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This is a vintage press clipping from August 1943, documenting recent acquisitions by the Fogg Museum of Art at Harvard University.

Key Details:

• Main Subject: The article, titled "Rubens and Dürer Works Acquired by Fogg Museum," is written by Dorothy Adlow. It details the museum's acquisition of significant works by the Flemish masters Peter Paul Rubens and Albrecht Dürer.
• Rubens Acquisition: A central focus is a preparatory oil sketch by Peter Paul Rubens titled "The Wrath of Neptune" (also referred to as "The Wrath of Neptune: A Sketch by the Flemish Master, now at Harvard"). The article explains that this sketch was painted in 1618 for an elaborate festival monument in Antwerp, intended to calm turbulent seas for the Spanish fleet. The final, monumental version of the work is housed in the Museum of Dresden. The clipping includes a black-and-white photograph of this dynamic, mythological oil sketch, showing Neptune amidst stormy seas and figures in a chariot.
• Dürer Acquisitions: The article highlights seven woodcuts and three engravings by Albrecht Dürer, praising his "powerful woodcuts" and "superlative impressions." It notes that Dürer's work, even in its early period, displayed "profound, decorative and... powerful" lines and was still imbued with the "Gothic spirit."
• Other Acquisitions: The article also mentions prints by other notable artists, including:
  • Copperplate engravings by J. M. W. Turner.
  • Etchings by Rembrandt.
  • Engravings by G. Salmon and A. Canaletto.
  • Two etchings by John Smith (a British artist, possibly referring to John Raphael Smith).
  • Some 18th-century aquatints in color.
• Context: The article notes the museum’s mission to collect not just the "finest specimens" of great masters but also works important for their "historical and representative value," particularly in tracing the "development of style."

Physical Format:

• The clipping consists of a single, aged page from a newspaper or press service, showing yellowing and slight wear at the edges.
• A rectangular photograph of Rubens’ "The Wrath of Neptune" is placed in the center of the page, below the main article text.
• The page includes two labels from the Press Clipping Service of the Herald in Boston, Mass., dated AUG 8 1943 and AUG 15 1943, indicating when the clipping was processed.
• A small note at the bottom right mentions that these "Recent gifts to the Print Department are now being shown in the Print Room, where they will remain through Sept. 30."

This image is a scanned page from a newspaper or magazine, dated August 9, 1943, and August 15, 1943, respectively. The content is an article about the acquisition of works by Rubens and Dürer by the Fogg Museum of Art. The article discusses the significance of these acquisitions and provides details about the pieces, including a sketch of "The Wrath of Neptune" by Peter Paul Rubens. The sketch is described as a oil sketch by the Flemish master and is now held at Harvard.

The page also includes a black-and-white illustration of the sketch, which depicts a dramatic scene with a sea god riding a chariot pulled by sea horses. The illustration is labeled as "The Wrath of Neptune."

There are also several smaller pieces of text scattered around the page, likely related to other articles or advertisements. The overall tone of the page is informative and historical, providing readers with details about the art and the museum.

This image is a page from a scrapbook or archive, containing newspaper clippings from August 1943, discussing the acquisition of works by Rubens and Dürer by the Fogg Museum of Art. The text is written by Dorothy Adlow and details the significance of the pieces, their artistic qualities, and the museum's collection strategy.

The clippings are from the "C.S. Monitor" and the "Herald," both from Boston, Mass. The image includes a reproduction of an oil sketch titled "The Wrath of Neptune," an artwork by the Flemish master Rubens. The sketch depicts a dramatic scene with Neptune, sea horses, and Nereids, conveying the power and movement characteristic of Rubens' style.

The text discusses various other acquisitions, including works by Rembrandt, Gabriel Salmon, and John Smith, as well as prints by Albrecht Dürer. The clippings also mention an exhibition of these works at the Fogg Art Museum, running through September. The page is labeled with the date and source of the clippings, indicating they were part of a press clipping service.

The image shows a page from a newspaper or magazine with a clipping of an article about art acquisitions by the Fogg Museum. The clipping is placed on a piece of paper with a caption and date at the bottom. The caption reads "Rubens Work Acquired by Fogg Museum of Art," and the date is August 15, 1943. The article features an image of a Rubens painting titled "The Wrath of Neptune," which was acquired by the museum. The article also mentions other works by Rubens and Direr that were acquired by the museum. The page has a watermark in the bottom left corner that reads "Press Clipping Service, Boston, Mass."

The image is a page from a book or magazine, featuring a clipping service notice and an article about recent acquisitions by the Fogg Museum of Art at Harvard. The clipping service notice is located at the top of the page, indicating that it is part of a collection or archive. The article discusses the acquisition of works by Peter Paul Rubens and Albrecht Dürer, along with other prints and sketches. It highlights the significance of these acquisitions and provides details about the works, their historical context, and their artistic value. The page also includes a black-and-white image of a sketch by Rubens, titled "The Wrath of Neptune."

The image depicts a page from a historical newspaper clipping or press service document dated August 15, 1913, from the Herald in Boston, Mass. The document is titled "Rubens and Dürer Works Acquired by Fogg Museum" and is attributed to Dorothy Adlow. It is part of the Press Clipping Service from 2 Park Square, Boston, Mass.

Content Overview:

The article discusses recent acquisitions by the Fogg Art Museum (now part of Harvard Art Museums) of works by renowned artists Peter Paul Rubens and Albrecht Dürer. It highlights the significance of these additions to the museum's collection, emphasizing their historical and artistic value.

