Archives Scrapbooks

The image shows a page from a newspaper or magazine, specifically a review of the French film "Coiffeur Pour Dames" (translated as "Ladies' Hairdresser") by Paul Arnot and Marcel Gerbidon. The review is dated March 17, 1933, and was written by H. E. W. B.

Here is a detailed summary of the review:

• The film is described as not meeting the usual standards of Parisian cinemas.
• The story revolves around a young man named Mario who, despite his humble beginnings as a shepherd, becomes a famous hairdresser in Paris.
• Mario's success leads him to neglect his sweetheart, Annette, and he becomes known as "Napoleon de la coiffure" (Napoleon of hairdressing).
• The review notes a moral undertone in the film, where Mario's ambition and neglect of Annette lead to his downfall.
• Mario's best client, Marie, falls in love with him, and he proposes to her after divorcing Annette. However, Annette intervenes, and the situation is resolved, allowing the couple to live happily.
• The reviewer compares the film to a René Clair piece but finds it lacking in substance, describing it as an unsatisfactory attempt to mimic French pictures.
• The lines in the film are noted to be poorly written, and the acting is described as mediocre.
• The review concludes by mentioning that the audience, primarily comprised of wives, enjoyed the film.

The review is signed off by H. E. W. B. and dated March 17, 1933.

The image displays a newspaper or magazine article from March 17, 1933, titled "COIFFEUR POUR DAMES". The article reviews a French film, "Coiffeur Pour Dames," directed by Paul Arnot and Marcel Gerbidon, which was shown at the Geography Building.

The review states that the film does not reflect typical Parisian life as expected and instead presents a Hollywood-inspired perspective of Paris. The plot involves a hairdresser named Mario, who neglects his wife Aline and her child, Denyse, to pursue a romantic relationship with a wealthy client. Denyse's mother, after divorcing Mario, ultimately saves him and their home from financial ruin by exposing his infidelity.

The review criticizes the film for its exaggerated and imaginative portrayal, lacking the finesse and subtlety of classic French cinema. It mentions that the film's humor is more akin to a Rene Claire piece and is not well-suited to the audience's taste for French pictures. The article also notes that the film was preceded by a travelogue featuring the Fogg Museum, the Louvre, and the Eiffel Tower, and that the audience, primarily composed of wives, enjoyed the afternoon.

The article is signed by H. E. W. R. and is dated March 17, 1933.

The image displays a page from a newspaper article titled "COIFFEUR POUR DAMES," dated March 17, 1933. The article is written by H. E. W. R. and is published in the Crimson Monthly.

The article reviews a French film, "Coiffeur Pour Dames," which was screened at the Geography Building. The reviewer notes that the film does not meet the usual standards of Parisian cinemas. The story revolves around a Parisian hairdresser, Mario, who is neglectful of his wife, Aline, due to her being a sweet little girl and society's expectations of him.

Mario's wife, Aline, is portrayed as a timid figure, and he eventually becomes the target of the film's plot. The plot involves a scheme by Mario’s wife to save his reputation and home through a ruse, involving a daughter named Denyse. The reviewer finds the film’s portrayal lacking in finesse but appreciates the exaggerated and imaginative elements typical of a Rene Clair piece.

Additionally, the reviewer mentions the humorous travelogue that precedes the film, featuring a visit to the Musée des Arts Décoratifs, the Louvre, and other notable Parisian locations. The overall tone of the review is critical of the film's quality but acknowledges the entertainment value and some humor. The audience, particularly the wives of Hollywood actors, found the post-film atmosphere enjoyable.

The document is a review of the French film 'Coiffeur Pour Dames,' directed by Paul Arnol and Marcel Gerbidon, which was shown at the Geography Building. The review notes that the film does not meet the usual standards of Parisian cinemas and seems to imitate Hollywood elegance rather than reflecting Parisian life. The story follows Mario, an ambitious but effeminate peasant who becomes a successful hairdresser, neglects his wife, and is exploited by women. The film is criticized for its exaggerated characters and unconvincing plot, though it is praised for its humor and the audience's enjoyment. The review also mentions a travelogue about French cities that preceded the film and notes that the Harvard wives in the audience particularly enjoyed the film. The review is dated March 17, 1933, and is attributed to H. E. W. R.

The image displays a review of the French film "Coiffeur Pour Dames" (also known as "The Ladies' Hairdresser"), shown at the Geography Building instead of its usual location in Parisian cinemas.

Key points from the review include:

1. General Impressions: The reviewers note that the Hollywood elegance has shifted their expectations towards the lighter, comedic side of the Atlantic rather than focusing on the more serious Parisian style.

2. Plot Summary:

   • Mario, a somewhat feckless but ambitious man, rises from being a menial worker at a barbershop to becoming the most famous hairdresser in Paris.
   • Mario neglects his loyal and supportive girlfriend, Aline, for a wealthy client.
   • After a series of events, Aline saves Mario’s home and business from financial ruin.
   • Mario's success leads him to marry a wealthy woman, Innocent little Denyse, who later divorces him.
   • Aline, after saving Mario once again, marries him, ensuring a happy ending where they live happily amidst their children and picturesque scenery.

3. Critique:

   • The review finds the film to be lacking the finesse and depth of a René Clair piece, though it acknowledges the humor.
   • The storyline and character interactions are described as funny and enjoyable despite not being highly sophisticated.
   • The audience's reaction, comprising mostly Harvard wives, was very positive.

4. Screening Details:

   • The film was shown on March 17, 1933, and the review is signed by H. E. W. R.

The image displays a typewritten document titled "Coiffeur Pour Dames," which is a review of a French film shown at the Geography Building. The review is dated March 17, 1933, and is signed by H.E.W.R.

