Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.29, Rendition: 803419
The image is a clipping from "The Christian Science Monitor, Boston," dated Monday, October 18, 1943. The article is titled "Winthrop Bequest Boosts Fogg Museum to Front Rank" and discusses the bequest of rare art treasures to the Fogg Museum of Art, which is now part of Harvard University.
The article begins by continuing a piece from the previous page, detailing the significance of the Winthrop collection to the museum's front rank. It mentions the Fogg Museum's new construction and the need for space to display the collections, including the Winthrop bequest.
The article provides historical context about Grenville Winthrop, a direct descendant of the first governor of Massachusetts, and his passion for art. It describes how he built up a collection that reflected his taste for beauty in its various manifestations, encompassing a wide range of media and styles.
The article also includes a self-portrait of J.A.D. Ingres, an oil painting from the Winthrop bequest, which is displayed in the Fogg Museum. The article mentions that the museum has not stripped its galleries of former possessions but has withdrawn some items to make way for the new bequest.
The article concludes by discussing the diversity of the Winthrop collection, ranging from Chinese sculpture to nineteenth-century French paintings and furniture. It also mentions the presence of a print store room filled with cases of drawings and watercolors, including works by William Blake, Goya, and others.
The image also shows a piece of the newspaper with a torn corner, indicating that it has been cut out and possibly saved for later reference. The article is rich in historical and cultural context, providing a glimpse into the art world and the legacy of Grenville Winthrop and the Fogg Museum.
This image is a scanned page from the The Christian Science Monitor newspaper, dated Monday, October 18, 1943. The article, titled "Winthrop Bequest Boosts Fogg Museum to Front Rank," discusses the impact of a generous gift from Grenville Winthrop to the Fogg Museum, significantly enhancing its collection of rare art treasures.
The left side of the page features a portrait of J.A.D. Ingres, with a caption indicating that it is a self-portrait and an oil painting included in the Winthrop bequest to the Fogg Museum. Below the portrait, there is a section titled "Today’s FM Programs," listing scheduled radio programs.
The main article on the right elaborates on the diverse range of art and artifacts in the Winthrop collection, including paintings, sculptures, graphic art, and various decorative objects from different cultures and time periods. It highlights the breadth and depth of Winthrop's collection, which spans from ancient times to modern works, and the museum's efforts to showcase this extensive collection to the public.
The bottom of the page includes a section titled "Today on Short Waves," listing various international radio broadcasts scheduled for that day.
This image displays a yellowed, tattered newspaper clipping from The Christian Science Monitor, dated Boston, Monday, October 18, 1943. The paper shows signs of age and wear, with a large, jagged tear across the bottom-left corner.
The main article, prominently titled in bold, large font:
“Winthrop Bequest Boosts Fogg Museum to Front Rank”
This headline suggests a significant donation elevating the status of Harvard University’s Fogg Museum.
The article details the generous bequest from Grenville L. Winthrop, a Harvard alumnus and noted art collector. It describes his passion for art, his eclectic and discerning taste spanning ancient to modern works, and his dedication to acquiring rare and high-quality pieces without compromise. The text highlights his “uncompromising spirit,” his study of fashion trends in art collecting, and his vast range of interests, including classical, romantic, primitive, and Oriental/occidental art.
It notes that his collection will now be displayed at the Fogg Museum, including galleries filled with works by Francis Bacon, Jacques-Louis David, Jean-Auguste-Dominique Ingres, and William Blake, as well as Chinese sculpture, bronzes, jade, and 19th-century French paintings.
Accompanying the text is a black-and-white halftone photograph labeled:
“Self-Portrait of J. A. D. Ingres”
“Oil painting in the Winthrop bequest to the Fogg Museum”
The portrait shows a distinguished-looking man in formal 19th-century attire — a dark coat, white shirt with a high collar, and a cravat — looking off to the right with a serious expression. The caption identifies it as the work of Jean-Auguste-Dominique Ingres, a major Neoclassical painter, and confirms its inclusion in the Winthrop gift.
Below this main feature, there’s a short column titled “Today’s FM Programs” listing radio schedules, and another titled “Today on Short Waves” listing international radio broadcasts — both typical features of mid-20th-century newspapers.
Overall, this clipping captures a significant moment in American art history: the accession of a major private collection into a public museum, underscoring the growing cultural influence of American institutions during the WWII era.
In summary: A historic newspaper article from 1943 announcing the bequest of Grenville L. Winthrop’s vast art collection to Harvard’s Fogg Museum, featuring a portrait by Ingres, and illustrating the museum’s ascension to “front rank” status in the art world.
The image shows a newspaper clipping with a headline that reads "Winthrop Bequest Boosts Fogg Museum to Front Rank." The article discusses the bequest of rare art treasures to the Fogg Museum of Art at Harvard University by Grenville L. Winthrop, a Harvard alumnus and art collector. The article highlights the significance of the bequest and its impact on the museum's collection. There is also a black-and-white photograph of a man, presumably Grenville L. Winthrop, along with a list of today's FM programs and short waves.
