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This image displays a vintage newspaper clipping, likely from a local arts section, dated May 11, 1943, as indicated by handwritten script in the upper right corner.

The article is titled:

Drawings Of Masters Entering Final Week

and is written by Donald Bear.

The piece reviews an exhibition titled Drawings of Masters, which is in its final week at the Santa Barbara Museum of Art. The exhibition, drawn from the William Hayes Fogg Museum of Art, Harvard University, features several centuries of drawings from the Renaissance through the 19th century and is held in the Stanley McCornick Gallery.

The main body of the article is divided into three sections, each reviewing different concurrent exhibitions:

1. Review of Mrs. Lydia M. Harcoff’s work:

   • Her paintings (described as flower paintings, small landscapes, and lyrical portraits of a young woman) are on display in the Thayer Gallery.
   • The critic praises her “poetic affection” for her subjects and the “compelling loveliness” of her work, particularly highlighting her painting "White Geraniums" for its “strange and rather miraculous perfection.”

2. Review of Dewitt Parshall’s work:

   • His series of small, colorful portraits of the California landscape is on display at the museum.
   • The critic notes that these are not large canvases but small, finished studies, each “thoroughly designed and finely adjusted.” He commends Parshall for achieving “a breadth of scale” and captures “the feeling of large canvases.” The proceeds from the sale of these works benefit the American Red Cross.

3. Preview of Walter Chewer’s watercolor exhibition:

   • This exhibition, held in “another gallery,” features watercolors depicting scenes of Mexico — “glimpses of Mexican landscapes, beaches, life in the raw and other subjects.”
   • The critic describes Chewer’s vignettes as “clean, quick and direct,” “not casual or hurried,” and “sympathetic to nature.” He notes Chewer’s “unaffected use of water color,” which he regards as “an end in itself.”

Overall, the article is a detailed, appreciative review of several exhibitions happening simultaneously at the Santa Barbara Museum of Art, highlighting the quality and artistic approach of the featured artists.

The clipping itself is aged (yellowed paper), mounted on a light blue background, and exhibits a slightly worn, torn top corner, giving it a historical and archival appearance.

The image is a scanned newspaper clipping with a date stamped at the top right corner, "July 11, 1943." The headline reads, "Drawings Of Masters Entering Final Week" by Donald Bear. The article discusses an art exhibition at the Santa Barbara Museum of Art, which features drawings by masters from the William Hayes Fogg Museum of Art at Harvard University. The exhibition, currently in the Stanley McCormick gallery, showcases works spanning several centuries from Renaissance Italy through 19th century France, and it is the most important exhibition of its kind ever shown on the west coast.

The text goes on to describe the exhibition, highlighting a new show featuring flower paintings, small landscapes, and a portrait of a young woman by Lyla M. Harroff. It praises her poetic affection for her subjects and how they evoke beauty through the actual subject itself. The article also touches on a series of small but delightful pastel landscapes by Dewitt Parshall, described as significant portraits of various aspects of California landscape, and an exhibition of watercolors by Walter Cheever, which includes glimpses of Mexico, landscapes, sketches of boats, beach life, and other subjects.

The text is written in a classic newspaper style, with a mix of serif and sans-serif fonts, and the layout is typical of a printed article, with justified text and a clear column structure. The paper appears aged, with a yellowed tone, suggesting it is from an older publication.

The image is a scanned copy of a newspaper clipping, dated July 11, 1943, with the headline "Drawings Of Masters Entering Final Week" by Donald Bear. The article discusses an exhibition of drawings by masters at the Santa Barbara Museum of Art, which is in its final week. The drawings are on loan from the William Hayes Fogg Museum of Art at Harvard University and are displayed in the Stanley McCormick gallery. The exhibit spans several centuries, from Renaissance Italy through 19th-century France, and includes works by artists such as Lyla M. Harcoff and DeWitt Parshall.

The article highlights various artists and their works:

• Lyla M. Harcoff's flower paintings, small landscapes, and a lyrical portrait of a young woman are noted for their poetic affection and beauty.
• DeWitt Parshall's small but delightful landscapes in pastel are mentioned, with the proceeds from sales going to the American Red Cross.
• Walter Cheever's watercolors, which include glimpses of Mexico, landscapes, sketches of boats, and beach life, are described as a little show full of variety and surprises.

