Archives Scrapbooks

The image is a newspaper clipping from October 1941, featuring an article about a controversial painting by Pablo Picasso titled "Guernica." The article discusses the painting's exhibition at Harvard University and the divisive reactions it received from students and faculty.

Key points from the article:

1. Exhibition Details:

   • The painting "Guernica" is on loan from the Museum of Modern Art in New York and is being exhibited at the Fogg Art Museum at Harvard University for two weeks.
   • The painting, completed in 1937, is one of Picasso's most famous works and depicts the horrors of modern warfare, specifically the bombing of Guernica during the Spanish Civil War.

2. Reactions to the Painting:

   • The article notes that Harvard students and faculty are divided over the painting. Some view it as a powerful and graphic depiction of the horrors of war, while others find it puzzling or even nonsensical.
   • The painting's abstract and symbolic style has led to various interpretations, with some seeing it as a profound statement against war and others struggling to understand its meaning.

3. Historical Context:

   • The article mentions that "Guernica" was painted in response to the bombing of the Basque town of Guernica by German and Italian warplanes at the behest of Spanish Nationalists.
   • The painting has been on public display at the Museum of Modern Art in New York and has been loaned to Harvard for this special exhibition.

4. Photograph:

   • The article includes a photograph of several Harvard students viewing the painting, with a caption describing their puzzled expressions.

5. Additional Information:

   • The article provides background on the painting's creation and its significance in the art world.
   • It also mentions that the painting is part of a series of five arts at Harvard, aimed at bringing significant works of art to the university community.

Overall, the article highlights the impact and controversy surrounding Picasso's "Guernica" and its reception at Harvard University in 1941.

The image shows a collection of newspaper clippings pasted on a yellowed paper, with the heading "Harvard Exhibits Picasso Painting." The clippings are from different sources, including the Harvard Crimson and the Boston Herald, dated October 1941. The main article describes the exhibition of Pablo Picasso's surrealist painting, "Guernica," at Harvard University's Fogg Museum. The painting, a large mural-sized work, depicts the suffering of people and animals wrought by violence and chaos. The clippings include various reactions from the public and critics, with some expressing bewilderment and others appreciating the artwork's powerful message. The clippings also mention that the painting was loaned by the artist and would be on display for two weeks, later moving to the Museum of Modern Art in New York.

The image displays several newspaper clippings from 1941 related to an exhibition of Pablo Picasso's work at Harvard University's Fogg Museum.

1. Top Left Clipping (Harvard Exhibits Picasso Painting):

   • This article announces the exhibition of Picasso's painting "The Roast Chicken" (also known as "Still Life" or "Nature Morte") at the Fogg Art Museum.
   • It describes the painting as surrealistic and part of a traveling exhibition from the Museum of Modern Art in New York.
   • The painting is on loan from the collection of Mrs. Gilbert W. Chapman and will be displayed alongside works by Georges Braque.

2. Top Right Clipping (Puzzled Harvard Students):

   • This piece shows a photograph of students viewing Picasso's controversial painting.
   • The caption mentions that students are puzzled by the painting, which depicts horrors of modern warfare.
   • The painting is part of an exhibition at the Fogg Museum open to public inspection.

3. Bottom Left Clipping (Sensational Picture At Fogg Museum):

   • This article discusses the controversy surrounding Picasso's "Guernica."
   • It describes the painting as a powerful, surrealistic depiction of the bombing of the Spanish town of Guernica in 1937.
   • The piece also notes that "Guernica" has sparked debates and strong reactions due to its depiction of the atrocities of war.
   • The article mentions that the current exhibition at the Fogg Museum features a different Picasso painting, not "Guernica," but one that has also sparked conversation and varied interpretations.

4. Bottom Right Clipping (FANTASMAGORIA OR PLAIN 'NUTS'):

   • This article presents a divided opinion among Harvard students regarding Picasso's work.
   • Some students admire the painting for its modernity and emotional depth, while others dismiss it as incomprehensible or "nuts."
   • The piece includes quotes from students, reflecting both positive and negative views on Picasso's artistic style.
   • It also offers a brief historical context of Picasso's influence and the reactions his work typically elicits.

