Archives Scrapbooks

This image displays a single, aged, yellowed page of paper, likely a press clipping or internal memo, from the Press Clipping Service located at 2 Park Square, Boston, Mass. The page is dated March 8, 1941, and appears to be part of a larger file, indicated by the number "13" in the top left corner and two hole punches on the right side.

The page is filled with clippings from various Boston newspapers, all concerning art exhibitions and events in late February and March 1941. At the top, a handwritten note in blue ink reads: "Morgan manuscript March 4-13, 1941", suggesting this page was created to archive press coverage related to an exhibition or event concerning the Morgan Library's manuscripts during that period.

The main clipping on the left is from the Transcript (Boston, Mass.) and is titled:

"Morgan Art
Early Examples of Illuminated Manuscripts
And Miniatures on View at Fogg Art Museum
By WILLIAM GERMAIN DOOLEY"

This article details an exhibition at the Fogg Art Museum (Harvard University) showcasing "Early Examples of Illuminated Manuscripts and Miniatures," drawn primarily from the Pierpont Morgan Library. The exhibit, running from March 4 to March 13, 1941, features rare manuscripts from the 11th to 18th centuries, including Persian miniatures and European works. The article includes commentary on specific pieces and artists, such as John Reed's "Criticism" and "Molly Luce Retrospective."

To the right, four smaller clippings from the Cambridge Herold, Post, and Christian Science Monitor provide additional details on the Fogg Art Museum's activities and exhibitions during the same period:

1. Cambridge Herold (Mar 16, 1941): Details exhibition hours and other shows, including a "Dada" show, Chinese and Japanese woodblock prints, and American watercolors.
2. Boston Post (Mar 16, 1941): Repeats information about the "Fogg Art Museum, Harvard Col[lege]" and lists exhibitions, including the loan from the Morgan Library and a lecture series.
3. Christian Science Monitor (Mar 17, 1941): Mentions the "Fogg Museum of Art, Cambridge—Open... through March 22," specifically referencing the Morgan Library loan and a lecture on "American Art—Problems of Interpretation."

The clippings collectively document a significant cultural event in Boston: the temporary loan and exhibition of precious manuscripts and miniatures from the renowned Pierpont Morgan Library to the Fogg Art Museum, highlighting the shared interest between New York and Boston's cultural institutions during that time. The page serves as a historical archive of media coverage for this specific event.

The image appears to be a page from a scrapbook or a collection of newspaper clippings, dated from March 8, 1941, to March 17, 1941. It contains a variety of articles and notices related to art exhibitions and events, specifically about the Fogg Art Museum at Harvard University and the works on display.

The articles mention various exhibitions such as "Early Examples of Illuminated Manuscripts And Miniatures on View at Fogg Art Museum," featuring works from the Pierpont Morgan Library. It also includes a mention of a retrospective of Molly Luce's art and a debate on modern art scheduled to take place at the Whistler House in Lowell.

The page is filled with newspaper cutouts, some of which are slightly torn, indicating they might have been carefully preserved over time. The overall tone of the content suggests an interest in the arts and cultural events of the time.

This image shows a vintage news clipping page from a press clipping service in Boston, dated March 8 to March 17, 1941. The page contains several articles and announcements about art exhibitions and events at the Fogg Art Museum in Cambridge, Massachusetts. Here is a detailed breakdown:

1. Main Article on the Left:

   • Title: "Morgan Art"
   • Subtitle: "95 Early Examples of Illuminated Manuscripts And Miniatures on View at Fogg Art Museum"
   • Author: William Germain Dooley
   • The article discusses a loan of rare illuminated manuscripts and miniatures from the Pierpont Morgan Library. It mentions the historical range of the manuscripts, from the 11th to the 15th century, and their significance. The article also highlights specific works, such as the North French Flanders Four Gospels and the Paris Missal.

2. Additional Articles and Announcements:

   • Cambridge: This section provides details about the Fogg Art Museum, including its location, opening hours, and various exhibitions. It mentions exhibitions such as Chinese and Japanese woodblock prints, American water colors of the 19th and 20th centuries, and graphic art of Goya.
   • Herald: This section repeats the information about the Fogg Art Museum exhibitions.
   • Post: This section includes information about a debate on modern art to be held at the Whistler House in Lowell.
   • Christian Science Monitor: This section also repeats the information about the Fogg Art Museum exhibitions.

3. Dates and Stamps:

   • The page has several stamps and markings indicating the dates the articles were clipped and the sources of the clippings. The dates range from March 8 to March 17, 1941.

4. Visual Elements:

   • The page is made of aged paper with visible creases and some stains. The text is printed in black ink, and there are some handwritten notes, such as "Morgan manuscript" at the top.

