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ARCH.2003.28, Rendition: 800615
This is a vintage newspaper clipping or press release, dated July 20, 1941, from the Press Clipping Service located at 2 Park Square, Boston, Mass.
The document, printed on aged, yellowed paper with two hole punches on the left margin, features two main articles about exhibitions at the Fogg Art Museum in Boston:
This section includes a large, black-and-white photograph of a carved stone head identified as:
“Head of Buddha, ‘Apollo’ type, from northwest India, carved in gray schist in the third century, A.D., and lent anonymously for exhibition at the Fogg Art Museum, by whose courtesy it is reproduced.”
The article discusses the current exhibition of Oriental art at the Fogg Art Museum, focusing on the influence of Greek (Hellenistic) art on Indian sculpture — particularly the “Apollo” style seen in Gandharan Buddha statues. It details how Greek artistic conventions, introduced during the Greco-Bactrian and Indo-Scythian periods (especially under the Kushan empire), influenced Buddhist imagery in northwest India. The text references Alexander the Great’s conquests and the cultural fusion that followed, citing the Buddha of Gandhara as a prime example. It also touches on later developments during the Gupta period.
This section features a photograph of a small, ornate Persian miniature painting, identified as:
“‘Mystics,’ a Persian miniature of the Shah Abbas period, 17th century, included in the exhibition of Safavid paintings at the Fogg Art Museum, by whose courtesy it is reproduced.”
The article highlights the exhibition of Safavid paintings and illuminations from the Harvard Art Museums. It notes that many of these works were acquired after a long period of division and neglect, and that their rediscovery and reassembly by the museum was significant for scholarship.
A notable quote from the text, attributed to a “Persian poet,” is rendered in italics:
“...But artists saw truth lay in representing reality, and the later work in the exhibition shows plainly at the expense of form. The 17th century poet, Kulim says: ‘Our art hath come, and the adherence of the youthful temperament, both dejected... The way of the world is not worth seeing, a second look does not work from this dust-bags looks not back.’”
The article also mentions “Saint Safi,” describing him as a spiritual figure who rejected art for political and religious purposes, yet whose legacy influenced the aesthetic restraint of Persian miniatures. It concludes with a discussion on Persian decoration — “Decoration Not Reality” — emphasizing how Persian art prioritized stylized, decorative elements over naturalistic representation.
At the bottom left corner, there is a smaller stamp or label from the “Press Clipping Service,” dated JUN 22 1941, indicating this clipping was likely archived or distributed prior to the article’s official date (July 20).
The clipping is an artifact of mid-20th century art journalism, offering scholarly, accessible commentary on major exhibitions of South Asian and Persian art in the United States. It reflects a historical moment when Western museums were actively curating and interpreting non-Western art for broader audiences, albeit sometimes through the lens of Eurocentric frameworks (e.g., “Apollo” type). The paper’s tone is educational and descriptive, aimed at an informed public or academic readership.
The layout, typography, and paper age strongly indicate this is an authentic archival document from the early 1940s.
The image appears to be a page from a newspaper or magazine, dated July 20, 1941, and June 22, 1941, respectively. The page contains articles and illustrations related to art from India and Persian art exhibits at the Fogg Art Museum.
On the left side, there is an article with a black-and-white photograph of a Buddha head labeled as an "Apollo" type, carved in gray schist from northwest India, and dated to the third century A.D. The article discusses the Buddhist art of the Fogg Museum's exhibition, highlighting the influence of Graeco-Roman art on Buddhist art in India.
On the right side, there is another article titled "Persian Art at Fogg," which includes an illustration of a Persian miniature painting from the Shah Abbas period, 17th century, depicting figures in a landscape. The article discusses the Safavid period of Persian art and the influence of calligraphy in Safavid art.
Both articles are accompanied by footer information from the Press Clipping Service, located at 2 Park Square, Boston, Mass. The page is aged with a yellowish tint, suggesting it is from an older publication.
This image is a page from a scrapbook or clipping service file, containing two newspaper clippings about art exhibitions at the Fogg Art Museum, dated from 1941. The page is beige or brown, suggesting it is an older document, and it has two punched holes on the left side, likely for filing purposes.
