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The image is a page from the Harvard Alumni Bulletin, dated November 17. The content discusses recent acquisitions and exhibitions at the Fogg Museum, focusing on Spanish art.

1. New Fogg Museum Panel:

   • A new panel at the Fogg Museum is highlighted, believed to be a missing portion of a retable from St. Peter of the Friars Preachers, dated to 1411.
   • The artist is not yet confirmed, but Soler y March had communicated the date to the Archive of the Notarial Protocols of Barcelona.
   • The panel is part of an exhibition featuring Spanish art from the 12th to the 15th centuries, including works from Guardiola and St. Clara at Vich.

2. Artistic Analysis:

   • The new picture is compared to the works of Luis Borrassá and Pedro Serra, noting stylistic similarities and differences.
   • Borrassá's international style and Serra's use of light and shade are discussed, with references to scholarly works by Soler y March, Bassegoda, and others.

3. Recent Acquisitions:

   • The Fogg Museum received a column from the Monastery of San Pablo de Antealtares in Santiago de Compostela, featuring sculpted and painted ceramics.
   • The Spanish government facilitated this gift through the National Archaeological Museum.

4. Sahagún Tomb:

   • The Sahagún Tomb, previously exhibited in Cambridge, has been returned to Spain.
   • The tomb is a significant sepulchral sculpture from the Middle Ages, featuring figures of angels and the sepulchral stone of Alfonso, son of Count Pedro Ansurez.
   • Negotiations for its return involved the National Archaeological Museum and the Fogg Museum.

5. Double Capital from Santa Maria de Aguilar de Campoo:

   • A double capital from Santa Maria de Aguilar de Campoo is noted for its intricate decorations and craftsmanship, reflecting the Middle Ages' workmanship.

6. International Significance:

   • The exchange of these artifacts is praised for its international significance and the cooperation between the Fogg Museum and the Spanish Government.
   • The International Office of Museums of the League of Nations acknowledged this interchange.

The article underscores the historical and artistic value of these items and the collaborative efforts between institutions to preserve and exhibit them.

The image is a page from the Harvard Alumni Bulletin dated November 17, specifically page 220. It discusses two main topics related to the Fogg Museum's acquisitions.

1. Retable of St. Peter:

   • The document mentions a missing panel from the retable of St. Peter, dated to the year 1411, which is part of the new Fogg Museum panel. The retable has been authenticated by Soler, and the date is confirmed by the Notarial Protocols of Barcelona.

2. Exhibition of Luis Borrasí:

   • It highlights an exhibition at the Fogg Museum showcasing an assortment of Spanish art from the 12th to the 15th centuries. The work of Luis Borrasí, a pupil of Pedro Serra, is featured prominently. The article discusses the influence of Borrasí's style and the significance of his work within the broader context of Spanish painting.

Additionally, the page includes a detailed section about the return of a significant historical artifact:

• The Sahagun Tomb:

  • The tomb from the Sahagun family, which has been on display in Cambridge for many years, is now being returned to Spain. This tomb, dating back to the Middle Ages, is a significant sepulchral sculpture and has been a part of the Fogg Museum's collection since 1926.
  • The Spanish Government and the National Archaeological Museum negotiated to return this tomb to Spain. The return of the tomb is appreciated by the Fogg Museum as it enhances the museum's historical and artistic value.

• San Payo Column:

  • The Fogg Museum received a marble column from the Monastery of San Payo de Antealtares, Santiago de Compostela, and other items from the Spanish government. These items are significant for their historical and artistic merit, especially the San Payo column, which represents a transitional phase in Spanish sculpture.

The exchange and return of these items are noted for their importance and are highlighted as contributions to the enrichment of both museums' collections. The document also includes references to scholarly works and publications related to these acquisitions.

HARVARD ALUMNI BULLETIN

house at Tarrasa. If the new Fogg Museum panel is one of the missing portions of the retable of St. Peter, it may be definitely dated in the year 1411. The document, however, which attests to this date for the retable has not yet been published: Soler y March had the date communicated to him from the Archive of the Notarial Protocols of Barcelona.

The new picture now on exhibition at the Fogg Museum, along with an unusually fine assortment of Spanish art of the 12th to the 15th centuries, is unquestionably the work of the great master, Luis Borrassá. The types are ideal, the heads are beautiful, and the general style is that of the great Spanish masters of the 15th century. The picture is a triptych, with the central panel representing the Virgin and Child, and the side panels with the figures of St. Peter and St. Paul. The picture is a good example of the international style, which in Spain took the form of a greater breadth and monumentality. The Fogg Museum is fortunate in having this important example of the work of the great Valencian master.

