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ARCH.2003.28, Rendition: 800568
The image appears to be a magazine or newspaper clipping. It features a header that reads "Press Clipping Service" with addresses and dates (APR 14 1941, APR 14 1947) suggesting it is a collection of clippings. The main body of the page contains several articles discussing the discovery and attribution of a painting by John Singleton Copley, an 18th-century American painter.
The text mentions the painting of "The Indian Priest," which was found among Bowdoin College's collection of 17th and 18th century paintings. It was attributed to Copley after X-ray analysis revealed the initial gray-blue ground paint and the final brilliant surface toning characteristic of his work. The articles provide details about the painting's condition, its suspected subject, and the historical context of Copley's work during the 1760s.
The page also includes scans of portraits, likely related to the articles. One portrait is labeled "Colonial Pastor" and another is identified as a painting by Copley, showing a person in period attire, presumably an Indian Priest. The design of the page evokes a historical newspaper aesthetic, with a mix of text and imagery.
This image is a historical document containing two newspaper clippings from April 14, 1941, discussing a painting discovery at the Bowdoin Museum of Fine Arts in Brunswick, Maine. The document appears to be a scrapbook or archive page, with the clippings pasted on a brownish, aged paper with some wear and tear.
Title: "Unknown Copley Found at Bowdoin"
Content: It discusses the discovery of a previously unknown portrait by John Singleton Copley, a famous 18th-century American painter. The portrait is described as being in an unfinished state, with sections still showing the initial gray-blue ground paint. The painting was found among the museum's collection of 17th and 18th-century paintings and is believed to have been painted around 1765 when Copley was at the height of his fame. The article mentions that the paintings were X-rayed by Alan Burroughs of the Fogg Museum at Harvard University.
Image: There is a black-and-white photograph of a painting titled "Colonial Pastor," which is identified as John Johnston's portrait of the Rev. Samuel Stillman, pastor of the First Baptist Church on Brattle Street, Boston, from 1765 to 1807. The caption notes that this painting is also part of the exhibition at Bowdoin College from April 15 to 30.
Title: "Find Copley Painting in Museum at Bowdoin"
Content: This clipping provides additional details about the discovery of the John Singleton Copley portrait. It mentions that the painting, presumably of an Indian priest, was found among the museum's extensive collection of 17th and 18th-century paintings. The article also discusses the extensive collection of paintings bequeathed by two members of the Bowdoin family, James Bowdoin III and his wife Sarah, later Mrs. Henry Dearborn. The article highlights the significance of the discovery in the context of 18th-century American portraits.
Image: There is a black-and-white photograph of the Copley portrait, which is described as being in an unfinished state, with sections still showing the initial gray-blue ground paint. The caption notes that the portrait was left in an unfinished state, with some sections prepared to receive the final brilliant surface toning characteristic of Copley.
This image displays a yellowed, aged newspaper clipping, dated April 14, 1941, from the Press Clipping Service located at 2 Park Square, Boston, Mass. The clipping is mounted on a larger, slightly larger, and more deteriorated sheet of buff-colored paper, which shows signs of wear, including creases, stains, and three punch holes along the right margin.
The clipping contains two distinct newspaper articles, both reporting on a significant art discovery at Bowdoin College.
Headline: Unknown Copley Found at Bowdoin
Headline: Find Copley Painting in Museum at Bowdoin
The image is a historical document capturing a moment of art historical significance — the 1941 identification of a previously unknown and unfinished portrait by John Singleton Copley. The newspaper clippings, with their typewritten text and halftone photographic reproductions, reflect mid-20th-century journalism. The physical state of the paper — faded, stained, and punched — suggests it was part of an archive or collection, carefully preserved for its historical value. The focus is on the use of scientific analysis (X-ray) to uncover hidden art history and the importance of museum collections in rediscovering masterpieces.
The image is a newspaper clipping from April 14, 1941, featuring an article about the discovery of an unknown Copley painting in the Museum at Bowdoin. The clipping is on a piece of paper with a brownish hue, indicating its age. The top left corner has a label that reads "Press Clipping Service," and below it is a smaller label with the date "APR 14 1941."
The main article is titled "Find Copley Painting in Museum at Bowdoin." Below the title, there is a black-and-white photograph of a man, presumably the subject of the painting, dressed in colonial attire. The photograph is framed by a thick border.
