Archives Scrapbooks

This image is a press clipping from the Christian Science Monitor, dated June 30, 1941, mounted on aged, yellowish paper with two hole punches on the right edge. The clipping features an article about the artist George Du Maurier, accompanied by one of his drawings and a biographical text.

Description of the Drawing:

At the top of the page is a black-and-white ink drawing titled “INSTINCTIVE GRATITUDE”, credited to George Du Maurier. The drawing depicts an intimate domestic scene:

• A woman is seated at a table, absorbed in reading a book or letter.
• A young boy stands beside her, placing his hand lovingly on her shoulder — this gesture is likely the “instinctive gratitude” referenced in the title.
• The setting is richly detailed: a draped table with a patterned cloth, a vase of flowers, books or papers, and a small table lamp.
• In the background, a framed picture or mirror with birds and foliage hangs on the wall, adding to the genteel Victorian atmosphere.
• The scene is rendered in a fine, detailed ink style characteristic of 19th-century book and magazine illustration.

The credit line below the drawing reads: “By Courtesy of the Fogg Museum of Art, Harvard University, to The Christian Science Monitor.”

The Article:

Below the drawing is a multi-columned biographical article about George Louis Palmella Busson du Maurier (1834–1896), written by Dorothy Askew, and introduced by a “Press Clipping Service” label from the Christian Science Monitor in Boston.

The article highlights that du Maurier was half French, half English, studied in Paris under Gleyre with Whistler, and later lived in London where he became a famed illustrator and caricaturist, particularly known for lampooning fashionable society in the manner of Thackeray.

Key points from the article:

• He was introduced to John Leech and Charles Keene, who influenced his career.
• He eventually succeeded Leech on the staff of Punch magazine.
• He authored a book, Social Pictorial Satire, on drawing and illustration.
• He was considered a pioneer of modern illustration, bridging literature and art.
• He turned to journalism after 1889, writing the novels Trilby and Peter Ibbetson.
• A quote from Henry James praises him as “a wonderfully copious and veracious historian of his age and his civilization.”

Overall Presentation:

The clipping is a vintage artifact, likely preserved for its historical and artistic value. It combines art appreciation with biographical information, offering readers insight into the life and work of a significant 19th-century artist and author. The aged paper, typewritten text, and inclusion of a museum credit suggest this was a curated educational or archival piece in 1941.

This image appears to be a collection of cutouts from a vintage clipping service, specifically from the Christian Science Monitor, dated June 30, 1941. The collection includes a black-and-white illustration and accompanying text.

• The Illustration: The illustration at the top is labeled as "Instinctive Gratitude" and is a drawing by George Du Maurier. It shows two women seated at a table in a domestic setting, surrounded by household items like a vase, a lamp, and a bird perched on the wall. The scene is rendered in a detailed, vintage style typical of the 19th or early 20th century.

• The Text: Below the illustration, there is a biography or description of George Du Maurier, who was an illustrator and caricaturist. The text provides information about his life, including his birth and death years (1834-1896), his background, education, and his work. It mentions his contributions to the fashion world and his interaction with other notable figures in his field. The text also touches on his views on drawing and illustration and his influence on modern illustration.

• Clipping Service Information: To the left of the text, there's a label identifying the clipping service as the Christian Science Monitor Press Clipping Service, located in Boston, Massachusetts. The label includes the address and the date of the clipping.

Overall, the image is a historical artifact that combines art and text to provide context and information about the artist George Du Maurier.

This image is a page from a newspaper clipping dated June 30, 1941, from the Christian Science Monitor in Boston, Massachusetts. The page features an article and an illustration.

Illustration:

• Title: "Instinctive Gratitude"
• Artist: George Du Maurier
• Description: The illustration shows two women seated at a table. One woman is leaning over, appearing to be in conversation or offering something to the other. The table has a tablecloth with a floral pattern, and there are various items on it, including a vase and a piece of pottery. The room has a window with curtains and a view of a garden outside.

Article:

• Title: The article is about George Luis Palmella Busson Du Maurier (1834-1896), who was half French and half English.
• Content: It discusses Du Maurier's background, his career as an illustrator and caricaturist, and his connections with other artists of his time, such as Charles Keene and John Leech. The article mentions his work in depicting the fashionable world in the manner of Thackeray and his success in the field of illustration. It also references his novels "Trilby" and "Peter Ibbetson."
• Signature: The article is signed by Dorothy Adlow.

Additional Information:

• Press Clipping Service: The clipping is from a press clipping service located at 2 Park Square, Boston, Mass.
• Fogg Museum of Art: The illustration is courtesy of the Fogg Museum of Art at Harvard University.

The image shows a clipping from a newspaper. The clipping is from the Press Clipping Service of Christian Science Monitor. The clipping is dated June 30, 1941. The clipping features an illustration of a man and a woman sitting at a table. The man is holding a book and appears to be reading. The woman is looking at the man. The clipping also features a text that reads "George Louis Palmella Busson du Maurier: A Drawing by Du Maurier." The clipping is on a brown paper with two holes on the right side.

