed strategically to complement the written content, enhancing the visual appeal and providing context for the discussed artworks.

5. Additional Details:

• The bottom of the page includes smaller text, likely credits or additional information about the article or the magazine, though it is partially obscured or less legible.
• The page number "8" is visible in the bottom left corner, indicating its position within the issue.

Overall Impression:

The image captures a historical moment in the world of art curation, documenting the transfer of a significant private collection to a major academic institution. The combination of textual analysis and visual representation of key artworks provides readers with a comprehensive understanding of the Winthrop Collection's value and significance. The design and layout reflect the style of mid-20th-century art magazines, emphasizing both educational content and aesthetic presentation.

The image displays a page from a publication, dated November 1, 1943, with an article titled "Winthrop Collection Goes to Fogg." The page appears to be affixed to an amber or tan background, possibly a bulletin board, as evidenced by two white circular pushpins visible along the left edge of the page.

The article discusses the Winthrop Collection's transition to the Fogg Museum at Harvard, detailing art pieces, the history of the collection, and the significance of the transfer to the museum. The text is dense, set in a traditional newspaper column format, and includes historical and cultural commentary related to the collection.

Notably, the page features a black-and-white photograph captioned "Girl in White Dress (Detail)," showcasing a fragment of a sculpture or artwork. The exact nature of the artwork isn't visible from the provided image; it's likely a close-up detail of a larger piece.

At the bottom of the page, there's a small section titled "Catherine Kuser Winthrop," presumably offering insights about her connection to the collection. There are several sections of text in different fonts and formats, indicating various articles or sections within the publication.

This image is a photograph of a page from the Art Digest magazine dated November 1, 1943. The article is titled "Winthrop Collection Goes to Fogg" and describes the donation of Grenville L. Winthrop's art collection to Harvard University's Fogg Museum. The article highlights the value and significance of the collection, which consists of paintings, sculptures, and artifacts.

There are two black-and-white images displayed in the article, with the faces of individuals blurred in compliance with privacy. The first showcases "Girl in White Dress" by David, while the second appears to depict a seated figure or sculpture under the caption "Stone Buddha from the T'ien Lung Shan Caves, Shansi."

The text details Winthrop’s contributions to art appreciation and provides historical context about his collection. The magazine page is mounted on brown paper with holes punched on the side, suggesting archival storage or inclusion in a scrapbook. There's also an advertisement at the bottom for a catalog, related to art exhibitions.

The image shows a page from the "ART DIGEST" magazine dated November 1, 1943. The page is pasted onto a brown surface, possibly part of a scrapbook or archival collection. The article is titled "Winthrop Collection Goes to Fogg" and discusses the donation of art pieces to the Fogg Museum of Art at Harvard University by Grenville L. Winthrop.

The page contains two black and white photographs of sculptures. The top one is labeled "Girl in White Dress: David," showing a statue of a young girl wearing a white dress. The bottom photograph depicts a statue titled "Stone Buddha from the T'ien Lung Shan Caves, Shansi," featuring a seated Buddha figure with hands in a meditative pose.

The article elaborates on the significance of the Winthrop collection and its impact on the Fogg Museum. It includes detailed descriptions of the collection, Winthrop's background, and mentions of other notable collectors and artworks within the collection. There is also a small upside-down text section at the bottom right corner related to the Smithsonian Institution. The overall tone is informative, celebrating the donation and the cultural importance of the artworks.

The image shows an old newspaper clipping mounted on a light brown scrapbook page with two punched holes along the left edge. The clipping is from Art Digest, dated November 1, 1943, and titled “Winthrop Collection Goes to Fogg.” It is laid out in several columns of small text and includes two black-and-white photographs of sculptures.

• The top photo depicts a girl in a white dress; the face appears blurred or obscured.
• The bottom photo shows a seated statue in robes.
• There are captions near each image, including a caption that reads “Stone Buddha from the Tien Lung Shan Caves, Shanxi” near the bottom image.

Overall, it looks like a historic article about a museum collection being moved or loaned to the Fogg Museum, presented in a vintage print layout. The colors are monochrome (black and white), and the page has a slightly aged, clipping look.