Archives Scrapbooks

This image displays a single, aged, yellowed page from a press clipping service, dated in March 1941. The page is titled "National Gallery, Washington" at the top, suggesting the content is a collection of news articles and announcements related to this institution.

The most prominent feature is a large headline on the upper left:

"Gallery Gets Boston Prints"
Work of Old Masters Put on National Display
By Miss Ellen T. Bullard and Three Others

This article, dated MAR 18 1941, details the acquisition of 375 Italian paintings and 18 pieces of sculpture from the estate of Samuel H. Kress for the National Gallery of Art in Washington, D.C. It mentions that the collection will serve as the nucleus for a print department and will be exhibited alongside works by three other donors: Miss Bullard, Justice Hughes, and Paul Mellon. The article also discusses the museum's broader policy of acquiring works by living American artists and contemporary art.

The rest of the page is filled with smaller, repetitive notices from the Press Clipping Service located at 2 Park Square, Boston, Mass., which are clearly press releases or announcements for the Fogg Art Museum at Harvard University in Cambridge, MA. These clippings are dated between March 21 and March 30, 1941.

The content of these repeated notices promotes several concurrent exhibitions at the Fogg Art Museum, including:

• “Graphic Art of Greece, Rome, and Byzantium” (through April 19)
• “American Water Colors of the XIX and XX Centuries” (through April 1)
• “Early American Portraits and Decorative Arts” in the Nashway Room (through April 1)
• “Chinese and Japanese Wood Block Prints” (through March 30)

The notices specify that the museum is open Tuesday through Saturday from 9:30 a.m. to 5 p.m. (or 4:30 p.m.), and free to the public (though some events like concerts may require tickets).

The document has standard features of a press clipping service:

• Multiple identical notices from the same source, likely distributed to different newspapers.
• Pre-printed headers for "Press Clipping Service" and their address.
• Stamped or typed dates indicating when the clipping or release was circulated (MARCH 18, 19, 21, 22, 23, 24, 29, 30 1941).
• Aged paper with visible staining, discoloration, and three punched holes along the left margin, indicating it was likely stored in a binder.

In summary, this is a historical artifact—a press clipping service sheet from March 1941—that documents major art acquisitions by the National Gallery of Art and concurrent exhibitions at the Fogg Art Museum, serving as a snapshot of cultural events in the Boston-Washington corridor during the early 1940s.

This image appears to be a page from a scrapbook or collection of newspaper clippings and announcements, dated from March 20, 1941, to March 30, 1941. The page is titled "National Gallery, Washington" and includes various newspaper clippings from different sources such as "The Transcript," "The Post," and "The Christian Science Monitor," all located in Boston, Massachusetts.

The main article, titled "Gallery Gets Boston Prints," discusses the opening of the National Gallery of Art and the announcement that a collection of Old Master prints would be given to the gallery by four collectors, including Miss Ellen T. Bullard of Boston. The article mentions the excitement surrounding the event and the attendance at the opening ceremonies.

The page also includes other news items, such as an announcement about the Fogg Art Museum in Cambridge, Massachusetts, which featured exhibitions of Chinese and Japanese woodblock prints, Etruscan wall paintings, and American watercolors. The clippings are organized in a chronological order, with the date of each newspaper clipping noted in the header of each clipping.

The page has a vintage appearance, with yellowed paper and faded ink, giving it the look of a historical document.

This image is a scanned document from the early 1940s, containing several clippings and notes related to the National Gallery of Art in Washington, D.C., and the Fogg Art Museum at Harvard University in Cambridge, Massachusetts. The document appears to be a compilation of press clippings and information gathered by a press clipping service based in Boston, Massachusetts.

Key Elements in the Image:

1. Handwritten Note at the Top:

   • The top of the page has a handwritten note that reads "National Gallery, Washington."

2. Main Article:

   • The largest clipping is an article titled "Gallery Gets Boston Prints," written by William Germain Dooley, the Transcript Art Editor, dated March 18, 1941. The article discusses the donation of a collection of Old Master prints to the National Gallery of Art by four collectors, including Miss Ellen T. Bullard of Boston. It mentions the significance of the event, the large attendance at the opening ceremony, and the museum's policy toward work by living artists.

3. Press Clippings:

   • There are several smaller clippings from various sources, including the "Transcript," the "Herald," and the "Christian Science Monitor," all dated between March 21 and March 30, 1941. These clippings provide additional information about the Fogg Art Museum, its exhibitions, and its opening hours.

