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The document discusses the construction and preparation of an addition to the Fogg Museum, focused on creating the Naumburg Reception Room. The project involves installing paneling, furnishings, and fittings from Mrs. Nettie G. Naumburg's apartment at 200 Central Park, New York, as bequeathed in her will. The work includes transporting and restoring these items, with some pieces requiring significant attention due to their age and condition. The new wing, designed by Coolidge, Shepley, Bulfinch & Abbott, is scheduled to be completed by October 1. The Naumburg Room will be set up on the second floor, featuring elaborate carvings and notches to fit the paneling. The document also mentions specific art pieces and furniture that will be displayed in the room, including works by Murillo, Rubens, and a seventeenth-century portrait by Boleslaw Jan Czedekowski. The total cost of the addition is estimated at $250,000, with the Naumburg Fund covering the room's expenses.

The image contains a page of a document discussing the construction and renovation of an addition to the Fogg Museum, specifically focusing on the Naumburg Reception Room. Here's a detailed summary:

1. Construction Work:

   • The document describes the addition being built on the Broadway side of the Fogg Museum, to accommodate the Naumburg family’s rooms.
   • The rooms are being repurposed to house the museum's reception area by October.

2. Planning and Finances:

   • The Naumburg family donated the rooms to the museum, but the work requires significant funds, as mentioned in a transcript from April 3, 1930.
   • The cost of the project is mentioned to be around $47,000, which is part of the $75,000 raised by the Naumburg Fund.

3. Specifics of the Rooms:

   • The rooms are to be transformed into a suite comprising a living room, dining room, and reading room.
   • The living room is described as having a mezzanine balcony, dining room with a fireplace, and an entrance foyer.
   • The basement will be used for storage, with the main floor being the primary exhibition area.

4. Architectural Details:

   • The Naumburg rooms are being restored to their original condition, with some minor changes, including the addition of a new wing.
   • The interior woodwork and paneling are being preserved and restored, and some original artwork and furnishings are being reused.

5. Packing and Storage:

   • The rooms are being packed, with the keyed furniture and artwork being stored and arranged in a way that allows for easy reassembly and viewing.

6. Art and Furnishings:

   • The document mentions specific art pieces like the "Holy Family by Murillo," "Driving the Money Changers from the Temple," and "Portrait of a Woman by Rubens."
   • It also notes that some pieces are being shipped to Cambridge, including the original paneling.

7. Miscellaneous:

   • The work is aiming to complete the reception area by October, ensuring the rooms are ready for the museum's use.
   • It also mentions the intention to keep the rooms' original features, such as the old oak ceiling beams, which are noted as being in good condition.

The detailed planning and preservation efforts ensure that the Naumburg Reception Room will be both functional and respectful of its historical and artistic heritage.

The image shows a page from a newspaper or a magazine article detailing the construction and preparation of an addition to the Fogg Museum, specifically the Naumburg Reception Room, which was to be ready by October.

Here's a detailed summary of the content:

Headline:

"The Addition Now Being Built on the Broadway Side of the Fogg Museum"

Main Content:

• Plans and Decisions:

  • The article discusses the construction of an addition to the Fogg Museum, including the Naumburg Reception Room. This room will be furnished with the original furnishings and fittings from Mrs. Nettie O. Naumburg's apartment at Central Park, New York City.
  • The room is being set up to resemble the Naumburg suite exactly as it was when Mrs. Naumburg lived there, including paneling, furniture, and artworks.
  • The article notes that the work is being carried out with meticulous care to preserve the historical authenticity.

• Design and Construction Details:

  • The room will have a mezzanine balcony and an entrance foyer.
  • The basement will be largely given over to the stack room, with the reading room on the second floor.
  • The addition will include a living room, dining room, and an entrance foyer, among other rooms.
  • The cost of the construction is noted as $27,000, funded by the Naumburg Fund.

• Furniture and Art:

  • The furnishings include a dining room door from Flemish make, a table, and various pieces of furniture.
  • Artworks to be included are paintings by Murillo, Christ Driving the Money Changers from the Louvre, a portrait of a woman by Rubens, and a portrait of a child by della Robbia.
  • The article mentions the careful packing and transport of the original items to ensure they remain in good condition.

• Specifics of the Room:

  • The room is being fitted with a large tapestry that hangs over the dining room doorway.
  • The rooms include a variety of items, such as a seventeenth-century English oak beamed ceiling in the living room and a fireplace with a mantel from the seventeenth century in the dining room.

Additional Notes:

• The article is dated "Tuesday, Oct 23, 1932," indicating when it was published.
• The intention is to create a space that reflects the historical surroundings and the Naumburg family's original tastes and furnishings.

This detailed effort was aimed at preserving and replicating the ambiance of Mrs. Naumburg's apartment within the new museum space.

The image is a document detailing the construction and restoration work on the Fogg Museum at Harvard University, specifically focusing on the addition of a Naumberg Reception Room. Here is a detailed summary:

1. Introduction to the Project:

   • The document describes the addition being built on the Broadway side of the Fogg Museum. The project involves restoring and furnishing rooms to their original state, as they were left by Mrs. Nettie S. Naumberg, who bequeathed them to the museum.

