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ARCH.2003.28, Rendition: 800564
The image shows a piece of yellowed paper with text, which appears to be a clipping or a news article about an art exhibition at the Fogg Art Museum. The text is dated 2/15/41, indicating it was likely from February 15, 1941. The article discusses an exhibition featuring the works of Winslow Homer, a renowned American painter, and also mentions Chinese colored wood-block illustrations.
The key points from the text include:
The paper has some visible creases and a tear on the right side, indicating it is an older document.
The image is a photograph of a vintage newspaper clipping dated 2/15/41. The clipping is about an exhibition at the Fogg Art Museum featuring paintings by Winslow Homer. The text describes the exhibition, which includes some early oil paintings and watercolors, highlighting the best workmanship of the American painter.
Winslow Homer is regarded as one of the most distinguished native artists, known for his wholesome naturalism developed through concentrated observation. The article mentions his early work as an illustrator of American daily life and episodes of the Civil War. As he matured, his style evolved from descriptive drawing to a broader, summary, and clear painting style that suited his personal responsiveness to rugged beauty.
The exhibition at the Fogg Museum includes some of Homer's seacoast scenes, such as a watercolor of a canoe navigating rapids. Additionally, the museum is showing Chinese colored wood-block illustrations from the seventeenth century, selected from an artist's copy book, showcasing the artist's careful cultivation of a "handwriting" of flower and plant design.
The clipping is slightly worn and torn on the right side, with some handwritten text visible on the back side. The author's initials, D.A., are at the bottom of the clipping.
This image displays a single, aged newspaper clipping with a yellowed, slightly brittle appearance, mounted or placed against a plain, neutral gray background. The clipping has uneven, torn edges on the right side and a small, jagged tear near the center-right.
At the top, the heading reads “Fogg Museum 2/15/41” in a bold, serif font, indicating the institution (Fogg Museum, now part of the Harvard Art Museums) and the date of the clipping (February 15, 1941).
The main text is a short article, written in a dense, justified column of small, black serif typeface. It promotes an art exhibition through April 30, 1941, featuring paintings by Winslow Homer, describing the works as including early oils and a number of watercolors, with particular emphasis on the artist’s mastery and naturalistic style. The article praises Homer as one of America’s most distinguished native artists, noting his observational approach and his evolution from illustrator to painter, especially highlighting his depictions of American daily life and Civil War scenes. It also specifically references a “vivid scene” of a canoe negotiating rapids and mentions a concurrent display of “Chinese colored wood-block illustrations” from a 17th-century copybook, noting their careful cultivation of “handwriting” in flower and plant design.
At the bottom right corner, the byline “D. A.” appears, likely indicating the author’s initials. A faint handwritten vertical marking runs along the right margin, partially legible as, “Open Sat. 8 am to 6 30 pm Science Museum,” likely an archival or organizational note added later.
Overall, the clipping reflects mid-20th-century museum publicity and art criticism, highlighting two distinct bodies of work — American realism and Chinese botanical illustration — with admiration for craftsmanship and observation. The physical state of the paper suggests it is a historical artifact itself.
The image shows a piece of paper with a newspaper article printed on it. The article is about an exhibition at the Fogg Art Museum, which features works by Winslow Homer, a renowned American painter. The exhibition runs through April 30 and showcases Homer's watercolor paintings, including early oils and water colors. The article highlights Homer's unique style, which is described as broad, summary, and clear, and his ability to capture the vividness of scenes, such as seacoast scenes and Chinese wood-block illustrations. The article also mentions that Homer was an observer of American daily life and episodes of the Civil War, and his work reflects his personal responsiveness to the subjects he depicted. The article is signed by D.A., likely the author of the piece.
The image is a faded, aged piece of paper with printed text. The text reads: "Fogg Museum 2/15/41 Through April 30, there will be an exhibition at the Fogg Art Museum paintings by Winslow Homer. There are some early oils and a number of water colors. Among the latter are examples of the best workmanship of that eminent American painter. Today Winslow Homer is regarded as one of the most distinguished native artists. While he did travel abroad, he did not borrow much from European sources. He seemed to come to his own wholesome naturalism through concentrated observation. Even in his younger days, as an illustrator of American daily life and episodes of the Civil War, he had always been an observer. But as years passed the illustrator grew less descriptive and an interest in drawing gave way to painting. The painting style became broad, summary and clear—for which there was no match—which seemed suited to his personal responsiveness to rugged beauty. At the Fogg Museum are some of the seacoast scenes. There is the water color of a canoe negotiating some rapids; with what amazing force the artist depicted this vivid scene. Shown also through the month at Fogg are some Chinese colored wood-block illustrations selected from a seventeenth century artist's copy book. In these sketches we may see how carefully the Chinese artist cultivated a "handwriting" of flower and plant design. He calculated his strokes which were ingeniously shaped to indicate color, thickness, and suppleness. D. A."