Key Points from the Article:

1. Rubens' Work:

   • The museum has acquired a sketch by Rubens titled "The Wrath of Neptune," which was painted along the route of Ferdinand Magellan’s expedition.
   • The sketch is described as a preparatory work for a larger painting and is noted for its dramatic composition and masterful execution. It captures the tragic moment of Neptune’s wrath, showcasing Rubens' ability to convey emotion and narrative through his art.
   • The sketch is praised for its realistic portrayal, articulation of forms, and masterful use of light and shadow. It is considered a significant addition to the museum’s collection.

2. Dürer's Work:

   • The museum has also acquired engravings by Dürer, including "The Virgin and the Four Wise Men" and "The Virgin in a Swaddling Cloth."
   • These engravings are noted for their technical precision and artistic excellence, reflecting Dürer’s mastery in printmaking.
   • The article mentions that these works are part of a larger collection of recent acquisitions, including other notable pieces by artists such as Gabriel Salmon, A. Canelleti, and John Smith.

3. Exhibition Details:

   • The newly acquired works, including the Rubens sketch and Dürer engravings, are set to be exhibited in the Print Room of the Fogg Art Museum through September.
   • The exhibition is expected to attract significant attention from art enthusiasts and scholars.

Visual Elements:

• Image of the Rubens Sketch:
  The page includes a black-and-white illustration of Rubens' sketch "The Wrath of Neptune." The sketch depicts a dramatic maritime scene, likely illustrating Neptune’s wrath over a shipwreck or naval disaster. The composition features dynamic movement, with figures and ships rendered in a dynamic, expressive style characteristic of Rubens’ work.

• Textual Details:

  • The article provides context about the historical significance of the works, their artistic merit, and their relevance to the museum’s collection.
  • It also mentions the committee responsible for selecting the acquisitions, including notable names such as William James, Margaret Fuller, and D. A. Quincy Adams.

Design and Layout:

• The page has a classic newspaper layout, with a clear headline, subheadings, and a mix of text and an illustrative image.
• The date (August 15, 1913) and source (Herald, Boston, Mass.) are prominently displayed at the top and bottom of the page, respectively.
• The Press Clipping Service stamp at the bottom indicates that this is part of an archival collection of press clippings.

Overall Impression:

The document serves as a historical record of the Fogg Art Museum’s efforts to enrich its collection with significant works by master artists. It highlights the museum’s commitment to acquiring pieces that not only enhance its holdings but also contribute to public education and appreciation of art. The inclusion of a visual representation of Rubens’ sketch adds depth and context to the article, allowing readers to appreciate the artistic value of the acquisition.

This image shows a newspaper clipping mounted on a scrapbook page. The text discusses the acquisition of works by artists Rubens and Dürer by Fogg Museum. The article is titled "Rubens and Dürer Works Acquired by Fogg Museum" and written by Dorothy Adlow. It provides details about these acquisitions and their significance. The clipping mentions specific works, their artistic qualities, and the exhibition information.

Beneath the article is a black-and-white reproduction of a sketch titled "The Wrath of Neptune," attributed to the Flemish master Rubens. The image includes dynamic figures in a chaotic, stormy scene with waves.

There are visible stamped labels at the top and bottom indicating this is part of a press clipping service from Boston, Mass., with dates from August 1943. The scrapbook page showcases a historical document preserving information about art history and acquisitions during that time.

The image shows a scrapbook page containing newspaper clippings related to artworks by Rubens and Dürer acquired by the Fogg Museum. The clippings include articles, a small stamped date "AUG 9 1943," and a black-and-white photograph of an oil sketch titled "The Wrath of Neptune" by Rubens, described as a work by the Flemish master, now at Harvard.

The main newspaper article, written by Dorothy Adlow, discusses the significance of the acquisition, describing the artistic value and historical importance of the works. It highlights the high quality and artistic mastery of the pieces, including the sketch from Cambridge of Neptune and various prints by Albrecht Dürer. Another clipping at the bottom provides more details about the occasion and the exhibition of these works.

Additionally, there’s a smaller stamped clipping dated "AUG 15 1943" referencing the Fogg Museum and a recent exhibition in the Print Room in Boston.

Overall, the page serves as a record and announcement of the Fogg Museum's notable recent acquisitions of classic art pieces.

This is a scrapbook page with a collage of newspaper clippings about museum acquisitions. Key elements:

• A large column article at the left titled “Rubens and Dürer Works Acquired by Fog Museum” with byline Dorothy Aldow (or similar).
• A small “Press Clipping Service” clipping at the top right from Boston, Mass., dated August 9, 1943.
• A centered black-and-white reproduction/illustration of a painting (titled “The Wrath of Neptune”), described in the caption as a Rubens work, an oil sketch now at Harvard.
• A short caption beneath the image and some additional notes about other related works and display information.
• A second “Press Clipping Service” clipping at the bottom right with a Boston Herald note dated August 15, 1943.
• The page itself is aged, with brown-tinted paper and taped or cornered binder attachments, giving it the look of an old scrapbook or journal page.

This image features an aged newspaper clipping on a tan background. The title of the article reads "Rubens and Dürer Works Acquired by Fogg Museum," accompanied by a smaller image captioned "Rubens Work Acquired by Fogg Museum of Art" depicting "The Wrath of Neptune," a sketch by the Flemish master, now at Harvard. The clipping includes details about the acquisition of these art pieces, discusses the works, and provides some art critique and historical context. The physical clipping shows signs of wear, with slightly frayed edges and a darkened patina indicative of old paper.

Additionally, there is a marking of the "Press Clipping Service" from 2 Park Square, Boston, Massachusetts, indicating the source of the clipping service, C. S. Monitor. The clipping service stamp also shows a date of "AUG 9 1943," suggesting that the article or clipping dates back to World War II-era. In the top right corner, there is another stamp or mark indicating "AUG 15 1943," perhaps when it was filed or processed by the clipping service. The text within the article is too small to read in detail, but from what can be observed, it seems to provide an extensive description and analysis of the featured artworks.