Archives Scrapbooks

This image shows a vintage, yellowed paper clipping album page, likely from the early 1940s, filled with newspaper clippings arranged in a scrapbook or binder format. The page is from January 1942 and primarily features announcements and articles about the Fogg Museum of Art at Harvard University and related art events.

Key Features of the Page:

1. Header & Source of Clippings:

• Most clippings are headed with “Press Clipping Service” and an address: “2 Park Square, Boston, Mass.” This was a service that monitored newspapers for clients and provided them with relevant clippings.
• Some clippings are labeled with the source newspaper (e.g., Sun, Post, Globe, Times) and city (e.g., Lewiston, Maine; Boston, Mass.; Gloucester, Mass.).

2. Prominent Clippings:

• “Fogg Art Fellowship Awarded McAndrew” (Jan 26, 1942)
  John McAndrew, curator of architecture and industrial art at the Museum of Modern Art, New York, received a $5,000 fellowship from the Fogg Museum for a 2-year art study.

• “Winthrop Gives Drawings to Fogg Museum” (Jan 19, 1942)
  Grenville L. Winthrop of Lenox and New York donated a collection of 325 watercolors and drawings to the Fogg Museum.

• “Harold Weston Paintings at Fogg” (Jan 25, 1942)
  Announces an anonymous gift of 11 paintings by Harold Weston to the museum, including works like “Apple Tree Spring,” “Bobolic Mountains, Autumn,” and “Pines of the Pyrenees.” The donor is revealed to be a collector who wished the works preserved and exhibited.

• “Five exhibit during the week” (Jan 2, 1942)
  Lists current exhibitions at the Fogg Museum: French art (19th–20th c.), X-ray Shadowgraphs by Childe Hassam, Islamic art including rubbings of Cambodian reliefs, and a Christmas exhibit at Widener Library.

• Fogg Museum Hours & Exhibits (Jan 25, 1942)
  Lists regular hours and ongoing special exhibitions, including French paintings, early Islamic illuminations, Chinese peasant embroideries, American ornamental design, and loan collections of English XVIII century silver and X-ray shadowgraphs.

3. Visual Details:

• The clippings are pasted onto aged, beige-toned paper with visible creases and some foxing (brown spots typical of old paper).
• Several clippings have handwritten annotations — notably “195” written in blue ink next to the “Winthrop” and “Weston” articles, possibly indicating a catalog number or collection reference.
• The page is bound in what looks like a black binder or scrapbook, with a white paperclip visible at the top right.
• At the very bottom left, there is a small caption for a photo (not visible in the clipping), describing X-ray shadowgraphs from the Winthrop collection.

Historical Context:

The clippings reflect the cultural and philanthropic activities of the period, especially during the early years of World War II (U.S. entered the war in December 1941). Despite global conflict, cultural institutions like the Fogg Museum continued to collect, exhibit, and celebrate art — and patrons continued to donate significant works.

Summary:

This is an archival compilation of press clippings documenting the activities, exhibitions, and acquisitions of the Fogg Museum of Art at Harvard in January 1942. It highlights key donations by Winthrop and Weston, an art fellowship awarded to McAndrew, and regular museum programming — offering a snapshot of American museum life during wartime.

It’s a well-preserved artifact of art institutional history and media monitoring practices of the 1940s.

The image appears to be a page from a scrapbook or a collection of newspaper clippings and images, with a focus on articles related to the Fogg Museum of Art at Harvard University and art exhibitions. The clippings are dated between January 15 and January 27, 1942, and are from various newspapers such as the "Chronicle-Sun," "Sun," "Globe," "Post," and "Eagle."

Some of the headlines and snippets of text include:

• "Free exhibits during the week At Fogg Art Museum, Harvard: French art, 19th & 20th centuries; art of John Singer Sargent, Childe Hassam, John La Farge; X-Ray Shadowgraphs as means to identify painters' styles; silver collection; Islamic art; rubbings of Cambodian stone reliefs; ornamental design, 15th-18th centuries."
• "Fogg Art Fellowship Awarded McAndrew John McAndrew, curator of architecture and industrial art at the Museum of Modern Art, New York city, has been awarded a $2000 fellowship by Harvard's Fogg Art Museum for a study of modern Mexican art."
• "The Fogg Museum of Art, Harvard University, open week days, except holidays, 9 a.m. to 5 p.m.; Sundays, 1 to 5 o'clock, special exhibitions: French Paintings, prints, drawings 19th and 20th centuries; earlier Islamic illuminations, painting; water colors, drawings, etchings by Childe Hassam, John La Farge, John Singer Sargent; ornamental design in graphic art 15th to 18th centuries; loan collection English XVIII silver; X-ray shadowgraphs; ink rubbings of Cambodian relief sculptures."
• "Winthrop Gives Drawings to Fogg Museum Grenville L. Winthrop of Lenox and New York has presented to the Fogg Museum of Art at Harvard University a collection of 132 watercolors and drawings considered by critics a 'momentous' gift. The collection includes works by such famous artists as Ingres, Sargent, David, Beardsley and many others."
• "Harold Weston Paintings at Fogg A recent anonymous gift to the Fogg Museum is that of 11 paintings by Harold Weston. The paintings include figures and landscapes: 'Apple Trees, Spring,' 'Gothic Mountains, Autumn,' and scenes in the Pyrenees, where Mr. Weston lived for some time about 1926, and of which he has written 'my form and color became tempered by the Pyrenees... How much, I only realized after we returned to America.' The paintings were the gift of a collector who wished them to be in a 'safe place where they may be preserved and exhibited in perpetuity.'"

