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ARCH.2003.28, Rendition: 800628
This image appears to be a collage or collection of newspaper clippings, likely from the year 1941, discussing the exhibition of Pablo Picasso's famous painting "Guernica" at the Fogg Art Museum, Harvard University. The clippings are from different newspapers, as indicated by the logos and headers, such as "Herald," "Chronicle Sun," and "Recorder." The clippings are cut and pasted onto a larger piece of paper, which has a yellowed, aged appearance, suggesting it might be an old document.
The upper section of the paper features a photograph of the painting "Guernica" on display at the museum, with a caption stating that Harvard students were puzzled by the painting. The text accompanying the photograph explains the significance of the painting and its controversial reception at Harvard.
The lower section includes a larger article titled "Fantasmagoria or Plain 'Nuts': Harvard Division over Picasso," which discusses the divided reactions of Harvard faculty and students to Picasso's work. The article delves into the interpretation of the painting, describing its surrealistic portrayal of the bombing of Guernica and the differing opinions on whether the artwork is a masterpiece or controversial.
The clippings are labeled with dates such as "OCT 2 1941," and there is a note on the left side that appears to be a handwritten label, possibly indicating the source or the collection in which these clippings were kept. The overall impression is that this document is a historical record of the public and academic reaction to Picasso's "Guernica" at Harvard in 1941.
This image is a page from a scrapbook or file containing newspaper clippings about an exhibit of Pablo Picasso's painting "Guernica" at Harvard University. The clippings are from various newspapers, including the "Christian Science Monitor," the "Chronicle Sun," and the "Herald," all dated October 2, 1941.
The main headline reads "Harvard Exhibits Picasso Painting" and discusses the display of Picasso's surrealistic portrayal of the bombing of Guernica, Spain. The painting, described as "one of the most spectacular pictures ever to be exhibited," is on public display at the Fogg Art Museum for two weeks.
There is a photograph in the center of the page showing a group of people, described as "Puzzled Harvard Students," viewing the painting. The caption explains that the painting has been termed "one of the most significant paintings of the 20th century" and is an interpretation of the horrors of modern warfare.
The bottom part of the page features an article titled "Fantasmagoria or Plain 'Nuts' Harvard Division Over Picasso," which discusses the divided opinions about the painting among Harvard faculty and students. Some found it to be a powerful and graphic masterpiece, while others found it confusing or nonsensical.
The page also includes a label at the top right corner indicating that it is from a "Press Clipping Service" based in Boston, Massachusetts. The overall tone of the clippings reflects the controversy and mixed reactions to Picasso's work at the time.
This image displays a vintage, aged newspaper clipping mounted on a piece of light brown cardboard or scrapbook paper, dated October 2, 1941. The clipping is from the "Press Clipping Service" located at 2 Park Square, Boston, Mass., and includes handwritten annotations and stamps indicating it was recorded in Cambridge, Mass., on the same date.
The clipping documents the controversial public exhibition of Pablo Picasso’s monumental painting “Guernica” at Harvard University’s Fogg Museum. The article headline reads:
“FANTASMAGORIA OR PLAIN ‘NUTS’ HARVARD DIVISION OVER PICASSO”
The page contains several related newspaper articles, including one titled “Harvard Exhibits Picasso Painting,” and another “Sensational Picture At Fogg Museum.” These articles collectively report that the 25-foot by 11-foot black-and-white mural — which depicts the 1937 bombing of the Basque town of Guernica during the Spanish Civil War — was on loan from the Museum of Modern Art in New York.
The exhibition stirred strong reactions among Harvard students and faculty. The newspaper describes visitors as “puzzled,” “stunned,” and “baffled,” with some calling the painting “fantasmagoria” or “nuts,” while others found it “powerful and graphic.” One article quotes an “associate professor of fine arts” who called the painting an attempt to “express horror by evoking associations from the kaleidoscopic fantasmagoria of images” — a reference to the painting’s fragmented, nightmarish composition.
A small, grainy black-and-white photograph accompanying the articles shows several people, likely Harvard students or faculty, standing in front of the massive painting, illustrating its imposing scale and the public’s engagement with it.
Handwritten in pencil on the left margin of the clipping are the words: “Christian Science Monitor — Oct. 1, 1941”, indicating the source newspaper.
The clipping is visibly aged, with yellowed paper, torn corners, and a hole punch on the right side — suggesting it was part of a historical archive or personal scrapbook. The clipping serves as a historical record of the American reception of one of the 20th century’s most politically charged and artistically significant artworks during the early years of World War II.
The image shows a brown piece of paper with several articles and a photograph attached to it. The photograph is in black and white, and it shows a painting by Pablo Picasso. The painting depicts the bombing of Guernica, a town in Spain, by the German Luftwaffe during the Spanish Civil War in 1937. The painting is titled "Guernica" and is considered one of Picasso's most famous works. The articles on the paper are about the painting and its significance, and they provide information about the bombing of Guernica and the impact of the painting on the world. The articles also discuss the controversy surrounding the painting, including debates about its meaning and interpretation. Overall, the image highlights the power of art to convey important messages and to inspire change.
The image is of a newspaper clipping with an article titled "Fantastmagoria or Plain 'Nuts' Harvard Division Over Picasso." The article discusses the controversy surrounding the display of Pablo Picasso's painting "Guernica" at Harvard University. The painting, which depicts the horrors of war, was hung in the Fogg Art Museum and caused a division among the students and faculty. Some students found the painting to be a powerful and graphic interpretation of the atrocities of war, while others found it to be confusing and disturbing. The article also mentions that the painting had been on loan from the Museum of Modern Art in New York.
