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The image is a clipping of a newspaper article titled "Drawings Of Masters Entering Final Week," written by Donald Bear. The article discusses an exhibition of master drawings at the Santa Barbara Museum of Art, which is nearing its end. The collection includes works from the Fogg Museum of Harvard University, showcasing a variety of styles and subjects, including figure studies, portraits, and landscapes.

Key points from the article include:

1. Exhibition Details: The exhibition features drawings by renowned artists such as Gainsborough, Watteau, and others, spanning several centuries and various artistic styles.

2. Notable Works: The article highlights specific pieces, such as a group of five drawings by Gainsborough, a portrait by Watteau, and works by Gericault and Corot. The drawings are described as capturing the essence of their subjects with great skill and artistic flair.

3. Artist Insights: The article mentions the artistic techniques and styles of the featured artists, noting their ability to convey emotion, movement, and the essence of their subjects with minimal detail.

4. Additional Exhibitions: The article also briefly mentions other exhibitions in the area, including a show of paintings by Lois M. Graves at the Currie gallery and a display of glass paintings by Yvette Szkely at the Palos Verdes Library.

5. Critique and Appreciation: The author praises the technical skill and artistic vision of the featured artists, noting the delicate and nuanced handling of light, color, and form in their works.

Overall, the article provides a detailed overview and appreciation of the master drawings exhibition, highlighting the artistic merit and historical significance of the works on display.

The image is a newspaper clipping with the headline "Drawings Of Masters Entering Final Week" by Donald Bear. The article discusses the final week of an exhibition at the Santa Barbara Museum of Art, which features drawings from the William Hayes Fogg Museum of Art at Harvard University.

Key points from the article include:

1. Exhibition Overview:

   • The exhibition, which spans several centuries from Renaissance Italy to the 20th century, includes works by notable artists.
   • The exhibition is slated to close on July 18.

2. Notable Artworks:

   • There are several small drawings that attract attention due to their historical significance and artistic quality.
   • A series of drawings by Rembrandt and other significant artists are highlighted.
   • The drawings are described as being "not casual or hurried but carefully and happily well" and include works by artists like Cheever and Parrish.

3. Specific Artists and Works:

   • Rembrandt: The article mentions a "small, delicate drawing" by Rembrandt that captures the essence of a woman's face and head, noted for its poignant beauty.
   • Walter Cheever: A series of studies, including "White Geraniums," showcases Cheever's ability to capture the essence of his subjects with a delicate touch.
   • DeWitt Parrish: His small but detailed landscapes, which are part of a benefit for the Goudstikker Library, are praised for their skillful use of color and technique.

4. Museum Experience:

   • The article encourages readers to visit the museum to experience the drawings in person, emphasizing their delicate and nuanced qualities.
   • The exhibition is described as a significant cultural event, offering a glimpse into the diverse and rich history of drawing as an art form.

The clipping also includes a date stamp from 1948 at the top right corner.

The image is a newspaper clipping from the 1960s, featuring an article titled "Drawings of Masters Entering Final Week." The author is Donald Bear.

Here is a detailed summary:

Main Article:
The article is discussing the Santa Barbara Museum of Art's exhibition of drawings by renowned artists, which is in its final week. The exhibition includes works from the William Hay Haye Fogg Museum of Art at Harvard University.

Key Points:

1. Exhibition Overview:

   • The exhibition focuses on drawings from the Renaissance period to the present.
   • The drawings are part of the William Hay Haye Fogg Museum of Art at Harvard University, which has been on loan to the Santa Barbara Museum of Art.

2. Highlights:

   • William Hay Haye Fogg Museum's Importance: The Fogg Museum's collection is particularly highlighted, with a mention of the comprehensive and brilliant group of drawings.
   • Mr. Cheever's Collection: The article notes that the Santa Barbara Museum's collection is also noteworthy, with a focus on the works of Walter Cheever.

