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ARCH.2003.28, Rendition: 800564
Fogg Museum 7/15/41
Through April 30, there will be on exhibition at the Fogg Art Museum paintings by Winslow Homer. There are some early oils and a number of water colors. Among the latter are examples of the best workmanship of that eminent American painter.
Today Winslow Homer is regarded as one of the most distinguished native artists. While he did travel abroad, he did not borrow much from European sources. He seemed to come to his own wholesome naturalism through concentrated observation. He had always been an observer, even in his younger days, as an illustrator of American daily life and episodes of the Civil War. But as years passed the illustrator grew less descriptive and an interest in drawing gave way to painting. The painting style became broad, summary and clear. The artist developed a style—for which there was no match—which seemed suited to his personal responsiveness to rugged beauty.
At the Fogg Museum are some of the seacoast scenes. There is the water color of a canoe negotiating some rapids; with what amazing force the artist depicted this vivid scene.
Shown also through the month at Fogg are some Chinese colored wood-block illustrations selected from a seventeenth century artist’s copy book. In these sketches we may see how carefully the Chinese artist cultivated a “handwriting” of flower and plant design. He calculated his strokes which were ingeniously shaped to indicate color, thickness, and suppleness. D.A.
The image is a newspaper clipping dated July 19, 1944, from the Fogg Museum. The article discusses exhibitions featuring artwork by Winslow Homer and some Chinese wood-block illustrations.
Winslow Homer Exhibit:
Chinese Wood-block Illustrations:
The article is credited to D.A.
The image is a yellowed newspaper clipping dated July 19, featuring an article about an exhibition at the Fogg Museum (now known as the Fogg Art Museum at Harvard University).
The article discusses an exhibition of Winslow Homer's paintings, which ran through April 30 of an unspecified year. The exhibition includes early oil paintings and several watercolors, with the latter showcasing Homer's renowned skill. The clipping highlights Winslow Homer as one of the most distinguished native artists, known for his naturalistic style developed through concentrated observation. It mentions that Homer, initially an illustrator of Civil War scenes, evolved into a painter with a unique style that suited his personal responsiveness to rugged beauty.
The article also describes some of the seacoast scenes from Homer’s works, including a watercolor of a canoe navigating rapids, emphasizing the vividness and force of the depicted scene.
Additionally, the clipping mentions another exhibition at the Fogg Museum featuring Chinese colored wood-block illustrations from a seventeenth-century artist's copybook. These sketches illustrate the artist's meticulous "handwriting" of flower and plant designs, with strokes indicating color, thickness, and suppleness. The article is signed "D.A." at the end.
The image shows a newspaper clipping from the Fogg Museum (now known as the Harvard Art Museums). The article is dated July 15, 1954, and discusses an exhibition of Winslow Homer’s paintings, which ran through April 30.
Key points from the article include:
Exhibition Details:
Winslow Homer:
Seacoast Scenes:
Chinese Wood-Block Illustrations:
The article is signed with the initials "D.A." at the end.
The image is a clipping from a publication that provides information about exhibitions at the Fogg Museum, dated 7/19/44.
Winslow Homer Exhibition:
Chinese Colored Wood-Block Illustrations:
The author of the article is identified by the initials D.A. at the end.
The image is a clipping of a newspaper article from the Fogg Museum, dated April 25. The article discusses an exhibition of paintings by Winslow Homer at the Fogg Art Museum, which runs through April 30. The exhibition features early oil paintings and watercolors by Homer, highlighting his exceptional skill and unique style.
Key points from the article include:
The article concludes with the initials "D.A." likely indicating the author's name.
This image shows a typewritten document with a date stamp at the top that reads "Fogg Museum 2/15/44." The text discusses an exhibition at the Fogg Art Museum featuring paintings by Winslow Homer, running through April 30. It mentions the inclusion of early oils and watercolors by Homer, emphasizing his workmanship. The text also provides a brief commentary on Homer's reputation, style, and the naturalism seen in his works. Additionally, the document mentions Chinese colored wood-block illustrations from a seventeenth-century artist's copy book that are also on display. At the bottom of the text, there are initials "D. A." that likely indicate the author or the person who typed the notice. There are some underlined words throughout the text and some parts of words that appear to be struck-through or overwritten with corrections.
The image shows a newspaper clipping titled "Fogg Museum," dated 2/15/41. The article announces an exhibition at the Fogg Art Museum that will run through April 30. The exhibition features paintings by Winslow Homer, including early oils and watercolors, showcasing some of the best workmanship of this eminent American painter.
The article describes Winslow Homer as one of the most distinguished native artists, noting that although he traveled abroad, he did not borrow much from European sources. Instead, he developed his own wholesome naturalism through concentrated observation. Homer was an observer from a young age, working as an illustrator of American daily life and episodes of the Civil War. Over time, his style evolved from descriptive illustrations to broader, clearer painting, developing a unique style suited to portraying rugged beauty.
At the Fogg Museum, some seacoast scenes are shown, including a watercolor of a canoe negotiating rapids, which the article praises for its vivid depiction.
Additionally, the exhibition includes Chinese colored wood-block illustrations from a seventeenth-century artist’s copybook. These sketches show the Chinese artist's cultivated "handwriting" of flower and plant design, with carefully calculated strokes that indicate color, thickness, and suppleness.
The article is signed with the initials "D. A."
The image is a faded, aged piece of paper with printed text. The text reads: "Fogg Museum 2/15/41 Through April 30, there will be an exhibition at the Fogg Art Museum paintings by Winslow Homer. There are some early oils and a number of water colors. Among the latter are examples of the best workmanship of that eminent American painter. Today Winslow Homer is regarded as one of the most distinguished native artists. While he did travel abroad, he did not borrow much from European sources. He seemed to come to his own wholesome naturalism through concentrated observation. Even in his younger days, as an illustrator of American daily life and episodes of the Civil War, he had always been an observer. But as years passed the illustrator grew less descriptive and an interest in drawing gave way to painting. The painting style became broad, summary and clear—for which there was no match—which seemed suited to his personal responsiveness to rugged beauty. At the Fogg Museum are some of the seacoast scenes. There is the water color of a canoe negotiating some rapids; with what amazing force the artist depicted this vivid scene. Shown also through the month at Fogg are some Chinese colored wood-block illustrations selected from a seventeenth century artist's copy book. In these sketches we may see how carefully the Chinese artist cultivated a "handwriting" of flower and plant design. He calculated his strokes which were ingeniously shaped to indicate color, thickness, and suppleness. D. A."
The image shows a piece of paper or a printed announcement affixed to a light-colored wall. The paper appears to be an exhibit announcement for the Fogg Museum, dated 2/15/54. The text is centered and formatted in a classic, typewriter-style font, giving it a vintage or historical appearance.
Exhibit Information:
Winslow Homer’s Style and Background:
Specific Works Mentioned:
Visual Condition:
The image conveys a sense of historical context, likely from the mid-20th century, and serves as an informative poster or flyer promoting an art exhibition at the Fogg Museum. The content highlights both Homer’s artistic evolution and the inclusion of Chinese wood-block illustrations, offering a glimpse into the museum’s diverse collection. The paper’s physical condition adds to its authenticity and suggests it may have been part of an actual exhibit or promotional material from that era.