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ARCH.2003.28, Rendition: 800655
The image is a page from a newspaper dated Wednesday, January 14, 1942. It is page twelve. The page features an illustration on the left side, titled "Woman Standing With Hand on Hip," which is a drawing by Jean-Honoré Fragonard. The drawing depicts a woman in a long dress with ruffled sleeves and a hat, standing with one hand on her hip.
Below the illustration, there is a text that provides information about the artist and the drawing:
"By permission of the Fogg Museum of Art, Harvard University, in The Connoisseur Press, Inc.
WOMAN STANDING WITH HAND ON HIP. A Drawing by Jean-Honoré Fragonard
Jean-Honoré Fragonard is one of the most famous French painters of the eighteenth century. He is often associated with the Rococo period and is known for his elegant and playful depictions of French society.
Fragonard was a prolific artist who produced a wide range of works, including paintings, drawings, and etchings. His works are characterized by their grace, charm, and attention to detail.
This drawing is an example of Fragonard's skill in capturing the essence of his subjects. The woman in the drawing is depicted with a sense of elegance and poise, her hand resting on her hip in a confident pose. The drawing is executed with a delicate touch, using fine lines to create a sense of depth and texture.
Fragonard's works are highly valued and can be found in museums and private collections around the world. His legacy continues to inspire artists and art lovers alike."
At the bottom of the text, it is signed by "Dunbarton Atkins."
The page has a vintage, aged appearance with a yellowish tint, typical of old newspaper print.
The image displays a page from a publication, likely a newspaper or magazine, featuring an article about an artwork. The page is dated Wednesday, January 14, 1942, and is identified as page twelve.
The main content of the page includes an illustration titled "Woman Standing with Hand on Hip," a drawing by Jean-Honoré Fragonard, a prominent French painter of the eighteenth century. The illustration depicts a woman in an elegant, flowing dress, her hand resting on her hip, embodying the grace and fashion of her time.
Below the illustration, there is an article that provides context about the artwork and the artist. The text highlights Fragonard's skill in capturing the grace, fashion, and mannerisms of the French elite. It also mentions that Fragonard was an etcher and illustrator who lived in Italy for a time, where he was influenced by the art of Guardi. The article describes the drawing as a swift, delicate, and sure sketch, which the artist likely intended to develop further. The subject of the drawing is identified as Rosalie, Fragonard's daughter, who was also his pupil.
The layout of the page is straightforward, with the illustration taking up most of the left side and the accompanying text on the right side. The bottom of the page includes the date and page number.
The image is a newspaper clipping from January 14, 1942. It features an article titled "A Drawing by Jean-Honoré Fragonard," accompanied by a sketch illustration.
Illustration Description:
The sketch depicts a woman standing with her hand on her hip. The drawing showcases the woman in a detailed, flowing dress typical of the 18th-century French style. The woman's pose is elegant and poised, reflecting the grace and fashion of the period.
Article Summary:
The article discusses the artist Jean-Honoré Fragonard, one of the most prominent painters of the French Rococo period in the eighteenth century. Known for his work alongside other great artists like Watteau and Boucher, Fragonard (1732-1806) was recognized for his etchings, illustrations, and paintings.
Fragonard's career began with early recognition, winning the Prix de Rome. He traveled to Italy and later worked in France, Austria, and Germany. Though he was versatile, his primary fame came from his light-hearted and lively works.
The drawing illustrated in the article, "Woman Standing With Hand on Hip," is described as a quick sketch, capturing the essence of the subject with minimal strokes. The woman in the drawing is shown in a pose ready for dancing, reflecting Fragonard's ability to convey movement and elegance.
The article also mentions that Fragonard and his wife, Marie-Anne, were known for their close-knit family life, with Marie-Anne being a painter herself and their daughter Rosalie, along with their son Alexandre-Evariste (who became a painter and sculptor), living with them in their quarters at the Louvre.
The clipping is credited to Dorothy Adlow, and it appears on page twelve of the newspaper.
This image is a page from a newspaper, dated Wednesday, January 14, 1942, specifically page twelve. The page features an article accompanied by an illustration.
The illustration is a black-and-white drawing titled "Woman Standing With Hand on Hip" by Jean-Honoré Fragonard. The drawing is credited to the Fogg Museum of Art, Harvard University, and is part of the Collection of the Museum of Fine Arts.
The accompanying article discusses Jean-Honoré Fragonard, a prominent French painter of the eighteenth century. The text highlights Fragonard's ability to capture the elegance and insouciance of the era. It mentions that Fragonard was both a painter and an illustrator, known for his work in capturing the graces and fashions of the time. The article notes that Fragonard's work often depicted the fables and pleasures of the privileged classes.
The drawing itself portrays a woman in an elegant, historical dress, standing with her hand on her hip, showcasing Fragonard's skill in capturing the poise and fashion of the period. The article also mentions that the woman depicted was likely Rosalie, Fragonard's daughter, who lived with the artist and his family.
The article is signed by Dorothy Arnold.
The image is a newspaper clipping from Wednesday, January 14, 1942, page twelve. The article focuses on a drawing by Jean-Honoré Fragonard, specifically titled "Woman Standing With Hand on Hip."
