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ARCH.2003.26, Rendition: 792042
FOGG ART MUSEUM
An exhibition entitled "An Experiment in Art Teaching" is on display at the Fogg Art Museum. It includes two features—imaginative composition and drawing by Harold Zimmerman, and the geometry of design and the use of set palettes by Denman W. Ross.
The Naumburg Room at the Museum has been reopened to the public from 2 to 4 P.M. daily, except Sundays.
Through an anonymous gift the Fogg Art Museum has acquired the Arthur B. Duel collection of Japanese prints. This is a large and valuable collection of over 3,000 items, many of which are of great rarity and beauty.
Another gift is a fine library of books connected with Japanese prints. A catalogue prepared by various native and foreign scholars accompanies the collection, which is now being classified and arranged in cases; in the near future an exhibition will be held of a few of the masterpieces selected from the collection.
Students in the Fogg Museum have hitherto been dependent upon the large and splendid collection in the Boston Museum of Fine Arts, but now have examples at hand without going to Boston. The prints are of prime importance also for the early classes in fine arts.
LECTURER ON FINE ARTS
Dr. Yukio Yashiro, director of the Institute of Art Research in Tokyo and Professor of the History of Art at the Imperial Academy of Art in the same city, has been appointed lecturer on fine arts at Harvard for the second half of the current academic year. He will consider the historical and aesthetic aspects of Far Eastern painting.
FOGG OPENS EXHIBIT OF NEW METHOD ART WORK
Paintings By Dr. Ross and Pupils Show Results of Experimentation—Art of Zimmerman Also on View
From February 9 until March 9, the Fogg Art Museum is opening Galleries XIV and XV for an exhibition of paintings and drawings. The former are works of pupils of Dr. D. W. Ross, a former Harvard professor, who is experimenting with a new method of painting, while the latter are products of practically the same students under the direction of Harold Zimmerman.
One of the greatest benefactors of the Fogg Museum and the Boston Museum of Art, Dr. Ross, well-known in his profession, is endeavoring, through a private venture, to teach art by his new theory, known as the set-palette method. This consists basically of producing the natural colorization of a painting by using only certain colors, and in both number and variety. Those of the latter consist mainly of portraits and figures.
On display among the drawings are two of outstanding merit by Carl Pickhardt '31, a former Lampoon editor. One, incidentally, is a representation of Bob Lampon, who was for many years the janitor of the Lampoon building, and has now become a traditional figure. Hyman Bloom is the author of two collections of superior sketches. Those of one group are similar in style to the works of Georges Rouault, depict different wrestlers, while the others are scenes from a circus, reminiscent of the French artist, Toulouse-Lautrec.
The image contains two newspaper clippings from the Fogg Art Museum.
Left Clipping:
Right Clipping:
Additionally, a note in the top right corner indicates the date of the clippings is from 1933, specifically from the month of February.
The image contains two newspaper clippings related to the Fogg Art Museum.
Left Clipping:
Right Clipping:
Both clippings emphasize the museum's efforts to showcase new artistic methods and collections, particularly focusing on Japanese prints and innovative approaches to art teaching.
The image contains two newspaper clippings from February 1933, both related to the Fogg Art Museum.
Headline:
FOGG ART MUSEUM
Content:
Additional Information:
Lecturer on Fine Arts:
Headline:
FOGG OPENS EXHIBIT OF NEW METHOD ART WORK
Subheadline:
Paintings By Dr. Ross and Pupils Show Results of Experimentation—Art of Zimmerman Also on View
Content:
The clippings together highlight the museum's engagement with innovative teaching methods and the acquisition of significant art collections.
The image is a newspaper clipping with several articles related to art exhibitions and events at the Fogg Art Museum.
Main Exhibition Announcement:
New Acquisitions and Collections:
Student Resources:
Exhibition of New Method Art Work:
Lecture Announcement:
The image is a page from a newspaper or magazine, specifically the "Crimson" dated February 16, 1932. The page contains two articles related to the Fogg Art Museum.
Title: FOGG ART MUSEUM
Content:
Exhibition:
Acquisition:
Student Access:
Lecturer on Fine Arts:
Title: FOGG OPENS EXHIBIT OF NEW METHOD ART WORK
Content:
Exhibition Details:
Artists and Methods:
The page provides a detailed overview of the exhibitions and activities at the Fogg Art Museum, highlighting the acquisition of a significant collection and the innovative teaching methods being explored.
The image shows a document with two newspaper articles, printed side-by-side. Both articles appear to be from the same publication, given the uniformity of the typography and layout.
The article on the left side is entitled "FOGG ART MUSEUM" and below the heading, there is a reference to an exhibition titled "An Experiment in Art Teaching" on display at the Fogg Art Museum. It discusses different elements of the exhibition, such as imaginative composition and drawing by Harold Zimmerman and the use of palettes by Denman W. Ross. The article reports on the museum's daily opening hours and mentions both a collection of Japanese prints and a series of lectures. There are handwritten notes in pencil at the top: "N4.B3" and next to it, "Feb 9 - Feb".
