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ARCH.2003.28, Rendition: 800623
The image is a page from a press clipping service, dated August 29, 1941, from Boston, Massachusetts. It contains two newspaper articles about the will of Charles Henry Taylor, a former director and treasurer of the Boston Globe.
The page is part of a press clipping service, which likely collected and distributed news articles for subscribers. The articles provide detailed information about the provisions of Charles Henry Taylor's will and the disposition of his estate and art collection.
The image is a scanned page from a clipping service document dated August 28, 1941, from the Boston Herald. The page contains two articles regarding the will of Charles Henry Taylor, a former director and treasurer of the Boston Art Museum.
Top Article: "Taylor Estate Left to Widow; Harvard Shares in Collections"
Bottom Article: "C.H. TAYLOR'S WILL ON FILE"
The clipping service header indicates that these articles were sourced from the Boston Herald, dated August 28, 1941, and are part of a collection managed by the Press Clipping Service, located at 2 Park Square, Boston, Massachusetts.
The image shows a yellowed, aged sheet of paper with two newspaper clippings pasted on it, both from the Boston Herald, dated August 29, 1941. The first clipping at the top is titled "Taylor Estate Left to Widow; Harvard Shares in Collections." This obituary-like article reports that the will of Charles Henry Taylor, a retired publisher, was probated, leaving an estate valued at $150,000. His widow, Mary Taylor, received significant personal bequests, including the family home and its contents, while Harvard University inherited his collection of books, paintings, and prints. Other bequests went to the Fogg Art Museum, the New York Public Library, and the Industrial School for Crippled and Deformed Children. The second clipping, titled "C. H. Taylor's Will on File," reiterates that virtually the entire estate was left to his widow, with specific items and sums of money bequeathed to friends, relatives, and various institutions. The paper appears to be part of a scrapbook, with the clippings secured at the top and sides, and some notes or dates written in the margins. The content highlights Charles Henry Taylor's generosity and his significant contributions to educational and cultural institutions.
The image shows two press clippings from a service based in Boston, Massachusetts, dated August 29, 1941. Both clippings discuss the will of Charles Henry Taylor, the late publisher of the Boston Globe.
Title: "Taylor Estate Left to Widow; Harvard Shares in Collections"
Summary:
Title: "C. H. Taylor's Will on File"
Subtitle: "Virtually All Left in Trust For His Widow"
Summary:
Both articles emphasize the extensive and detailed nature of Taylor's will, highlighting the various beneficiaries including family members, cultural institutions, and educational entities.
The image shows two newspaper clippings from the Press Clipping Service, dated August 28, 1941, both relating to the estate of Charles Henry Taylor, a former publisher and treasurer of the Boston Post.
Top Clipping:
The headline reads "Taylor Estate Left to Widow; Harvard Shares in Collections."
Key points include:
Bottom Clipping:
The headline reads "C. H. Taylor's Will on File."
Key points include:
Both clippings highlight the substantial contributions Taylor made to Harvard College and charitable organizations through his will.
The image displays two newspaper clippings from the Press Clipping Service, dated August 29, 1941, regarding the estate of Charles Henry Taylor.
Top Clipping:
Bottom Clipping:
Both clippings provide detailed accounts of the distribution of Charles Henry Taylor's estate and his charitable intentions.
The image shows a page with three separate newspaper clippings, all of which seem to be related to the estate and will of an individual named C. H. Taylor, with dates marked as August 29, 1941, and August 26, 1941.
The first clipping, titled "Taylor Estate Left to Widow; Harvard Shares in Collections," details how parts of C. H. Taylor's estate were left to his widow, with some collections being given to Harvard University. It discusses specific bequests made in the will, including real estate, shares, artwork, and personal items. It also mentions stipulations regarding the exhibition of certain collections and financial provisions for various relatives and institutions.
The second clipping, which appears to be from the same service as the first, is titled "C. H. TAYLOR'S WILL ON FILE" and focuses on the contents of C. H. Taylor's will that was filed for probate. It mentions that virtually everything was left in trust for his widow and details the individual articles in the will, including provisions for charitable donations, stipends for his widow, and trust funds for relatives and friends.
The clippings are organized on a plain brown background, possibly a scrapbook or a folder, with evidence of holes punched on the side as if for binding or filing. The text of the clippings is too small to read the details here, but the gist of their content can be understood from the headlines and visible snippets.
The image shows a scrapbook page with two newspaper clippings pasted on it, both concerning the will and estate of Charles Henry Taylor, the retired publisher of the Boston Globe. Each clipping has a stamp at the top indicating its origin from the "Press Clipping Service" at 2 Park Square, Boston, Mass., dated August 29, 1941.
The top clipping is titled "Taylor Estate Left to Widow; Harvard Shares in Collection." It details that Charles Henry Taylor died on August 18 and left most of his estate to his widow, Margaret Palek Taylor, with smaller amounts going to his daughters and other heirs. It discusses the disposition of his collection of fine art and books, some of which were to be sold for the benefit of the Children's School for Crippled and Deformed Children and other charitable purposes. Some Harvard shares were also left to family members. It mentions the income from the estate is to be paid quarterly to the widow for the rest of her life, with the principal to be divided among the children after her death.
The bottom clipping is titled "C. H. Taylor's Will on File" with the subheading "Virtually All Left in Trust For His Widow." It similarly notes that Charles Henry Taylor's will was filed for probate on August 19, mentioning his roles and family members. It describes the bequest of his collection of postage stamps and lithographs to charitable institutions and the provisions for his family members. The will was dated May 14, 1936.
The overall tone and content provide detailed information about the inheritance and charitable bequests made by Charles Henry Taylor after his death in 1941. The page appears to be a historical archival record of these newspaper reports.
The image is a collection of newspaper clippings about the will of Charles Henry Taylor, a prominent Bostonian who passed away in 1941. The clippings are organized in a folder and appear to be from various newspapers, likely from the Boston area. The clippings provide details about the contents of Taylor's will and the distribution of his estate.
The first clipping is from the Boston Globe and discusses how Taylor's estate, including his shares in the Boston and Harvard Globe, was divided into two equal shares. One share was left to his widow, Marguerite Palk Taylor, and the other share was divided among his children. The collection of copperplate portraits, engravings, and watercolors was bequeathed to the Museum of Fine Arts in Boston.
The second clipping is from the Boston Post and provides additional details about the distribution of Taylor's estate. It mentions that his stamp collection was given to the Industrial School for Boys, and his personal effects were left to his widow. The proceeds from the sale of his ship portraits were to be given to the Industrial School for Girls and the American Society for the Prevention of Cruelty to Animals.
The third clipping is from an unknown newspaper and discusses the contents of Taylor's will in more detail. It mentions that his widow was left with an endowment fund of $100,000, and the balance and residue of the estate were divided among his children. The collection of copperplate portraits, engravings, and watercolors was given to the Museum of Fine Arts in Boston, and the proceeds from the sale of his ship portraits were left to the Industrial School for Girls and the American Society for the Prevention of Cruelty to Animals.
Overall, the image provides a glimpse into the life and legacy of Charles Henry Taylor, a prominent Bostonian who left a significant mark on the city through his philanthropy and contributions to various institutions.
The image shows a scanned page from a Press Clipping Service document, dated August 29, 1941, and originating from the Boston Herald. The page contains two news clippings or articles about the estate of Charles Henry Taylor, a notable figure associated with the Vose Gallery in Boston.
The document provides insight into the estate planning and charitable intentions of Charles Henry Taylor, highlighting his contributions to educational and cultural institutions in Boston. The clippings reflect the public interest in the distribution of his estate and the legacy he left behind.