Archives Scrapbooks

The image is a page from a scrapbook or archive containing newspaper clippings related to art exhibitions and events at the Fogg Art Museum. Here is a detailed summary of the content:

1. Water Colorists of Today at the Fogg Art Museum

   • The article discusses an exhibition of contemporary American watercolor paintings at the Fogg Art Museum. It highlights the work of five artists: Charles Burchfield, Edward Hopper, John Marin, Charles Hopkinson, and Maurice Prendergast.
   • The exhibition showcases the modernity of watercolor painting, which has evolved from traditional techniques to more expressive and imaginative styles.
   • Charles Burchfield's work is described as imaginative and expressive, often depicting natural scenes with a sense of mystery.
   • Edward Hopper's paintings are noted for their sharp contrasts and depiction of sunlight and shadow, creating a sense of realism and atmosphere.
   • John Marin's watercolors are praised for their vibrant colors and dynamic brushwork, capturing the essence of natural scenes.
   • Charles Hopkinson's work is mentioned for its attention to color and form, with a focus on still life and landscapes.
   • Maurice Prendergast's paintings are described as purely formal designs in color, showcasing his interest in abstract painting.

2. Fogg Assembles Technical Data

   • This article reports that the Department of Technical Research at the Fogg Museum of Art has undertaken the editing of a technical periodical titled "The Field of the Fine Arts."
   • The periodical is published quarterly and includes articles on various fields of technical research, book reviews, and news.
   • The editorial board consists of Mr. Forbes, Mr. Sachs, Mr. Pope, and Mr. Burroughs, with Mr. Burroughs serving as the assistant editor.

3. Free Art Appreciation Lecture

   • A brief announcement for a free lecture on art appreciation, given by Miss Laura Dreyer, an instructor at Harvard University. The lecture is scheduled for a Wednesday afternoon from 3 to 4 o'clock at the Fogg Museum.

The clippings are dated April 23, 1933, and are from the Boston Post. The page also includes handwritten notes indicating the source and date of the articles.

The image shows a page from a newspaper clipping dated April 23, 1953, featuring two distinct articles.

Left Side:
The left article is titled "Water Colorists of Today at the Fogg Art Museum." It discusses an exhibition showcasing contemporary American water colorists at the Fogg Art Museum. The article highlights the inclusion of both traditional and modern techniques, noting that the works reflect a variety of styles and interpretations. It mentions artists like Charles Burchfield, Edward Hopper, Preston Dickinson, and others, describing their unique approaches to watercolor. The text specifically points out Hopper’s use of rich, sombre colors and the depiction of industrial and urban landscapes. It also touches on the evolution of watercolor from a more conservative style to more modern expressions.

Right Side:
The right side contains two smaller sections:

1. Fogg Assembles Technical Data:
   This section is a brief note about the Fogg Museum of Art's Department of Technical Research. It mentions that the department has edited and published a periodical titled "The Field of Fine Arts," which has been supported by the Chemical Foundation of America. The periodical includes articles and abstracts from various fields of technical research and book reviews, with contributions from prominent figures such as Mr. Forbes, the chairman of the Advisory Committee, and Mr. Gettsens and Mr. Burroughs, assistant editors.

2. Art News and Lecture:
   This section includes a notice about a free art appreciation lecture. The lecture is scheduled for the following week, presumably on Wednesday afternoon, and will be held at the Newcomb Art Gallery of Tulane University. The lecture topic is "Prints," and it is organized by the Newcomb Art Gallery's Foundation.

The layout of the page is typical of a newspaper clipping, with a mix of editorial content and promotional notices.

The image shows a page from a scrapbook or a collection of newspaper clippings, with the page number "20" visible at the top. The clippings are related to art and museum activities, specifically focusing on the Fogg Art Museum. Here is a detailed summary of the contents:

1. Clipping on the Left: "Water Colorists of Today at the Fogg Art Museum"

   • This clipping discusses an exhibition of contemporary American watercolorists at the Fogg Art Museum.
   • It mentions that the exhibition provides an idea of the current state of watercolor art, highlighting the conservative nature of the medium.
   • The article notes that the selection includes works by several artists, such as Charles Burchfield, Edward Hopper, and others.
   • Burchfield’s work is described as detailed and realistic, while Hopper’s is noted for its sharp contrast and depiction of urban scenes.
   • The exhibition also includes works by Preston Dickinson, Charles Hopkin, and Karl Zerbe, with Zerbe’s work being highlighted for its abstract forms and use of color.