Overall, the image provides a historical snapshot of art exhibitions and cultural events in Boston and Cambridge in the early 1940s.

The image is a page from a press clipping service, which appears to be a compilation of newspaper articles, likely from the early to mid-20th century. The page is organized into several sections, each containing a different article or announcement. The clippings are attached to a beige-colored background, which is slightly worn and has a few holes, suggesting that the page has been handled frequently.

The top left section features an article titled "Morgan Art: Early Examples of Illuminated Manuscripts and Miniatures on View at Fogg Art Museum." The article is authored by William Germain Dooley and discusses a collection of rare illuminated manuscripts and miniatures on loan from the Pierpont Morgan Library. The text describes the historical significance and artistic value of these artifacts, which span from the 13th to the 15th century.

Below this article, there is a smaller section titled "Development Toward Humanism," which seems to discuss the evolution of art and its connection to the emergence of humanism. This section is followed by another article titled "Aiden Riddle's Game Birds," which appears to be about an artist named Aiden Riddle and his work depicting game birds.

Further down the page, there is an article titled "Molly Luce Retrospective," which announces a retrospective exhibition of the work of Molly Luce, an artist who has been active since 1928. The article provides details about the exhibition, including the dates and location.

The right side of the page contains several smaller clippings, each with a different headline. These include articles about various art exhibitions, museum events, and art-related news. The headlines suggest a focus on the art scene in Boston and Cambridge, Massachusetts, with mentions of institutions like the Fogg Art Museum and the Harvard University Art Museums.

The clippings are arranged in a somewhat haphazard manner, with some overlapping and others spaced apart. The text is printed in a serif font, typical of newspaper articles from the period. The overall appearance of the page suggests that it was created for reference or archival purposes, possibly for researchers, art historians, or collectors interested in the art scene of the time.

The image shows a collection of newspaper clippings, organized in a scrapbook. The clippings cover a range of topics, including art exhibitions, museum openings, and cultural events. The clippings date from March 4 to March 17, 1941, and are sourced from various newspapers, including the "Boston Transcript," "Boston Herald," "Boston Post," and "Christian Science Monitor." The clippings feature articles on exhibitions of illuminated manuscripts and miniatures at the Fogg Art Museum, the opening of the Museum of Fine Arts, and the exhibition of works by artists such as John Singer Sargent and John Singer Sargent. The scrapbook also includes clippings on the "Molly Luce Retrospective" exhibition at the Museum of Fine Arts, which featured works by the artist Molly Luce. The clippings provide a snapshot of the cultural and artistic events in Boston during the early 1940s.

The image shows a page from a newspaper clipping service, specifically from the "Press Clipping Service" based in Boston, Massachusetts. The page is dated March 8, 1941, and includes several articles and advertisements clipped from various publications. Here is a detailed description:

Layout and Content

1. Header Information:

   • The top of the page features the header: "Press Clipping Service", along with the address: "2 Park Square, Boston, Mass."
   • The date "MAR 8 1941" is prominently displayed at the top right corner.

2. Main Articles:

   • Left Column:

     • Title: "Morgan Art: Early Examples of Illuminated Manuscripts And Miniatures on View at Fogg Art Museum"
     • Byline: By WILLIAM GERMAN DOLEY
     • Content: The article discusses an exhibition of illuminated manuscripts and miniatures at the Fogg Art Museum in Cambridge, Massachusetts. It highlights the historical and artistic significance of these works, spanning from the 8th to the 18th century. The article mentions examples from various cultures, including Persian, Indian, and European art, and emphasizes the meticulous craftsmanship involved in these illuminated texts.

   • Right Column:

     • Title: "Fogg Art Museum, Cambridge, Quincy Street and Broadway, Open 9 a.m. to 5 p.m. daily except Sunday. Open 9 a.m. to 12 noon on Sunday."
     • Content: This section provides practical information about the Fogg Art Museum, including its location, operating hours, and special exhibitions. It also mentions a lecture series and events scheduled for March 1941.

3. Additional Articles:

   • Below the main article on the left, there are smaller headlines and snippets, including:
     • Debate on Modern Art: A mention of a debate scheduled for March 11 at 8 P.M. at the Fogg Museum, featuring speakers such as Robert Vosper, Bartlett Hayes, and others.
     • Molineux Retrospective: A brief note about an exhibition of works by Molineux, a 19th-century artist, at the Fogg Museum.

4. Advertisements and Notices:

   • Top Right: An advertisement for the Fogg Art Museum, reiterating its location and hours.
   • Bottom Right: A notice about a lecture series at the Christian Science Monitor, dated March 17, 1941.

