Archives Scrapbooks

This image displays a historical press clipping mounted on aged, tan-colored paper, likely from a scrapbook or archive. The clipping, dated August 5, 1941, was distributed by the Press Clipping Service of the Christian Science Monitor in Boston, Massachusetts.

The central focus is a pen drawing titled “The Great Gate and Moat” by Joseph Pennell (1860–1926). The artwork is a detailed, atmospheric sketch of a historic stone gatehouse, likely part of the Tower of London, featuring two large, crenellated towers flanking an arched gateway, with a moat in the foreground. The background reveals a bustling riverside scene with figures, boats, and distant city architecture under a cloudy sky, rendered with Pennell’s characteristic vigorous linework.

Below the drawing, a caption reads:

“‘The Great Gate and Moat’: A Drawing by Joseph Pennell”
By Courtesy of the Fogg Museum of Art, Harvard University, to The Christian Science Monitor.

Further down, a biographical text explains Pennell’s background as a Philadelphia-born artist known for his architectural and scenic landscapes, his collaboration with his wife Elizabeth Robins Pennell, and his time in London, where he made several drawings of the Tower of London. It notes that this particular drawing is part of a series now in the collection of the Fogg Museum at Harvard University.

The entire clipping is on a slightly worn, beige paper with visible hole punches on the left edge, and page number “76” handwritten in pencil in the top-right corner. The layout and text format suggest it was intended for internal editorial or archival reference.

The image appears to be a scanned document, likely a page from a press clipping service or a news article, dated August 5, 1941. The document is from the Christian Science Monitor, located in Boston, Massachusetts. The clipping includes a black and white illustration of "The Great Gate and Moat" by Joseph Pennell. Below the illustration, there is a description of Joseph Pennell, an American artist who lived from 1857 to 1926. The text describes Pennell's background as an artist and printmaker, his studies with Thomas Eakins, and his worldwide travels. The document notes that Pennell was a collaborator in producing several books with his wife, Elizabeth Robins Pennell, and that he lived in London where he was a contributing art critic to a London newspaper. The article also mentions that "The Great Gate and Moat" is part of a series of pen drawings of the Tower of London, and that several drawings from this series are now part of the collection at the Fogg Museum of Art at Harvard University. The page has the number "76" in the top right corner and appears to be part of an archive, given the condition and style of the paper.

This image is a page from a scrapbook or a collection of press clippings, specifically from a service provided by the Christian Science Monitor in Boston, Massachusetts, dated August 5, 1941. The page is labeled with the number "76" in the top right corner.

The central feature of the page is a black-and-white drawing titled "The Great Gate and Moat" by Joseph Pennell. The drawing depicts a historical structure, likely the Tower of London, with a prominent gate and a moat in the foreground. The scene includes architectural details such as towers, walls, and a bridge, as well as a few people and a ship in the background.

Below the drawing, there is a biographical note about Joseph Pennell (1857-1926), a Philadelphia-born American artist who achieved eminence as a printmaker and illustrator. The note describes his education, collaborations with his wife Elizabeth Robins Pennell, and his artistic style, particularly his skill in line technique. It mentions that the drawing of "The Great Gate and Moat" is part of a series he made of the Tower of London, and that several of these drawings are now in the collection of the Fogg Museum of Art at Harvard University.

The page also includes a small label at the top indicating the source of the clipping: "Press Clipping Service, 2 Park Square, Boston, Mass. Christian Science Monitor, Boston, Mass." The label is dated "AUG 5 1941."

The image shows a piece of paper with a drawing and text. The drawing is of the Great Gate and Moat, and the text is about the artist who made the drawing, Joseph Pennell. The paper is old and torn, and it has a watermark in the top right corner. The drawing is of a castle with a moat and a bridge, and there are people walking around.

The image appears to be a clipping from a newspaper or magazine, featuring an illustration and accompanying text. The illustration depicts a castle or fortress with people walking in front of it. The text provides information about the artist, Joseph Pennell, and his work. The clipping is part of a press clipping service and is dated August 6, 1944.

The image depicts a page from a press clipping service, specifically from the Christian Science Monitor dated August 1941. The page features a detailed illustration titled "The Great Gate and Moat", created by the artist Joseph Pennell.

Key Elements of the Image:

1. Illustration:

   • The central illustration is a detailed, monochromatic drawing depicting a grand architectural scene.
   • The focal point is a large, imposing gate or tower, which appears to be part of a historic or medieval structure.
   • The gate is surrounded by a moat, with water visible in the foreground.
   • The background includes additional architectural elements, such as smaller towers, walls, and possibly a bridge or causeway leading to the gate.
   • The style of the drawing suggests a focus on architectural detail and perspective, characteristic of Pennell's work.