The article also mentions that the exhibition is the most important of its kind ever shown on the west coast and encourages visitors to see it before it closes on Sunday, July 18.

The image shows a newspaper clipping with a headline that reads "Drawings Of Masters Entering Final Week." The article is written by Donald Bear. It discusses the Santa Barbara Museum of Art's exhibition of drawings by masters, which has been a significant attraction since its opening on July 18. The exhibition features works from the William Hayes Fogg Art, Harvard University, the Spencer Museum of Art, and the Harvard University Art Museums. The article highlights the exceptional quality of the drawings, which are displayed in a comprehensive and brilliant manner. The exhibition is considered the most important of its kind ever shown on the West Coast. The article also mentions a few new small shows, including flower paintings, landscape compositions, and a portrait of a young woman painted by Lydia M. Harcoff. The article also highlights the works of artists like Walter Cheevers, DeWitt Parsball, and others.

The image appears to be a newspaper clipping or article about an exhibition of drawings by masters, which is entering its final week. The article mentions the Santa Barbara Museum of Art and the William Harvey Fogg Museum, which have assembled a group of fine drawings, especially from the 19th century. The article highlights some of the notable works in the exhibition, such as "White Geraniums" by Mrs. Harcoff, which is described as having a magical quality, and sketches of Mexican landscapes and subjects by Walter Cheeve. The article also mentions that DeWitt Parshall, an artist, is now showing a series of small but delightful landscapes in pastel at the Gould Library, which is being presented by the American Red Cross for the benefit of the American Relief Cross.

Description of the Image:

The image shows a scanned page from a publication titled "Drawings Of Masters Entering Final Week" by Donald Bear. The page appears to be from a newspaper or art magazine, dated July 11, 1945, as indicated at the top of the page. The content is a review or commentary on an art exhibition, specifically focusing on the San Francisco Museum of Art, which is hosting its final week of a significant art show.

Key Elements in the Text:

1. Exhibition Overview:

   • The article discusses the San Francisco Museum of Art, noting that it is nearing the end of its exhibition week.
   • The author expresses admiration for the exhibition, comparing it to a "revelation" and highlighting its quality and variety.

2. Exhibition Highlights:

   • The exhibition features works from William Hayes Fong Museum of Art, Harvard Gallery, and Cornell Gallery, spanning several centuries from Renaissance Italy to the present day.
   • Notable artists mentioned include John Marin, Arthur Dove, and H. S. Fox.
   • The author emphasizes the diversity of the exhibition, showcasing a range of styles and techniques.

3. Specific Artists and Works:

   • Mrs. Hare: The author describes her as attracting much attention for her flower paintings, particularly a two-woman landscape and a young small landscape, noting the artist's skill in capturing the beauty and loveliness of her subjects.
   • DeWitt Parshell: The author praises his small pastel landscapes, describing them as lively and serene, with a benevolent gaze that reflects the artist's deep connection to nature. The author notes that Parshell's work is directly from observation, and his small portraits are highlighted as significant aspects of California art, characterized by flair and deft sparkle.

4. Walter Cheever:

   • The article briefly mentions Walter Cheever of Mexico, noting an exhibition of his works that includes landscapes of beaches, life in the raw, and boats, auches as well, suggesting a diverse and vibrant collection.

5. Artistic Commentary:

   • The author provides insights into the aesthetic qualities of the artworks, such as the swiftly turned surprises, sympathetic approach to nature, and the unaffected use of color.
   • There is a focus on the technical skill and emotional resonance of the pieces, with particular praise for the pictorial moment and done lines in some works.

Visual Layout:

• The text is presented in a serif font, typical of mid-20th-century print media.
• The page has a light brown, aged appearance, suggesting it is a scanned or photographed copy of an original printed document.
• The title "Drawings Of Masters Entering Final Week" is prominently displayed at the top in bold, larger font, drawing immediate attention.
• The author's name, Donald Bear, is mentioned at the beginning of the article, establishing the writer's credibility.

Context:

• The article reflects the artistic culture of 1945, a period when art exhibitions were significant cultural events, and critics played a crucial role in shaping public perception of art.
• The focus on diverse artists and styles underscores the richness and variety of the exhibition, appealing to a broad audience of art enthusiasts.

