Archives Scrapbooks

This image shows a vintage press clipping scrapbook page, likely assembled by the Christian Science Monitor’s Press Clipping Service in Boston, Massachusetts, during September and October 1941. The page is yellowed with age, has irregular torn edges at the top and bottom, and features several newspaper clippings concerning Pablo Picasso’s monumental painting Guernica, which was on display at the Fogg Art Museum in Cambridge, Massachusetts.

Here’s a breakdown of the clippings:

Main Article (Top Right)

• Title: Picasso’s ‘Guernica’ at Fogg
• Author: Dorothy Adlow
• Date: September 10–October 26, 1941 (handwritten above)
• Content: A detailed review and analysis of the painting’s composition, symbolism, and emotional impact. Adlow calls Guernica “a picture with a thesis” — an indictment against fascism and war, specifically referencing the 1937 bombing of the Spanish town of Guernica during the Spanish Civil War. She notes its surreal, primitive, and abstract qualities and praises Picasso as “a law-onto-himself” artist whose work is meant to provoke “shock, horror, and abasement.” The article also mentions that the mural was painted from a palette of whites, blacks, and grays — the absence of color being symbolic.

Left Column Articles

Top Left Clipping

• Source: Press Clipping Service, Christian Science Monitor, Boston, Mass.
• Date: SEP 3 0 1941 (likely September 30, 1941)
• Note: No content, just a header label.

Middle Left Clipping

• Source: Press Clipping Service, Christian Science Monitor
• Date: OCT 1 1941
• Headline: Harvard Exhibits Picasso Painting 163
• Content: Reports that Harvard University’s Fogg Art Museum is displaying Guernica as “one of the most spectacular pictures ever to be exhibited.” The article describes the painting as Picasso’s “surrealistic portraiture of the bombing of Guernica, Spain,” and notes it was shown previously at the Museum of Modern Art in New York. Harvard officials call the work “both favorable and unfavorable,” and mention that Associate Professor of Fine Arts Benjamin Rowland Jr. is using it in one of his classes.

Bottom Right Section

Top Clipping

• Source: Press Clipping Service, Traveler (Boston, Mass.)
• Date: OCT 1 1941
• Note: No content, just a header label.

Large Article Below it

• Headline: Much Discussed Air Raid Painting Shown in Hub
• Subhead: GUERNICA BY PABLO PICASSO
• Content: Describes the painting as a “surrealistic interpretation” of the 1937 bombing of Guernica, created immediately after the event to “condemn the act” and “arouse indignation.” The painting is noted for being “11 feet by 25 feet” (a common misreporting — the actual size is 11 ft 6 in by 25 ft 7 in). It is described as depicting “distorted parts of animal and human anatomy” and “horrors of aerial warfare.” The article states it was done in black and white, “because there is no color in horror,” and that Picasso painted it to register “horror and dismay.” It was shown at the Museum of Modern Art the previous year and is currently on loan to the Fogg Art Museum for public display. The article ends with a quote: “A stern commentary, both favorable and unfavorable, has followed the canvas wherever it has been hung.”

Photograph

• Caption: GUERNICA BY PABLO PICASSO now on exhibition in Warburg Hall, Fogg Art Museum...
• Image: A black-and-white photograph showing a portion of the massive painting. The scene includes distorted, anguished figures — likely the famous screaming horse, the fallen soldier, and the grieving mother holding a dead child — rendered in Picasso’s stark, monochromatic style. The photograph is cropped and slightly grainy, consistent with newspaper print of the era.

Context and Significance

This scrapbook page captures the public and critical reaction to Guernica during its U.S. exhibition in 1941, just before America’s entry into World War II. The painting served as a powerful anti-war statement, and the articles reflect its political potency and artistic controversy. The clipping service suggests the painting’s relevance to Boston/Cambridge intellectual circles, particularly Harvard and the Museum of Modern Art. The handwritten date range at the top indicates that this page was compiled to track media coverage of the exhibition throughout its run.