The review states that the film does not meet the usual standards of Parisian cinemas. It highlights the film's story, which involves a man named Mario, a hairdresser, who rises from humble beginnings to become a successful figure in Parisian society. Despite his success, he faces challenges due to his humble origins and the disdain of the upper class.

The plot involves Mario's romantic entanglements, including his marriage to a woman named Aline, who neglects him, and his subsequent affair with Denyse, the daughter of one of his clients. The narrative concludes with Mario's redemption and a happy ending where he lives with his children and a new wife.

The review compares the film to a "comédie de boulevard," a type of French farce, and notes that the film has its moments of humor and charm, despite not being of the highest quality. The reviewer praises the film's light-heartedness and the enjoyable travelogue segments featuring places like Charters, Laon, and Rheims.

Overall, the review suggests that the film is entertaining and suited for a light-hearted afternoon, particularly for the wives in the audience.

The image shows a document with typed text on a slightly yellowed paper. The document header reads “COIFFEUR POUR DAMES” in bold letters, followed by a subtitle stating “French Film at Geography Building Not Up to Usual Standards of Parisian Cinemas.” Below the title is a body of text that appears to be a review or a discussion about the film “Coiffeur Pour Dames," attributed to Paul Armont and Marcel Gerbidon, and contrasts the film’s reception with that of Hollywood productions. The review discusses various aspects of the film such as its humor, the plot, and the moral, along with the audience's reaction. Near the bottom, there's a handwritten note that reads "Crimson March 17 '33," which likely indicates that the review was published or related to an event on this date. The overall condition of the paper looks well preserved with mostly clean edges, though there is a slight curl at the top edge.

The image is of a clipping from a publication which appears to be a review or commentary piece titled "COIFFEUR POUR DAMES." There is a subtitle indicating that the French film is being shown at the Geography Building and notes that it is "Not Up to Usual Standards of Parisian Cinemas." The text discusses the film “Coiffeur Pour Dames” by Paul Ardot and Marcel Gerbidon, mentioning the plot and characters involved.

Handwritten at the bottom is "Crimson March 17, 1933," suggesting that this is from the Harvard Crimson newspaper dated March 17, 1933.

The bulk of the page is blank except for this text on the left side of the page, and the layout suggests that this is either an original clipping saved on a larger piece of paper or a digital image copy of the clipping itself on a blank background.

The image shows a typed document titled "COIFFEUR POUR DAMES" (French for "Hairdresser for Ladies"). The document appears to be a review or commentary on a French film, Coiffeur pour Dames, which is being shown at the Geography Building Not Up to Usual Standards of Parisian Cinemas.

Key Details from the Document:

1. Film Context:

   • The film is described as being shown at the Geography Building, which is noted as a location that turns attention away from the Atlantic towards Paris.
   • The film is attributed to Paul Arnot and Marcel Gerbidon.

2. Plot Summary:

   • The protagonist, Mario, is a barber who becomes the most famous hairdresser in Paris.
   • Mario’s success is attributed to his ability to attract women, as his wife, Aline, is portrayed as a sweet but neglected little girl, making her the object of desire for many women.
   • The story involves Mario’s interactions with women, including a subplot where he marries Aline after divorcing his wife, Marie.

3. Critical Analysis:

   • The reviewer compares the film to a "comedie de boulevard" (a type of French comedy), noting that while it is ambitious, it falls short of being truly effeminate or peasant-like.
   • The film is criticized for lacking the finesse and imagination of a René Clair piece.
   • The plot is described as not preposterous enough to suit the reviewer’s taste in French pictures, but the dialogue is considered hilariously funny.
   • The reviewer mentions that the film precedes a feature dealing with Charles Laon and Rheims, and that the preceding short film, Factory Fogg, is described as "unsatisfying" and "way-old stuff."

4. Audience Reaction:

   • The reviewer notes that the audience, which consisted largely of "after-wives" (presumably women who had recently divorced), found the film very pleasant.

5. Date and Signature:

   • The document is dated Crimson March 17 1933, suggesting it is a review or commentary from that time.
   • The signature at the bottom appears to be H. E. A. W.roon, likely the author or reviewer.

Overall Impression:

The document is a detailed critique of the film Coiffeur pour Dames, offering insights into its plot, themes, and reception by the audience. It reflects the reviewer’s opinions on the film’s merits and shortcomings, as well as its context within the broader cinematic landscape of the time. The tone is analytical and somewhat critical, with a focus on the film’s comedic elements and its appeal to a specific audience.

The image appears to be a page from a newspaper or magazine containing an article about a French film titled "Coiffeur pour Dames" (Hairdresser for Ladies). The article provides a summary of the film's plot and offers a review of its comedic elements.

The article begins with a disclaimer, stating that it will not draw conclusions about life in Paris based on the film, but rather provide information about the movie itself. It then describes the film as a "comedy of boulevards" set in Paris, where the protagonist, Mario, a hairdresser, is highly successful and popular among women.

The plot summary reveals that Mario's wife, Aline, is unaware of his infidelity and believes he is a virtuous husband. However, when a young woman named Denise, who works for Mario, becomes aware of his affair and informs Aline, the situation leads to a series of comedic events, including a confrontation between Mario and his wife, and a brief encounter with a group of factory workers.

The article concludes by praising the film's comedic elements, describing it as having "all the exaggeration and imagination of a Renaissance Clare piece" and being "not preposterously enough to suit our spoiled taste in French comedies." It also mentions that the Harvard wives, who comprised a majority of the audience, found the film to be "very pleasant" after noon.

Overall, the image presents an article that provides a brief overview of the plot and offers a positive review of the French film "Coiffeur pour Dames," highlighting its comedic elements and the enjoyment it brought to the audience.