Overall, the image captures a review of a notable art exhibition, emphasizing the diversity, quality, and emotional depth of the works on display, while also providing insights into the artistic landscape of the time.

This image is a scan of a newspaper clipping dated July 11, 1943. The article, titled "Drawings Of Masters Entering Final Week," is written by Donald Bear and discusses an exhibition at the Santa Barbara Museum of Art. The exhibit showcases Renaissance and 19th-century French drawings lent by the William Hayes Fogg Museum of Art at Harvard University and is described as the most important exhibition of its kind on the West Coast.

The article also mentions additional gallery highlights, such as smaller shows in the Thayer gallery featuring Lyla M. Harcoff's paintings and a series of landscapes by Dewitt Parshall. Another gallery showcases watercolor works by Walter Cheever, which feature a mix of subjects like Mexican landscapes, boats, coastline sketches, and wildlife. The tone of the article is reflective and appreciative, emphasizing the artistic qualities, techniques, and the emotional connection viewers can experience through the artworks.

This is a scanned clipping from a vintage newspaper. It has a tan, slightly ragged edge and a handwritten note at the top right that reads “July 11-43.” The headline reads: “Drawings Of Masters Entering Final Week,” with the byline “By Donald Bear.”

The article appears in two narrow columns and reviews the last week of a major drawings exhibition. It mentions works lent from the William Hayes Fogg Museum of Art, Harvard University, and notes that the show is now in the Stanley McCormick gallery, with additional small shows opening in the Thayer gallery. The text describes various artists and pieces, including:

• vignettes by Mr. Cheever, praised for being clean, quick, direct, and well balanced in light effects and color.
• a discussion of small landscape and portrait studies, including works by Lyla M. Harcoff and a piece titled “White Geraniums.”
• a feature on Dewitt Parshall’s pastel landscapes shown to benefit the American Red Cross.
• a gallery showing watercolors by Walter Cheever with scenes from Mexico and coastal life.

The overall tone is descriptive and appreciative, focusing on the mood, technique, and charm of the works. The clipping is likely from a local arts section, reviewing museum exhibitions and new small shows.

This image shows a newspaper clipping of an article. The article is titled "Drawings Of Masters Entering Final Week", and it is written by Donald Bear, dated "Feb 11 - 43", which likely stands for February 11, 1943. The newspaper clipping appears to be yellowed with age and has three columns of text discussing an art exhibition.

The article talks about the final week of an exhibition of drawings by masters from the William Hayes Fogg Museum of Art at Harvard University, displayed at the Santa Barbara Museum of Art. It includes mentions of vignettes by a Mr. Cheever, paintings by Lyla M. Harcoff, such as "White Geraniums,” and the work of artist DeWitt Parshall, who is presenting landscapes in pastel at the same museum. Additionally, there is mention of watercolors by Walter Cheever featuring scenes of Mexico, landscapes of the region, sketches of boats, beach life, and other subjects.

The text is informational and describes the art exhibits, the artists, and their works on display, providing details about the style and reception of their work at the time.

This image is a newspaper clipping dated July 11, 1943, with the headline "Drawings Of Masters Entering Final Week." The article is written by Donald Bear and discusses the final week of an exhibition of master drawings at the Santa Barbara Museum of Art. The drawings were lent from the William Hayes Fogg Museum of Art at Harvard University and are shown in the Stanley McCormick gallery. The exhibit spans several centuries of art history, from Renaissance Italy to 19th-century France, and is described as a comprehensive and brilliant group of fine drawings.

The article also highlights several smaller shows happening at the museum:

• Flower paintings, small landscapes, and a lyrical portrait by Lyla M. Harcoff are noted for their poetic affection and beauty. Particular praise is given to a piece called "White Geraniums" for its exceptional quality.
• Dewitt Parshall is showing a series of small pastel landscapes with a California theme at the museum's Gould library. These works are described as small portraits with a lively sparkle that provide a feeling of large canvases despite their size. Proceeds from the exhibit benefit the American Red Cross.
• Walter Cheever has an exhibition of watercolors that captures scenes of Mexico, including boats, beach life, and various landscapes. His vignettes are noted for their clean, quick, and direct style, emphasizing light effects, nature, and watercolor’s use as a means rather than an end.

The tone of the article is appreciative and informative, inviting visitors to enjoy the remaining days of these exhibitions.