Documentary references to Luis Borrassá and his work are found in J. Gudiol's book on "Borrassá," Soler y March in "Gaseta de les Arts" (II, 1925, no. 19, p. 3), and in Chandler R. Post's "A History of Spanish Painting." Volume II of Spanish Painting is the source for this article.

The Fogg Museum has recently received from the Republic of Spain a marble column from the Monastery of San Payo de Antealtares in Santiago de Compostela; a double capital of the 13th century from Santa Maria de Aguilar de Campoo; and a collection of Iberian objects in bronze and painted ceramics.

The Spanish government made these gifts through the National Archaeological Museum, which reports to the Patrons of that Museum for the transfer of the Sahagun Tomb, which for some years past has been on exhibition in Cambridge, and has now been returned to Spain by the Fogg Museum. Those who have visited the Great Hall of the Fogg will recall the piece of marble, carved with the figures of angels, which was the sepulchral stone of Alfonso, son of Count Pedro Ansurez, who died in 1031, or 1093 of the Christian era. The monument records "the memory of the tutor and counsellor of Alfonso VI, the uncle of the Infantes de Carrión, sons-in-law of Cid, who, according to Menéndez Pidal, was as much associated with the King of León as the Cid was with the King of Castile." This tombstone is the most ancient sepulchral sculpture dating within the Middle Ages in Europe. It is the final landmark of the development of Spanish sculpture which had its roots deep in the Middle Ages.

The tomb was presented to the Fogg Museum by an anonymous donor in 1926. The Spanish Government was anxious that it should be returned to its country of origin, because of its great historical significance. Negotiations were opened with the Spanish authorities through the National Archaeological Museum to make arrangements for the return of the treasure to Spain. The authorities of the Archaeological Museum made arrangements with their countrymen to present to the Fogg Museum, as a token of gratitude, such objects as would be more significant for the purposes of the Fogg Museum and possibly of greater artistic merit, and in pursuance of that end the objects mentioned have come to Harvard.

The column of San Payo belongs to an art of foreign origin and influence which succeeded in breaking off and turning aside the development of Spanish sculpture, at the same time enriching it with new aspects. It comes from the Benedictine Monastery of Santiago, and possibly was used for a support for the altar or columns of a baldaquin which can be dated between 1105 and 1135.

The international significance of this interchange of objects, that is, the transfer of the Sahagun Tomb to its original provenance and the gift of the Spanish Government of the above mentioned objects for the use of the students of America, has been recognized by the International Office of Museums of the League of Nations, which in a recent meeting praised the Fogg Museum and the Spanish Government.

Alumni Bulletin, Nov. 17

The image displays a page from the Harvard Alumni Bulletin, dated November 17. It contains an article discussing various pieces of Spanish art and historical artifacts that have been recently added to the Fogg Museum at Harvard University.

Key points in the article include:

1. Missing Panel of St. Peter:

   • The Fogg Museum has a new panel that might be part of a retable (an altarpiece) of St. Peter, potentially dated to 1411. This document, though undated in terms of its return, was authenticated by a date mentioned in a notarial protocol from Barcelona.

2. New Exhibits at the Fogg Museum:

   • The museum has acquired an impressive collection of Spanish art spanning from the 12th to the 15th centuries. The artworks include retables from Guadalajara and St. Clara of Vic, which are well-authenticated, as well as drapes and other items of similar style.
   • One notable artist mentioned is Lluís Borrassà, recognized for his distinct style in depicting figures with a three-dimensional quality and rich interplay of light and shadow.

3. Donation of a Tomb:

   • The article mentions the return of a tomb that had been on exhibit in Cambridge for several years. It has been returned to Spain and now resides in the Fogg Museum. This tomb, associated with Count Pedro Ansúrez and dating back to the early 12th century, is noted for its historical significance and sculptural artistry.

4. Gifts from the Spanish Government:

   • The Spanish government has gifted several significant items to the Fogg Museum in gratitude for the transfer of the Sabagun manuscripts. These items include:
     • A double capital from the 13th century from Santa Maria de Aguilár de Campóo.
     • A collection of Iberian objects in bronze and painted ceramics.
   • The double capital is of particular interest for its medieval decorative tendencies.

5. International Significance:

   • The article highlights the international importance of these artifacts, noting the mutual benefit for both Spanish and American students and scholars. The exchange has been praised by the International Office of Museums of the League of Nations.

Overall, the article emphasizes the rich historical and cultural value of the newly acquired pieces and the generosity of the Spanish government in facilitating these exchanges.

The image is a page from the Harvard Alumni Bulletin, specifically page 220, dated November 1947. The text discusses the acquisition of significant art pieces by the Fogg Museum.