Overall Impression

This is a historically valuable artifact, documenting how one of the 20th century’s most important artworks was received in America during a time of global political tension. The articles reveal both reverence for Picasso’s genius and discomfort with the painting’s violent, disturbing subject matter — highlighting the tension between modern art and public taste during wartime.

The image appears to be a photograph of a page from a newspaper or a剪报 (Chinese: "剪报," meaning "clipping") featuring articles and a reproduction of a historical newspaper article about Pablo Picasso's famous painting, "Guernica." The page is dated September 30, 1941, and October 1, 1941, as indicated by the stamps on the clippings. The articles discuss the painting's exhibition at Harvard University's Fogg Art Museum, its impact, and the controversy it sparked.

The page also includes a reproduction of the painting itself, depicting a chaotic and violent scene with distorted figures and a cow's head. The text describes the painting as a representation of the bombing of Guernica in 1937 during the Spanish Civil War, and it highlights the painting's surrealist style and its symbolic and emotional impact. The article by Dorothy Adlow, dated September 30, 1941, provides a detailed analysis of the painting's composition, symbolism, and its reaction to the depredations of Fascism.

The page is part of a collection of clippings from the press, as indicated by the "Press Clipping Service" label on the top left corner. The clippings are part of the Christian Science Monitor's collection, as noted by the label and the date stamps on the clippings. The page has a yellowed, aged appearance, suggesting that it is a historical document.

This image is a collection of newspaper clippings related to Pablo Picasso's painting "Guernica," which was on display at the Fogg Museum in Boston, Massachusetts, from September 10 to October 20, 1941. The clippings are from the Christian Science Monitor and the Traveler.

The top left clipping, dated September 30, 1941, provides information about the exhibition and the significance of the painting. It mentions that "Guernica" was previously exhibited at the Boston Museum of Fine Arts two years ago and was regarded as the cardinal achievement of Picasso's dynamic career. The article also discusses the painting's themes and Picasso's artistic style.

The middle left clipping, dated October 1, 1941, is titled "Harvard Exhibits Picasso Painting" and describes the painting as a surrealistic portraiture of the bombing of Guernica, Spain. It mentions that the painting is on loan from the Museum of Modern Art in New York and is intended to "arouse indignation and protest and not to please."

The bottom right clipping, also dated October 1, 1941, is titled "Much Discussed Air Raid Painting Shown in Hub" and describes the painting as one of the most spectacular and controversial pictures to be displayed in recent years. It mentions that the painting is done in black and white and is a surrealistic interpretation of the hideousness of aerial warfare.

The bottom center of the image features a black-and-white photograph of the painting "Guernica" by Pablo Picasso, showing the chaotic and tragic scene of the bombing. The caption under the photograph provides additional context about the painting and its exhibition at the Fogg Museum.

The image depicts a collection of press clippings, likely from newspapers, arranged on a piece of paper. The clippings are from different sources and cover various topics. The top clipping is about Picasso's "Guernica" being displayed at the Fogg Art Museum in Cambridge, Massachusetts. The next clipping is about Picasso's painting "Guernica" being exhibited at the Museum of Modern Art in New York. The bottom clipping is about an air raid painting shown in a hub, likely referring to an exhibition or display of paintings related to air raids or wartime events. The clippings are arranged in a collage-like manner, with some overlapping and others placed side by side. The paper appears to be old and worn, with some creases and folds visible.

The image shows a clipping from the Christian Science Monitor from September 3, 1941, featuring an article about Pablo Picasso's painting "Guernica" being exhibited at the Fogg Art Museum in Boston. The article discusses the significance of the painting, which depicts the bombing of Guernica during the Spanish Civil War. It highlights the painting's impact and the controversy surrounding its display, with some considering it a condemnation of war and others viewing it as a protest against the Loyalist government of Spain. The clipping also includes a reproduction of the painting and mentions that it was owned by the Museum of Modern Art in New York City.