Overall, these clippings illustrate the mixed reactions and debates surrounding Picasso's avant-garde art at the time of the exhibition.

The image is a collage of newspaper clippings from October 2, 1941, detailing the exhibition of a painting by Pablo Picasso at Harvard University.

1. Top Section:

   • The headline reads "Harvard Exhibits Picasso Painting," describing Picasso's surrealistic portrait titled "Guernica," which depicts the bombing of Guernica, Spain, in 1937.
   • The painting was commissioned by the Spanish Republic and is one of the most famous anti-war paintings of the 20th century.
   • The article mentions that the painting was on display at the Fogg Art Museum at Harvard University for two weeks and was open to public inspection.
   • It notes that the painting is 11 feet by 23 feet and is in black and white.

2. Middle Section:

   • The headline reads "Fantasmagoria or Plain 'Nuts' Harvard Division Over Picasso."
   • The article discusses the reactions of Harvard students to the painting, with some describing it as a "fantasmagoria" and others finding it "nuts."
   • Students are quoted saying that the painting is hard to understand and that they are puzzled by it.
   • Professor of Fine Arts at Harvard, Alfred H. Barr Jr., is quoted explaining the painting's significance and the reasons behind Picasso's use of surrealism.

3. Bottom Section:

   • The headline reads "Sensational Picture At Fogg Museum."
   • The article details the creation and significance of "Guernica," emphasizing its political and emotional impact.
   • It notes that the painting is intended to evoke outrage and protest against the horrors of war.
   • The article also mentions that the painting was commissioned by the Spanish Republic and was first displayed in Paris and New York.

Overall, the collage captures the public and academic responses to Picasso's iconic "Guernica," showcasing the debates and interpretations surrounding the artwork during its exhibition at Harvard.

The image is a collage of newspaper clippings from October 2, 1941, discussing the exhibition of Pablo Picasso's painting "Guernica" at Harvard's Fogg Art Museum.

1. Top Left Clipping (Herald, Boston, Mass.):

   • The headline reads, "Harvard Exhibits Picasso Painting."
   • It describes the surrealistic painting "Guernica" as one of the most spectacular pictures ever to be exhibited in the United States.
   • The painting, 25 feet by 11 feet, is a depiction of the bombing of Guernica in Spain in 1937. It is intended to arouse indignation and protest against war and fascism.
   • The clipping notes that the painting was acquired by the Museum of Modern Art in New York and is being shown at Harvard for two weeks.

2. Center Image:

   • This is a photograph of the "Guernica" painting displayed in the Fogg Art Museum.
   • The caption states that Harvard students were puzzled by the surrealistic portrait.

3. Top Center Clipping (Press Clipping Service):

   • It confirms the exhibition of the Picasso painting "Guernica" at Harvard University's Fogg Museum, emphasizing its size and surrealistic nature.

4. Bottom Left Clipping (Chronicle, Cambridge, Mass.):

   • Headlined "Sensational Picture at Fogg Museum," it discusses the controversy surrounding "Guernica."
   • The article mentions that the painting is a condemnation of the bombing of Guernica, depicting the horrors of war.
   • It also notes that the painting's size and content evoked strong reactions, with some calling it "nuts" and others praising its power and significance.

5. Bottom Right Clipping (Chronicle, Cambridge, Mass.):

   • Headlined "Fantasmagoria or Plain 'Nuts'? Harvard Division Over Picasso," it details the varied reactions to the painting.
   • It describes the painting as a "condemnation of war" and notes the strong emotional response it evoked from students and faculty.
   • Some faculty members found the painting fascinating, while others were baffled or critical of its style and content.

The clippings collectively provide a snapshot of the public and academic discourse surrounding the controversial and impactful "Guernica" painting when it was exhibited at Harvard University.

The image is a collage of newspaper clippings from October 1941 featuring a discussion about a Picasso painting at Harvard University.