4. Information about the Fogg Art Museum:

   • The clippings detail the exhibitions at the Fogg Art Museum, including:
     • Chinese and Japanese woodblock prints from the seventh century to 1940 and the tools used to make them.
     • American watercolors of the 19th and 20th centuries.
     • The graphic art of Goya.
     • Etruscan wall paintings from fifth-century tombs at Tarquinia.
   • The museum's opening hours are also mentioned: weekdays from 9 a.m. to 5 p.m., except national holidays, and free admission on Sundays from 1 to 5 p.m. through June 29.

5. Additional Notes:

   • There are some handwritten notes and markings on the clippings, possibly for organizational or reference purposes.

Context:

The document provides a snapshot of the cultural and artistic news in the early 1940s, focusing on the National Gallery of Art and the Fogg Art Museum. It highlights the importance of art collections, exhibitions, and the role of museums in preserving and showcasing art for public enjoyment and education. The clippings also reflect the media coverage of these institutions during that period.

The image depicts a collection of press clippings, likely from a newspaper, arranged on a piece of paper. The clippings are from different dates and sources, all centered around the theme of art exhibitions and museum events. The clippings are arranged in a somewhat haphazard manner, with some overlapping each other. The text in the clippings is mostly in black ink, with some headlines in bold or larger font. The clippings appear to be from the early 1900s, based on the style of the text and the dates mentioned.

The image is a collection of press clippings and transcripts from various newspapers and magazines, dated around March 1941. The clippings are organized under the heading "Press Clipping Service" and are from locations such as Boston, Massachusetts, and Cambridge, Massachusetts. The clippings include articles about art exhibitions, museum openings, and cultural events. The articles are from sources like the "Boston Transcript," "Christian Science Monitor," and "Post." The clippings provide information about the exhibitions of old masters' prints at the National Gallery, the opening of the Fogg Art Museum at Harvard University, and special exhibitions at the Fogg Art Museum. The documents are on aged paper, giving them an antique appearance, and some of them have marks and stains, indicating their age and handling over time.

Description of the Image:

The image depicts a transcript or photocopy of a newspaper article titled "Gallery Gets Boston Prints", dated March 18, 1941, from the Boston Transcript. The article is part of a Press Clipping Service from 2 Park Square, Boston, Mass. The document is typed and appears to be a formal transcript, likely preserved for archival or research purposes.

Main Content of the Article:

1. Headline and Subheading:

   • Headline: "Gallery Gets Boston Prints"
   • Subheading: "147 Work of Old Masters Put on National Display By Miss Ellen T. Bullard and Three Others"

2. Byline and Source:

   • The article is written by William German Dooley, identified as the Transcript Art Editor.
   • It discusses an exhibition of 147 Old Master prints at the National Gallery of Art in Washington, D.C.

3. Key Points in the Article:

   • Exhibition Details:

     • The prints were donated by Miss Ellen T. Bullard and three others.
     • The collection includes works by renowned artists such as Raphael, Rubens, Rembrandt, and Van Dyck.
     • The prints span a period of over two centuries, dating back to the late 16th century.
     • The prints are described as "the nucleus of a fine art collection" and are noted for their historical and artistic significance.

   • Donors and Their Contributions:

     • Miss Ellen T. Bullard donated three prints.
     • Other donors contributed the remaining 144 prints.
     • The prints are part of a larger collection of over 300 Italian paintings, 18 pieces of sculpture, and other items, all donated to the National Gallery.

   • Significance of the Donation:

     • The donation is highlighted as a major contribution to the National Gallery, especially given the absence of other national collections in the United States.
     • The prints are noted for their historical value, with many dating back to the late 16th and 17th centuries.
     • The article emphasizes that the prints will be permanently displayed at the National Gallery, enhancing its collection.

   • Reactions and Impact:

     • The article quotes President Samuel H. Kress, who donated 57 Italian paintings, expressing his enthusiasm for the acquisition.
     • It also mentions David Finley, the director of the National Gallery, who praised the donation as a significant addition to the museum's holdings.

4. Additional Context:

   • The article discusses the policy of the National Gallery to acquire works of art from various countries, noting the absence of Spanish, French, and later Italian paintings in its collection.
   • It highlights the cultural importance of the prints, which include works by artists such as Raphael, Rubens, Rembrandt, and Van Dyck, and emphasizes their role in enriching the museum's holdings.

5. Layout and Structure:

   • The article is formatted in a columnar style, typical of newspaper layouts from the early 20th century.
   • It includes headlines, bylines, and subheadings to organize the information.
   • The text is dense and informative, focusing on the historical and artistic significance of the prints and the donors.

6. Additional Clippings:

   • The image also includes other press clippings from the same service, dated between March 21, 1941, and March 30, 1941. These clippings cover various topics, such as:
     • Fogg Art Museum exhibitions (e.g., Japanese woodblock prints, American watercolors).
     • Harvard University art exhibitions.
     • Food Museum events.
     • Christian Science Monitor articles.