The image is a scanned page from a press clipping service, specifically from the Christian Science Monitor, dated September 30, 1941. The page features several news articles and clippings related to art and cultural events, with a central focus on Pablo Picasso's "Guernica." Here is a detailed description:

Header Information:

• Top Left:
  • The page is labeled as part of the Press Clipping Service from 2 Park Square, Boston, Mass.
  • The publication is the Christian Science Monitor, also based in Boston, Mass.
  • The date at the top is September 30, 1941.

Main Article:

• Title: "Picasso's 'Guernica' at Fogg"
  • By Dorothy Adlow
  • Date: September 10, 1941 (noted at the top of the article).
  • Content:
    • The article discusses the exhibition of Picasso’s Guernica at the Fogg Art Museum in Cambridge, Massachusetts.
    • It highlights the painting's significance as a powerful anti-war statement, referencing the bombing of Guernica during the Spanish Civil War.
    • The article describes the painting as a "surrealist masterpiece" and emphasizes its emotional and political impact.
    • It notes that the painting was previously exhibited at the Boston Art Museum and is now on loan to the Fogg for public viewing.
    • The article also touches on the controversy surrounding the painting, with some viewing it as a protest against war and others as a condemnation of fascism.

Image:

• Below the article, there is a black-and-white photograph of Picasso's Guernica.
  • The image shows the iconic anti-war painting, depicting a chaotic and harrowing scene of human suffering, animals, and destruction.
  • The caption beneath the image reads:

    "Guernica by Pablo Picasso shows in black and white tones now on exhibition in the Fogg Art Museum."

  • Additional text beneath the image states:

    "It was exhibited last year at the Boston Art Museum's all Picasso show. The painting is owned by the Museum of Modern Art."

Additional Articles:

• Left Column:

  • Another article titled "Harvard Exhibits Picasso Painting" discusses the same painting, Guernica, and its display at the Fogg Art Museum.
  • It mentions that the painting was loaned from the Museum of Modern Art in New York and describes it as a "surrealist masterpiece" depicting the bombing of Guernica.
  • The article notes the painting’s controversial nature and its role as a protest against war and fascism.

• Right Column:

  • An article titled "Much Discussed Air Raid Painting Shown in Hub" discusses the same painting, Guernica, and its exhibition at the Fogg Art Museum.
  • It describes the painting as a powerful anti-war statement and highlights its black-and-white composition, which is noted as a deliberate choice to convey stark realism and emotional intensity.
  • The article also mentions that the painting was previously exhibited in Paris and has sparked significant debate and commentary.

Design and Layout:

• The page is formatted in a typical newspaper clipping style, with multiple articles arranged in columns.
• The text is typed, and the overall appearance suggests it is a scanned or photographed copy of a physical clipping.
• The page includes a handwritten note at the top: "Picasso's Guernica Sept 10 - Oct 20, 1941", indicating the exhibition dates at the Fogg Art Museum.

Contextual Notes:

• The articles collectively emphasize the political and artistic significance of Guernica, highlighting its role as a powerful anti-war symbol during World War II.
• The focus on the painting’s exhibition at the Fogg Art Museum reflects its growing recognition and importance in the art world during this period.

This page provides a historical snapshot of the reception and exhibition of Guernica in the early 1940s, underscoring its enduring impact as a work of art and a statement against war.

This is a scrapbook-style page featuring newspaper clippings and articles from various dates in 1941. The articles and headlines primarily discuss Pablo Picasso's famous painting Guernica and its exhibition in various locations, such as the Fogg Art Museum at Harvard University.

Key features of the image:

• Central topic: The main focus is on Guernica, a black-and-white, large-scale painting by Picasso that depicts the horrors of war, particularly in response to the bombing of the Spanish town of Guernica during the Spanish Civil War.
• Articles and headlines: The clippings contain text from different newspapers, including Christian Science Monitor and Traveler, highlighting the artwork, its themes, and its impact.
• Image of Guernica: A small black-and-white reproduction of the painting is present. The chaotic scene includes figures of animals, humans, and disjointed shapes, reflecting the destruction and suffering caused by war.
• Publication dates: Individual clippings are dated, such as "Sep 30, 1941" and "Oct 1, 1941."
• Handwritten note: At the top of the page, there is a handwritten annotation indicating "Guernica" with the dates "Sept 10–Oct 20, 1941," likely signifying the timeline of the exhibition or related events.