1. Top Clipping (Herald, Boston, Mass.):

   • The headline reads: "Harvard Exhibits Picasso Painting."
   • The painting in question, "Guernica," by Pablo Picasso, is noted as one of the most famous works by the artist. The painting, measuring 25 feet by 36 feet, was created in 1937 in response to the bombing of Guernica during the Spanish Civil War. It is described as an anti-war masterpiece.
   • The article mentions that the painting will be displayed at the Fogg Museum of Art at Harvard University for two weeks. It was initially planned to be shown at the Museum of Modern Art in New York, but due to logistical issues, it was moved to Harvard.

2. Middle Clipping (Chronicle Sun, Cambridge, Mass.):

   • The headline reads: "Puzzled Harvard Students viewing yesterday what has been termed, 'one of the most aggressive paintings of the 20th century.'"
   • It highlights the controversy surrounding the display of Picasso’s "Guernica" at Harvard. The article mentions reactions from students who found the painting unsettling and confrontational, noting the intense emotional and artistic response.

3. Bottom Clipping (Chronicle Sun, Cambridge, Mass.):

   • The headline reads: "Fantasmagoria or Plain 'Nuts' Harvard Division Over Picasso."
   • The article provides further insight into the reactions of Harvard faculty and students to the painting. It discusses differing opinions, with some faculty members viewing the artwork as a powerful statement and others as mere 'fantasmagoria' (illusionary or fantastic images). The article describes the reactions as a mix of fascination and confusion, with some seeing the painting as a stark, emotive critique of war, while others questioned its artistic merit and the emotional impact it had.

The overall context of these clippings reflects a significant public and academic reaction to the controversial display of Picasso’s "Guernica" at Harvard University in 1941.

This image shows a vintage newspaper clipping mounted on a brownish paper board. The clipping is from the "Press Clipping Service" that operated from 2 Park Square, Boston, Massachusetts, associated with the "Boston Herald". The date on the clipping service stamp is "OCT 12 1944".

The article appears to describe an event related to the exhibition of a Picasso painting at Harvard's Fogg Museum. The headline reads, "Harvard Exhibits Picasso Painting," followed by subheadings: "FANTASMAGORIA OR PLAIN 'NUTS' HARVARD DIVISION OVER PICASSO." A photograph above the headline shows a group of individuals, presumably Harvard students, observing and discussing the Picasso painting on display.

The text in the article is partially visible and discusses the reception of Picasso's work, "Guernica," at the Fogg Museum, referencing it as one of the most significant paintings of the 20th century and citing varying opinions on its significance and impact.

The newspaper clipping seems to be aged, with some tears and missing corners, suggesting it has been preserved for a significant time. On the lower right of the mounting board, additional notes or previous owner annotations are visible, adding a personal historical element to the image.

This image shows a scrapbook page featuring several newspaper clippings and a photograph related to a Picasso painting exhibit at Harvard University. The page appears aged and is slightly torn along the edges.

At the top left, there is a clipping with the headline "Harvard Exhibits Picasso Painting," describing Picasso's surrealistic portrait of the bombing of Guernica, Spain. It mentions the painting is on public display at the Fogg Art Museum and highlights its significance as a protest against the raid, which was painted in 1937.

In the center, there is a black-and-white photograph showing a group of students standing and viewing the large Picasso painting "Guernica" inside a gallery at Harvard. The photo caption describes the students as "puzzled" and dates the viewing to around 1941.

Below the photo, there is a larger clipping titled "FANTASMAGORIA OR PLAIN 'NUTS' HARVARD DIVISION OVER PICASSO," which discusses differing opinions among Harvard faculty and students about the Picasso artwork. It quotes professors and visitors who have varying reactions, from admiration of Picasso’s artistic representation of the horrors of modern warfare to confusion and dismissal of the painting as incomprehensible or overly abstract.

Additionally, there is another small clipping on the left, titled "Sensational Picture At Fogg Museum," emphasizing the painting's size (25 feet by 11 feet) and its significance, noting that it was painted by Picasso in Paris as a condemnation of the bombing of Guernica.

The overall theme of the page is the public and academic reception of Picasso's "Guernica" at Harvard, showing a mix of respect and controversy surrounding the exhibit in the early 1940s. The page is stamped with dates around October 2, 1941, and has markings from Press Clipping Services in Boston and Cambridge, Massachusetts.

