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This is a vintage newspaper clipping or press release, dated July 20, 1941, from the Press Clipping Service located at 2 Park Square, Boston, Mass.

The document, printed on aged, yellowed paper with two hole punches on the left margin, features two main articles about exhibitions at the Fogg Art Museum in Boston:

Left Column: “Art From India”

This section includes a large, black-and-white photograph of a carved stone head identified as:

“Head of Buddha, ‘Apollo’ type, from northwest India, carved in gray schist in the third century, A.D., and lent anonymously for exhibition at the Fogg Art Museum, by whose courtesy it is reproduced.”

The article discusses the current exhibition of Oriental art at the Fogg Art Museum, focusing on the influence of Greek (Hellenistic) art on Indian sculpture — particularly the “Apollo” style seen in Gandharan Buddha statues. It details how Greek artistic conventions, introduced during the Greco-Bactrian and Indo-Scythian periods (especially under the Kushan empire), influenced Buddhist imagery in northwest India. The text references Alexander the Great’s conquests and the cultural fusion that followed, citing the Buddha of Gandhara as a prime example. It also touches on later developments during the Gupta period.

Right Column: “Persian Art at Fogg”

This section features a photograph of a small, ornate Persian miniature painting, identified as:

“‘Mystics,’ a Persian miniature of the Shah Abbas period, 17th century, included in the exhibition of Safavid paintings at the Fogg Art Museum, by whose courtesy it is reproduced.”

The article highlights the exhibition of Safavid paintings and illuminations from the Harvard Art Museums. It notes that many of these works were acquired after a long period of division and neglect, and that their rediscovery and reassembly by the museum was significant for scholarship.

A notable quote from the text, attributed to a “Persian poet,” is rendered in italics:

“...But artists saw truth lay in representing reality, and the later work in the exhibition shows plainly at the expense of form. The 17th century poet, Kulim says: ‘Our art hath come, and the adherence of the youthful temperament, both dejected... The way of the world is not worth seeing, a second look does not work from this dust-bags looks not back.’”

The article also mentions “Saint Safi,” describing him as a spiritual figure who rejected art for political and religious purposes, yet whose legacy influenced the aesthetic restraint of Persian miniatures. It concludes with a discussion on Persian decoration — “Decoration Not Reality” — emphasizing how Persian art prioritized stylized, decorative elements over naturalistic representation.

Footer

At the bottom left corner, there is a smaller stamp or label from the “Press Clipping Service,” dated JUN 22 1941, indicating this clipping was likely archived or distributed prior to the article’s official date (July 20).

Overall Impression

The clipping is an artifact of mid-20th century art journalism, offering scholarly, accessible commentary on major exhibitions of South Asian and Persian art in the United States. It reflects a historical moment when Western museums were actively curating and interpreting non-Western art for broader audiences, albeit sometimes through the lens of Eurocentric frameworks (e.g., “Apollo” type). The paper’s tone is educational and descriptive, aimed at an informed public or academic readership.

The layout, typography, and paper age strongly indicate this is an authentic archival document from the early 1940s.

The image appears to be a page from a newspaper or magazine, dated July 20, 1941, and June 22, 1941, respectively. The page contains articles and illustrations related to art from India and Persian art exhibits at the Fogg Art Museum.

• On the left side, there is an article with a black-and-white photograph of a Buddha head labeled as an "Apollo" type, carved in gray schist from northwest India, and dated to the third century A.D. The article discusses the Buddhist art of the Fogg Museum's exhibition, highlighting the influence of Graeco-Roman art on Buddhist art in India.

• On the right side, there is another article titled "Persian Art at Fogg," which includes an illustration of a Persian miniature painting from the Shah Abbas period, 17th century, depicting figures in a landscape. The article discusses the Safavid period of Persian art and the influence of calligraphy in Safavid art.

Both articles are accompanied by footer information from the Press Clipping Service, located at 2 Park Square, Boston, Mass. The page is aged with a yellowish tint, suggesting it is from an older publication.

This image is a page from a scrapbook or clipping service file, containing two newspaper clippings about art exhibitions at the Fogg Art Museum, dated from 1941. The page is beige or brown, suggesting it is an older document, and it has two punched holes on the left side, likely for filing purposes.

