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This image shows a single, aged, yellowed newspaper or magazine clipping mounted on a page, likely from a scrapbook or archive. A white paper label at the bottom right indicates it was saved by the "Press Clipping Service" at "C. S. Monitor, Boston, Mass." and is dated MAR 23 1942.

The clipping is an art review article titled:

Illustrators’ Drawings At Fogg Museum

By Dorothy Adlow

It discusses two new exhibitions at the Fogg Art Museum in Cambridge, Massachusetts. The article primarily focuses on an exhibition of “Manierism in Graphic Art” and “Drawings for Book Illustrations.” It emphasizes the original drawings prepared to accompany printed texts, highlighting the artistry that can be lost in printed reproduction.

The piece features a large, centrally placed black-and-white illustration captioned:

Illustration for Book

Maxfield Parrish work in current exhibition at Fogg Art Museum at Harvard.

This illustration is a classic example of Maxfield Parrish's style: it depicts a woman with dark, flowing hair, draped in a long, flowing, pale garment, sitting by a window or doorway. The art is detailed and romantic, with soft shading and a dreamy quality. The background shows an architectural setting with trees and foliage.

The article mentions other illustrators featured in the exhibits, such as Aubrey Beardsley, Thomas Nast, Charles Keene, Edward Abbey, Felix Darley, Dunoyer de Segonzac, and others. It also provides a brief definition of “Manierism” (Mannerism), describing it as an “anti-classic” style that prioritized personal expression over the balanced harmony of earlier masters, often resulting in elongated, contorted figures.

The overall tone of the article is scholarly and appreciative of the skill and emotion in these original drawings. The physical condition of the clipping — the yellowed paper, slight creases, and adhesive mounting — suggests it is a preserved historical artifact from 1942.

The image appears to be a page from an old book or a scrapbook. The page is yellowed, indicating its age, and contains a clipping of an article titled "Illustrators' Drawings At Fogg Museum" by Dorothy Adlow. The article discusses exhibitions at the Fogg Art Museum in Cambridge, Massachusetts, featuring various artistic works including drawings, paintings, and prints. The clipping also includes a photograph of an illustration by Maxfield Parrish, which is part of the exhibits at the museum. Below the clipping, there is a card that reads "Press Clipping Service" with an address in Boston, Massachusetts, and a date stamp "MAR 23 1942." The overall appearance of the page suggests it is from a historical document, possibly related to art and culture in the early 20th century.

This image shows an open book or scrapbook with a clippings page from a newspaper or magazine. The clippings appear to be related to an art exhibition at the Fogg Museum in Cambridge, Massachusetts. The page includes text and an illustration.

1. Text Clippings:

   • The main clipping is titled "Illustrators' Drawings At Fogg Museum" by Dorothy Adlow. It discusses various exhibitions at the Fogg Museum, including French paintings, early Islamic arts, Chinese peasant embroideries, silver, and X-ray shadowgraphs. It also mentions specific artists and their works, such as Aubrey Beardsley, Maxfield Parrish, and others.
   • Below this, there is another clipping that discusses the term "Mannerism" in art, explaining its characteristics and historical context.

2. Illustration:

   • There is a black-and-white illustration titled "Illustration for Book." It depicts a scene with a woman and a man, possibly in a garden or courtyard setting. The woman is standing and appears to be interacting with the man, who is sitting or kneeling. The illustration is attributed to Maxfield Parrish and is described as part of the current exhibition at the Fogg Art Museum at Harvard.

3. Press Clipping Service Label:

   • At the bottom of the page, there is a label from a press clipping service, indicating that the clippings were provided by C. S. Monitor, located at 2 Park Square, Boston, Mass. The date on the label is March 23, 1942.

The overall condition of the page suggests it is from an older book or scrapbook, as the paper appears aged and slightly yellowed. The clippings are carefully pasted onto the page, indicating a deliberate effort to preserve this information.

A piece of paper is attached to the page of the book. The paper has the text "Illustrations' Drawings At Fogg Museum" and "Illustration for Book." The paper has a picture of a woman leaning on a wooden structure, probably a door. The paper has a watermark that reads "Illustration for Book" and "Fogg Art Museum." Below the paper is another piece of paper with the text "Press Clipping Service."

The image is of a page from a book. It has a heading that reads "Illustrators' Drawings At Fogg Museum." Below it is an article that talks about the two exhibitions at the Fogg Art Museum. It includes French paintings, Chinese paintings, and early Islamic art prints. The article also talks about the recent exhibits, which are "Drawings for Book Illustrations." The page also has a clipping from the C. S. Monitor.

The image shows an open page from a book or publication titled "Illustrators' Drawings At Fogg Museum", authored by Dorothy Adlow. The page appears to be from a press clipping or article discussing an exhibition of illustrators' drawings held at the Fogg Art Museum in Cambridge, Massachusetts.

Key Elements of the Image:

Left Side:

• Title and Introduction: The left side of the page begins with the title "Illustrators' Drawings At Fogg Museum", followed by the author's name, Dorothy Adlow.
• Content Overview: The text discusses the exhibition, highlighting that it includes drawings from the 17th to the 20th centuries, featuring works by notable illustrators such as Dürer, Rembrandt, and others. It mentions the diversity of styles, including French, English, and American illustrations, as well as early 20th-century works.
• Exhibition Details: The article describes the exhibition's focus on the evolution of illustration techniques, noting the transition from woodcuts and engravings to more modern methods. It also references specific artists and their contributions, such as "D'Arthur," "Volpone," and "Punch."