To the left of the main article, there is another smaller clipping with a photograph of a man, likely John Samuel Stillman, and a brief description of him as a colonial pastor. The text below the photograph provides details about the discovery of the painting, mentioning that it was found among the museum's extensive collection of 17th and 18th-century paintings.
The article discusses the significance of the discovery, highlighting the importance of the painting as one of the earliest known portraits of John Samuel Stillman. It mentions that the painting was likely done by John Singleton Copley, a renowned colonial artist. The article also notes that the painting was found in an unfinished state, with other sections still being developed.
The text describes the painting as an anonymous portrait of a colonial pastor, possibly John Samuel Stillman, and discusses the historical context and significance of the discovery. The article concludes with a mention of the museum's collection and the ongoing efforts to preserve and study historical artifacts.
A press clipping service from April 14, 1941, features an article titled "Find Copley Painting in Museum at Bowdoin." The article discusses the discovery of an unknown portrait by John Singleton Copley at the Bowdoin College Museum of Fine Art. The portrait, which was X-rayed by Alan Burroughs of Harvard University, was found in an unfinished state and left untouched for years. The article provides details about the portrait's condition and the process of its discovery.
The image shows a historical newspaper clipping from April 14, 1941, published by the Press Clipping Service of 2 Park Square, Boston, Mass. The clipping is titled "Find Copley Painting in ‘45 Museum at Bowdoin" and is sourced from the Herald, also based in Boston, Massachusetts. The clipping is part of a collection of press clippings dated April 14, 1941, as indicated at the top of the page.
The clipping discusses the discovery of a previously unknown painting by the renowned 18th-century American artist John Singleton Copley at the Bowdoin College Museum of Fine Arts in Brunswick, Maine. The article highlights two significant findings:
Portrait of Rev. Samuel Stillman:
Unknown Copley Painting:
Photographs:
Text Layout:
The clipping serves as a historical document, capturing a moment of artistic discovery in 1941. It highlights the importance of scientific methods (such as X-ray analysis) in uncovering hidden layers of art history and provides insight into the preservation and study of colonial-era paintings. The inclusion of photographs and detailed descriptions underscores the significance of the findings for both the museum and the broader art community.
The image presents a vintage newspaper clipping from the Boston Herald, dated April 14, 1941. The clipping is titled "Find Copley Painting in Museum at Bowdoin" and features a large photograph of a painting by John Singleton Copley. The article reports on the discovery of an unknown portrait of a colonial pastor, John Johnston, which was found at Bowdoin College in Brunswick, Maine.
Key Features:
Summary:
The image showcases a vintage newspaper clipping from the Boston Herald, dated April 14, 1941, featuring a report on the discovery of an unknown portrait of a colonial pastor, John Johnston, found at Bowdoin College in Brunswick, Maine. The clipping includes a large photograph of a painting by John Singleton Copley and highlights the significance of the discovery.
This image appears to be a scanned newspaper clipping from 1941, featuring a prominent headline that reads "Find Copley Painting in Museum at Bowdoin." The article is accompanied by two photographs: one of a man in a white shirt and tie, and another of a man in a black robe with a white collar.
The article discusses the discovery of a painting by John Singleton Copley at Bowdoin College Museum of Fine Arts. The painting, which was previously unknown, is described as a portrait of an Indian man. The article also mentions that the painting was found among the museum's extensive collection of 18th and 19th-century paintings.
In addition to the main article, there are several smaller articles and advertisements on the page. One article discusses the discovery of a painting by Alan Burroughs at the Bowdoin Museum of Fine Arts, while another article mentions the sale of a painting by John Singleton Copley at an auction house.
Overall, this image provides a glimpse into the world of art and culture in the early 20th century, highlighting the importance of museums and galleries in preserving and showcasing works of art.
The image is a scanned newspaper clipping from April 14, 1941, featuring an article about a painting by John Singleton Copley discovered at Bowdoin College Museum of Fine Arts.
The image provides a glimpse into the discovery of a previously unknown work by a renowned artist, highlighting the importance of art conservation and the value of historical artifacts.
The image presents a vintage newspaper clipping, likely from 1941, featuring two articles about a John Singleton Copley painting discovered at Bowdoin College. The clipping is yellowed and worn, with visible signs of aging.
In summary, the image showcases a vintage newspaper clipping with two articles about the discovery of a John Singleton Copley painting at Bowdoin College. The articles provide details about the painting's history, its discovery through X-ray examinations, and its significance.