2. Clipping on the Right: "FOGG ASSEMBLES TECHNICAL DATA"

   • This clipping reports that the Department of Technical Research at the Fogg Museum has started publishing a quarterly called "Technical Study in the Field of the Fine Arts."
   • The publication is made possible by a grant from the Rockefeller Foundation.
   • The journal includes articles, book reviews, and abstracts from various fields of technical research in art.
   • Mr. Forbes is mentioned as the chairman of the Advisory Committee, and Mr. Burroughs as the assistant editor.

3. Smaller Clipping Below: "Free Art Appreciation Lecture"

   • This clipping announces a free lecture on "Prints" by Miss Laura Dudley, assistant curator of prints at Harvard University, as part of a series sponsored by the Art Alliance of the Boston Public Library.
   • The lecture is scheduled for Wednesday, April 23, at 8 PM in the art gallery.

The page also includes handwritten notes, such as "Post. April 23" at the bottom, and "Art News. Apr.10, see also p.3" next to the smaller clipping, indicating possible dates and references related to the articles.

The image is a newspaper clipping from the Boston Post, dated April 23, 1933. It contains two main articles and some additional information:

1. Main Article: "Water Colorists of Today at the Fogg Art Museum"

   • The article reviews an exhibition of contemporary watercolor paintings at the Fogg Art Museum. The writer discusses how the exhibition showcases conservative instincts rather than radical modernism, featuring works by a few notable artists.
   • Charles Burchfield: Represented by five pictures that illustrate a transition from an older, poetic style to a more somber, modernist approach.
   • Charles Demuth: Depicted as a lyrical painter with a different style, focusing on the solidity of mass and the subtlety of color.
   • Edward Hopper: Known for his sharp contrasts, his work features brownstone fronts and a traffic underpass, depicting everyday scenes with a sense of desolation.
   • John Marin: The article discusses Marin's use of rich, somber colors and strong shapes, noting his attempt to convey the intangible aspects of landscapes and nature through abstract forms.

2. Secondary Article: "Fogg Assembles Technical Data"

   • This piece reports on the Department of Technical Research at the Fogg Museum of Art. Over the past year, the department has collected technical data from various sources, including the Walters Art Gallery and the Royal Academy in London.
   • The publication of this data is made possible by the generosity of the Chemical Foundation of America and is titled "Technical Studies in the Field of the Fine Arts."

3. Additional Information:

   • Art News Reference: There is a reference to see also page 3 of the April 10 issue of Art News.
   • Free Art Appreciation Lecture: An announcement for a free art appreciation lecture to be held at the Burroughs Newsboys Foundation on Wednesday, April 26. The lecture, titled "Prints," will be given by Miss Laura Dudley, curator of the print department at the Fogg Museum.

The clipping overall provides an insightful look into the art scene of the early 1930s, highlighting both exhibitions and the technical study of art.

The image shows a page of clippings from newspapers, specifically from the Boston Post, dated April 23, 1953. There are three distinct articles on the page:

1. Top Left Article - "Water Colorists of Today at the Fogg Art Museum":

   • This article discusses an exhibition of contemporary American watercolorists at the Fogg Art Museum, highlighting the diversity of styles and approaches in modern watercolor painting.
   • It mentions several artists, including Charles Burchfield, who is noted for his pictures of an older school, depicting a village with a sense of nostalgia and desolation.
   • Edward Hopper is also mentioned for his unique style, using watercolors to depict urban scenes with a strong sense of atmosphere and mood.
   • Preston Dickinson and Charles Sheeler are noted for their distinct and varied styles, with Dickinson using watercolor for its translucency and Sheeler focusing on industrial and architectural themes.
   • The article includes references to other artists like Charles Ford and John Marin, who use watercolor in different ways, from subtle to bold, and in various subjects like landscapes and abstract forms.

2. Top Right Article - "Fogg Assembles Technical Data":

   • This article reports on the Fogg Museum of Technical Art's initiative to compile technical data on art, supported by the Chemical Foundation of America.
   • The museum's periodical, "Studies in the History of Art," will feature articles and reviews from various technical fields.
   • Mr. Forbes is mentioned as the chairman of the Advisory Committee, and Mr. Burroughs is the assistant editor.