Visual Characteristics:

• The document is typed on plain paper, with a slightly faded appearance, suggesting age and preservation.
• The text is clearly legible, with consistent formatting typical of newspaper transcripts.
• The header includes the Press Clipping Service details, indicating it is part of an archival collection.
• The page number "14" is visible in the top right corner, suggesting this is part of a larger document or collection.

Overall Impression:

The image captures a historical newspaper transcript detailing a significant cultural event—the donation of 147 Old Master prints to the National Gallery of Art in Washington, D.C., in 1941. The article emphasizes the artistic and historical value of the prints, the generosity of the donors, and the enrichment of the National Gallery's collection. The inclusion of additional clippings suggests this document is part of a broader archival collection, likely used for research or historical reference.

The image shows a scrapbook page containing several newspaper clippings related to art exhibits and a gallery receiving Boston prints for national display. The main article is titled "Gallery Gets Boston Prints," discussing contributions from artists like Miss Ellen T. Bullard. Smaller clippings are organized around the main one, including press mentions from publications like The Boston Transcript, Herald, Christian Science Monitor, and others, with visible dates in March 1941. The clippings appear curated for archival purposes and are adhered to a brown paper backing with visible aging and some spots. The handwritten note at the top appears to reference the "National Gallery, Washington."

• A single aged scrapbook page with a warm brown, yellowed tone and several newspaper clippings glued to it.
• The page has two narrow columns of small clippings on the right and a larger feature clipping in the left-center.
• At the top left is a handwritten note that seems to read “National Gallery, Washington,” and the top right has a page number (14).
• The main large clipping in the left-center is titled “Gallery Gets Boston Prints” and discusses works by old masters on a national display, credited to Miss Ellen Bullard and three others.
• Surrounding the main article are numerous smaller “Press Clipping Service” notices from Boston newspapers, each with a 1941 date (e.g., MAR 23, 1941; MAR 21, 1941; MAR 30, 1941) and the address “2 Park Square, Boston, Mass.” or similar museum names like Fog Art Museum, Harvard University, Cambridge.
• The page shows signs of aging and glue marks, with small holes along the left edge from being bound in a folder.
• Overall, it appears to be a vintage collage or press-clipping montage focusing on art exhibitions and Boston prints from the early 1940s.

The image shows a page containing several newspaper clippings from a press clipping service, dated from March 18, 1941, to March 30, 1941. The clippings are from various newspapers and cover different topics, primarily related to art exhibitions and events. You can see the title "Gallery Gets Boston Prints" as a prominent article in the top left corner, indicating the acquisition of art prints by a gallery. The header also shows "Press Clipping Service, 2 Park Square, Boston, Mass." suggesting the location of this service.

Each clipping includes a headline, the source publication's name such as "Christian Science Monitor," "Herald," or "Post," and a date. The physical condition of the paper appears aged, with some discoloration and what looks to be water stains or similar damage. The page is annotated in the top left corner with what seems to be "National Gallery Washington." The text of the articles and the exact details of the events they describe are mostly not readable due to the image's resolution and size.

Such pages would be used for archival, research, or reference purposes, collecting mentions and articles about specific subjects for further review or study.

The image shows a scrapbook page with multiple newspaper clippings pasted on it. The page is titled "National Gallery, Washington" handwritten at the top.

The large central clipping is an article titled "Gallery Gets Boston Prints; York of Old Masters Put on National Display By Miss Ellen T. Bullard and Three Others" by William Gormley, Assistant Transcript Art Editor, dated March 18, 1941. The article discusses the announcement of Boston prints being put on display at the National Gallery of Art, including works by Boston artists and the significance of this exhibition.

Surrounding this main article are numerous smaller clippings from the "Press Clipping Service" of Boston, Massachusetts. These clippings include:

• Transcripts dated March 18, 19, 20, 21, 22, 23, 24, 29, and 30 of 1941.
• Articles from newspapers such as the Post, Herald, Christian Science Monitor, and Gateway.
• Mentions of exhibits and events at Fogg Art Museum, Harvard University, and Cambridge, featuring American and European art, Chinese and Japanese woodblock prints, and a graphic art exhibition focused on Goya running through April.
• Information about opening times, admission details, and special exhibits at Fogg Art Museum.
• Some clips mention significant figures such as President Edwin Jackson Holmes and Director George Harold Edgell of the Boston Museum of Fine Arts.

The overall theme is focused on art exhibitions, particularly prints and watercolors, with an emphasis on the cultural exchange between Boston institutions and major national venues like the National Gallery. The page is yellowed and has a few minor stains, indicating its age.