Archives Scrapbooks

This image shows a page from a press clipping service scrapbook, dated from September to October 1941. The page is filled with 19 newspaper clippings, each mounted on aged, yellowed paper, likely from the 1940s, and bears the stamp of the “Press Clipping Service” located at “2 Park Square, Boston, Mass.”

The clippings are primarily from Boston-based newspapers—including the Herald, Post, Enterprise, Christian Science Monitor, and Jewish Advocate—and focus almost exclusively on exhibitions and acquisitions at the Fogg Museum of Art, Harvard University, in Cambridge. The main theme is the museum’s acquisition of two etchings by artist Elinor M. Grossman — “The Portrait of Mahatma Gandhi” and “The Yemenite Porter” — and the announcement of a major exhibition of works by Pablo Picasso.

Key points from the clippings:

• Exhibition Details: The Fogg Museum is hosting a large special exhibit titled “Exhibition of Works of Art by the Partially and Totally Blind” (through Nov 1), which includes Picasso’s etchings.
• Picasso Collection: The Picasso exhibit also features works by Winslow Homer, John Singer Sargent, John Marin, Edward Hopper, and Dodge MacKnight. It showcases prints, drawings, and etchings from the 18th through 20th centuries, including French drawings, X-ray shadographs, and Japanese woodblock prints.
• Grossman’s Etchings: The museum’s acquisition of Grossman’s two etchings — including a portrait of Gandhi — is highlighted in multiple clippings, such as “Fogg Museum Acquires Grossman Etchings” (Sept 2, 1941) and “Fogg Buys Two Grossman Etchings” (Oct 5, 1941).
• Curatorial Notes: The exhibit is curated by Dr. Walter Levenson, with additional lectures planned, including one by Professor Benjamin Rowland, Jr. on Picasso’s mural painting “Guernica.”
• Visual Element: One clipping includes a small photograph of the etching “Yemenite Porter” by Elinor M. Grossman, showing a man’s face with intense expression and dark shading.
• Date Range: Clippings span from September 2, 1941, to October 15, 1941, indicating sustained media interest in the museum’s programming and acquisitions during that period.

The entire page functions as a historical document, capturing how major American art museums like the Fogg promoted modern art, engaged with controversial or socially significant subjects (like Gandhi), and cultivated public interest through press coverage in the early 1940s.

In summary: A preserved page of 1941 newspaper clippings documenting the Fogg Museum of Art’s acquisition of Elinor Grossman’s etchings and its major Picasso exhibition, showcasing media coverage and public engagement with modern and socially relevant art at Harvard during the pre-WWII era.

This image appears to be a collage of newspaper clippings and articles from various publications, all related to the Fogg Museum of Art in Cambridge, Massachusetts. The clippings are dated between September and October 1941 and feature articles about exhibitions, acquisitions, and related events at the museum.

Some of the notable highlights include:

• The museum acquired two etchings from Elias M. Grossman, including portraits of Mahatma Gandhi and a Yemenite Porter.
• An exhibition of works by the partially and totally blind was being shown.
• The famous painting "Guernica," by Pablo Picasso, was on display in the museum.
• There were also special exhibits featuring works by Rubens and Van Dyck, as well as Islamic art from the 14th through 17th centuries.

The articles are organized in a grid-like format, with each clipping placed in its own section. The newspaper clippings are from various publications, including the Post, Herald, Christian Science Monitor, and Enterprise, among others. The layout and design suggest that this is a collection of news articles, likely compiled for reference or record-keeping purposes.

The image is a scrapbook page containing various newspaper clippings from the Press Clipping Service in Boston, Massachusetts, dated between September and October 1941. The clippings are from different newspapers including the Post, Herald, Guardian, Enterprise, and Christian Science Monitor. The content of the clippings is primarily about exhibitions and acquisitions at the Fogg Museum of Art, Harvard University, Cambridge.