3. Bottom Right Article - "Free Art Appreciation Lecture":

   • This article announces a series of free lectures on art appreciation, primarily aimed at unemployed individuals.
   • The first lecture, held on Wednesday, April 22, 1953, was given by Miss Laura Dudley, curator of prints at Harvard University, who spoke on "Prints."
   • The lectures are sponsored by the West End House Association, a settlement house in Boston.

The page also contains handwritten notes, likely for reference or organization, including dates and page numbers.

The image is a page from a newspaper or a collection of newspaper clippings, dated April 23, 1933. It contains three main articles:

1. Water Colorists of Today at the Fogg Art Museum:

   • The article discusses an exhibition of contemporary American watercolorists at the Fogg Art Museum. It highlights how these artists have maintained traditional techniques while introducing modern styles and subjects.
   • Several artists are mentioned, including Charles Burchfield, whose works are noted for their detailed and realistic depictions of nature, and Edward Hopper, whose works are described as having a lyrical quality and a distinct development in technique.
   • Edward Hopper’s paintings are described as depicting a town scene with a focus on the interplay of light and shadow, and the contrast between the built environment and the natural landscape.
   • Preston Dickinson’s works are mentioned for their use of rich, bold colors and strong shapes, with a preference for industrial subjects.
   • The article also discusses Charles Sheeler’s work, focusing on the use of geometric shapes and industrial themes, and Marin’s paintings, which show a departure from traditional landscape painting towards more abstract and intellectual forms.

2. FOGG ASSEMBLES TECHNICAL DATA:

   • This article discusses the Department of Technical Research at the Fogg Museum of Art, which has been publishing a technical journal titled "Fogg Art Studies."
   • The publication is made possible by the Chemical Foundation of America and includes articles on various technical research topics related to art.
   • The advisory committee for the journal includes prominent figures such as Mr. Forbes, Mr. Getlein, and Mr. Burroughs.

3. Free Art Appreciation Lecture:

   • An announcement for a free art appreciation lecture series given at Boston University.
   • The lecture series is organized by the Boston University Art Museum and is supported by the Laura Dudley Newton Fund.
   • The lectures are open to the public and aim to provide educational opportunities on various topics in art appreciation.

Additionally, there is a small note on the bottom right corner mentioning "Art News, Apr. 10" and a reference to another page "See also p. 3."

This image is a photograph of a document containing several newspaper or journal articles. The document seems to have been archived in a binder or folder, as indicated by the two punched binder holes on the right-hand side.

The articles are about art-related subjects and events. The first article is titled "Water Colorists of Today at the Fogg Art Museum" and seems to discuss an exhibition or event related to American watercolor artists at the Fogg Art Museum. This portion of the article examines the contrast between contemporary watercolor styles and those of earlier periods, as well as the public reception and artistic merits of the work.

To the right of this article is another titled "FOGG ASSEMBLES TECHNICAL DATA," reporting on technical research at the Department of Technical Research at the Fogg Museum of Art. This article mentions the publication of a quarterly periodical, "Technical Studies in the Field of Fine Arts," and acknowledges funding received from the Carnegie Institute of Technology and the Chemical Foundation of America.

Below these articles, there are references to "Art News Apr. 10" and a note indicating "See also Expt p. 3". There is also a snippet from what appears to be another publication, discussing a "Free Art Appreciation Lecture" on the topic of current free lectures for the unemployed, to be held at the Burroughs Newsboys Foundation.

At the very bottom of the document, there's a handwritten annotation that says "Post. April 23," likely indicating either the source or the date of the posting.

The document overall provides historical insight into the art scene, specifically relating to the Fogg Art Museum, and research activities and educational efforts in art appreciation during the time period, which seems to be around April 23, 1935, as suggested by the date on the Boston Post clipping.

The image shows a scrapbook or archival page with three newspaper clippings and handwritten notes. The clippings and notes are fixed on a pale background paper, which has three punched holes on the right side.

1. The largest clipping is on the left side of the page and is titled "Water Colorists of Today at the Fogg Art Museum." It is from the Boston Post, dated April 23, 1933. The article discusses a contemporary American watercolor exhibition at the Fogg Museum, mentioning several artists including Charles Burchfield, Edward Hopper, Preston Dickinson, and Charles Hopkinson, with commentary on their styles and subjects.

2. On the top right is a smaller clipping titled "FOGG ASSEMBLES TECHNICAL DATA." This article talks about the Fogg Museum's Department of Technical Research undertaking the editing of a quarterly periodical called "Technical Studies in the Field of the Fine Arts," supported by the Chemical Foundation of America. It names Mr. Forbes as chairman of the Advisory Committee, Mr. Stout as managing editor, and mentions Mr. Gettens and Mr. Burroughs as assistant editors. Below this clipping, there is a handwritten note in brown ink: "Art News. Apr. 10 See also Sept. p. 3."

