Archives Scrapbooks

The image is of a typed document titled "Paintings of Turner Now Showing at Fogg." The document appears to be a press release or announcement from April 1931, discussing an exhibition at the Fogg Museum. The exhibition features the works of Joseph Mallord William Turner, tracing the development of his art from the beginning to the end of his career. The document highlights Turner's reputation as a great colorist and his status as one of the "seven supreme colourists of the world," as described by John Ruskin. It mentions that the exhibition includes excellent examples from each period of Turner's career.

Additionally, the document notes a special item of interest: a sepia wash drawing from Turner's "Liber Studiorum" group, sent to the museum by Miss Ellen Bullard of Boston. This drawing is the only one of the series in America, with the rest being in the National Gallery in London. The "Liber Studiorum" was produced by Turner and his contemporaries and is noted for its connection to the famous French artist who drew the Liber Veritatis group.

The document is dated "Cambridge, April 16, 1931."

The image shows a yellowed, typed document, likely a newspaper article or a museum exhibit notice, titled 'PAINTINGS OF TURNER NOW SHOWING AT FOGG.' The document announces an exhibition at the Fogg Museum featuring the works of Joseph Mallord William Turner, highlighting the development of his art from the beginning to the final stages of his career. The article emphasizes Turner's mastery of color and his influence, comparing him to Claude Lorrain. It specifically mentions a sepia wash titled 'The Harbor of Dieppe' from the Liber Studiorum series, which is on loan from Miss Ellen E. Bullard of Boston. The document is dated 'Cambridge, April 16, 1932.'

The image displays a newspaper clipping titled "Paintings of Turner Now Showing at Fogg." The article discusses an exhibition at the Fogg Museum showcasing the works of Joseph Turner. The exhibit traces the development of Turner's art from the beginning of his career to his later stages, highlighting his incomparable mastery across different periods.

Key points include:

• Turner is celebrated for his rich use of color.
• The exhibition includes paintings that represent the "seven wonders of the world" and other significant subjects, with abstraction being a hallmark of his work.
• A particular interest is drawn to a sepia wash painting, part of the Liber Studiorum group, which was donated to the Museum of Fine Arts, Boston by Mrs. Ellen Bullard.
• This group of paintings is unique as it is only found in the United States, with the rest of the group located in London's National Gallery.

The article notes that this collection was probably influenced by Turner’s rivalry with the French artist Claude Lorrain, known for the Liber Veritatis group. The date on the clipping is marked as April 1932, with the word "Cusino" and "April 16, 1932" handwritten at the bottom left corner.

The image is a newspaper clipping from April 16, 1932, discussing an art exhibition at the Fogg Museum. The exhibition features the works of J.M.W. Turner, a renowned nineteenth-century English painter celebrated for his mastery of light and color.

Key points in the article include:

1. Exhibition Overview:

   • The Fogg Museum is hosting an exhibition of Joseph Mallord William Turner's paintings.
   • This exhibit traces the development of Turner's artistry over various periods of his career.

2. Turner's Career and Style:

   • Turner is noted for being one of the supreme colorists, often compared to the "veritable" supreme colorists of the world.
   • Abstraction is a key element in Turner's work, not just in backgrounds but also in the overall harmony of tone.
   • Despite the abstraction, Turner's works are detailed and exhibit an appreciative exactitude.

3. Special Feature of the Exhibition:

   • The article highlights a particular interest in a sepias wash (a type of monochrome artwork) from the Liber Studiorum collection.
   • This piece was donated to the museum by Miss Ellen Bullard of Boston and is the only one of its kind in the country.
   • The rest of the Liber Studiorum works are housed in the National Gallery in London.
   • The Liber Studiorum collection was meant to rival the works of Claude Lorrain, another famous artist known for his landscape paintings.

Overall, the article emphasizes the significance of the Turner exhibition at the Fogg Museum and provides insight into the artist's legacy and influence.

The image is a clipping from a newspaper article dated April 16, 1932. The headline reads "Paintings of Turner Now Showing at Fogg," and the subheading is "Development of Art of Great Colorist Traced in April Exhibit."

The article discusses an exhibition at the Fogg Museum featuring the works of Joseph Mallord William Turner, a renowned English painter. The exhibit traces the development of Turner's artistic career, showcasing examples from different periods of his life.

Key points from the article include:

• Turner is celebrated for his rich color palette.
• The exhibition starts from the beginning of Turner's career and includes examples from various periods.
• The article highlights Turner's use of abstraction in his work, particularly in his background and harmony of tone.
• One of the special interests in the exhibit is a sepia wash painting from the famous Liber Studiorum group, which was gifted to the Museum by Mary Ellen Bullard of Boston. This painting is unique as it is the only one of its kind in the country, with the rest being in the National Gallery in London.
• The Liber Studiorum group was likely produced by Turner in response to the works of Claude Lorrain, a renowned French artist.

The article emphasizes the significance of Turner's contributions to art, especially his innovative use of color and abstraction.

The image is a newspaper clipping or an excerpt from a document detailing an exhibition of the works of Joseph Mallord William Turner, a famous English Romantic painter, at the Fogg Museum. The exhibit is described as tracing the development of Turner's art from the beginning of his career to his later periods.