The image shows a piece of paper or a printed announcement affixed to a light-colored wall. The paper appears to be an exhibit announcement for the Fogg Museum, dated 2/15/54. The text is centered and formatted in a classic, typewriter-style font, giving it a vintage or historical appearance.
Exhibit Information:
Winslow Homer’s Style and Background:
Specific Works Mentioned:
Visual Condition:
The image conveys a sense of historical context, likely from the mid-20th century, and serves as an informative poster or flyer promoting an art exhibition at the Fogg Museum. The content highlights both Homer’s artistic evolution and the inclusion of Chinese wood-block illustrations, offering a glimpse into the museum’s diverse collection. The paper’s physical condition adds to its authenticity and suggests it may have been part of an actual exhibit or promotional material from that era.
This image shows a typewritten document with a date stamp at the top that reads "Fogg Museum 2/15/44." The text discusses an exhibition at the Fogg Art Museum featuring paintings by Winslow Homer, running through April 30. It mentions the inclusion of early oils and watercolors by Homer, emphasizing his workmanship. The text also provides a brief commentary on Homer's reputation, style, and the naturalism seen in his works. Additionally, the document mentions Chinese colored wood-block illustrations from a seventeenth-century artist's copy book that are also on display. At the bottom of the text, there are initials "D. A." that likely indicate the author or the person who typed the notice. There are some underlined words throughout the text and some parts of words that appear to be struck-through or overwritten with corrections.
The image shows a newspaper clipping titled "Fogg Museum," dated 2/15/41. The article announces an exhibition at the Fogg Art Museum that will run through April 30. The exhibition features paintings by Winslow Homer, including early oils and watercolors, showcasing some of the best workmanship of this eminent American painter.
The article describes Winslow Homer as one of the most distinguished native artists, noting that although he traveled abroad, he did not borrow much from European sources. Instead, he developed his own wholesome naturalism through concentrated observation. Homer was an observer from a young age, working as an illustrator of American daily life and episodes of the Civil War. Over time, his style evolved from descriptive illustrations to broader, clearer painting, developing a unique style suited to portraying rugged beauty.
At the Fogg Museum, some seacoast scenes are shown, including a watercolor of a canoe negotiating rapids, which the article praises for its vivid depiction.
Additionally, the exhibition includes Chinese colored wood-block illustrations from a seventeenth-century artist’s copybook. These sketches show the Chinese artist's cultivated "handwriting" of flower and plant design, with carefully calculated strokes that indicate color, thickness, and suppleness.
The article is signed with the initials "D. A."
This is a cut-out newspaper article about an exhibition at the Fogg Museum, dated 2/15/41. The article discusses paintings by Winslow Homer showcased at the museum until April 30. It describes Homer's works, highlighting his transition from an illustrator of American daily life and the Civil War to a painter with a broad, clear, and unique style, emphasizing naturalism and rugged beauty.
The article also mentions some seacoast scenes, such as a watercolor painting of a canoe navigating rapids, and the distinctiveness of Homer's style. Furthermore, it describes a separate exhibit of Chinese colored wood-block illustrations by a 17th-century artist, focusing on the artist's attention to detail and skill in plant and flower designs. The article credits the author as “D.A.” at the end. The paper is slightly yellowed with some tears on the edges.
A small, vertical newspaper clipping mounted on a gray background. It’s an aged tan color with a header that reads “Fogg Museum” (handwritten date at the top). The article describes an exhibition at the Fogg Art Museum of Winslow Homer paintings, noting early oils and many watercolors, and praise for Homer as a distinguished American painter. It discusses his naturalistic approach, his move from illustration to painting, and mentions seacoast scenes, a watercolor of a canoe, and Chinese colored wood-block illustrations from a 17th-century copy book. The piece ends with the initials “D. A.”