The article on the right side is headlined "FOGG OPENS EXHIBIT OF NEW METHOD ART WORK" and refers to paintings by Dr. Ross and students displaying results of an experimental approach to art. It details the event, including the dates it runs from February 9 until March 9 and describes some specific artworks on display. The article also mentions a traditional figure, Ian Bloomer, and references the work of George Bellows and Toulouse-Lautrec.
Both articles are printed on what appears to be aged paper, indicating that this is an archival document. There is also a small stain near the bottom of the left-hand column. The text is quite detailed and would provide historical information and context regarding the exhibit and activities at the Fogg Art Museum during that time.
This image features a page with two articles. The page is slightly yellowed, giving it an aged appearance.
The first article, on the left side, is titled "FOGG ART MUSEUM". It describes an exhibition at the museum titled "An Experiment in Art Teaching," showcasing imaginative composition and drawing by Harold Zimmerman and a geometry of design using set palettes by Denman W. Ross. The article also mentions the reopening of the Naumburg Room, the acquisition of the Arthur B. Duell collection of Japanese prints, a library of books on Japanese prints, and the importance of these prints for early fine arts classes.
Below the first article is a smaller section titled "LECTURER ON FINE ARTS", which announces that Dr. Yukio Yashiro, director of the Institute of Art Research in Tokyo and Professor of the History of Art at the Imperial Academy of Art, has been appointed lecturer on fine arts at Harvard.
The second article, on the right side, is titled "FOGG OPENS EXHIBIT OF NEW METHOD ART WORK", discussing an exhibition at the Fogg Art Museum running from February 9 until March 9. It mentions paintings by Dr. Ross and his pupils, displaying results of their experimentation. It describes Ross's new theory known as the set palette method, which contrasts classical methods of art production. Works in the exhibit mainly consist of portraits and figure studies, with highlights such as drawings by Carl Pickhardt and collections by Hyman Bloom, showing scenes reminiscent of Toulouse-Lautrec's style.
There are some handwritten notes on the page, including "H.B" and "10 Feb 1933" at the top-right corner.
The image shows a page with two newspaper clippings about art exhibitions and appointments related to the Fogg Art Museum.
The left clipping is titled "FOGG ART MUSEUM" and describes an exhibition called "An Experiment in Art Teaching" at the Fogg Art Museum. It includes imaginative compositions and drawings by Harold Zimmerman and design geometry and set palettes by Denman W. Ross. The Naumburg Room at the museum has reopened to the public daily from 2 to 4 PM, except Sundays. The museum received the Arthur B. Duell collection of Japanese prints, which contains over 3,000 items, many rare and beautiful. Another gift is a fine library of books on Japanese prints, with plans for an exhibition of selected masterpieces. The clipping also mentions that students at the Fogg Museum now have examples from the collection without having to go to the Boston Museum of Fine Arts. At the bottom of this clipping, there is a section titled "LECTURER ON FINE ARTS" about Dr. Yukio Yashiro, a director and professor from Tokyo, appointed as a lecturer at Harvard to discuss the historical and aesthetic aspects of Far Eastern painting.
The right clipping is titled "FOGG OPENS EXHIBIT OF NEW METHOD ART WORK" and announces an exhibition from February 9 to March 9 in Galleries XIV and XV at the Fogg Art Museum. It features paintings and drawings by Dr. D. W. Ross, a former Harvard professor experimenting with a new painting method called the "set-palette method," and works by pupils of Harold Zimmerman. The set-palette method produces natural colorization using limited oils. Most works on display are portraits and figure studies. The exhibit includes drawings by Carl Pickhardt, a former editor, depicting various scenes and subjects including a representation of Bob Lampoon, janitor of the Lampoon building, and collections by Hyman Bloom which resemble works by George Bellows and the French artist Toulouse-Lautrec.
There is handwritten text at the top right corner that reads "Greenwich 10 Feb 1933" and near the middle, "N & B 10 Feb 1933."
The image is a newspaper clipping from the Harvard Crimson, dated February 10, 1933. The clipping features an article about the Fogg Art Museum at Harvard University. The article discusses two exhibitions at the museum. The first exhibition, titled "An Experiment in Art Teaching," is described as a display of imaginative composition and drawing by Harold Zimmerman and the geometry of design and the use of set palettes by Denman W. Ross. The second exhibition is about the opening of Galleries XIV and XV, showcasing paintings by Dr. Ross and his pupils, as well as works by Dr. D. W. Ross, a former Harvard professor who is experimenting with a new method of painting. The article also mentions a large and valuable collection of Japanese prints donated by Arthur B. Duell, along with a fine library of books connected with Japanese prints. The clipping includes a date stamp of February 10, 1933, and the name "Greenwood" at the top.