3. Specific Artists and Works:

   • Lyla M. Harcourt: The article mentions several drawings by Lyla M. Harcourt, which are noted for their poetic affection and vivid use of color.
   • Landscape and Flower Paintings: There are also a few small works of Thayer gallery and a number of floral paintings by small artists, which are praised for their skill and beauty.

4. Detailed Observations:

   • Lyla M. Harcourt's Work: Specific praise for the drawings’ ability to capture the essence of the subjects with a delicate touch and fine detail.
   • Color and Composition: The pieces are noted for their harmony and the way they create a sense of depth and realism.

5. Devitt Parshall:

   • The article mentions Devitt Parshall's series of small but detailed landscapes, highlighting the artist's skill and the benefits to the museum from his sale.

6. Walter Cheever:

   • The collection of Walter Cheever is noted for its wide range of subjects, including scenes of boats, beach life, and other coastal subjects. The article suggests his works are appealing and richly detailed.

The article ends by mentioning that this collection is a delightful blend of art and history, reflecting on the beauty and variety of the exhibited drawings.

Drawings Of Masters Entering Final Week

By DONALD BEAR

At this time we wish to remind visitors to the Santa Barbara Museum of Art that the last week of the exhibition of drawings from the Fogg Museum of Art at Harvard University is at hand. This exhibition, which has been lent from the William Hayes Fogg Museum of Art, Harvard University, The exhibition, which opened on June 1, will definitely close after Sunday, July 18. As mentioned before, this is a comprehensive and brilliant group of fine drawings and one of the most important exhibitions ever shown on the west coast.

There are a few new small water colors by Walter Cheever in the Thayer gallery. These are small flower paintings, two small landscapes and a lyrical portrait of a young girl. They are not only attractive much attention. They were painted by Lyla M. Cheever, who is well known for her subjects with poetic affection. Though Mrs. Harcourt has a wide reputation as a painter, these pictures often shine with a freshness and spontaneity from the compelling love of the actual subject itself.

In the gallery we would especially choose the exquisite “White Geranium.” This is so finely drawn that there occurs a nuance and dissonance of white itself, and the miracle of its perfection. Mrs. Harcourt’s picture, “White Geranium,” is a very special kind of beauty.

DEWITT PARSHALL is now showing a series of small but delightful landscapes in pastel at the Santa Barbara News-Press. The Gould library is being given by the artist as a benefit affair for the museum, with all proceeds from sales going directly to that organization.

The pictures are significant as small portraits of California scenes. The artist has achieved a breadth of scale and simplicity of statement that one feels is the result of large canvases. Though they are sketches and studies, each one is thoroughly finished and finely adjusted to the values of the pastel medium. It is apparent that Mr. Parshall really enjoys the color and texture of the colorful studies and certainly the spectator shares with him his enthusiasm.

IN ANOTHER gallery there is a small collection of water colors by Walter Cheever which is composed of glimpses of Mexico, scenes of the sea, and the coast of boats, beach life in the raw and other subjects, as well. It is a little show full of variety and

The image is a newspaper clipping from July 11, 1943, featuring an article titled "Drawings Of Masters Entering Final Week" by Donald Bear. The article discusses an exhibition at the Santa Barbara Museum of Art, which is in its final week.

Key points from the article include:

1. Exhibition Overview: The exhibition features drawings from the William Hayes Fogg Museum of Art at Harvard University. These drawings span several centuries, showcasing works from the Renaissance to contemporary artists.

2. Artist Highlights:

   • Rembrandt: Known for his sympathetic and realistic approach, with some of his works done quickly, capturing spontaneous moments.
   • Thayer Salery: A modern artist noted for his flower paintings and landscapes.
   • John Singer Sargent: Represented by a drawing of a young woman, which is praised for its attention to detail.
   • Pablo Picasso: His work, "Harlequin," is noted for its poetic effects and stylistic innovation.
   • Grant Wood: Known for his meticulous attention to detail and the use of silverpoint.