Key points from the text include:

1. Exhibition Overview: The Fogg Museum is showcasing a display of Turner's works, highlighting the progression of his artistic style through various periods of his career. This is noted as an exhibition of unusual interest.

2. Turner's Recognition: Turner is known for his rich and colorful paintings. His works are celebrated for their abstract qualities, particularly in his use of color and tone, which is emphasized even in the backgrounds and details of his paintings.

3. Special Interest: A notable piece in the exhibit is a sepia wash titled "Liber Studiorum," which is part of a famous group of drawings. This particular drawing was donated to the Museum of Fine Arts, Boston, by Mrs. Ellen Bullard. It is one of the few pieces from this group in the country, with the rest located in the National Gallery in London.

4. Historical Context: The "Liber Studiorum" drawings were created by Turner to rival Claude Lorrain, another famous French artist known for his landscapes.

The document is dated April 16, 1932, as noted in the handwritten annotation at the bottom right corner.

This image shows a typewritten document titled "PAINTINGS OF TURNER NOW SHOWING AT FOGG". Below the title, it indicates that the development of art by a great colorist is traced in an April Exhibit. The content of the document discusses an exhibition of works by J.M.W. Turner at the Fogg Museum, highlighting his stage of career development and noting several details about the paintings and Turner's style. The text mentions a "sepia wash, which is one of the famous Liber Studiorum group" and states that this particular drawing was presented to the museum by Miss Ellen Bullard of Boston. It further references the Liber Studiorum as the only one of the group in the country, in the context of the history of Turner's paintings.

In the bottom left corner, there's handwriting in ink that appears to read "Crimson Apr 16 '43", which seems to suggest that this document may have been archival or reference material from April 16, 1943. The paper has three punched holes on the left margin, indicating it was probably stored in a binder or folder. The paper appears aged, with slightly discolored edges and a slightly frayed upper left corner, showing signs of wear and usage over time.

The image is of a newspaper clipping titled "Paintings of Turner Now Showing at Fogg." It discusses an exhibition at the Fogg Museum featuring works by Joseph Turner, highlighting his development as a colorist and progression through his career. It mentions specific pieces included in the exhibit and describes a notable sepia wash drawing by Turner. The clipping includes details about Turner's influences and the significance of the presented works. The clipping is affixed to a larger sheet of paper with two holes punched on the left side, possibly indicating it was part of a binder. Written below the clipping on the larger sheet is “Crimson Apr 16 1932.”

The image shows a printed page from a publication titled "PAINTINGS OF TURNER NOW SHOWING AT FOGG". The page is part of an article discussing an exhibition of Joseph Turner's paintings at the Fogg Museum, focusing on the development of his artistic career. The text highlights the significance of the exhibition, which presents a comprehensive display of Turner's works, tracing his artistic evolution from the beginning of his career to its peak.

Key points from the text include:

1. Exhibition Overview: The Fogg Museum is hosting an exhibition showcasing Turner's paintings, offering a chronological display of his work. This is described as an unusual and interesting event, with examples from each period of Turner's career presented together for the first time.

2. Turner's Legacy: Turner is celebrated as one of the greatest English painters of the 19th century, renowned for his rich coloring and mastery of abstraction. The article emphasizes his ability to balance harmony in tone with precise, detailed execution.

3. Notable Works: The text mentions a specific painting, "Liber Studiorum", which is of particular interest. This work is described as one of the famous series presented by Miss Ellen Bullard of Boston. It is noted as the only one of the series in the country, with the rest housed in the National Gallery in London. The article also suggests that this group of paintings was likely produced by Turner to rival the works of the famous French artist Claude Lorrain, who created the Liber Veritatis group.

4. Handwritten Note: At the bottom of the page, there is a handwritten note that reads "Seussm Apr 16 1932", indicating a possible date or reference to the document.

The page appears to be a historical document, likely from an art journal or museum publication, providing context and commentary on Turner's work and the significance of the exhibition. The layout is clean and formal, with a focus on informative content rather than visual elements.

This image is a scanned page from a newspaper or magazine article featuring a description of an art exhibition. The title of the article is "Paintings of Turner Now Showing at Fogg." The article discusses an exhibition of Joseph Turner's works at the Fogg Museum, highlighting the development of his art and his contributions to the field of colorist painting.

The article begins with a brief introduction to the exhibition, stating that it is of unusual interest and features a display of Turner's works from the beginning of his stage career. It mentions that the exhibition showcases various examples of his career, including some that are now presented in the collection for the first time as a group.

The article then delves into Turner's artistic style and his reputation as one of the greatest colorist painters of the nineteenth century. It highlights his mastery of color and his ability to create harmonious tones in his paintings. The article also mentions a specific painting, a sepia wash of the famous Liber Studiorum group, which is presented as a notable piece in the exhibition.

Additionally, the article provides some historical context for Turner's work, mentioning that it was produced by a group of painters who were rivals to the famous French artist, Lorrain, and the Liber Veritatis group. The article concludes with a mention of the exhibition's date, which is April 16, 1932.

Overall, the image showcases an article that promotes an art exhibition featuring the works of Joseph Turner, a renowned colorist painter of the nineteenth century. The article highlights the significance of Turner's art and his contributions to the field of colorist painting, while also providing historical context and details about the exhibition.