The page offers a historical perspective on how Picasso's Guernica was received and exhibited during this time.

This is a vintage scrapbook page loaded with newspaper clippings about Picasso’s Guernica being shown at the Fogg Art Museum (Harvard) in 1941.

• At the very top is a handwritten note that reads something like “Picasso’s Guernica Sept 30 – Oct 20, 1941.”
• The center features a main clipping titled “Picasso’s ‘Guernica’ at Fogg” by Dorothy Adlow, discussing the exhibition and the painting’s significance.
• On the left side are several shorter clippings, including “Press Clipping Service” notices dated Sept 30, 1941 and Oct 1, 1941, and a piece titled “Harvard Exhibits Picasso Painting,” describing the Harvard show.
• The bottom section includes an image of Guernica with a caption (something about Picasso’s painting now on exhibition at the Fogg Art Museum), and another clipping on the right headlined “Much Discussed Air Raid Painting Shown in Hub.”
• The page itself is a brownish, torn scrap with multiple clipped articles arranged around a central photo of the painting.

Overall, it shows 1941 press coverage and public interest in Picasso’s Guernica as exhibited in Boston/Harvard.

This image appears to be a photograph of a collection of archival newspaper clippings. The clippings are dated from September 3, 1941, to October 1, 1941, and discuss Pablo Picasso's famous painting "Guernica." They contain articles from a press clipping service which sources from the Christian Science Monitor, as well as from the Boston, Mass. section of "Traveler."

In the middle of the page is a black and white reproduction of the "Guernica" painting itself, with a caption that reads "GUERNICA BY PABLO PICASSO now on exhibition in Warburg Hall, Fogg Art Museum, shows in black and white tones, the artist's conception of the slaughter of Guernica during the Spanish Civil War. It was exhibited last year at the Boston Art Museum's all Picasso show. The painting is owned by the Museum of Modern Art."

The articles give context to the painting and describe its exhibition at various locations, including the Fogg Art Museum. They discuss the painting's impact, meaning, the historical context of its creation, and how it has been received by the public and critics. The articles highlight Picasso's anti-war sentiment conveyed in the painting, which depicts the horrors of the bombing of Guernica during the Spanish Civil War.

The physical condition of the newspaper clippings shows signs of age, with some yellowing, creases, and slightly torn edges. There are markings at the top of the pages, possibly made by the person who archived or collected these clippings, including the handwritten text "(Picasso's Guernica) Sept. 3 - Oct 1, 1941."

This image shows a scrapbook page with several newspaper clippings related to Pablo Picasso's painting "Guernica." The clippings are arranged on a brownish sheet, and most are dated around late September and early October 1941. The headings and snippets of articles indicate exhibitions and discussions about Picasso's "Guernica" at the Fogg Museum of Harvard University.

Some notable details include:

• The top right clipping titled "Picasso's 'Guernica' at Fogg" by Dorothy Adlow, discussing the painting being displayed at the Warburg Gallery of the Fogg Museum.
• A smaller clipping on the bottom left shows a black-and-white image of the "Guernica" painting with a caption describing it as Picasso's conceptions of the slaughter at Guernica during the Spanish Civil War.
• Another clipping calls the painting a "Much Discussed Air Raid Painting" and describes "Guernica" as a surrealistic interpretation of the horrors of aerial warfare.
• The bottom left contains an announcement that Harvard is exhibiting the painting as a significant and spectacular piece.
• Several Press Clipping Service stamps from Boston, Massachusetts, mark the origins and dates of the clippings.

Overall, the page serves as a documentation of media coverage and public display relating to Picasso's "Guernica" during 1941 in Boston.