5. Visual Elements:

   • The page is typed and appears to be part of a scrapbook or archive, with handwritten annotations visible at the top, such as "Morgan Manuscript" and "March 4, 1941".
   • The text is formatted in a newspaper style, with columns and clear headings.

Contextual Details:

• The page reflects the cultural and artistic interests of the early 1940s, focusing on art exhibitions, lectures, and debates about modern art.
• The Fogg Art Museum is highlighted as a central venue for art exhibitions and educational events.
• The inclusion of dates, locations, and specific details (e.g., exhibition hours, lecture topics) suggests this clipping was intended for someone interested in art, history, or cultural events.

Overall Impression:

The image captures a snapshot of mid-20th-century art and cultural life, showcasing how newspapers and clipping services were used to disseminate information about exhibitions, lectures, and debates. The page is a historical artifact that provides insight into the artistic and intellectual climate of the time.

This image shows a scrapbook page focused on a 1941 event at the Fogg Art Museum, showcasing illuminated manuscripts and miniatures. The page includes a primary newspaper article titled "Morgan Art: 19th Early Examples of Illuminated Manuscripts and Miniatures on View at Fogg Art Museum" by William Germain Dooley. The main article discusses the exhibit and the historical significance of the artworks.

The page also contains smaller clippings collected from various publications (marked with "Press Clipping Service" from Boston, Mass.), each dated around mid-March 1941. These clippings appear to cover related events or exhibits at the museum. The scrapbook layout is on aged, brown paper with visible adhesive residue and handwritten notes, such as "Morgan manuscripts / March 14-15, 1941."

It gives a retrospective view of press coverage about the museum's event and emphasizes meticulous archival work.

• A vintage scrapbook page (tan/brown paper) with several newspaper clippings glued on.
• The left side features a full-length article titled “Morgan Art: Early Examples of Illuminated Manuscripts And Miniatures on View at Fogg Art Museum” by William German Dooley. It describes an exhibition related to the Morgan collection (illuminated manuscripts) at the Fogg Art Museum.
• The right side contains multiple small “Press Clipping Service” clips from Boston area papers (Boston Transcript, Herald, Post, etc.) with stamped dates such as March 1941 (and some notes like MAR 6/8 1941).
• Some small notes/labels reference the Fogg Art Museum (Harvard University Library) and Cambridge/Boston exhibition details.
• The page shows signs of age: yellowed, torn edges, two punched holes on the right for binder storage.
• Overall, it looks like a mid-20th-century press clipping collage about art exhibitions, especially illuminated manuscripts at the Fogg Museum.

This image shows a page with several newspaper clippings from different dates in March 1941, all provided by the Press Clipping Service, 2 Park Square, Boston, Massachusetts. At the top left, there's a handwritten note that reads "Morgan Manuscripts" and a date, "March 13 -1941".

The largest clipping, which seems to be the central article, is headlined "Morgan Art" and is about "Early Examples of Illuminated Manuscripts And Miniatures on View at Fogg Art Museum." This article is by William George Constable and notes that it features items from the Pierpont Morgan Library.

The other clippings are dated March 16, 1941, and March 18, 1941, and cover different topics, including an exhibit at the Cambridge library about "Medieval art in many forms" and another mentioning "modern art debate" at the Museum of Fine Arts.

The background of the page is a warm beige, and on the right side of the paper, you can see the old binding holes, indicating that this page was likely part of a compiled collection or a scrapbook. There's also a blue stamp or printing mark on the right side close to the edge, possibly a part of the clipping service or collection process.

The image shows a scrapbook page titled "Morgan Art." It contains several newspaper clippings from different Boston newspapers, dated around March 1941. These clippings cover topics related to early examples of illuminated manuscripts and miniatures on view at the Fogg Art Museum, part of Harvard University.

Key details include:

• A main article titled "Morgan Art," discussing a brief display of rare illuminated manuscripts and miniatures from the Pierpont Morgan Library at the Fogg Art Museum.
• The article covers topics such as development toward humanism in art, exhibitions of medieval manuscripts, and retrospectives including one on Molly Luce.
• Multiple smaller clippings from Boston newspapers such as the Transcript, Herald, Post, Christian Science Monitor, etc., provide brief notes or announcements about the exhibits and related events, including dates and highlights of exhibited artworks.
• There is a handwritten note at the top reading "Morgan Manuscripts March 4-15, 1941."
• The clipping talks about various exhibits of art, references specific dates, and the role of different figures and institutions in the exhibition.

The page is a historical collection documenting press coverage of the Fogg Art Museum's exhibition of illuminated manuscripts from early March 1941. There are hole punches on the right side of the page, suggesting it was part of a bound scrapbook. The page is aged, with some browning and a torn lower left corner.