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ARCH.2003.28, Rendition: 800568
The image appears to be a magazine or newspaper clipping. It features a header that reads "Press Clipping Service" with addresses and dates (APR 14 1941, APR 14 1947) suggesting it is a collection of clippings. The main body of the page contains several articles discussing the discovery and attribution of a painting by John Singleton Copley, an 18th-century American painter.
The text mentions the painting of "The Indian Priest," which was found among Bowdoin College's collection of 17th and 18th century paintings. It was attributed to Copley after X-ray analysis revealed the initial gray-blue ground paint and the final brilliant surface toning characteristic of his work. The articles provide details about the painting's condition, its suspected subject, and the historical context of Copley's work during the 1760s.
The page also includes scans of portraits, likely related to the articles. One portrait is labeled "Colonial Pastor" and another is identified as a painting by Copley, showing a person in period attire, presumably an Indian Priest. The design of the page evokes a historical newspaper aesthetic, with a mix of text and imagery.
This image is a historical document containing two newspaper clippings from April 14, 1941, discussing a painting discovery at the Bowdoin Museum of Fine Arts in Brunswick, Maine. The document appears to be a scrapbook or archive page, with the clippings pasted on a brownish, aged paper with some wear and tear.
Title: "Unknown Copley Found at Bowdoin"
Content: It discusses the discovery of a previously unknown portrait by John Singleton Copley, a famous 18th-century American painter. The portrait is described as being in an unfinished state, with sections still showing the initial gray-blue ground paint. The painting was found among the museum's collection of 17th and 18th-century paintings and is believed to have been painted around 1765 when Copley was at the height of his fame. The article mentions that the paintings were X-rayed by Alan Burroughs of the Fogg Museum at Harvard University.
Image: There is a black-and-white photograph of a painting titled "Colonial Pastor," which is identified as John Johnston's portrait of the Rev. Samuel Stillman, pastor of the First Baptist Church on Brattle Street, Boston, from 1765 to 1807. The caption notes that this painting is also part of the exhibition at Bowdoin College from April 15 to 30.
Title: "Find Copley Painting in Museum at Bowdoin"
Content: This clipping provides additional details about the discovery of the John Singleton Copley portrait. It mentions that the painting, presumably of an Indian priest, was found among the museum's extensive collection of 17th and 18th-century paintings. The article also discusses the extensive collection of paintings bequeathed by two members of the Bowdoin family, James Bowdoin III and his wife Sarah, later Mrs. Henry Dearborn. The article highlights the significance of the discovery in the context of 18th-century American portraits.
Image: There is a black-and-white photograph of the Copley portrait, which is described as being in an unfinished state, with sections still showing the initial gray-blue ground paint. The caption notes that the portrait was left in an unfinished state, with some sections prepared to receive the final brilliant surface toning characteristic of Copley.
This image displays a yellowed, aged newspaper clipping, dated April 14, 1941, from the Press Clipping Service located at 2 Park Square, Boston, Mass. The clipping is mounted on a larger, slightly larger, and more deteriorated sheet of buff-colored paper, which shows signs of wear, including creases, stains, and three punch holes along the right margin.
The clipping contains two distinct newspaper articles, both reporting on a significant art discovery at Bowdoin College.
Headline: Unknown Copley Found at Bowdoin
Headline: Find Copley Painting in Museum at Bowdoin
The image is a historical document capturing a moment of art historical significance — the 1941 identification of a previously unknown and unfinished portrait by John Singleton Copley. The newspaper clippings, with their typewritten text and halftone photographic reproductions, reflect mid-20th-century journalism. The physical state of the paper — faded, stained, and punched — suggests it was part of an archive or collection, carefully preserved for its historical value. The focus is on the use of scientific analysis (X-ray) to uncover hidden art history and the importance of museum collections in rediscovering masterpieces.
The image is a newspaper clipping from April 14, 1941, featuring an article about the discovery of an unknown Copley painting in the Museum at Bowdoin. The clipping is on a piece of paper with a brownish hue, indicating its age. The top left corner has a label that reads "Press Clipping Service," and below it is a smaller label with the date "APR 14 1941."