The image is a newspaper clipping from The Christian Science Monitor, dated October 18, 1943. The clipping features an article titled "Winthrop Bequest Boosts Fogg Museum to Front Rank." The article discusses the significant impact of a bequest from Grenville Winthrop on the Fogg Museum of Art at Harvard University. The bequest, which includes rare art treasures, has elevated the museum to a prominent position.
The clipping includes a photograph of J. A. D. Ingalls, an oil painting in the Winthrop Museum. The photograph is labeled as a "Self-Portrait of J. A. D. Ingalls." Below the photograph, there is a schedule of FM Programs for the day, including musical and radio programs.
The article highlights the importance of Grenville Winthrop's collection, which reflects his diverse interests in art from various cultures and historical periods. It mentions the museum's expansion and the installation of new acquisitions, including works by Albrecht Dürer, British Pre-Raphaelites, and others. The article also notes the museum's efforts to make the collection accessible to the public, including the removal of certain items from display.
Overall, the image provides a glimpse into the history of the Fogg Museum and the significant contributions of Grenville Winthrop to its collection and prominence.
The image depicts a page from The Christian Science Monitor dated Monday, October 18, 1943. The page features a headline article titled "Gifts Show—Rare Art Treasures Bestowed on Harvard", accompanied by a subheading, "Winthrop Bequest Boosts Fogg Museum to Front Rank."
Portrait Image:
A black-and-white photograph of J. A. D. Ingres, a renowned French painter. The caption identifies it as a self-portrait and notes that it is part of the Winthrop bequest to the Fogg Museum.
Textual Information:
Below the portrait, there is a brief description of the painting, identifying it as an oil painting and noting its significance as part of the Winthrop collection.
Headline Article:
The main article discusses the Winthrop bequest, which significantly enhanced the collections at the Fogg Art Museum at Harvard University. It highlights the legacy of Grenville Winthrop, a Harvard alumnus and art collector, whose donation elevated the museum's status.
Content Overview:
The article elaborates on Winthrop's life, his passion for art, and the breadth of his collection. It mentions that his acquisitions spanned various periods, including Oriental antiquities, prehistoric artifacts, and works from diverse cultures. The article emphasizes Winthrop's discerning taste and his commitment to acquiring high-quality pieces, even if they were not financially lucrative.
Details About the Collection:
The text describes the types of artifacts in the Winthrop bequest, such as:
Winthrop's Legacy:
The article underscores Winthrop's role in shaping the Fogg Museum's collection, noting that his bequest included over 54,000 objects. It also highlights his personal connection to Harvard, as he was a graduate of the class of 1886 and a dedicated patron of the arts.
The image captures a historical moment in the world of art and academia, showcasing the impact of a significant donation to a major institution. The article emphasizes the importance of Grenville Winthrop's collection in enriching the Fogg Museum's holdings and elevating its status as a leading art institution. The inclusion of the portrait of J. A. D. Ingres adds a visual element that underscores the value and diversity of the donated works.
The image shows a vintage newspaper page from "The Christian Science Monitor," dated Monday, October 18, 1943. It features an article with the headline "Rare Art Treasures Bestowed on Harvard," which continues onto another part of the page that is not fully visible. It discusses the Winthrop Bequest which appears to have boosted the Fogg Museum to a prominent position.
A subheading mentions the "Winthrop Bequest Boosts Fogg Museum to Front Rank," indicating the significance of the donations to the museum's collection. The article likely details the nature of the bequest, its impact on the Fogg Museum, and possibly provides context or background on the benefactors or the artworks.
On the bottom left, there is another section with the title "Self-Portrait of J. A. D. Ingres," referring to an oil painting included in the Winthrop bequest. This suggests that the newspaper includes coverage related to art and cultural events.
The page also includes titles for other sections like "Today's FM Programs" and "Today on Short Wave," indicating listings or schedules for radio programming, which was common in newspapers of that era. There's visible wear on the paper, with torn edges and some discoloration, indicating the paper's age and historical nature. The image has a bluish rectangular piece of paper or card covering some of the text, suggesting that it might be used to obscure sensitive information or to support the newspaper during the photo-taking process.
This image shows a yellowed, vintage newspaper clipping from "The Christian Science Monitor," dated Monday, October 18, 1943. The headline reads: "Rare Art Treasures Bestowed on Harvard" with a subheadline stating "Winthrop Bequest Boosts Fogg Museum to Front Rank." The article continues to discuss the significance of the Winthrop bequest to the Fogg Museum.
There is a black and white photograph of a man in formal attire, identified by the caption below as the artist J. A. D. Ingres. The caption notes that the image is a self-portrait of J. A. D. Ingres and mentions that the Winthrop bequest includes an oil painting of this self-portrait, which was acquired by the Fogg Museum.
The text on the right and below the photograph provides details about the collection, the importance of the bequest, and information about the Fogg Museum and its new additions from this collection. The clipping is torn at the left and bottom edges, and some sections of the text are partially missing or cut off.
This is a newspaper clipping from The Christian Science Monitor, Boston, dated Monday, October 18, 1943. The article discusses rare art treasures that were bestowed on Harvard University, specifically highlighting the Winthrop Bequest, which elevated the Fogg Museum to prominence.
The newspaper appears weathered, torn at the top-left corner, giving it an aged and archival look, and some of the text is slightly faded.