Left Clipping: "Art From India"
Right Clipping: "Persian Art at Fogg"
Both clippings are from the Press Clipping Service, with the addresses and dates noted at the top right and bottom left of the page: "2 Park Square, Boston, Mass. Post Boston, Mass." The dates are "JUL 20 1941" for the right clipping and "JUN 22 1941" for the left clipping.
The image shows a piece of paper with a hole punch in the top left corner. The paper has a brownish color, and it seems to be old. The paper has several articles with different headings. The headings are "Art From India", "Persian Art at Fogg", and "Decoration Not Reality". The articles are about art from India and Persian art at the Fogg Art Museum. There is a picture of Buddha's head on the left side.
This image is of a page from a scrapbook or clipping service. The page is brown and has a vintage look. The page is filled with various clippings of articles and images. The top of the page has a label that reads "Press Clipping Service 2 Park Square, Boston, Mass. Boston, Mass." Below that is an image of a Buddha head with the text "Art From India." Below that is an article about the "Head of Buddha, Apollo type" from northwest India. The article mentions that the Buddha head is on display at the Fogg Art Museum. The page also includes an article about Persian art at Fogg. The article mentions that the Persian art exhibition includes a painting of "Mystica," a Persian miniature of the Shah Abbas period. The page has a few holes and stains, indicating that it is an old and worn page.
The image depicts a page from a press clipping service, dated June 22, 1941, from the Boston Post. The page is titled "Art From India" and features an article discussing an exhibition of Oriental art at the Fogg Art Museum.
The image captures a historical moment in art curation, showcasing the Fogg Art Museum's exhibitions of both Indian and Persian art in 1941. It reflects the museum's role in promoting cross-cultural understanding through art and provides insight into the artistic heritage of these regions during that era. The inclusion of detailed descriptions and high-quality images underscores the educational and cultural value of the exhibitions.
This image appears to be a page from a scrapbook or archival document containing newspaper clippings. The page includes text and two images, each accompanied by articles discussing art.
Left Side:
Right Side:
Additional Details:
This is a page from a scrapbook or press-clip file. It has two newspaper clippings attached to brown paper with binder holes on the left.
Also visible are small “Press Clipping Service” stamps/labels from Boston, with dates (one stamp shows JUL 20, 1941; another shows JUN 22 1941).
The image shows a yellowed newspaper clipping with several articles and images on it. On the left side, there's the top title "Art From India" with texts below it and a caption. The right side of the clipping displays two articles; the upper title reads "Persian Art at Fogg" with an accompanying illustration, and the three titles below are "Martin," "Saint Saif," and "Decoration Not Reality." Each article section includes body text which appears to discuss cultural and historical matters related to art from the respective regions or subjects.
The font, style of the newspaper, and the date mentioned on the label in the lower-left corner (June 22, 1941) suggest that this newspaper page is from the early 20th century. The newspaper service label also states "Press Clipping Service, 2 Park Square, Boston, Mass." indicating the service that provided the clipping.
The image shows a scrapbook page containing three newspaper clippings, all related to art exhibitions, with a Press Clipping Service stamp from Boston, Massachusetts, dated July 20, 1941.
The clipping on the top left is titled "Art From India." It features a photograph of the head of a Buddha statue, described as an "Apollo type," from northwest India, carved in the third century A.D. The statue was lent for exhibition at the Fogg Art Museum, and the article discusses the Oriental department's current exhibition at the Fogg Museum, highlighting the Gandhara region's art influenced by Greek styles.
The clipping on the right is titled "Persian Art at Fogg." It shows an illustration depicting a Persian miniature of the Shah Abbas period from the 17th century, with a scene titled "Mystics." The article describes the exhibition of Safavid paintings at the Fogg Art Museum of Harvard University, mentioning the artistic and historical significance of the pieces.
The clipping on the bottom left is another Press Clipping Service stamp from Boston, dated June 22, 1941.
The page has handwritten numbers "195" and "193" near the titles of the first two clippings. The text in the clippings is mostly legible, focusing on the cultural and artistic value of the Indian and Persian art shown at the Fogg Art Museum.