2. Historical Context:

   • Mrs. Naumberg had these rooms designed and fitted in New York City, and they were to be transported to Cambridge, Massachusetts, where they were to be assembled and restored.

3. Restoration Details:

   • The rooms were carefully packed and transported to the museum. The workmen engaged in unpacking and restoring the rooms encountered some challenges, such as finding old-fashioned hardware that had to be handmade.
   • One notable issue was the discovery of a derrick used to handle the heavy pieces of furniture and woodwork.

4. Room Layout and Features:

   • The Naumberg Reception Room suite comprises a living room, dining room, and entrance foyer. The living room is described as being high with a mezzanine balcony and a dining room with a fireplace.
   • The suite also includes a reading room, which is set up on the second floor.

5. Artwork and Furnishings:

   • The rooms are being fitted with elaborate carvings and woodwork. Specific pieces of art mentioned include:
     • A tapestry by Mantegna, depicting "The Triumphs of Caesar."
     • Paintings by artists such as Murillo, Christ Driving the Money Changers from the Temple, and a portrait by Rubens.
     • A portrait of a woman by Rubens and another by Holbein.
     • Other pieces include a "Holy Family" by Murillo and a portrait of a child by della Robbia.

6. Timeline and Completion:

   • The work was to be completed by October, with the cost being covered by the Naumberg Fund.
   • The rooms were to be fitted out as they were in their original setting in New York, ensuring the preservation of their historical integrity.

7. Additional Notes:

   • The document is dated October 23, 1932, indicating the progress and plans for the museum addition at that time.

The text suggests a meticulous effort to preserve and recreate the historical ambiance of the Naumberg rooms, integrating them into the Fogg Museum's collection.

The image displays a newspaper clipping detailing the construction and preparation of the Naumburg Room in a museum, likely the Fogg Museum at Harvard University. Here are the main points:

1. Construction and Planning:

   • An addition is being built on the Broadway side of the Fogg Museum to house a suite of rooms with complete paneling and furnishings.
   • The new wing will house the Naumburg Room, donated by the will of Mrs. Nettie G. Naumburg, originally from the house of the Naumburg family in New York.
   • The room is being transported, restored, and installed in the new wing, which is part of a larger plan to expand the museum facilities.

2. History and Transport:

   • The Naumburg Room was initially part of a house on 48th Street, west of Central Park, New York.
   • Aaron Naumburg acquired the room in the 1890s, and it was moved to a new location on Park Avenue after his death.
   • The room is being carefully taken apart and transported to Cambridge for reassembly.

3. Restoration and Installation:

   • Work is being rushed to prepare the room for a reception planned in October.
   • The room features intricate woodwork, including paneling, a large fireplace, and other detailed carvings.
   • The Naumburg Room will occupy the entire first floor of the new wing, with an extension possibly added later.
   • The room will be set up on the second floor temporarily while the basement is prepared for future display of smaller articles.

4. Design and Layout:

   • The room includes a large dining area with a high ceiling, a large fireplace, and a mezzanine balcony.
   • The restoration involves replacing missing elements and repairing damage.
   • The museum plans to include various artworks, such as tapestries, paintings, and other furnishings from the era, to complement the room's historical aesthetic.

5. Challenges and Considerations:

   • One challenge is the handling of the massive candelabra and ensuring the room's authenticity.
   • The layout will be designed to fit together correctly, and the room will be keyed for easy assembly.
   • There are discussions about the inclusion of other artifacts, such as tapestries and paintings, to enhance the historical context and ambiance of the room.

Overall, the article highlights the detailed and meticulous process of moving, restoring, and installing a historical room in a museum setting.

The image depicts a newspaper article clipping that has been pasted onto a piece of paper. The article is titled "Work Being Rushed on Addition to Fogg Museum to Have Naumberg Reception Room Ready by October." It is dated September 23, 1932, as noted in handwriting at the bottom left of the clipping.

The article discusses the construction of a new addition to the Fogg Museum of Art at Harvard University, specifically a reception room dedicated to Mrs. G. Naumberg. The room is intended to be a replica of Mrs. Naumberg's apartment in New York City, where she frequently hosted gatherings for artists and writers. The article provides details about the design and furnishings of the room, including its dimensions, furniture, and decorative elements. It also mentions that the room will be used as a meeting place for students and professors to discuss art and will be open to the public.

The clipping is affixed to a larger sheet of paper, which has three punch holes along the left side, indicating it was likely part of a binder or notebook. The text of the article is clearly legible, and the overall condition of the clipping appears to be good, with no significant tears or damage.

This is an image of a newspaper clipping mounted onto a manila folder or similar type of paper. The clipping appears quite old, as indicated by the yellowing of the paper and the typographic style typically associated with newspapers from the early to mid-20th century. The top of the article starts with a bold letter "T" and the heading seems to be "Work Being Rushed on Addi-" with the rest of the word likely being "addition" covered by the fold of the paper. The article mentions something about a "Fogg Museum" and having something in readiness for a "Naumberg Reception Room."

