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The image shows a newspaper clipping from the "NY Times" dated Sunday, August 28, 1932. The article is titled "Art in Review" and discusses the College Art Association obtaining 300 modern paintings for an international show at Worcester.

Key points from the article:

1. Exhibition Details:

   • The 1932 international exhibition will feature around 300 modern paintings.
   • The exhibition will be held at the Worcester Museum from January 3 and will run for several months.
   • It will be housed in a new museum building.

2. Artists and Countries:

   • The exhibition includes works from 17 countries.
   • Notable artists mentioned include Sir George Clausen, Paul Nash, André Derain, and others.
   • Countries represented include France, Belgium, Germany, Switzerland, Austria, and more.

3. Organization and Patrons:

   • The exhibition is organized by the College Art Association.
   • Key figures involved are Mrs. Audrey McMahon and Mrs. Henry L. Shattuck.
   • A list of patrons and supporters from various countries is provided, including ambassadors, ministers, and art enthusiasts.

4. Significance:

   • The exhibition aims to showcase the best of modern art from various countries.
   • It is noted for its ambitious scale and the diversity of artists and styles represented.

The article highlights the importance of the exhibition in promoting international art and cultural exchange.

The image shows a newspaper clipping titled "ART IN REVIEW," dated Sunday, August 28, 1932. The article is written by Edward Alden Jewell and reports on the College Art Association's acquisition of 300 modern paintings for an international show at Worcester. The show, planned for January 1933 at the Worcester Art Museum, will feature works by prominent artists such as Picasso, Matisse, and Orozco. The article discusses the selection process, the challenges in finding a unifying theme, and the diverse representations from various countries, including the United States, France, Germany, and Russia. The text also mentions notable patrons and the role of the Carnegie Institute in Pittsburgh in the selection process.

The image shows a page from a newspaper article dated Sunday, August 28, 1932, titled "Art in Review." The article is written by Edward Alden Jewell and discusses plans for the 1933 International Exhibition of Modern Painting organized by the College Art Association.

The article details the acquisition of 300 modern paintings for the show, which is to take place at Worcester. The exhibition is organized by the Worcester Art Museum, and the curator, Francis Henry Taylor, is overseeing the effort. The show will feature a diverse collection of paintings, including works from well-known artists from various countries such as England, France, Germany, Belgium, Holland, Austria, Russia, and the United States.

The article mentions the inclusion of various notable artists like Picasso, Matisse, Rouault, Nolde, Miro, and others. It also lists several patrons who have contributed to the event, including high-ranking officials and diplomats from different countries.

The exhibition aims to showcase the best of modern painting, with a particular emphasis on European and American artists. The organizers have faced challenges in curating the exhibition due to the sheer volume of submissions and the need to maintain a cohesive theme. The show will officially open in January 1933, with the opening ceremony planned in Worcester.

The image is a newspaper clipping from the New York Times, dated Sunday, August 28, 1932. The headline of the article is "ART IN REVIEW: College Art Association Obtains 300 Modern Paintings For International Show at Worcester."

The article, written by Edward Alden Jewell, discusses plans for an international exhibition of modern paintings organized by the College Art Association. The show is to be held at the Worcester Art Museum in Worcester, Massachusetts, from January 1 to January 31, 1933. The exhibition includes works by many renowned artists, such as Picasso, Matisse, Rouault, and others from various European countries.

The article mentions that the exhibition will feature 300 modern paintings, with 225 from Europe and the rest from American artists. The selection committee faced the challenge of choosing from a vast number of submissions and decided to include artists from each country represented in the show.

Notable patrons and their affiliations are listed, including diplomats and ministers from various countries, as well as representatives from cultural and educational institutions like the Carnegie Institute, the American Scandinavia Foundation, and the American-Scandinavian Foundation.

The article also provides a brief insight into the process and the selection criteria, highlighting the diversity and international representation of the artists included in the exhibition.

The image is a clipping from a newspaper, specifically the New York Times, dated Sunday, August 28, 1932. The article is titled "Art in Review" and discusses an upcoming event organized by the College Art Association.

The article, written by Edward Alden Jewell, announces that the association has obtained 300 modern paintings for an international exhibition at the Worcester Art Museum. The show, which will be held in January 1933, is described as an ambitious and important event in the art world.