The clippings are arranged in a somewhat disorganized manner, and some are slightly tilted or overlapping. There are also some handwritten notes and markings, such as the date "Jan 26 1942" on a piece of paper and the number "196" written on the clippings. The overall appearance of the page suggests it was part of a collection of historical news articles and information related to the Fogg Museum and its exhibitions.

This image shows an open scrapbook or folder containing a collection of newspaper clippings. The clippings are from various newspapers and are dated between January 15, 1942, and January 27, 1942. The clippings are from newspapers such as "C. S. Monitor," "Chronicle-Sun," "Globe," "Post," "Times," "Eagle," and "Sun." The content of the clippings appears to be related to the Fogg Museum of Art at Harvard University, mentioning exhibits, donations, and awards. Notable mentions include the awarding of a fellowship to John McAndrew, donations of drawings by Grenville L. Winthrop, and paintings by Harold Weston. The clippings are arranged on a brown paper background, and some of the text is underlined for emphasis. The overall theme of the clippings is the activities and acquisitions of the Fogg Museum of Art during that time period.

The image shows a scrapbook page with multiple newspaper clippings attached. The clippings are from different dates, ranging from January 15, 1942, to January 27, 1942. The clippings are from various newspapers, including the "Press Clipping Service," "C.S. Monitor," "Boston Globe," "Post," and "Times." The clippings cover a range of topics, including art exhibitions, museum acquisitions, and awards. Some of the clippings mention specific artists, such as John La Farge, Sargent, and Hassam, and their works. The clippings also mention various art styles, such as Islamic art, silver collection, and ornamental design. The page has a brown background, and the clippings are attached with tape or glue. The clippings are arranged in a grid-like pattern, with some overlapping each other. The image has a vintage feel, suggesting that it may be from an old scrapbook or archive.

The image shows a collection of newspaper clippings that have been pasted onto the pages of a book. The clippings are arranged in chronological order, with the earliest one from January 1942 and the latest one from January 1954. The clippings cover a range of topics, including art exhibitions, museum acquisitions, and awards given to artists. The text on the clippings is in black and white, and some of the clippings have handwritten notes in the margins. The book appears to be a scrapbook or a record of some kind, and the clippings are likely related to the subject matter of the book.

The image depicts a collection of newspaper clippings compiled into a scrapbook or archive, dated January 1942. The clippings are neatly arranged and labeled, indicating they were part of a "Press Clipping Service" from "2 Park Square, Boston, Mass." Each clipping is dated and sourced from various newspapers, including The Chronicle-Sun, The Sun, The Post, The Globe, and The Eagle.

Key Observations:

1. Content of the Clippings:

   • The clippings cover a range of topics, primarily related to art and cultural events.
   • One prominent article is titled "Fogg Art Fellowship Awarded McAndrew," highlighting an award given to John McAndrew, an architect and industrial curator at the Fogg Museum of Art, Harvard University.
   • Other articles mention exhibitions, donations, and events at the Fogg Art Museum, such as the donation of drawings by Winthrop to the museum and an exhibition of paintings by Harold Weston.
   • There are references to Cambodian art, Islamic art, and other cultural artifacts, indicating a focus on art history and museum activities.

2. Layout and Organization:

   • The clippings are arranged chronologically, with dates clearly marked (e.g., Jan 26, Jan 28, Jan 29, etc.).
   • Each clipping is labeled with the source newspaper and location (e.g., "Press Clipping Service, 2 Park Square, Boston, Mass.").

3. Visual Elements:

   • The pages appear to be part of a bound volume, with visible spine labels indicating sections or categories (e.g., "I.S." and "P.").
   • The text is typed or printed, and the clippings are likely photocopies or reprints, given their uniform appearance.
   • The overall condition suggests careful preservation, with no visible wear or damage.

4. Contextual Clues:

   • The date (January 1942) places these clippings in the early years of World War II, a period when cultural institutions like museums often faced challenges but also sought to maintain public engagement through exhibitions and events.
   • The focus on art and museum activities reflects the importance of cultural preservation and education during wartime.