1. Left Clipping: "Art From India"

   • Headline: "Art From India"
   • Image: A black-and-white photograph of a stone Buddha head, described as the "Apollo" type, from northwest India, carved in gray schist in the third century A.D. The head is shown from the front, with a serene expression, closed eyes, and detailed hair.
   • Text: The text discusses the current exhibition at the Fogg Museum, focusing on Buddhist art from the Northwest Province of present-day British India, Afghanistan, and Central Asia. It mentions the influence of Greek and Roman art on these sculptures, particularly during the period when these regions were under the rule of Greek kings who inherited the eastern conquests of Alexander the Great. The text also notes the presence of Roman workmen and Roman works of art during the time of the Roman Empire, which influenced the development of the so-called Graeco-Buddhist art of Gandhara.

2. Right Clipping: "Persian Art at Fogg"

   • Headline: "Persian Art at Fogg"
   • Image: A black-and-white reproduction of a Persian miniature painting titled "Mystics," from the Shah Abbas period (17th century). The painting depicts a scene with a man in a turban sitting on a rock, surrounded by trees and other natural elements. There is a sense of movement and detail in the trees and the man's clothing.
   • Text: The text describes the exhibition of Safavid paintings at the Fogg Art Museum, noting that the Safavids inherited from their predecessors Persian painting at the highest pitch of perfection. It discusses the themes of treachery, execution, and other intense emotions in the paintings, which are characteristic of the period. The text also mentions the founder of the dynasty, Ismail, and the religious and political context of the time.

Both clippings are from the Press Clipping Service, with the addresses and dates noted at the top right and bottom left of the page: "2 Park Square, Boston, Mass. Post Boston, Mass." The dates are "JUL 20 1941" for the right clipping and "JUN 22 1941" for the left clipping.

The image shows a piece of paper with a hole punch in the top left corner. The paper has a brownish color, and it seems to be old. The paper has several articles with different headings. The headings are "Art From India", "Persian Art at Fogg", and "Decoration Not Reality". The articles are about art from India and Persian art at the Fogg Art Museum. There is a picture of Buddha's head on the left side.

This image is of a page from a scrapbook or clipping service. The page is brown and has a vintage look. The page is filled with various clippings of articles and images. The top of the page has a label that reads "Press Clipping Service 2 Park Square, Boston, Mass. Boston, Mass." Below that is an image of a Buddha head with the text "Art From India." Below that is an article about the "Head of Buddha, Apollo type" from northwest India. The article mentions that the Buddha head is on display at the Fogg Art Museum. The page also includes an article about Persian art at Fogg. The article mentions that the Persian art exhibition includes a painting of "Mystica," a Persian miniature of the Shah Abbas period. The page has a few holes and stains, indicating that it is an old and worn page.

The image depicts a page from a press clipping service, dated June 22, 1941, from the Boston Post. The page is titled "Art From India" and features an article discussing an exhibition of Oriental art at the Fogg Art Museum.

Key Elements in the Image:

Left Side:

• Headline: "Art From India"
• Image: A grayscale photograph of a Buddha head, labeled as an "Apollo" type from northwest India. The caption notes that it is carved in gray schist from the third century B.C. and was lent anonymously for exhibition at the Fogg Art Museum.
• Text Content: The article discusses the exhibition of Oriental art, focusing on pieces from British India, Afghanistan, and Central Asia. It highlights the historical and cultural significance of the artifacts, particularly the Buddha head, and provides context about the exhibition's scope and themes.

Right Side:

• Headline: "The Persian Art at Fogg"
• Image: A detailed illustration or photograph of Persian miniature art, specifically labeled as a piece from the Shah Abbas period (17th century). The caption notes that it is part of the Fogg Art Museum's collection and is reproduced with permission.
• Text Content: The article elaborates on the Persian art exhibition at the Fogg Museum. It discusses the Sahavieh paintings and miniature art, mentioning the Shah Abbas period and the Safavid dynasty. The text highlights the artistic techniques, cultural significance, and historical context of the Persian artworks on display.

Additional Details:

• Header Information: The top of the page includes the Press Clipping Service logo and address: 2 Park Square, Boston, Mass.
• Date Stamp: The page is stamped with the date June 22, 1941, indicating when the clipping was made or archived.
• Visual Layout: The page is formatted with a clear separation between the two articles, each accompanied by relevant images and descriptive text. The design is typical of newspaper clippings, with concise headlines and informative content.