2. Caption and Text:

   • Below the illustration, there is a caption that reads: "The Great Gate and Moat": A Drawing by Joseph Pennell.
   • The text beneath the illustration provides context about the artist, Joseph Pennell (1857–1920), describing him as a Philadelphia-born American artist known for his work as a printmaker and illustrator.
   • Pennell is noted for his collaborations, including with Thomas Eakins, and his travels abroad, particularly in London, where he lived with his wife, Elizabeth Robins Pennell.
   • The text highlights Pennell's interest in architectural subjects and his skill in depicting them, mentioning that this drawing is part of a series of pen-and-ink works now housed in the Fogg Museum of Art at Harvard University.

3. Header Information:

   • At the top of the page, there is a header indicating that this is part of the Press Clipping Service from the Christian Science Monitor, located in Boston, Massachusetts.
   • The date, August 1941, is clearly marked.

4. Additional Details:

   • The page has a worn, aged appearance, suggesting it is part of an archive or collection.
   • There are visible markings, such as a handwritten number ("1415") in the top left corner and a stamped date ("AUG 5 1941") near the header.
   • The overall layout is typical of a newspaper or magazine clipping, with the illustration prominently displayed and accompanied by descriptive text.

Summary:

The image showcases a historical press clipping from the Christian Science Monitor featuring an architectural illustration by Joseph Pennell. The drawing, titled "The Great Gate and Moat", depicts a grand gate surrounded by a moat, likely representing a historic or medieval structure. The accompanying text provides background on Pennell’s career, his artistic style, and the significance of the drawing as part of a collection at the Fogg Museum of Art at Harvard University. The page itself reflects the archival nature of press clippings from the early 20th century.

• A vintage scrapbook page on tan/brown paper.
• At the top is a small label from a “Press Clipping Service” with Boston addresses and a date (Aug 5, 1941).
• The main image is a black-and-white ink drawing of a fortress gate with two round towers, a moat or water below, and a bridge/entrance, with a townscape and ships in the background. The caption under the image reads something like “The Great Gate and Moat” and credits Joseph Pennell as the artist.
• Below the illustration is a short newspaper clipping in small type, describing the artist Joseph Pennell (1857–1926) and outlining his career as an American printmaker and illustrator, including his studies and work with his wife Elizabeth Robins Pennell.
• The page shows signs of age: taped image, a couple of holes on the left edge, and general wear.

This image is a scrapbook page containing a newspaper clipping. It features an illustration titled "The Great Gate and Moat," a pen-and-ink drawing by Joseph Pennell, depicting a medieval-style gate with two towers and a surrounding moat. The illustration is detailed, showing architectural elements, a stone bridge, and some figures in the foreground. Behind the gate, rooftops and steeples are faintly visible.

The clipping includes text describing Joseph Pennell (1857–1926) as a notable American artist and illustrator. He was known for his architectural drawings, which captured historic landmarks. The note explains that this particular drawing is of one of the gates of the Tower of London and is part of the Fogg Museum of Art collection at Harvard University. A header at the top identifies the clipping as from the Christian Science Monitor dated "August 5, 1941," and a label below mentions a press clipping service in Boston, Massachusetts.

This image is a photograph of a newspaper clipping from the Christian Science Monitor, dated August 5, 1941. It features an illustration by Joseph Pennell, with a title stating "The Great Gate and Moat." The image prominently displays a large, robust double-towered gate set against a backdrop of architectural details and possibly a moat in the foreground. There are a few figures depicted in the scene, suggesting a historical setting.

The clipping includes a label from the Press Clipping Service of Boston, Massachusetts, and a column of text providing information about Joseph Pennell (1857-1926), offering a brief biographical sketch. It highlights Pennell's career as an American artist and illustrator who worked with prominent figures like Thomas Eakins, and states that he contributed to leading newspapers, but also produced a significant number of etchings, lithographs, and illustrated books. There's an explanation that he cultivated a series of prints which included views of London, of which "The Great Gate and Moat" is a part, and mentions that several of these prints are in the collection of the Fogg Museum of Art at Harvard University. The text is signed with the initials "D.A."

The overall condition of the physical clipping shows some signs of wear, such as discoloration and slight tears along the edges. The clipping is affixed to a brown paper or cardstock, with punched holes visible on the left, suggesting it's part of a larger collection or archive.

The image is a scrapbook page featuring a printed drawing titled "The Great Gate and Moat," created by Joseph Pennell. The drawing depicts a historical view of a large stone gate with two round towers and a moat in front, likely part of a castle or fortified structure. In the background, there are additional buildings and a glimpse of a ship mast on the right side.

Above the drawing, there is a label from the "Press Clipping Service" in Boston, Massachusetts, dated Aug 5, 1941, and indicating the source as the Christian Science Monitor.

Below the drawing, there is a detailed printed caption with biographical information about Joseph Pennell (1857-1926), describing him as a Philadelphia-born American artist and printmaker who studied with Thomas Eakins and collaborated with his wife, Elizabeth Robins Pennell. It explains his career as an artist and illustrator, mentioning his specific interest in architectural subjects and that several of his drawings, including "The Great Gate and Moat," are part of the collection at the Fogg Museum of Art at Harvard University. The text is signed with the initials D.A.