1. Retable of St. Peter: The document mentions a new Fogg Museum panel that is part of the retable of St. Peter, dated to 1411. It is a missing portion of the retable that has been authenticated and dated by March y Soler from the Archive of the Notarial Protocols of Barcelona.

2. Spanish Art Exhibition: The Fogg Museum is exhibiting an assortment of Spanish art from the 12th to the 15th centuries, with notable pieces including those by Guardiola and St. Clara at Vic. The style and types of these works are well-authenticated.

3. Luis Borrassá: The article highlights the work of Luis Borrassá, a disciple of Pedro Serra, and his influence on Spanish art. Borrassá's work is noted for its monumental style and detailed craftsmanship.

4. Gift from Spanish Government: The Spanish government gifted the Fogg Museum several items, including:

   • A marble column from the Monastery of San Payo de Antealtares in Santiago de Compostela, dating from the 13th century.
   • A collection of Iberian objects in bronze and painted ceramics.
   • The Sahagún Tomb, which was previously exhibited in Cambridge.

5. Sahagún Tomb: The tomb is noted for its historical and artistic significance. It is a sepulchral stone of Alfonso VI, a prominent figure from the Christian era, and is considered the most ancient sepulchral sculpture in Europe. The tomb was presented to the Fogg Museum by an anonymous donor in 1926 and was returned to Spain in 1966.

6. Column of San Payo: The column is of particular interest due to its intricate decoration and its significance in the development of Spanish sculpture. It was used as a support for the altar or columns of a baldaquin.

7. International Recognition: The transfer of the Sahagún Tomb and other objects has been recognized by the International Office of Museums of the League of Nations, highlighting the importance of these artifacts for educational and cultural purposes.

The page also includes references to various scholarly works that provide further context and documentation regarding these art pieces.

The image is a page from the Harvard Alumni Bulletin, specifically page 220, dated November 1937. The text on the page discusses several artworks and historical artifacts that have been transferred to the Fogg Museum from Spain.

Key points include:

1. Fogg Museum Panel:

   • The panel, which may be part of a retable of St. Peter, is dated to the year 1411. It is noted that the document attesting to this date has not yet been published.

2. Spanish Art Assortment:

   • The Fogg Museum has a notable collection of Spanish art from the 12th to the 15th centuries, with particular emphasis on works by Luis Borrassá, a pupil of Pedro Serra.
   • Borrassá's works are described as having a unique style, combining elements from both his master, Pedro Serra, and other contemporaries like Guardiola and St. Clara at Vich.

3. Recent Acquisitions from Spain:

   • The museum received a marble column from the Monastery of San Payo de Antealtares in Santiago de Compostela, dated to the 13th century.
   • A double capital from Santa Maria de Aguilar de Campo, also from the 13th century, showing intertwined vines, indicative of the decorative tendencies of the period.
   • A collection of Iberian objects, including bronze and painted ceramics.

4. The Sahagun Tomb:

   • The tomb of the Cid, a significant medieval monument, was transferred from Spain to the Fogg Museum in 1926.
   • The tomb is noted for its historical and artistic value, being one of the most ancient sepulchral sculptures in Europe.
   • The Spanish government presented the tomb to the museum in gratitude for the support of Harvard and the United States in returning the tomb to Spain.

5. Historical Context and Significance:

   • The Fogg Museum’s acquisition of these items is highlighted for its international significance and the historical importance of the items.
   • The transfer of the Sahagun Tomb is specifically noted for its educational value and the recognition it has received from the International Office of Museums of the League of Nations.

The page concludes with a mention of the bulletin's date, November 1937.

This image shows a page from what appears to be the "Harvard Alumni Bulletin." The page is numbered 220 at the top and includes typeset text with several paragraphs, discussing topics related to the Harvard's Fogg Museum and various art and historical artifacts. The text mentions specific works, such as a new picture on exhibition, Spanish art in the form of altarpieces from the 15th century, and the authentication of historical works. It also touches on the collaboration and exchange between the Fogg Museum and Spanish authorities, including the return of certain artworks to Spain.

The page includes a footer with the text "Alumni Bulletin. Nov.17.", indicating that this is perhaps from a November 17th edition of the publication. There are no images or illustrations, just dense blocks of text typical for an academic or informational bulletin. The overall context suggests a discussion centric to art history, museum acquisitions, and cultural heritage. The page is meant for a readership interested in the university's alumni activities, museum collections, and academic achievements in art history.

This image shows a page from the "Harvard Alumni Bulletin." The page is numbered 220 at the top and contains an article discussing Spanish art, with a particular focus on the Fogg Museum's collection. It mentions the acquisition of several important pieces from Spain, including a marble column from the Monastery of San Payo de Antealtares in Santiago de Compostela, a double capital from Santa Maria de Aguilar de Campóo, and a collection of Iberian objects in bronze and painted ceramics.