Summary:

The image shows a well-organized archive of press clippings from January 1942, centered around art and cultural events, particularly those related to the Fogg Art Museum at Harvard University. The clippings highlight awards, exhibitions, and donations, providing insight into the museum's activities and the broader cultural landscape of the time. The meticulous arrangement suggests these clippings were collected for historical or research purposes.

This is a vintage scrapbook page filled with many tiny newspaper clipping notes. The page is a warm brown color and appears aged, with a metal binder ring visible at the top-right corner. Each clipping is a small rectangular card from a "Press Clipping Service" (Boston, Cambridge, and other New England locations are listed), mostly dated January 1942 (e.g., Jan 15, Jan 19, Jan 20, Jan 25, Jan 26, Jan 27). The topics are art-related, mentioning things like the Fogg Art Fellowship, awards to McAndrew, Harold Weston paintings at the Fogg Museum, drawings donated to the Fogg Museum, and other museum/art news. The clippings are arranged in columns across the page, creating a collage-like display of mid-20th-century press notices.

This image showcases a scrapbook or similar page containing a series of newspaper clippings and press service notes dated primarily in January of 1942. The clippings focus on various announcements and events related to the Fogg Museum of Art at Harvard University.

• Content Overview: The clippings highlight exhibitions, donations, and awards related to the museum. Specific topics include the awarding of an art fellowship to John McAndrew, mentions of donated artwork by prominent individuals like Grenville L. Winthrop, and exhibitions such as X-ray shadowgraphs and Islamic art.

• Visual Layout: The clippings are neatly arranged on a brown background for organizational purposes. Each clipping is marked with the press service provider ("Press Clipping Service") along with the publication's city, newspaper name, and date.

• Notable Named Items: "Harold Weston Paintings," "Winthrop Gives Drawings to Fogg Museum," and "Fogg Art Fellowship Awarded McAndrew" are some highlighted headings. Dates like January 2, 1942, January 25, 1942, and January 27, 1942, repeat across the entries.

This organized presentation reflects careful archival practices, showcasing a historical focus on arts and cultural contributions during that period.

This image shows a collection of newspaper clippings, likely from a press clipping service, adhered to a page in a scrapbook or binder. The clippings are dated from January 1942 and appear to relate to art exhibitions, museum news, and fellowships associated with art and artists. Here's an overview of the content visible:

1. The header "Press Clipping Service" is repeated across multiple clippings, followed by an address that includes "2 Park Square, Boston, Mass." and the names of publications like "Sun," "C. S. Monitor," "Globe," and "Times."
2. One clipping announces the "Fogg Art Fellowship Awarded McAndrew" referencing an individual named John McAndrew.
3. Another clipping with the heading "Winthrop Gives Drawings to Fogg Museum" discusses a donation of art to the Fogg Museum at Harvard University.
4. A clipping featuring "Harold Weston Paintings at Fogg" provides information about an exhibition at the Fogg Museum involving paintings from 1911 to 1938 by Harold Weston.
5. The clippings include mentions of various locations such as Cambridge, Mass., Lewiston, Maine, Gloucester, Mass., and Pittsfield, Mass.
6. Dates visible on the clippings range from January 1, 1942, through January 27, 1942.
7. Some text talks about other collections involving Cambodian stone reliefs, Chinese Han mirrors, and a Fogg Museum exhibition open to the public with collections of English XVIII silver and Khmer stonework.
8. The clippings are arranged in a manner that suggests they were collected methodically, possibly for reference or archival purposes by an individual or institution interested in these topics.

The clippings and the manner in which they are presented offer a historical snapshot of the art world and related events in early 1942.

The image shows a scrapbook page containing multiple newspaper clippings related to art exhibitions, awards, and donations at the Fogg Art Museum, Harvard University. The clippings are arranged in a collage style and include press clipping service labels from various newspapers such as the C.S. Monitor (Boston, Mass.), Chronicle-Sun (Cambridge, Mass.), Sun (Lewiston, Maine), Post (Boston, Mass.), Globe (Boston, Mass.), and Times (Gloucester, Mass.) with dates ranging mostly from January 1942.

Key details from the clippings include:

• Free exhibits at the Fogg Art Museum featuring French art from the 19th and 20th centuries, Islamic art, Cambodian stone reliefs, and other collections.
• The award of a $2000 fellowship to John McAndrew, curator of architecture and industrial art at the Museum of Modern Art, New York, for a study of modern Mexican art at the Fogg Art Museum.
• Mention of a gift of 132 watercolor drawings by Grenville L. Winthrop to the Fogg Museum.
• An anonymous gift of 11 paintings by Harold Weston to the Fogg Museum.
• Various references to special exhibitions, paintings, drawings, shadowgraphs, and other art objects in the museum's collection.
• Several press clipping service date stamps mostly from January 1942.

The page has a vintage, archival appearance with yellowed paper, typed and printed text, and some handwritten notations in blue ink. The clippings provide a snapshot of the museum's activities and recognition during the early 1940s.