The image appears to be a page from a vintage newspaper or magazine clipping service. The page contains a black and white illustration of a woman sitting at a table with a vase of flowers. Below the illustration is a clipping service label that reads "Press Clipping Service, Christian Science Monitor, Boston, Mass." The clipping service is dated June 30, 1941. The article or clipping itself discusses George Du Maurier, a British illustrator and writer who was born in France in 1834. The article provides biographical details about Du Maurier, including his early life in France, his apprenticeship under John Leech, and his career as an illustrator and author. The clipping also mentions Du Maurier's works, such as "Trilby" and "Peter Ibbetson," and his illustrations for various publications, including Dickens' novels. The article appears to be an excerpt from a larger piece, possibly a magazine or newspaper article, that provides insights into Du Maurier's life and career.

The image depicts a historical document from June 30, 1941, as indicated by the date at the bottom left. It appears to be a page from a "Press Clipping Service" of the Christian Science Monitor, as noted in the header. The document includes a black-and-white illustration titled "INSTINCTIVE GRATITUDE" by George Du Maurier, which is attributed to the Fogg Museum of Art, Harvard University. The illustration shows a domestic scene: a woman is seated at a table, holding a child on her lap, while another child stands nearby. The setting suggests a warm, intimate moment, with a table covered in a patterned cloth and a vase with flowers in the background, contributing to a cozy, homely atmosphere.

Below the illustration, there is a caption or description that provides context about the artist, George Du Maurier, and his work. The text discusses Du Maurier's background, noting that he was half French and half English and was brought up in France. It mentions his career as an illustrator and caricaturist, particularly his work in the magazine Punch, and references his notable contributions to literature, such as the famous works "Trilby" and "Peter Ibbetson." The text also highlights Du Maurier's talent as a draftsman and his influence on the art world, emphasizing his ability to capture the essence of human emotion and social commentary through his illustrations.

The overall tone of the document is informative, blending artistic appreciation with biographical detail, and it serves as a historical record of Du Maurier's work and legacy. The page is part of a clipping service, suggesting it was curated for reference or archival purposes.

This image is from a scrapbook-like format and contains a newspaper clipping adhered to a brown page, with a hole punch in the right margin.

1. Upper Section:

   • A black-and-white illustration titled "Instinctive Gratitude: A Drawing by George Du Maurier." The illustration depicts a domestic scene where a woman sits at a table with intricate drapery and objects adorning the table. A child stands beside her, leaning in affectionately.
   • The artwork exudes a Victorian-era charm, with ornate detailing in the furniture, curtains, and attire of the figures.

2. Middle Section:

   • A press clipping is labeled "Press Clipping Service," sourced from the Christian Science Monitor, dated June 30, 1941.

3. Bottom Section:

   • A detailed article discusses George Louis Palmella Busson Du Maurier, a French-English illustrator and author. It details his life, education, artistic contributions, and legacy. The article reflects on his notable works and significance as a visual historian, emphasizing his storytelling through pen and ink.

The entire page combines historical artwork and commentary on Du Maurier’s impact on art and literature.

A vintage scrapbook-style page with a black-and-white engraving glued to a brown paper sheet. The top illustration shows a man and a woman in a cozy parlor: they sit at a small round table with a lace tablecloth, surrounded by heavy drapes, a vase on a side table, and floral wallpaper. The two figures’ faces have been blurred. Beneath the image are clippings: on the left a “Press Clipping Service” card dated June 30, 1941, Boston, and to the right a narrow column of text about the drawing, attributed to George Du Maurier, with a small signature at the bottom. The page has three punched holes along the right edge, giving it a vintage scrapbook or magazine look.

The image is a photograph of a page, featuring a newspaper clipping pasted onto a scrapbook. The newspaper clipping includes a printed drawing and associated text. The drawing is quite detailed and depicts an old-fashioned interior scene with vintage furnishings and decor. There are captions and columns of text that accompany the drawing, providing context or commentary for the image. The caption directly under the drawing says, "Instinctive Gratitude: A Drawing by George Du Maurier." Additional text appears to come from a review or profile about George Du Maurier, which mentions his life and work. The names mentioned in the text, such as Trollope, Andrew Lang, and Leech, suggest the content may relate to Victorian-era literature and art.

The paper the clipping is attached to is browned with age and has holes punched in it, suggesting it may have been part of a binder or album. The lower left corner of the scrapbook page notes "Press Clipping Service," the source as "Christian Science Monitor Boston, Mass.," and the date "JUN 3 1941," indicating the clipping service that provided the material and the date it was provided.

The image shows a scrapbook or album page containing a black-and-white drawing and two newspaper clippings. The drawing at the top is titled "Instinctive Gratitude" and is by George Du Maurier. It depicts a seated woman in Victorian-era clothing, possibly an older woman, holding a child who stands beside her. They are positioned next to a small table covered with a lace tablecloth, on which there is a cup and a plate. Behind them, there is a vase with flowers on a table and a backdrop decorated with a bird and floral pattern.

Below the drawing are two newspaper clippings:

1. The clipping on the left is a small notice from the Press Clipping Service at the Christian Science Monitor, Boston, dated June 30, 1941.
2. The larger clipping on the right provides a biographical note about George Louis Palmella Busson du Maurier (1834–1896). It mentions his French-English background, his study with J.A.M. Whistler in London, and his work as an illustrator and caricaturist, especially for Punch magazine. It highlights his interest in social pictorial satire and his respect from Henry James. The text praises his talents and historical insight.

Overall, the page presents a historical drawing along with supporting textual information about the artist George Du Maurier.