The main article is titled "Find Copley Painting in Museum at Bowdoin." Below the title, there is a black-and-white photograph of a man, presumably the subject of the painting, dressed in colonial attire. The photograph is framed by a thick border.
To the left of the main article, there is another smaller clipping with a photograph of a man, likely John Samuel Stillman, and a brief description of him as a colonial pastor. The text below the photograph provides details about the discovery of the painting, mentioning that it was found among the museum's extensive collection of 17th and 18th-century paintings.
The article discusses the significance of the discovery, highlighting the importance of the painting as one of the earliest known portraits of John Samuel Stillman. It mentions that the painting was likely done by John Singleton Copley, a renowned colonial artist. The article also notes that the painting was found in an unfinished state, with other sections still being developed.
The text describes the painting as an anonymous portrait of a colonial pastor, possibly John Samuel Stillman, and discusses the historical context and significance of the discovery. The article concludes with a mention of the museum's collection and the ongoing efforts to preserve and study historical artifacts.
A press clipping service from April 14, 1941, features an article titled "Find Copley Painting in Museum at Bowdoin." The article discusses the discovery of an unknown portrait by John Singleton Copley at the Bowdoin College Museum of Fine Art. The portrait, which was X-rayed by Alan Burroughs of Harvard University, was found in an unfinished state and left untouched for years. The article provides details about the portrait's condition and the process of its discovery.
The image shows a historical newspaper clipping from April 14, 1941, published by the Press Clipping Service of 2 Park Square, Boston, Mass. The clipping is titled "Find Copley Painting in ‘45 Museum at Bowdoin" and is sourced from the Herald, also based in Boston, Massachusetts. The clipping is part of a collection of press clippings dated April 14, 1941, as indicated at the top of the page.
The clipping discusses the discovery of a previously unknown painting by the renowned 18th-century American artist John Singleton Copley at the Bowdoin College Museum of Fine Arts in Brunswick, Maine. The article highlights two significant findings:
Portrait of Rev. Samuel Stillman:
Unknown Copley Painting:
Photographs:
Text Layout:
The clipping serves as a historical document, capturing a moment of artistic discovery in 1941. It highlights the importance of scientific methods (such as X-ray analysis) in uncovering hidden layers of art history and provides insight into the preservation and study of colonial-era paintings. The inclusion of photographs and detailed descriptions underscores the significance of the findings for both the museum and the broader art community.
This image shows a vintage scrapbook page with two newspaper clippings, both dated April 14, 1941, from the Press Clipping Service in Boston, Massachusetts. The clippings are related to historical subjects, possibly discussing a notable painting and art exhibition. One headline mentions "Find Copley Painting in Museum at Bowdoin," which might refer to a newly discovered work by the artist John Singleton Copley at Bowdoin College Museum. The paper exhibits typical signs of aging, such as discoloration, creases, and small tears around the edges. There is also a small blue pin or fastener holding the page together on the right side.
The image shows a scrapbook or press clipping page with two newspaper clippings from the Press Clipping Service in Boston, Mass., both dated April 14, 1941. The clippings discuss the discovery of a painting at Bowdoin College attributed to John Singleton Copley, a famous painter.
The clipping on the left features a small image of a colonial pastor and text about an unknown Copley painting found at Bowdoin, mentioning X-ray examinations revealing previously unseen details and giving some historical context.
The larger clipping on the right has a heading "Find Copley Painting in Museum at Bowdoin" with a large image of a man in colonial attire. The article below discusses the X-ray reveal of the painting, believed to be by John Singleton Copley, and provides more detailed information about the painting, Bowdoin College's art collection, and studies of old gifts and portraits related to American colonial history.
The page is aged and has some wear and tear, including two holes punched on the right side. The title on the right clipping has a handwritten correction, changing "1941" to "1945."
This image depicts a scrapbook page containing multiple press clippings related to artwork by John Singleton Copley discovered at Bowdoin College Museum of Fine Arts. The clippings are mounted on a plain, textured background.
The clippings detail historical art discoveries, their significance, and the methods used to authenticate Copley's work. The paper displays signs of age, such as light wear and slight discoloration.