The image is of a newspaper clipping with an article titled "Fantastmagoria or Plain 'Nuts' Harvard Division Over Picasso." The article discusses the controversy surrounding the display of Pablo Picasso's painting "Guernica" at Harvard University. The painting, which depicts the horrors of war, was hung in the Fogg Art Museum and caused a division among the students and faculty. Some students found the painting to be a powerful and graphic interpretation of the atrocities of war, while others found it to be confusing and disturbing. The article also mentions that the painting had been on loan from the Museum of Modern Art in New York.

The image shows a collection of newspaper clippings from 1941, focusing on an exhibition of Pablo Picasso's painting titled "Guernica" at Harvard University. The clippings are from various newspapers, including the Boston Herald, The Boston Record, and The Cambridge Chronicle. Here is a detailed description of the content and visual elements:

Visual Layout:

1. Top Left Section:

   • Headline: "Harvard Exhibits Picasso Painting"
   • Subheading: "Picasso's surrealistic portrayal of the bombing of Guernica, Spain, will be displayed at the Fogg Art Museum in the Yard this week."
   • Details: The article mentions that the painting, depicting the Franco bombing of Guernica, is one of the most spectacular pieces ever to be exhibited. It was unveiled at the Museum of Modern Art in New York and is now on display at Harvard. The article quotes Professor Christian Science, who describes the painting as intended to arouse indignation and protest against war and injustice.

2. Top Right Section:

   • Headline: "Press Clipping Service" with the address "2 Park Square, Boston, Mass."

   • Date: October 2, 1941.

   • Image Caption: "PUZZLED HARVARD STUDENTS viewing yesterday what has been termed, 'one of the most significant paintings of the 20th century.' The picture created by Pablo Picasso, in an interpretation of the horrors of modern warfare. The controversial painting has been hung in the Fogg Museum of Harvard University for two weeks, and is open to public inspection."

   • Photograph: A black-and-white image shows a group of people (likely students) viewing the painting. The painting itself is not visible in the photograph, but the caption indicates it is the subject of their attention. The people appear to be engaged in discussion, with some standing and others seated.

3. Bottom Section:

   • Headline: "FANTASMAGORIA OR PLAIN 'NUTS' HARVARD DIVISION OVER PICASSO"
   • Details: This article discusses the mixed reactions to Picasso's "Guernica" at Harvard. Some students and faculty members find the painting "fantasmagoric" and difficult to interpret, while others view it as a powerful commentary on the horrors of war. The article quotes Professor Benjamin Rowland, Jr., an associate professor of fine arts at Harvard, who describes the painting as evoking associations from the kaleidoscopic fantasy of the imagination of war and politics. The painting is described as having undergone many alterations since its creation, with Picasso adding and removing elements over time.
   • Additional Context: The article mentions that the painting was originally intended to symbolize the horrors of modern warfare, particularly the bombing of Guernica in Spain. It also notes that the painting has been controversial, with some finding it perplexing or "nuts."

Annotations:

• Handwritten notes are visible on the clippings:
  • On the top left clipping, there is a note that reads: "Done for the Loyalist Government of Spain and not to please the rich and privileged." This is attributed to "Christian Science" and dated "Oct. 2, 1941."
  • The bottom section has a handwritten note: "Sensational Picture At Fogg Picasso's 25 foot painting of the bombing in Guernica, Spain, one of the most spectacular pictures ever to be exhibited, will be placed on public display at the Fogg Art Museum of Harvard University for two weeks. It was announced today."

Overall Context:

The clippings collectively highlight the controversy and significance of Picasso's "Guernica" during its exhibition at Harvard in 1941. The painting, a powerful anti-war statement, sparked diverse reactions among students, faculty, and the public. The articles provide insight into the cultural and intellectual climate of the time, emphasizing the painting's role as a provocative piece of modern art and its impact on viewers. The handwritten notes suggest additional commentary or interpretation, adding a personal or editorial perspective to the clippings.

This collection of articles and photographs offers a historical snapshot of the reception of "Guernica" and the broader discussions surrounding modern art and its role in society during World War II.