3. Below the technical data clipping is a smaller clipping titled "Free Art Appreciation Lecture." It announces the last free lecture on art appreciation given principally for the unemployed, held at the Burroughs Newsboys Foundation by Miss Laura Dudley, curator of prints at the Fogg Art Museum and Harvard University. The clipping is from the Boston Post, dated April 23, 1933.

Additionally, there are two handwritten notes on the page in brown ink:

• Near the largest clipping, "Post. April 23."
• Below the technical data clipping, noted as "Art News. Apr. 10 See also Sept. p. 3."

The image is a page from a publication, likely a newspaper or magazine, dated April 23, 1933. It contains three distinct sections of text, each discussing different topics related to art and exhibitions.

Left Section: "Water Colorists of Today at the Fogg Art Museum"

• Title: "Water Colorists of Today at the Fogg Art Museum"
• Content: This section discusses an exhibition of contemporary American watercolor artists at the Fogg Art Museum. It highlights the works of five artists representing both older and newer styles. The text describes the techniques and themes of their paintings, emphasizing the diversity and innovation in watercolor art. Specific artists mentioned include Charles Burchfield, Edward Hopper, and John Marin. The article notes the subtle modernism in color and form, as well as the expressive use of color and composition.

Center Section: "FOGG ASSEMBLES TECHNICAL DATA"

• Title: "FOGG ASSEMBLES TECHNICAL DATA"
• Content: This section reports on the Department of Technical Research at the Fogg Museum of Art in Cambridge. It mentions the publication of The Field of the Fine Arts, a quarterly periodical that disseminates research findings. The article highlights the generosity of the Chemical Foundation of America in supporting this initiative. It also lists the editorial team, including Mr. Forbes as chairman of the Advisory Committee, Mr. Stont as managing editor, and Mr. Burroughs as assistant editor.

Right Section: "Free Art Appreciation Lecture"

• Title: "Free Art Appreciation Lecture"
• Content: This section announces a free lecture series for the unemployed, to be held weekly on Tuesday afternoons at 7:30 p.m. The lecture will be given by Miss Laura Newbury, founder of the Burrows Dudley Foundation at Harvard University. The topic of the lecture is "Prints." The lecture is scheduled for April 23, 1933, as indicated at the bottom of the section.

Additional Details:

• Handwritten Notes: At the bottom of the page, there are handwritten notes, including "Art News. Ap. 10" and "see also sep. p.3," suggesting cross-references or additional information elsewhere in the publication.
• Page Number: The top left corner of the page shows the number "20," indicating this is page 20 of the publication.

Overall Context:

The page provides a snapshot of art-related news from April 1933, covering an art exhibition, technical research at a museum, and a public lecture on art appreciation. The content reflects the cultural and educational focus of the time, emphasizing both contemporary art and scholarly research.

The image appears to be a page from a newspaper or magazine clipping, featuring an article about an exhibition of contemporary American water colorists at the Fogg Art Museum. The article provides details about the exhibition, including the names of the artists featured and descriptions of their works. The article also discusses the significance of the exhibition and its potential impact on the museum's collection.

The image includes a photograph of one of the artists, Edward Hopper, and his work, which is described as depicting a brownstone front and a traffic underpass with a more delicate contrast of sun and shadow. The article also mentions the generosity of the Chemical Foundation of America, which has made possible the publication of the exhibition.

In addition to the article about the water colorists exhibition, the image also includes a clipping about the Fogg Museum's Department of Technical Research, which has been editing a quarterly periodical, Technical Studies in the Field of the Fine Arts. The periodical is described as consisting of articles in various fields of technical research, book reviews, and abstracts of articles that have appeared in technical periodicals.

The image also includes a clipping about a free art appreciation lecture series for the unemployed, which will be held at the Fogg Art Museum from April 1 to April 3, 1933. The lectures will be given by Miss Laura Dudley, curator of prints at the museum, and will cover various topics related to art and printing.

Overall, the image provides a glimpse into the art world of the 1930s, with a focus on the Fogg Art Museum and its activities. The article about the water colorists exhibition and the clippings about the museum's technical research and lecture series suggest a commitment to both artistic and scholarly pursuits.