Key points from the clippings include:

1. The Fogg Museum of Art is open weekdays except holidays, from 9 a.m. to 5 p.m.
2. Special exhibitions include watercolors by Winslow Homer, John Singer Sargent, John Marin, Edward Hopper, and Dodge MacKnight.
3. The museum has acquired two etchings by Elias M. Grossman titled "The Portrait of Mahatma Gandhi" and "Yemenite Porter."
4. There are exhibitions of Islamic art from the 14th through 17th centuries, art of northwestern India and central Asia, French drawings of the 19th and 20th centuries, and X-ray shadowgraphs.
5. A mural by Pablo Picasso titled "Guernica" is on exhibit until October 20th in Warburg Hall.
6. There is a lecture by Dr. Viktor Lowenfeld on Wednesday afternoon at 4 o'clock in the Fogg Museum.
7. An illustrated public lecture by Associate Professor Benjamin Rowland, Jr., on Picasso's mural painting "Guernica" will be held on Thursday at 4:30 p.m. at the Fogg Art Museum.
8. The exhibit "Visual and Non-visual Art Expression" includes works of art by the partially and totally blind, open through November 1st.

The clippings are arranged in a grid-like pattern on the page, with some overlapping. There is also a small pencil notation "50" in the top right corner of the page.

The image is a compilation of press clippings, arranged on a textured, aged paper background that resembles old newspaper or magazine pages. The clippings are from various sources, including "Press Clipping Service," "Boston Post," "Boston Herald," and "Christian Science Monitor," all based in Boston, Massachusetts. The clippings are dated from September to October 1941.

The clippings contain news articles and announcements related to art exhibitions and acquisitions at the Fogg Museum of Art at Harvard University in Cambridge, Massachusetts. The articles discuss the museum's recent purchases, including etchings by the artist Etrus M. Grossman, such as "Gandhi" and "Manifesto of Contemporary American Art." The museum also acquired portraits by John Marin, Edward Hopper, and Pablo Picasso.

The clippings mention specific exhibitions, such as the "Guernica" exhibition featuring Picasso's famous mural, which was on display at the Fogg Museum through October. Other exhibitions highlighted include "Contemporary Graphic Art in America," "French Drawings of the 19th and 20th Centuries," and "X-ray Woodblock Prints."

The clippings provide details about the museum's collection, including Islamic Art of the 14th-17th centuries, Central Asian and French drawings, and X-ray shadowgraphs. They also mention the museum's hours of operation and the names of individuals associated with the acquisitions, such as Elna M. Grossman, who recently acquired the Fogg Art Museum.

The clippings are arranged in a somewhat haphazard manner, with some overlapping and others positioned at different angles. The overall appearance is that of a collection of newspaper clippings that have been preserved and organized for reference or archival purposes.

The image appears to be a collection of press clippings and articles related to the Fogg Art Museum at Harvard University. The clippings span from September 21, 1941, to October 15, 1941, and cover various topics, including:

• Acquisitions of artworks by the Fogg Museum, such as etchings by Winslow Homer, John Singer Sargent, and others.
• Special exhibitions at the Fogg Museum, featuring works by artists like Pablo Picasso, Henri Matisse, and John Singleton Copley.
• Events and lectures related to the exhibitions, including talks by art historians and curators.
• Descriptions of the artworks and their significance, along with details about the artists and their styles.

The clippings are organized in a grid-like format, with each clipping occupying a separate section. The text is printed in black ink on a light brown or beige background, and some clippings have small illustrations or images of the artworks mentioned.

Overall, the image provides a glimpse into the activities and exhibitions at the Fogg Art Museum during the early 1940s, showcasing the museum's efforts to acquire and display significant artworks and engage the public through educational programs.

The image shows a collection of newspaper clippings compiled into a scrapbook or scrapbook-like format. The clippings are organized into a grid layout, with each section labeled as "Press Clipping Service" and sourced from various newspapers, including the Boston Post, Boston Herald, Boston Guardian, and Christian Science Monitor. The clippings are dated between September 1941 and October 1941, indicating they cover events and news from that period.

Key Details:

1. Sources and Layout:

   • The clippings are from newspapers such as the Boston Post, Boston Herald, Boston Guardian, and Christian Science Monitor.
   • Each clipping is labeled with the newspaper name, location (Boston, Mass.), and date, suggesting a systematic archiving effort.

2. Content:

   • The clippings primarily focus on art-related news, particularly events and exhibitions at the Fogg Art Museum in Cambridge, Massachusetts.
   • Several articles mention exhibitions, acquisitions, and events at the Fogg Art Museum, including:
     • Exhibits Now at Fogg Art Museum: Mentions a September exhibition featuring works by artists such as Window Homer, John Singer Sargent, and others.
     • Fogg Buys Two Grossman Etchings: Reports on the acquisition of etchings by artist Elias M. Grossman.
     • Special Exhibits at the Fogg Museum: Highlights a mural exhibition and other special displays.
     • Fogg Museum Acquires Grossman Etchings: Another article reiterates the acquisition of Grossman’s etchings.
     • Exhibition of Works of Totally Blind Artist: Mentions an exhibition featuring works by a blind artist.
     • Fogg Museum of Art, Cambridge: Various articles detail the museum’s activities, including exhibitions and acquisitions.