Key points from the article include:

• The exhibition will formally inaugurate the Worcester Art Museum's new building.
• The show will feature works by famous European painters such as Picasso, Matisse, Rouault, and Modigliani, among others.
• The selection process was challenging due to the variety of styles and the need to represent different countries.
• The exhibition will include paintings from France, Belgium, Holland, Austria, Germany, Italy, and the United States.
• The article lists several patrons and ambassadors from various countries who are supporting the event, including Sir George Clausen, Paul Nash, and Baron von Prittwitz und Gaffron.

The overall tone of the article is enthusiastic about the upcoming exhibition, highlighting its significance and the international collaboration involved.

The image is a newspaper clipping from the New York Times, dated Sunday, October 28, 1951. The article is titled "Art in Review" and is written by Edward Alden Jewell. The main headline reads: "College Art Association Obtains 300 Modern Paintings For International Show at Worcester."

Here's a detailed summary of the article:

The College Art Association has announced plans for an ambitious international exhibition of modern paintings set for 1953. The exhibition will include around 300 paintings from both American and European artists. Initially, the show will open at the Worcester Art Museum in Worcester, Massachusetts, on January 1, and will later move to New York City.

Francis Henry Taylor, the director of the Worcester Art Museum, highlighted the significance of this exhibition, especially given its international scope. The Carnegie Institute in Pittsburgh had previously decided not to hold its annual international exhibition this season, making the upcoming Worcester exhibition particularly notable.

The article mentions that the College Art Association, led by Mrs. McMahon and Mrs. Fannie P. Cook, has been working on selecting the pictures for the show. This selection committee aims to include works by famous European painters, although it's noted that gathering these might be challenging.

The exhibition will be organized by country, with a committee dedicated to each nation's artists to ensure a diverse and representative selection. The countries and their respective patrons include:

• Great Britain: Led by individuals like Sir Kenneth Clark and Sir Leigh Ashton.
• France: Includes figures like Baron von Prittwitz und Gaffron and Waldemar George.
• Germany: Represented by individuals such as Theodore M. Scheel and others.
• Austria: Includes Dr. Otto Benesch.
• Belgium: With patrons such as Paul Fierens and others.
• Italy: Represented by the American Ambassador in Italy and others.
• Switzerland: Includes officials like Dr. W. Wartmann.
• Netherlands: Includes patrons like Dr. D. Hannema.

The article notes that the English section of the exhibition promises to be intensely earnest and vigorous. Meanwhile, the Russian section seems likely to be less prominent due to current political climates, focusing on decorative works rather than avant-garde pieces.

The exhibition's goal is to include a broad representation of modern art from various countries, aiming to present an excellent and comprehensive showcase.

This image shows a newspaper clipping titled "ART IN REVIEW," dated Sunday, 28 August 1932. The article is written by Edward Alden Jewell and announces that the College Art Association has obtained 300 modern paintings for an international exhibition at Worcester. The content in the column addresses plans for the 1933 international exhibition of modern paintings and notes that among the 300 paintings, some are by acclaimed European artists.

The clipping is pasted onto a manila folder or a similar type of document sheet, which has been punched with three holes on the left side, presumably for insertion into a binder. At the top left corner, handwritten in pencil are the words "My Twentieth Sunday 28 Aug 1932," indicating personal annotation by someone tracking the document or related events. The texture of the paper and the slightly faded type indicate it is an archival document.

The image depicts a newspaper clipping titled "ART IN REVIEW," authored by Edward Alden Jewell. The article discusses the plans for a 1933 international exhibition of modern paintings by the College Art Association, held at Worcester Museum. It mentions the inclusion of 300 paintings, 225 of which are European, showcasing works from many renowned artists such as Sir George Clausen and Paul Nash from England, and Picasso and Rouault from France, among others.

The article also notes the various figures and officials who have shown interest and support for the exhibition, such as ambassadors from countries like Italy, Denmark, France, and Germany, including John N. Garner and Grover Whalen.

The clipping is attached to a scrapbook or album page with holes punched along the left side. At the top, a handwritten note reads "NY Times Sunday 28 Aug 1932." The paper itself shows signs of aging, with discoloration around the edges.

The image shows a newspaper clipping titled "ART IN REVIEW" with a subheading "College Art Association Obtains 300 Modern Paintings For International Show at Worcester," written by Edward Alden Jewell. The article discusses plans for a 1933 international exhibition of modern painting organized by the College Art Association, to be opened at the Worcester Museum of Art on January 1 and later moved to New York. It mentions key figures like Francis Henry Taylor and notes the importance of the 1933 international event, especially against the backdrop of the Carnegie Institute in Pittsburgh not holding its usual international show.