The text is dense and in small type, making it difficult to read without zooming in. The column layout is typical of newspaper formats, with justified alignment. The date "Tuesday, April 23, 1932" is handwritten in pencil on the manila paper, suggesting this may be the date when the article was published or when it was categorized for archival purposes. There are two holes punched in the paper on the left side, indicating that the article is filed or organized in a binder or folder with other documents.

The image shows a sheet of paper with an attached newspaper clipping at the top. The clipping appears to discuss the construction progress of an addition to the Fogg Museum, specifically the creation of the Naumburg Reception Room which is expected to be ready by October. The text is densely packed, with headings indicating the topic of the article. The sheet of paper has holes punched along the left side, suggesting it may be part of a binder or scrapbook. Below the clipping, handwritten in pencil, is the date "July 23, 1932" which informs the viewer about when this publication was likely issued.

The image shows a beige scrapbook or album page, with a newspaper clipping affixed near the upper half of the page. The clipping is an article titled "Work Being Rushed on Addition to Fogg Museum to Have Naumberg Reception Room Ready by October." The article discusses the construction underway to expand the Fogg Museum at Harvard to house the Naumberg collection, describing the dimensions and details of the addition and the artworks and furnishings to be included in the new rooms. The article is typed in narrow newspaper columns on yellowed paper and pasted to the scrapbook page. Below the clipping, there is a handwritten note in pencil that reads "Times, July 23 1932." The scrapbook page itself has several round holes punched along the left edge, likely for binding in a larger volume. The page is otherwise blank and cream-colored.

The image shows a scanned page from a historical document or publication, likely from the early 20th century, judging by the style of the text and the layout. The page contains a detailed article or report discussing the construction and renovation of a museum, specifically the Fogg Museum at Harvard University. Here is a detailed description:

Content Overview

The text is divided into two main sections, with a headline at the top that reads:
"Work Being Rushed on Addition to Fogg Museum to Have Numberg Reception Room Ready by October."

Left Column:

• Topic: The left column discusses the architectural and logistical aspects of the addition to the Fogg Museum. It mentions the construction of a new wing on the Broadway side of the museum, which includes a suite of rooms for the Naumberg collection.
• Details:
  • The addition is being built to house the Naumberg collection, which includes old masters, tapestries, and other choice furnishings.
  • The suite of rooms will be complete by October, and the fittings are being transported from Mrs. Nettie G. Naumberg’s old apartment in New York City.
  • The rooms are described as being part of Central Park, with a view of the park and the city.
  • The article notes that the Naumberg collection was bequeathed to Harvard with a condition that it be used for the benefit of students. The gift was accepted, and the collection will be displayed in the new wing.
  • The construction is described as being carried out with haste, and the article provides details about the dimensions and layout of the new rooms, including a living room, dining room, and other spaces.

Right Column:

• Topic: The right column focuses on the interior design and furnishings of the new addition, particularly the Naumberg Reception Room.
• Details:
  • The article describes the room as being rush-built to accommodate the Naumberg collection. It will be used as a reception room and will be ready by October.
  • The basement of the museum will be largely given over to an extension of the stack room, with the reading room on the first floor.
  • The suite of rooms will include a living room sixty by forty feet, a dining room fifty by thirty-seven feet, and a gallery.
  • The article highlights the architectural features, such as a mezzanine balcony, a wide entrance, and the arrangement of the rooms.
  • It also mentions the use of antique dark English oak paneling, which will be arranged on the second floor. The paneling is described as being elaborately carved and will be a significant feature of the room.
  • The article notes that the Naumberg collection includes notable artworks, such as paintings by Rembrandt, Rubens, and other prominent artists. It also mentions tapestries, furniture, and other decorative items.
  • The room will be furnished with old English oak beamed ceilings, round oak fireplaces, and other period-appropriate furnishings.
  • The article emphasizes that the room will serve as a place for students and faculty to meet, talk, and absorb art from their surroundings.

Visual Elements:

• Text Layout: The text is arranged in two columns, typical of newspaper or magazine formatting from the early 20th century.
• Typography: The text is printed in a serif font, consistent with the style of the era. The headline is bold and centered, drawing attention to the main topic.
• Annotations: There is a handwritten note at the bottom left of the page that reads:
  "Traces fog 2-3 1932"
  This suggests that the document may have been part of an archival or research collection, with the note possibly indicating a date or reference.
• Page Number: In the top right corner, there is a faint number "2," indicating that this is the second page of a larger document or publication.

Contextual Clues:

• The mention of Harvard University, the Fogg Museum, and the Naumberg collection situates the document in the context of early 20th-century American art and museum history.
• The detailed description of the construction, furnishings, and artworks suggests that this was a significant event in the museum’s development, likely aimed at enhancing its capacity to display and study important art collections.

Overall Impression:

The page provides a comprehensive account of the construction and interior design of a new addition to the Fogg Museum, focusing on the Naumberg Reception Room. It highlights the architectural details, the historical significance of the Naumberg collection, and the museum’s commitment to providing a space for students and scholars to engage with art. The handwritten note adds a layer of historical context, suggesting that the document was part of an archival or research collection from 1932.