The drawing itself is a sketch of a woman dressed in an elegant 18th-century style, standing with one hand on her hip. The text accompanying the image describes Fragonard as one of the most prominent French painters of the 18th century, known for his ability to capture the grace, fashion, and manners of his era.
The article mentions that Fragonard was an eccentric and talented illustrator and painter. He was born in a small town in Provence but spent most of his life in Paris. Although he was of Italian descent, his temperament was French, and he was deeply influenced by the fashions and lifestyles of the privileged classes.
The sketch is noted for its depiction of the woman's poised and graceful stance, with a focus on the elegance of her attire and the refined details of her dress. The drawing is described as having been made swiftly with sanguine crayon on white paper, capturing the essence of the woman's posture and the intricate details of her costume. The woman in the sketch is identified as Rosalie, the daughter of Fragonard, and the drawing is noted to be part of a collection housed at the Fogg Museum of Art at Harvard University.
The author of the article is Dorothy Arnold.
The image shows a page from a newspaper dated Wednesday, January 14, 1942. The main feature of the page is a black-and-white illustration titled "Woman Standing With Hand on Hip," attributed to Jean-Honoré Fragonard, a famous French painter.
The article accompanying the illustration describes Fragonard as one of the leading figures of the eighteenth-century French painters. It notes that his works often depict elegance and the refined lifestyle of the aristocracy. The text mentions Fragonard's background, stating he was an engraver and illustrator, and highlights his work ethic and temperament, which were French and focused on capturing the fashions and manners of the privileged class.
The drawing depicted is described as a sketch by Fragonard, showcasing a woman elegantly poised with one hand on her hip. The caption mentions that Fragonard worked swiftly with sanguine crayon on white paper, capturing the woman's design with detailed attention to the costume and fabric texture. The accompanying text also mentions that Rosalie, Fragonard's daughter, was present during the creation of this artwork.
Additionally, the caption notes that the drawing was part of a larger series and was likely made in the Fragonard quarters at the Louvre. The page number is indicated as "Page Twelve." The article is credited to Dorothy Anlow.
The image displays a newspaper clipping dated Wednesday, January 14, 1942, and is identified as "Page Twelve." The main feature of the clipping is a reproduction of a drawing, "Woman Standing With Hand On Hip," by Jean-Honoré Fragonard, a distinguished French artist known for his work in the 18th century. The artwork illustrates a woman elegantly posed with her hand on her hip, wearing what appears to be an 18th-century dress with ruffles and a full skirt.
The text below the drawing provides historical context, describing Fragonard as a painter and etcher who traveled and studied art across parts of Europe, including Italy, Austria, and Germany. It also suggests that the playful and pleasurable themes commonly found in Fragonard's work may draw inspiration from the exuberance of the French elite during that era. Furthermore, the text hints at a connection between the woman depicted in the drawing and Marguerite Gérard, a miniatrist who was part of the artist's circle.
The image and the accompanying text offer insight into the cultural and social preferences of the French aristocracy of the time, as well as preserving the legacy of Jean-Honoré Fragonard's contribution to art history.
The image shows a scrapbook page containing a black-and-white drawing of a woman standing with one hand on her hip. The woman is dressed in an 18th-century style gown with ruffled sleeves and a full skirt. The drawing is signed or attributed to Jean-Honoré Fragonard.
Below the drawing, there is a newspaper clipping with text providing context. The heading reads "WOMAN STANDING WITH HAND ON HIP: A Drawing by Jean-Honoré Fragonard." The text describes Fragonard as one of the most eminent French painters of the eighteenth century, comparing him to Watteau and Boucher. It notes that Fragonard was an etcher and illustrator, as well as a painter, who traveled to Italy, Austria, and Germany but retained a distinctly French temperament in his artwork. The article explains that the depicted woman appears ready to dance a minuet, with her wrist posed against ruffled panniers and her head turned toward the right. The drawing is noted for its lively execution and the way it highlights the costume's texture and shine. There is also a mention of a debate about whether the young lady is Fragonard's daughter or Marguerite Gérard, the artist's sister-in-law and pupil.
At the bottom of the page, there is a small newspaper date and page number clipping: "WEDNESDAY, JANUARY 14, 1942 PAGE TWELVE."
The image is a scanned page from a book, featuring a black-and-white drawing of a woman and a text description. The drawing, titled "Woman Standing with Hand on Hip," is attributed to Jean-Honoré Fragonard, a French painter. The text provides a brief biography of Fragonard and describes the drawing's composition and style. The drawing depicts a woman standing with her hand on her hip, dressed in a dress with ruffles and a bonnet, suggesting a fashion illustration. The text mentions that Fragonard was an etcher and illustrator known for preserving the graces and fashions of the French elite. The page also includes a date, "Wednesday, January 14, 1942," and a page number, "Page Twelve."
The image shows a page from a publication dated Wednesday, January 14, 1942, and labeled as Page Twelve. The page features an illustration and accompanying text.
The page appears to be from an art history or cultural publication, likely discussing Fragonard's work and his influence on French art. The illustration and accompanying text provide insight into Fragonard's style, his subjects, and his legacy. The inclusion of the date and page number indicates that this is part of a larger series or issue.