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ARCH.2003.26, Rendition: 792155
The image is a press release from the Museum of Modern Art (MoMA) dated May 6, 1953. The release announces that the museum is lending three pieces from its permanent collection for summer exhibitions outside of New York City. The pieces are:
Additionally, the museum is lending important objects of ancient American art for the Exhibition of Primitive Art, which opens at MoMA on May 14th.
The press release is printed on a light-colored paper with a handwritten date annotation at the top and bottom indicating the date of the release.
The image depicts a newspaper clipping dated May 3, 1933. The clipping is titled "Modern Museum Lends Sculpture to Fogg" and "Modern Museum Sends Out Loans."
The main content of the clipping discusses the Museum of Modern Art in New York City's arrangement of loans of artworks for various exhibitions outside of New York. Specifically, it mentions three works being loaned:
The Museum of Modern Art is noted for opening the Exhibition of American Sources of Modern Art on May 10th. The clipping highlights the museum's role in promoting art and cultural exchanges through such loan arrangements.
The image shows a two-page spread from a publication, likely a newspaper or magazine, dated Tuesday, May 9, 1933. The headline of the article on both pages is "MODERN MUSEUM SENDS OUT LOANS."
The article explains that the Museum of Modern Art in New York is arranging to lend three works from its permanent collection for exhibitions outside New York City. The works include:
In return, the Museum of Modern Art will receive three bronze sculptures by Heller, Epstein, and Despiau from the Fogg Art Museum in Cambridge, in exchange for the loans. These sculptures will be on display starting May 10th.
The article highlights the collaborative efforts between museums to share significant works of art with a broader audience.
The image is a newspaper clipping dated May 10, 1935, detailing the lending activities of the Museum of Modern Art (MoMA) in New York City. Here are the key points:
Modern Museum Lends Sculpture to Fogg
The Museum of Modern Art is sending several pieces from its permanent collection to various locations for exhibitions during the summer, outside of New York City.
Loans from the Permanent Collection:
Exchange with Fogg Art Museum:
Modern Museum Sends Out Loans
The article reiterates that MoMA is lending out three significant works from its permanent collection for exhibitions outside New York City:
Overall, the article highlights the museum's active role in sharing its collection with other institutions and participating in significant exhibitions across the country.
The image shows a newspaper clipping from May 1935, detailing the lending of sculptures by the Museum of Modern Art (MoMA) in New York City to various institutions for exhibitions.
The headline reads "Modern Museum Sends Out Loans." The article explains that three works from MoMA's Permanent Collection will be loaned for summer exhibitions outside New York City:
Additionally, three bronze sculptures by Heller, Epstein, and Despain will be sent to the Fitzwilliam Museum in Cambridge, England, in exchange for loans of ancient American art from the Fitzwilliam Museum and the Peabody Museum for the Exhibition of American Sources of Modern Art, which opened at MoMA on May 10th.
The article is dated May 6, 1935, and is marked with a handwritten note at the top, dated May 3, 1935.
The image contains two news clippings about the Museum of Modern Art (MoMA) lending sculptures to various institutions for exhibitions.
The first clipping, dated May 3, 1935, titled "Modern Museum Lends Sculpture to Foggs," reports that MoMA is arranging loans of three works for exhibitions outside of New York City. Specifically:
The second clipping, also dated May 6, 1935, titled "Modern Museum Sends Out Loans," reiterates the same information with slight variations in phrasing. It confirms that the three works from MoMA’s permanent collection will be loaned for summer exhibitions outside of New York City. The same details about the sculptures and their destinations are provided.
Both clippings emphasize the cultural exchange and the significant contributions of these works to various exhibitions across different locations.
The image shows a page with two newspaper clippings attached to it, both dated May 1933. The clippings are about the Museum of Modern Art lending sculptures to other institutions for summer exhibitions. The smaller clipping, titled "Modern Museum Lends Sculpture to Fogg," mentions that three bronze sculptures by Heller, Epstein, and Despiau will be sent to the Fogg Art Museum in Cambridge. The larger clipping, titled "Modern Museum Sends Out Loans," provides more detail, stating that the Museum of Modern Art is loaning three bronze sculptures—The Bronze of Max Schmeling by Rudolf Belling, the Torso of A Young Woman by Maillol, the Portrait of Dr. Meyer-Hermann by Otto Dix, and a Lehmbruck Standing Female Figure—to various exhibitions in New York City, Philadelphia, Chicago, and Cambridge, including the Exhibition of Sculpture and the Century of Progress Exhibition. The handwritten note at the bottom reads "Art News 6 May 1933," indicating the source and date of the articles. There is also a faint handwritten note at the top of the page that says "Trans 3 May 1933."
The image shows a page that appears to be from an old newspaper or magazine. It's dated "March 3, 1935" at the top. The page consists of a printed article titled "MODERN MUSEUM SENDS OUT LOANS" and a handwritten note just above the article which appears to say "Times 3 March 1935".
The article discusses how the Museum of Modern Art announced that three works from its permanent collection will be loaned for the summer exhibition outside of New York City. Specific works and their destined locations are mentioned along with the names of artists. The sculpture by Rudulph Belling and the Max Ernst painting will go to the Philadelphia Museum for the Exhibition of Sculpture, while a portrait by Otto Dix will be sent to the Chicago Female Figure Progress Exhibition. Furthermore, it mentions bronze sculptures by Henri Matisse being sent to the Fogg Art Museum at Harvard and the Peabody Museum in Cambridge.
The rest of the paper where the article is printed is mostly blank, with visible fold marks that suggest it might have been folded in quarters at some point. The paper appears to be vintage, given its coloration and the date of the article. The background is white and clean, allowing the focus to reside entirely on the textual information on the page.
This image shows two newspaper clippings attached to a plain background. The clippings contain text and are arranged on the left side of the page. The top clipping is tinted brown and titled "Modern Museum Lends Sculpture to Four," detailing that the Museum of Modern Art in New York is loaning works for various exhibitions. The highlight includes mentions of sculptures and artworks by artists such as Heller, Epstein, and Despiau.
The bottom clipping is titled "MODERN MUSEUM SENDS OUT LOANS" and elaborates on the details provided in the first clipping. It specifies that the museum is loaning pieces to exhibitions in cities like Philadelphia and Chicago, including works by Max Schmeling (bronze of a Young Woman by Maillol) and portraits by Otto Dix.
Handwritten notes in pencil appear on the lower section, indicating "Art News early May 1933" and "Trans 3 May 1933," possibly suggesting the date of publication or an archival reference. The background is light beige, providing a plain contrast to the clippings.
The image shows a typed document from May 3, 1933, titled "Modern Museum Sends Out Loans." It is a news article or press release detailing the Museum of Modern Art (MoMA) in New York's initiative to loan three sculptures from its permanent collection for summer exhibitions outside New York City.
Title and Date:
Content Overview:
Loans and Exhibitions:
Purpose:
Handwritten Notes:
This document provides insight into the Museum of Modern Art's efforts to expand the reach of its collection and engage with other cultural institutions in the early 1930s.