The image shows a collection of newspaper clippings from 1941, focusing on an exhibition of Pablo Picasso's painting titled "Guernica" at Harvard University. The clippings are from various newspapers, including the Boston Herald, The Boston Record, and The Cambridge Chronicle. Here is a detailed description of the content and visual elements:
Top Left Section:
Top Right Section:
Headline: "Press Clipping Service" with the address "2 Park Square, Boston, Mass."
Date: October 2, 1941.
Image Caption: "PUZZLED HARVARD STUDENTS viewing yesterday what has been termed, 'one of the most significant paintings of the 20th century.' The picture created by Pablo Picasso, in an interpretation of the horrors of modern warfare. The controversial painting has been hung in the Fogg Museum of Harvard University for two weeks, and is open to public inspection."
Photograph: A black-and-white image shows a group of people (likely students) viewing the painting. The painting itself is not visible in the photograph, but the caption indicates it is the subject of their attention. The people appear to be engaged in discussion, with some standing and others seated.
Bottom Section:
The clippings collectively highlight the controversy and significance of Picasso's "Guernica" during its exhibition at Harvard in 1941. The painting, a powerful anti-war statement, sparked diverse reactions among students, faculty, and the public. The articles provide insight into the cultural and intellectual climate of the time, emphasizing the painting's role as a provocative piece of modern art and its impact on viewers. The handwritten notes suggest additional commentary or interpretation, adding a personal or editorial perspective to the clippings.
This collection of articles and photographs offers a historical snapshot of the reception of "Guernica" and the broader discussions surrounding modern art and its role in society during World War II.
This image shows a vintage newspaper clipping mounted on a brownish paper board. The clipping is from the "Press Clipping Service" that operated from 2 Park Square, Boston, Massachusetts, associated with the "Boston Herald". The date on the clipping service stamp is "OCT 12 1944".
The article appears to describe an event related to the exhibition of a Picasso painting at Harvard's Fogg Museum. The headline reads, "Harvard Exhibits Picasso Painting," followed by subheadings: "FANTASMAGORIA OR PLAIN 'NUTS' HARVARD DIVISION OVER PICASSO." A photograph above the headline shows a group of individuals, presumably Harvard students, observing and discussing the Picasso painting on display.
The text in the article is partially visible and discusses the reception of Picasso's work, "Guernica," at the Fogg Museum, referencing it as one of the most significant paintings of the 20th century and citing varying opinions on its significance and impact.
The newspaper clipping seems to be aged, with some tears and missing corners, suggesting it has been preserved for a significant time. On the lower right of the mounting board, additional notes or previous owner annotations are visible, adding a personal historical element to the image.
This image shows a scrapbook page featuring several newspaper clippings and a photograph related to a Picasso painting exhibit at Harvard University. The page appears aged and is slightly torn along the edges.
At the top left, there is a clipping with the headline "Harvard Exhibits Picasso Painting," describing Picasso's surrealistic portrait of the bombing of Guernica, Spain. It mentions the painting is on public display at the Fogg Art Museum and highlights its significance as a protest against the raid, which was painted in 1937.
In the center, there is a black-and-white photograph showing a group of students standing and viewing the large Picasso painting "Guernica" inside a gallery at Harvard. The photo caption describes the students as "puzzled" and dates the viewing to around 1941.
Below the photo, there is a larger clipping titled "FANTASMAGORIA OR PLAIN 'NUTS' HARVARD DIVISION OVER PICASSO," which discusses differing opinions among Harvard faculty and students about the Picasso artwork. It quotes professors and visitors who have varying reactions, from admiration of Picasso’s artistic representation of the horrors of modern warfare to confusion and dismissal of the painting as incomprehensible or overly abstract.
Additionally, there is another small clipping on the left, titled "Sensational Picture At Fogg Museum," emphasizing the painting's size (25 feet by 11 feet) and its significance, noting that it was painted by Picasso in Paris as a condemnation of the bombing of Guernica.
The overall theme of the page is the public and academic reception of Picasso's "Guernica" at Harvard, showing a mix of respect and controversy surrounding the exhibit in the early 1940s. The page is stamped with dates around October 2, 1941, and has markings from Press Clipping Services in Boston and Cambridge, Massachusetts.
The image shows a scrapbook page containing newspaper clippings. The focus of the page is coverage of the public display of Pablo Picasso's painting Guernica at the Fogg Museum (part of Harvard University) in 1941. The clippings feature headlines, articles, and a photograph.
The central image within the clippings depicts a group of students examining Guernica, which is prominently displayed on the wall of a gallery. The articles discuss the reactions to the painting, describing it as controversial, surrealistic, and significant in its depiction of the horrors of modern warfare. One headline reads: "FANTASMAGORIA OR PLAIN 'NUTS': HARVARD DIVISION OVER PICASSO," indicating mixed responses to the artwork.
Other clippings describe the painting's background, symbolism, and significance. There are varying opinions from students and professionals in the articles, some expressing admiration and others confusion or disdain. The page includes typed text, bold headlines, and a typewritten label at the top indicating it is from the "Press Clipping Service," stamped with dates in October 1941. The edges of the page are worn, suggesting its archival nature.
This is a vintage clippings page mounted on brown paper, about Harvard’s Picasso exhibit from the early 1940s.