The article includes remarks from Mrs. Audrey McMahon and Mrs. Fannie Pollak about the selection of paintings from Europe, highlighting the challenges of including both famous and lesser-known artists. The piece also describes the exhibit's diverse international representation, listing many European artists and patrons from various countries such as England, France, Germany, Belgium, Holland, Switzerland, Austria, Hungary, Czechoslovakia, Italy, Spain, and others. Additionally, there is a list of patrons and ambassadors from various countries who support the exhibition.

The clipping is affixed to a larger piece of paper, which is slightly yellowed with age and has three punched holes on the left side. There is a handwritten note at the top edge of the paper that reads "NY Times Sunday 28 Aug 1932."

The image shows a page from a publication titled "ART IN REVIEW", which appears to be a news article or feature discussing an art exhibition. The article is dated 28 June 1932 and is attributed to Edward Alden Jewell. The headline reads: "College Art Association Obtains 300 Modern Paintings For International Show at Worcester."

Key Details from the Image:

Headline and Context:

• The article announces plans for the 1933 International Exhibition of Modern Painting, organized by the College Art Association.
• The exhibition will be held at the Worcester Museum of Art in Worcester, Pennsylvania, and will open on January 1.
• The show will feature 300 modern paintings from 22 nations, marking a significant international collaboration.

Key Points:

1. Exhibition Details:

   • The exhibition is scheduled to open on January 1 and will be housed in the new museum building at the Pennsylvania Museum of Art, formerly the Francis Henry Taylor Art Museum.
   • The director of the museum, Walter E. Edge, is mentioned as the 1933 International organizer.

2. Significance:

   • The exhibition is described as an exceptionally important event, especially given the customary international season that has just concluded.
   • The College Art Association has decided to hold the show in Pittsburgh, Pennsylvania, due to the customary international season having ended.

3. European Section:

   • The European section of the exhibition is highlighted as being intensely earnest, vigorous, and original.
   • Notable artists mentioned include:
     • Sir George Clausen (England)
     • Paulius Raus (England)
     • Maurice Nash (England)
     • Dix, Hofer, Kirch, and Pechstein (Germany)
     • Moserop (Holland)
     • Boshard (Switzerland)
     • Kokosky and Boeckl (Austria)
     • Novak (Hungary)
     • Munch-Petrovic (Czechoslovakia)
     • Casanova (Spain)
     • Miro (Spain)
     • Dali (Spain)
   • The section is noted for its vigorous and original works, with artists such as Matisse and Picasso also mentioned.

4. Patrons:

   • The article lists a list of patrons from various countries, including ambassadors, ministers, and cultural figures. Some notable names include:
     • Paul Lambert (Minister from Austria)
     • Paul Vevera (Minister from Belgium)
     • Otto Franc (Minister from Czechoslovakia)
     • Walter E. Edge (Ambassador from France)
     • Baron von Pritzwitz und Gaffron (Ambassador from Germany)
     • Sir Ronald Lindsay (Ambassador from Great Britain)
     • Count Laszlo Szecsenyi (Minister from Hungary)
     • Roberto Paribeni (Inspector General of Fine Arts, Italy)
     • W. R. M. Backe (Minister from the Netherlands)
     • M. J. de Gardinis (Minister from Poland)
     • W. Rostrom (Minister from Sweden)
     • D. H. Baudy (President of the Federal Commission of Fine Arts, Switzerland)
     • V. O. K. S. Society Council (Minister from Switzerland)
     • R. S. Russell (Minister from the United States)
     • Carl Schnitzler (Foundation)

5. American Representation:

   • The article notes that the American section will include a large American representation, though specific details are not provided in this excerpt.

Visual Elements:

• The page appears to be from a printed publication, likely a newspaper or art journal, with a clean, typed layout.
• The top of the page includes a handwritten note: "My Tues Sunday 28 June 1932", suggesting the date of the article or a personal annotation.
• The page has visible holes along the left margin, indicating it may have been part of a bound volume or archive.

Overall Impression:

The article provides a detailed overview of an ambitious international art exhibition planned for 1933, emphasizing the diversity and significance of the works to be displayed. It highlights the involvement of prominent artists, patrons, and cultural figures from around the world, underscoring the exhibition's importance in the art world of the early 20th century. The handwritten note at the top adds a personal touch, suggesting the page may have been part of an individual's collection or archive.