The article highlights the historical and artistic significance of these objects, emphasizing their medieval origins and craftsmanship. It notes the importance of Luis Borrassá in Spanish art history and discusses the return of a sepulchral stone, carved with figures of angels, to Spain by the Fogg Museum. This stone is associated with Alfonso VI and dates back to the Middle Ages.

Additionally, the article underscores the role of the Spanish government and the National Archaeological Museum in gifting these pieces to the Fogg Museum as a gesture of gratitude and cultural exchange. It also acknowledges the international significance of these exchanges, particularly for educational purposes in the United States.

The page includes some smaller cut-out sections pasted onto it, emphasizing key details about the double capital and the international importance of the Sahagun Tomb transfer. The bottom right corner has the handwritten note "Alumni Bulletin. Nov. 17." The page has two hole punches on the right side and a slight brown discoloration around the edges of the main article text.

The image shows a page from the Harvard Alumni Bulletin, dated November 17. The page is numbered 90 at the top left corner and contains text on page 220 of the bulletin. The content focuses on art and historical artifacts, specifically discussing acquisitions and exhibitions at the Fogg Museum.

Key Details from the Image:

1. Header:

   • The top of the page features the title "HARVARD ALUMNI BULLETIN", indicating that this is an official publication of Harvard University.

2. Main Text:

   • The text is a detailed article discussing various art pieces and historical artifacts recently acquired or exhibited by the Fogg Museum.
   • The article references several significant items:
     • A new picture on exhibition at the Fogg Museum: Described as an unusually fine assortment of Spanish art from the 12th to the 15th centuries, including tables of Guardiola and St. Clara at Vich, as well as authenticated Draperies of Pedro Serra. The article highlights the artistic merit and historical importance of these pieces.
     • A marble column from the Monastery of San Pablo de Antealtaras in Santiago de Compostela: Dated to the 13th century, this column is noted for its double capital and is described as a significant example of medieval art.
     • A collection of Iberian objects in bronze and painted ceramics: These items are also discussed, emphasizing their historical and artistic value.
   • The article mentions that these artifacts were gifted by the Spanish government to the National Archaeological Museum, which subsequently transferred them to the Fogg Museum. The transfer is seen as a gesture of gratitude for the Fogg Museum's role in facilitating the return of certain objects to Spain.

3. Illustrations:

   • Below the main text, there are two smaller images or captions:
     • Left Caption: "The double capital from Santa Maria de Aguilar de Campo is of great interest." This refers to the marble column mentioned in the text.
     • Right Caption: "The international significance of this interchange of objects is its original transfer of the Sahagun Tomb, to its the enhancement of the above mentioned objects, for the use of students and the recognition of America has been recognized by the League of Nations, which in a recent meeting praised the Fogg Museum and the Spanish Government." This highlights the broader cultural and diplomatic importance of the artifact exchange.

4. Footer:

   • At the bottom of the page, the text reads "Alumni Bulletin Nov. 17.", confirming the publication date.

Visual Characteristics:

• The page has a classic, aged appearance, with a slightly yellowed background typical of old printed materials.
• The text is typeset in a serif font, consistent with early 20th-century printing styles.
• The layout is clean and organized, with clear headings and subheadings to guide the reader through the content.

Summary:

The image depicts a page from the Harvard Alumni Bulletin discussing recent acquisitions and exhibitions at the Fogg Museum, focusing on Spanish art and historical artifacts. The article emphasizes the cultural and diplomatic significance of these items, particularly the transfer of artifacts between Spain and the United States, and highlights the educational value for students and scholars. The page also includes brief captions for visual elements, such as the double capital from Santa Maria de Aguilar de Campo.

The image is a two-page spread from a Harvard Alumni Bulletin, dated November 1917. The content is centered around an article discussing the Fogg Museum at Harvard University, its acquisitions, and the historical significance of the objects in its collection. The article mentions a new acquisition, a marble tomb from the Great Hall of the Fogg Museum, which has been returned to Spain. The tomb is described as a significant piece of medieval Spanish sculpture, dating from the final Middle Ages in Europe, and it is the most ancient sepulchral sculpture in Spain. The article also discusses the Fogg Museum's recent acquisition of a marble column from the Monastery of San Payo de Antealtares in Santiago de Compostela, which is an example of early Spanish sculpture. The column was used for a support for the altar or possibly as a baldachin and can be dated between 1105 and 1135. The article concludes by mentioning the international significance of these acquisitions, highlighting the transfer of objects from the Sahagun Tomb and the gift of the Spanish Government for the use of American students. The article is accompanied by a photograph of the marble tomb, which is not visible in the provided image.