3. Notable Mentions:

   • George Ganiere: A local artist whose work "Geranium" is highlighted for its vivid and colorful depiction.
   • DeWitt Parshall: Known for his landscapes, which are described as delicate and possessing a poetic quality. His works are finely finished and capture the essence of California's nature.
   • Walter Cheever: His composition of gnomes and other subjects is noted for its whimsical and varied style.

The article concludes by emphasizing the importance of visiting the exhibition to experience the range and beauty of the master drawings on display.

The image shows a newspaper clipping from 1949, dated July 26. The article, titled "Drawings Of Masters Entering Final Week," is written by Donald Bear and discusses an exhibition of drawings at the Santa Barbara Museum of Art.

Key points of the article include:

1. Exhibition Details: The exhibition features drawings from the William Haynes Fogg collection at Harvard University. The exhibit is part of the museum's centennial celebration and will conclude on July 31.

2. Artists and Works:

   • The exhibition includes works by several masters such as Rembrandt, Rubens, and Corot.
   • Notable pieces include Rembrandt's "Three Crosses," Rubens' "Flower Piece," and Corot's "Two Women."
   • There are also works by lesser-known artists like Thayer Roberts and Mrs. Harriet Harcourt, who are praised for their unique styles and techniques.

3. Artist Spotlights:

   • Mrs. Harriet Harcourt: Known for her exquisite use of white in her drawings, Harcourt's works are described as having a "miraculous perfection."
   • Dewitt Parshall: His small but detailed landscapes are being shown, with proceeds from sales going to the Gould Library. Parshall's works are noted for their careful attention to detail and color, with each piece being thoroughly finished and adjusted to the values of the final composition.

4. Walter Cheever: The article mentions Cheever's works, which are vibrant and filled with life, capturing various subjects such as glimpses of Mexico, boats, and other scenes.

The article emphasizes the diversity and quality of the drawings on display, highlighting both famous and lesser-known artists, and the unique techniques and styles they employ.

This image shows a newspaper clipping of an article. The article is titled "Drawings Of Masters Entering Final Week", and it is written by Donald Bear, dated "Feb 11 - 43", which likely stands for February 11, 1943. The newspaper clipping appears to be yellowed with age and has three columns of text discussing an art exhibition.

The article talks about the final week of an exhibition of drawings by masters from the William Hayes Fogg Museum of Art at Harvard University, displayed at the Santa Barbara Museum of Art. It includes mentions of vignettes by a Mr. Cheever, paintings by Lyla M. Harcoff, such as "White Geraniums,” and the work of artist DeWitt Parshall, who is presenting landscapes in pastel at the same museum. Additionally, there is mention of watercolors by Walter Cheever featuring scenes of Mexico, landscapes of the region, sketches of boats, beach life, and other subjects.

The text is informational and describes the art exhibits, the artists, and their works on display, providing details about the style and reception of their work at the time.

This image is a newspaper clipping dated July 11, 1943, with the headline "Drawings Of Masters Entering Final Week." The article is written by Donald Bear and discusses the final week of an exhibition of master drawings at the Santa Barbara Museum of Art. The drawings were lent from the William Hayes Fogg Museum of Art at Harvard University and are shown in the Stanley McCormick gallery. The exhibit spans several centuries of art history, from Renaissance Italy to 19th-century France, and is described as a comprehensive and brilliant group of fine drawings.

The article also highlights several smaller shows happening at the museum:

• Flower paintings, small landscapes, and a lyrical portrait by Lyla M. Harcoff are noted for their poetic affection and beauty. Particular praise is given to a piece called "White Geraniums" for its exceptional quality.
• Dewitt Parshall is showing a series of small pastel landscapes with a California theme at the museum's Gould library. These works are described as small portraits with a lively sparkle that provide a feeling of large canvases despite their size. Proceeds from the exhibit benefit the American Red Cross.
• Walter Cheever has an exhibition of watercolors that captures scenes of Mexico, including boats, beach life, and various landscapes. His vignettes are noted for their clean, quick, and direct style, emphasizing light effects, nature, and watercolor’s use as a means rather than an end.

