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This image displays a yellowed, aged newspaper clipping mounted on a piece of brown paper or cardstock. The clipping is from the New York Times, dated October 17, 1943, as indicated by handwritten and printed text.

The primary headline reads:
“A PILING OF PELION ON OSSA”
With a sub-headline:
“Painting in the United States’ Opens at Carnegie—The Fogg Receives the Winthrop Collection—The Crowninshield Sale”

The article, written by Edward Alden Jewell, begins with a critical tone, lamenting the overwhelming number of art events and exhibitions occurring simultaneously, using the phrase “a piling of Pelion on Ossa” (a classical allusion to an impossible or overly burdensome task).

The clipping also features a smaller, inset article to the right, also from the N.Y. Times, dated Oct 17 1943, with the headline:
“WINTHROP ART LEFT TO FOGG MUSEUM”
Sub-headline:
“Bequest From Harvard Alumnus Rated Most Valuable Given to a University”

This inset report details the bequest of the extensive art collection of Grenville L. Winthrop (Harvard Class of 1888) to the Fogg Art Museum at Harvard University. The collection, valued at millions of dollars and containing over 4,000 items, includes Chinese jade, European drawings, pre-Raphaelite art, Chinese and Buddhist bronzes, French paintings by Ingres and David, Mayan and Aztec sculpture, Greek bronzes, and American and European works including pieces by Whistler, Sargent, Ingres, and Bicknell.

The newspaper clipping is visibly aged with yellowed paper, slight tears on the right edge, and a hole punched through the upper right corner, suggesting it was stored in a binder or folder. The brown backing paper appears to hold the article in place, likely for preservation or archival purposes.

Overall, the image presents a historical primary source documenting a major moment in American art history — the transfer of one of the most significant private art collections to a university museum.

The image appears to be a scanned document or clipping from a newspaper or magazine, specifically from The New York Times dated October 17, 1943. The document is titled "A PILING OF PELION ON OSSA" and discusses various art-related events and collections. It mentions the opening of a painting exhibition at the Carnegie Institute, the Fogg Museum receiving the Winthrop Collection, and the Crowninshield Sale. Additionally, there is a separate section titled "WINTHROP ART LEFT TO FOGG MUSEUM," which provides more detailed information about the Winthrop Collection donated to the Fogg Museum by Grenville L. Winthrop, describing the value and contents of the collection. The paper itself shows signs of age and wear, with some discoloration and creases.

This image shows a document with two newspaper clippings pasted onto it. The document appears to be a yellowed, aged piece of paper, possibly used as a backing or mounting board. The clippings are from "The New York Times" and are dated October 17, 1943.

The larger clipping on the left is titled "A PILING OF PELION ON OSSA" and is subtitled with information about various art events and exhibitions in the United States. It mentions the opening of an exhibition at Carnegie, the Fogg Museum receiving the Winthrop Collection, and the Crowninshield Sale. The article is written by Edward Alden Jewell and discusses the need for coordination in the art world and highlights the significance of the Winthrop Collection.

The smaller clipping on the right is titled "WINTHROP ART LEFT TO FOGG MUSEUM" and provides details about the bequest of the Winthrop Collection to the Fogg Museum at Harvard University. It describes the collection as the most valuable art collection given to an American university, comprising over 4,000 objects worth millions of dollars. The article lists the various types of art and artifacts included in the collection, such as archaic Chinese jades, European drawings, and sculptures from various cultures.

Both clippings are neatly pasted onto the document, and the document itself has some wear and tear, with torn edges and a hole punch on the right side, suggesting it was once part of a binder or folder.

The image shows a brown, torn, and wrinkled paper with text printed on it. The paper is folded in half, and the crease is visible. The text is printed in black font and seems to be an article from a newspaper. The title of the article is "A Piling of Pelion on Ossa," and it is written in bold letters. The article is about the Fogg Museum receiving the Winthrop Collection and the Crowninshield Sale.

The image is a scanned page from a newspaper, dated October 17, 1943, with the headline "A Piling of Pelion on Ossa." The page features two main articles. The first article discusses the opening of an exhibition at Carnegie Hall, titled "Painting in the United States," which includes the Winthrop Collection. The second article is about the Winthrop Art Collection being left to the Fogg Museum at Harvard University. The collection, donated by Grenville L. Winthrop, comprises over 4,000 objects, including Chinese jades, Buddhist sculptures, and European and American paintings. The article highlights the significance of the collection and its impact on the museum's offerings.

The image depicts a scanned page from a newspaper, specifically from The New York Times, dated October 17, 1943. The headline at the top reads: "A PILING OF PELION ON OSSA", which is a metaphorical expression referring to an overwhelming accumulation or challenge. Below the headline, the subheading elaborates: "Painting in the United States’ Opens at Carnegie—The Fogg Receives the Winthrop Collection—The Crownshield Sale."

Main Content:

The article is authored by Edward Alden Jewell and discusses several significant developments in the art world:

1. Art Coordination and Reform:

   • The article begins by addressing the need for a coordinator in the art world to address conflicts and improve the situation. It highlights the challenges faced by institutions and the importance of reform.