Right Side:

• Illustration: There is a black-and-white illustration labeled "Illustration for Book". The image depicts a dramatic scene featuring two figures:
  • One figure appears to be a woman, dressed in period clothing, possibly from the 19th or early 20th century, holding a long object (possibly a staff or cane).
  • Another figure, likely male, is shown in a dynamic pose, seemingly in motion or struggle, with a sense of tension or drama.
  • The setting appears to be outdoors, with a rugged, possibly mountainous or forested background.
• Caption: Below the illustration, the caption reads: "Maxfield Parrish work in current exhibition at Fogg Art Museum." This identifies the artwork as a piece by the renowned illustrator Maxfield Parrish, who is known for his vibrant, dreamlike style.

Footer:

• At the bottom of the page, there is a Press Clipping Service label from Park Square, Boston, Mass. The date stamp reads "MAR 23 1942", indicating when the clipping was archived or published.

Overall Context:

The page combines textual analysis of an art exhibition with a visual example of one of the featured works. It serves as a historical document, offering insight into the art world of the early 20th century and showcasing the illustrative techniques of the time. The inclusion of Maxfield Parrish's work highlights the museum's focus on both traditional and modern illustration styles.

This image provides a glimpse into the cultural and artistic discourse of the era, emphasizing the role of illustration in literature, art, and visual storytelling.

This image depicts a newspaper clipping adhered to a scrapbook-like page. The article, dated March 23, 1942, appears to focus on illustrators' drawings exhibited at the Fogg Museum at Harvard University. A photograph or sketch reproduction is included within the article, showing a person seated near a tree, interacting with a goat or sheep.

The text in the article discusses the exhibit and mentions various illustrators and their works. The page has aged, evidenced by its brown tone and spots, suggesting the paper has developed some signs of oxidation over time. Below the article, a stamp denotes its origin from a "Press Clipping Service" in Boston, Massachusetts. The overall document conveys historical preservation and archival interest.

• A scrapbook page with a clipped newspaper article attached to brown paper.
• The headline reads: “Illustrators’ Drawings At Fogg Museum,” by Dorothy Adlow.
• The clipping includes a black-and-white photo of a person in period clothing leaning toward or interacting with an animal behind wooden bars.
• The caption under the photo says: “Illustration for Book” and notes that Maxfield Parrish’s work is in the current exhibition at the Fogg Art Museum at Harvard.
• A small stamp at the bottom reads “Press Clipping Service” with Boston, Mass. addresses and a date stamp of MAR 23 1942.
• Overall it’s an old, preserved clipping from 1942 mounted on a brown scrapbook page.

You are looking at a scanned image of a page from a scrapbook or collection of old newspaper clippings. The paper on this page looks aged and has a distinct yellow-brown discoloration, which can occur over time due to the natural degradation of the paper material.

On the left side of the image, there is a column with the title "Illustrators' Drawings At Fogg Museum" by Dorothy Adlow. The article describes an exhibition at the Fogg Art Museum where there is a display of illustrators' drawings. The text makes reference to various art styles and techniques and talks about specific artists and pieces. Notable phrases include "the exquisite draftsman," "Fogg Art Museum," and "XVth and XVIth century miniatures," indicating the historical and artistic significance of the items on display. The font and spacing suggest a typewritten and typeset document, typical of the periodicals from the mid-20th century.

On the right, there is a picture clipped from a publication with an image captioned "Illustration for Book." Below the image, it's noted that this depicts the work of Maxfield Parrish in a current exhibition at the Fogg Art Museum at Harvard. The illustrated content features what appears to be a young male figure standing next to a tree and interacting with a large bear-like creature or sculpture. The style is detailed and evocative of illustrative art from the early-to-mid 20th century, with an emphasis on visual storytelling.

On the bottom right of the page, there is a small label from the "Press Clipping Service" of the "C. S. Monitor," dated "MAR 23 1942," from "2 Park Square, Boston, Mass." which gives us the date and possibly the origin of the article.

The overall condition of the paper, the styles of the fonts, the language used in the articles, and the mention of the Fogg Museum and Maxfield Parrish suggest this is a historical document, likely preserved for its relevance to the artwork and artists discussed herein.

This image shows a scrapbook page with two newspaper clippings attached. The first clipping on the left is titled "Illustrators’ Drawings At Fogg Museum" by Dorothy Adlow. It discusses two exhibitions at the Fogg Art Museum in Cambridge, focusing on French paintings, drawings, prints, and graphic arts, as well as specific illustrators such as Aubrey Beardsley. The article also mentions the "Mannerists" style and the evolution of this style in art.

The second clipping to the right contains an image with the caption: "Illustration for Book Maxfield Parrish work in current exhibition at Fogg Art Museum at Harvard." The image depicts a person sitting on a block or step, looking down at a large dog standing in front of them beside a set of wooden pillars. The person is dressed in medieval-style clothing.

Below the clippings is a smaller piece of paper from the Press Clipping Service, located at 2 Park Square, Boston, Mass., labeled "C. S. Monitor Boston, Mass." and dated Mar 23, 1942. The scrapbook page is aged and yellowed, suggesting it is quite old.