The tone of the article is appreciative and informative, inviting visitors to enjoy the remaining days of these exhibitions.

The image appears to be a newspaper clipping or article about an exhibition of drawings by masters, which is entering its final week. The article mentions the Santa Barbara Museum of Art and the William Harvey Fogg Museum, which have assembled a group of fine drawings, especially from the 19th century. The article highlights some of the notable works in the exhibition, such as "White Geraniums" by Mrs. Harcoff, which is described as having a magical quality, and sketches of Mexican landscapes and subjects by Walter Cheeve. The article also mentions that DeWitt Parshall, an artist, is now showing a series of small but delightful landscapes in pastel at the Gould Library, which is being presented by the American Red Cross for the benefit of the American Relief Cross.

Description of the Image:

The image shows a scanned page from a publication titled "Drawings Of Masters Entering Final Week" by Donald Bear. The page appears to be from a newspaper or art magazine, dated July 11, 1945, as indicated at the top of the page. The content is a review or commentary on an art exhibition, specifically focusing on the San Francisco Museum of Art, which is hosting its final week of a significant art show.

Key Elements in the Text:

1. Exhibition Overview:

   • The article discusses the San Francisco Museum of Art, noting that it is nearing the end of its exhibition week.
   • The author expresses admiration for the exhibition, comparing it to a "revelation" and highlighting its quality and variety.

2. Exhibition Highlights:

   • The exhibition features works from William Hayes Fong Museum of Art, Harvard Gallery, and Cornell Gallery, spanning several centuries from Renaissance Italy to the present day.
   • Notable artists mentioned include John Marin, Arthur Dove, and H. S. Fox.
   • The author emphasizes the diversity of the exhibition, showcasing a range of styles and techniques.

3. Specific Artists and Works:

   • Mrs. Hare: The author describes her as attracting much attention for her flower paintings, particularly a two-woman landscape and a young small landscape, noting the artist's skill in capturing the beauty and loveliness of her subjects.
   • DeWitt Parshell: The author praises his small pastel landscapes, describing them as lively and serene, with a benevolent gaze that reflects the artist's deep connection to nature. The author notes that Parshell's work is directly from observation, and his small portraits are highlighted as significant aspects of California art, characterized by flair and deft sparkle.

4. Walter Cheever:

   • The article briefly mentions Walter Cheever of Mexico, noting an exhibition of his works that includes landscapes of beaches, life in the raw, and boats, auches as well, suggesting a diverse and vibrant collection.

5. Artistic Commentary:

   • The author provides insights into the aesthetic qualities of the artworks, such as the swiftly turned surprises, sympathetic approach to nature, and the unaffected use of color.
   • There is a focus on the technical skill and emotional resonance of the pieces, with particular praise for the pictorial moment and done lines in some works.

Visual Layout:

• The text is presented in a serif font, typical of mid-20th-century print media.
• The page has a light brown, aged appearance, suggesting it is a scanned or photographed copy of an original printed document.
• The title "Drawings Of Masters Entering Final Week" is prominently displayed at the top in bold, larger font, drawing immediate attention.
• The author's name, Donald Bear, is mentioned at the beginning of the article, establishing the writer's credibility.

Context:

• The article reflects the artistic culture of 1945, a period when art exhibitions were significant cultural events, and critics played a crucial role in shaping public perception of art.
• The focus on diverse artists and styles underscores the richness and variety of the exhibition, appealing to a broad audience of art enthusiasts.

Overall, the image captures a review of a notable art exhibition, emphasizing the diversity, quality, and emotional depth of the works on display, while also providing insights into the artistic landscape of the time.