2. Winthrop Collection at the Fogg Museum:

   • The article reports that the Winthrop Collection, comprising over 1,000 objects worth millions of dollars, has been bequeathed to the Fogg Art Museum at Harvard University by Grenville L. Winthrop. This collection includes:
     • Chinese jade, bronzes, and paintings.
     • European drawings and prints.
     • Sculpture from Mayan and Aztec cultures.
     • Egyptian bronzes and bas-reliefs.
     • Samples of ancient sculpture from Italy and France.
     • Porcelain and furniture from Portugal, England, and France.
     • English and French furniture.
   • The collection is noted to be extensive, with over 4,000 items, including drawings, prints, porcelain, furniture, watercolors, and textiles. It will be displayed at the Fogg Museum in Cambridge, Massachusetts.

3. Carnegie Exhibition:

   • The article mentions that the Carnegie Institute in Pittsburgh is opening an exhibition of paintings in the United States, featuring works from the Crownshield Collection. This collection was recently sold at the Parke-Bernet Galleries in New York.

4. Additional Art News:

   • The article briefly touches on other art-related events, such as the Winthrop Art Left to Fogg Museum, which is highlighted in a smaller headline box at the top right of the page. This box reads: "WINTHROP ART LEFT TO FOGG MUSEUM" and provides a brief summary of the donation.

Visual Elements:

• The page shows signs of age, with a slightly worn and yellowed appearance, typical of historical newspaper clippings.
• The text is typeset in a classic serif font, consistent with newspaper design of the 1940s.
• There is a small header at the top left indicating the source: "N.Y. Times" and the date "OCT 17 1943."
• The layout includes a mix of headlines, subheadings, and body text, structured to convey news in a concise and organized manner.

Overall Context:

The article reflects the cultural and artistic landscape of the United States during World War II, highlighting significant donations, exhibitions, and the efforts to preserve and showcase art collections. The Winthrop Collection's donation to the Fogg Museum is a central focus, underscoring the importance of art institutions in acquiring and preserving cultural heritage.

This image shows an old newspaper clipping with visibly torn and worn edges, pasted onto a larger sheet of brown paper or cardstock. The newspaper is dated from 1943, evident by the date marking "N Y Times 1943" handwritten at the top of the clipping, as well as a printed date "OCT 17 1943". The headline reads "A PILING OF PELION ON OSSA," and below it discusses topics related to art and painting in the United States. A smaller clipping to the right also from "N Y Times 1943" announces "WINTHROP ART LEFT TO FOGG MUSEUM." Below the smaller headline, it's mentioned that the bequest is from a Harvard alumnus, considered the most valuable given to a university. The rest of the text on both clippings contains details of art collections, exhibitions, and related facts about the Fogg Museum and acquisitions of art at that time. The overall condition of the paper suggests it has been preserved for many years but has sustained some damage over time.

The image shows an old, yellowed scrapbook or album page with two newspaper clippings pasted on it. The clippings are related to art and museums and are dated October 17, 1943, according to the stamps on the page.

The first, larger clipping is titled "A Piling of Pelion on Ossa" with a subtitle about the "Painting in the United States" exhibit opening at Carnegie, the Fogg Museum receiving the Winthrop Collection, and the Crowninshield Sale. The article is by Edward Alden Jewell and discusses the coordination and organization of art events, mentioning the exhibition and auction sale of the Crowninshield collection at the Fogg Museum in Cambridge, MA.

The second, narrower clipping is titled "Winthrop Art Left to Fogg Museum" and details the bequest of an extensive and valuable art collection from a Harvard alumnus named Grenville L. Winthrop to the Fogg Art Museum. It describes the value and contents of the collection, including paintings, Chinese jades, European drawings, and sculptures, some of which will be displayed to the public at the museum.

Both clippings are glued or taped onto a brownish aged paper with a hole punched on the right side near the edge. The top left corner of the page has a stamp that reads "N Y Times OCT 17 1943."

This image displays a newspaper clipping, featuring two articles from “NY Times” dated October 17, 1943. The articles are affixed to a piece of aged brown paper, marked by its worn edges and yellowed appearance.

1. Top Article ("A Piling of Pelion on Ossa"):

   • The headline draws attention to a significant art-related event, mentioning an exhibition titled "Painting in the United States" at Carnegie.
   • It references the Fogg Art Museum acquiring a notable collection, the Winthrop Collection, and mentions the Crowninshield Sale.
   • The text discusses themes related to cultural contributions and art.

2. Bottom Article ("Winthrop Art Left to Fogg Museum"):

   • The headline announces the bequest of a substantial art collection by Grenville L. Winthrop of New York City to Harvard University’s Fogg Art Museum after his passing.
   • The article describes this bequest, noting its value and importance, and outlines the size and diversity of the donated collection, which includes drawings, watercolors, and paintings by major artists like William Blake.
   • Details on artworks covering European, American, and Asian periods are provided, along with their dedication to public exhibitions.

The image itself portrays historical preservation of articles about significant art acquisitions in a museum context.

The image shows an old, yellowed clipping mounted on a brown backing paper. There are two newspaper clippings pinned and arranged vertically on the left side: a larger article with the headline “A PILING OF PELION ON OSSA” and subheads about painting in the United States, Carnegie, The Fogg, the Winthrop Collection, and The Crowninshield Sale. A smaller clipping pinned in the center has a date stamp “NY Times Oct 17 1943” and a headline about “WINTHROP ART LEFT TO FOGG MUSEUM.” The pages are narrow-column newspaper text in serif font. The backing has rough edges, small holes along the right side, and the whole piece looks aged and fragile. Overall, it appears to be archival art-related newspaper clippings mounted for preservation.