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ARCH.2003.28, Rendition: 800621
The image is a page from a press clipping service dated August 6, 1941, sent to the Christian Science Monitor in Boston, Massachusetts. It features an illustration and accompanying text.
Illustration:
The illustration is titled "The Great Gate and Moat," a drawing by Joseph Pennell. It depicts a historical scene with a large, fortified gate and a moat in the foreground. The drawing is detailed, showcasing architectural elements and people in period attire. The scene appears to be set in a medieval or Renaissance-era city.
Text:
The text below the illustration provides information about Joseph Pennell (1857-1926), who was a Philadelphia-born artist known for his work as a print-maker and illustrator. Pennell and his wife, Elizabeth Robins Pennell, were notable figures in the art world, known for their extensive travels and the books they wrote about their experiences. The text highlights Pennell's skill in depicting architectural ruins and his contributions to various publications.
The drawing "The Great Gate and Moat" is noted as one of a series of seven drawings in the Fogg Museum of Art at Harvard University, illustrating the Tower of London. The text emphasizes Pennell's ability to capture the essence of historical and architectural subjects in his artwork.
Overall, the image is a historical document that combines visual art with biographical and contextual information about the artist and his work.
The image is a clipping from the Christian Science Monitor, dated August 1941, featuring a piece about the artist Joseph Pennell. Here's a detailed summary:
Header and Source:
Drawing:
Biographical Text:
Artistic Style:
The clipping appears to be part of an archive or collection, likely aimed at preserving historical artistic and cultural information.
The image shows a press clipping from the Christian Science Monitor, dated August 1941. The headline at the top of the clipping reads "Press Clipping Service, 21 Falmouth Street, Boston, Mass." The main feature of the clipping is an illustration titled "The Great Gate and Moat: A Drawing by Joseph Pennell." The illustration depicts an architectural structure with a prominent gate and moat, surrounded by a cityscape with various buildings and a river or canal.
Below the illustration, there is a detailed description of the artist, Joseph Pennell (1857-1926), noting that he was a Philadelphia-born American artist known for his prints and illustrations. The text explains that Pennell lived in London for many years, contributing to several publications. It also mentions that his later works often depicted industrial landscapes, and that this particular drawing, "The Great Gate and Moat," is one of the series of pen drawings he made during his lifetime. The drawings in this series are now part of the collection at the Fogg Museum of Art at Harvard University. The text is attributed to the Christian Science Monitor.
The image is a press clipping from the Christian Science Monitor, dated August 3, 1941. It features a drawing by Joseph Pennell titled "The Great Gate and Moat."
The drawing depicts an intricate and somewhat fantastical view of the Tower of London, focusing on the "Great Gate and Moat." The illustration showcases the architectural details of the Tower, including its fortified walls, towers, and battlements. The drawing has a somewhat dark and detailed style, emphasizing the historical and medieval aspects of the structure.
The article provides background information on Joseph Pennell, the artist of the drawing:
Overall, the clipping provides both a visual representation and historical context about the artist and his work.
The image is a press clipping from the Christian Science Monitor, dated August 1941. It features an article about Joseph Pennell (1857-1926), a Philadelphia-born American artist known for his work as a print-maker and illustrator.
The clipping includes a sketch titled "The Great Gate and Moat," which is one of a series of drawings by Joseph Pennell. This particular drawing is noted to be in the collection of the Fogg Museum of Art at Harvard University.
The accompanying text provides a brief biography of Joseph Pennell:
The clipping is labeled "Press Clipping Service" and is from 2 Park Square, Boston, Mass.
The image is a page from a press clipping service, specifically from the Christian Science Monitor dated August 1941. The page contains a detailed illustration and accompanying text.
Illustration:
Text:
The page is dated August 1941 and has a stamp indicating it was from the Press Clipping Service based in Boston, Massachusetts.
This image is a photograph of a newspaper clipping from the Christian Science Monitor, dated August 5, 1941. It features an illustration by Joseph Pennell, with a title stating "The Great Gate and Moat." The image prominently displays a large, robust double-towered gate set against a backdrop of architectural details and possibly a moat in the foreground. There are a few figures depicted in the scene, suggesting a historical setting.
The clipping includes a label from the Press Clipping Service of Boston, Massachusetts, and a column of text providing information about Joseph Pennell (1857-1926), offering a brief biographical sketch. It highlights Pennell's career as an American artist and illustrator who worked with prominent figures like Thomas Eakins, and states that he contributed to leading newspapers, but also produced a significant number of etchings, lithographs, and illustrated books. There's an explanation that he cultivated a series of prints which included views of London, of which "The Great Gate and Moat" is a part, and mentions that several of these prints are in the collection of the Fogg Museum of Art at Harvard University. The text is signed with the initials "D.A."
The overall condition of the physical clipping shows some signs of wear, such as discoloration and slight tears along the edges. The clipping is affixed to a brown paper or cardstock, with punched holes visible on the left, suggesting it's part of a larger collection or archive.
The image is a scrapbook page featuring a printed drawing titled "The Great Gate and Moat," created by Joseph Pennell. The drawing depicts a historical view of a large stone gate with two round towers and a moat in front, likely part of a castle or fortified structure. In the background, there are additional buildings and a glimpse of a ship mast on the right side.
Above the drawing, there is a label from the "Press Clipping Service" in Boston, Massachusetts, dated Aug 5, 1941, and indicating the source as the Christian Science Monitor.
Below the drawing, there is a detailed printed caption with biographical information about Joseph Pennell (1857-1926), describing him as a Philadelphia-born American artist and printmaker who studied with Thomas Eakins and collaborated with his wife, Elizabeth Robins Pennell. It explains his career as an artist and illustrator, mentioning his specific interest in architectural subjects and that several of his drawings, including "The Great Gate and Moat," are part of the collection at the Fogg Museum of Art at Harvard University. The text is signed with the initials D.A.
The image appears to be a clipping from a newspaper or magazine, featuring an illustration and accompanying text. The illustration depicts a castle or fortress with people walking in front of it. The text provides information about the artist, Joseph Pennell, and his work. The clipping is part of a press clipping service and is dated August 6, 1944.
The image depicts a page from a press clipping service, specifically from the Christian Science Monitor dated August 1941. The page features a detailed illustration titled "The Great Gate and Moat", created by the artist Joseph Pennell.
Illustration:
Caption and Text:
Header Information:
Additional Details:
The image showcases a historical press clipping from the Christian Science Monitor featuring an architectural illustration by Joseph Pennell. The drawing, titled "The Great Gate and Moat", depicts a grand gate surrounded by a moat, likely representing a historic or medieval structure. The accompanying text provides background on Pennell’s career, his artistic style, and the significance of the drawing as part of a collection at the Fogg Museum of Art at Harvard University. The page itself reflects the archival nature of press clippings from the early 20th century.