3. Visual Elements:

   • The clippings are neatly arranged in rows and columns, suggesting careful organization.
   • Some clippings include small illustrations or photographs, such as a portrait of an individual (possibly an artist or museum figure) in the bottom-right section.
   • The paper has a aged, sepia-toned appearance, indicative of its historical context from the early 1940s.

4. Additional Notes:

   • The clippings also include mentions of other art institutions and events, such as the Worcester Art Museum and Jewish Advocate.
   • The presence of dates (e.g., September 21, 1941, October 5, 1941) and specific locations (e.g., 2 Park Square, Boston, Mass.) suggests these were part of a press clipping service, likely used for research or archival purposes.

Overall Impression:

The image depicts a historical collection of press clippings focused on art news, particularly centered around the Fogg Art Museum. The organized layout and dated articles provide a snapshot of cultural and artistic activities in Boston during the early 1940s. The inclusion of both textual and visual elements (such as the portrait) adds depth to the documentation of this period.

This image depicts a scrapbook page containing newspaper clippings organized in a grid format. The clippings are primarily titled "Press Clipping Service," indicating they were likely collected as part of a press coverage archive. Each clipping appears to include details of events or exhibitions, particularly ones involving art or cultural institutions. Many of the articles refer to the "Fogg Art Museum" and exhibitions of artworks. The clippings are dated from September and October 1941, with information printed in various newspapers from Boston and nearby areas. The page has visible holes for binding on the left side. Some parts are underlined, likely to highlight specific details, and one clipping towards the bottom right features an image that is partially obscured.

A page from a scrapbook or archive filled with many small newspaper clippings. The clippings are from a "Press Clipping Service" (2 Park Square, Boston, Mass.) and are dated in 1941 (mostly October and September). They are arranged in a grid on a brown, yellowed sheet with binder holes along the left edge. The articles mainly discuss art museum exhibitions and activities at the Fogg Museum (Harvard/Fogg Art Museum in Cambridge), including mentions of acquisitions and special exhibits. Some clippings come from various newspapers like Herald, Post, and Christian Science Monitor. The overall look is a vintage, historical collage of exhibit notices.

The image provided is a collection of newspaper clippings likely from the year 1941, based on the visible dates on the clippings. They are arranged on a brown backdrop that appears to be a page in a scrapbook or collection folder. The articles are from various sources, as indicated by the different newspaper names at the top of each clipping, such as "Herald," "Guardian," "Enterprise," "Post," "Christian Science Monitor," and "Jewish Advocate." These articles seem to cover art-related topics, such as exhibitions, acquisitions by the Fogg Art Museum, and specific works of art by artists like Grossman. The clippings include dates like October and September 1941, and one has marked pricing information, suggesting that it might pertain to an event or ticket costs for an exhibition. The clippings are methodically arranged, giving the page a structured layout, with the headers of each clipping service prominently displayed.

The image shows a brown scrapbook or album page with multiple newspaper clippings pasted onto it. The clippings are mostly related to art events and exhibitions at the Fogg Museum of Art at Harvard University, dated around 1941.

Many of the clippings are from various Boston newspapers including the Boston Post, Herald, Guardian, Christian Science Monitor, Enterprise (Brockton, Mass.), and Jewish Advocate. The clippings discuss exhibits, acquisitions, and special events at the Fogg Museum, such as new exhibitions of works by artists like Winslow Homer, John Marin, and Grossman etchings, and the acquisition of etchings by Elias M. Grossman.

There is a small black-and-white photograph in the bottom right corner of the page, partially pixelated for privacy or obscuration, labeled "Yemenite Porter" referring to an etching by Elias M. Grossman recently acquired by the Fogg Art Museum.

Many of the clippings have the heading "Press Clipping Service" and indicate they are from 2 Park Square, Boston, Mass. Several dates ranging from September to October 1941 are visible throughout the clippings. The layout is quite organized despite the different sizes of the clippings, all glued onto the page. The top right corner has the number "30" written on it, possibly indicating the page number in the scrapbook.