Overall Context:

The image captures a historical moment in art curation, showcasing the Fogg Art Museum's exhibitions of both Indian and Persian art in 1941. It reflects the museum's role in promoting cross-cultural understanding through art and provides insight into the artistic heritage of these regions during that era. The inclusion of detailed descriptions and high-quality images underscores the educational and cultural value of the exhibitions.

The image is a scanned newspaper clipping featuring two articles about art exhibitions. The left article, titled "Art From India," includes a black-and-white photograph of a Buddha statue and discusses an exhibition at the Fogg Art Museum in Boston, Massachusetts. The right article, titled "Persian Art at Fogg," features an illustration of a painting and describes an exhibition of Safavid paintings at the Fogg Art Museum.

The clipping is dated June 22, 1941, and has a yellowed appearance, suggesting it is an old newspaper page. The text is in black ink, with some words and phrases underlined or highlighted in blue. The overall design of the clipping is simple, with a focus on presenting information about the art exhibitions in a clear and concise manner.

The image is a vintage newspaper clipping from the Boston Post, dated July 20, 1941, featuring two articles about art from India and Persia.

• Article 1: Art from India
  • The article is titled "Art From India" and features a black-and-white photograph of a Buddha head.
  • The text describes the head as a "Head of Buddha, 'Apollo' type, from northwest India, carved in grey schist in the third century, A.D., and lent anonymously for exhibition at the Fogg Art Museum, by whose courtesy it is reproduced."
  • The article also includes a description of the Buddha's facial features and the significance of the piece.
• Article 2: Persian Art at Fogg
  • The article is titled "Persian Art at Fogg" and features an illustration of a Persian miniature painting.
  • The text describes the painting as a "Maurice's 'A Persian miniature of the Shah Abbas period, 17th century, in the exhibition of Safavid paintings at the Fogg Art Museum, by whose courtesy it is reproduced."
  • The article also includes a description of the painting's subject matter and the significance of the piece.

Overall, the image provides a glimpse into the art world of the early 20th century, highlighting the importance of Indian and Persian art during this time period.

The image depicts a scanned or photographed page from a press clipping service, featuring two newspaper articles about art. The page is yellowed and has a rough edge, with two holes punched on the left side.

Article 1: "Art From India"

• Image: A black-and-white photograph of a stone head of Buddha, labeled as an "Apollol" type from Northwest India, carved in gray schist in the third century A.D.
• Text: The article discusses the exhibition of the head at the Fogg Art Museum, courtesy of C. T. Loo, and provides information about the artwork's history and significance.

Article 2: "Persian Art at Fogg"

• Image: A black-and-white illustration of a Persian miniature painting, titled "Mystics," from the Shah-nameh, circa 1330.
• Text: The article discusses the exhibition of Safavid paintings at the Fogg Art Museum, including the "Mystics" painting, and provides information about the artwork's history and significance.

Additional Details

• The page includes two press clipping service labels, one dated June 22, 1941, and the other dated July 2, 1941.
• The background of the page is a light brown color, with a subtle texture that suggests it may be a scan or photograph of an original document.

Overall, the image provides a glimpse into the world of art history and appreciation in the early 20th century, highlighting the importance of exhibitions and the role of museums in promoting cultural understanding.

The image presents a vintage newspaper clipping, likely from the 1940s, featuring two articles about art exhibitions. The clipping is yellowed and worn, with visible signs of aging.

• Title and Date
  • The title "Art From India" is displayed at the top left corner.
  • A date stamp in the top-right corner reads "JUL 20 1941".
• Image of Buddha's Head
  • A black-and-white photograph of Buddha's head is prominently featured.
  • The image is accompanied by a caption that describes the artwork as "Head of Buddha, 'Apollo' type, from Northwest India, carved in gray schist in the third century A.D."
• Article about Persian Art
  • The article "Persian Art at Fogg" discusses an exhibition of Persian art at the Fogg Art Museum.
  • The article includes a description of a Persian miniature painting titled "Mystics".
• Press Clipping Service Information
  • Two stickers on the clipping provide information about the Press Clipping Service.
  • One sticker reads "Press Clipping Service 2 Park Square, Boston, Mass. Post Boston, Mass." and is dated "JUN 22 1941".
  • The other sticker has the same information but with a different date, "JUL 20 1941".

In summary, the image showcases a vintage newspaper clipping featuring articles about art exhibitions, including one on Indian art and another on Persian art at the Fogg Art Museum. The clipping includes photographs and descriptions of the artworks, as well as information about the Press Clipping Service that provided the article.