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ARCH.2003.26, Rendition: 791838
The image is a newspaper clipping from the "Boston Evening Transcript," dated Saturday, April 16, 1932. It features an article titled "Masterpiece by Burt Displayed at Fogg Museum," written by William Germain Dooley. The article discusses a significant antique silver piece, specifically a large silver two-handled cup made by John Burt (1691-1745) and engraved with the arms of the Brown family. The cup is described as a masterpiece and is considered one of the most pretentious works of Burt.
The article provides historical context about the cup, noting that it was commissioned by John Brown in 1740 and has been part of the Fogg Museum's collection at Harvard University since 1916. The cup is described as having a fine classical design with a cylindrical bowl and a domed cover, showcasing Burt's exceptional craftsmanship. The article also mentions the historical significance of the cup, which dates back to a period when silver craftsmanship in America was highly regarded.
The image includes a photograph of the silver cup, highlighting its intricate design and the engraved arms of the Brown family. The cup is noted for its size and the quality of its craftsmanship, which is considered a testament to Burt's skill and the artistic standards of the time. The article concludes by discussing the evolution of silverware design and the transition from large, ornate pieces to smaller, more delicate items as societal tastes changed.
The image is a page from the Boston Evening Transcript newspaper, dated Saturday, April 16, 1932. The page is titled "ANTIQUES" and is part of a Saturday Transcript Feature that originated on June 1, 1924.
The main content of the page features an article and an illustration of a large silver two-handed cup made by John Burt, a Boston silversmith from the period 1691-1745. The cup is engraved with the arms of the Brown family. The caption under the image reads: "Large Silver Two-Handed Cup, Made by John Burt, Boston, (1691-1745) and Engraved with the Arms of the Brown Family. The Maker's Mark Occurs on the Side Near the Left Handle."
The article, titled "Masterpiece by Burt Displayed at Fogg Museum," is written by William Germain Dooley. The article discusses the silver loving cup and mentions it is one of the most pretentious works by John Burt. The text provides historical context about John Burt, his work, and the significance of the cup in the Fogg Museum's permanent collection. It describes the cup's design and the craftsmanship involved, noting its historical and artistic value. The article also briefly touches on the history of similar cups in America and their usage, mentioning that they were often used for ceremonial drinking occasions. The cup is noted for its intricate details, including the shield and crown surrounding the initials, which is a common motif in Burt's work.
The image shows a page from the Boston Evening Transcript dated April 16, 1932, featuring a Saturday Transcript feature on antiques. The main focus is on a large silver two-handed cup, which is described as a masterpiece by John Burt.
The headline and accompanying text, written by William German Dooley, highlight the cup's significance. The article mentions that the cup is a rare and valuable piece from the Brown family, with engraved arms. It is noted that the cup is part of the permanent collection at the Fogg Museum at Harvard University.
The article discusses the history and craftsmanship of the cup, emphasizing its design elements such as the scrollwork, and mentions that it was made in Boston around 1691-1745. It also touches on the historical context of similar silverware in America and England, noting how these pieces were used for ceremonial occasions and display purposes.
The caption below the image reads:
"Large Silver Two-Handled Cup, Made by John Burt, Boston, (1691-1745) and Engraved with the Arms of the Brown Family. The Maker's Mark Occurs on the Side Near the Left Handle."
The newspaper page is visually detailed with a black and white illustration of the cup, showing its elegant design and intricate details.
The image shows a newspaper article from the Boston Evening Transcript, dated Saturday, April 16, 1932. The article is part of a feature called "Antiques," which was originated on June 7, 1924. The main headline announces that a masterpiece by Burt is displayed at the Fogg Museum. The article, written by William Germain Deoley, focuses on a silver loving cup with engraved arms of the Brown family, described as the most pretentious work of John Burt.
The loving cup, made by John Burt of Boston between 1691 and 1735, is a large two-handled silver cup. The engraving includes the arms of the Brown family, and the maker's mark is located on the side near the left handle. The article provides historical context about the craftsmanship and significance of the piece, noting that it is one of the most ambitious and elaborately conceived works by Burt. The cup is currently on public exhibition at the Fogg Museum as part of the Warren collection.
The article also discusses the broader historical context of loving cups, their uses, and the techniques employed by silversmiths of the period. It mentions that these cups were often used for toasting and celebratory occasions, and describes specific features of this cup, such as its cylindrical bowl, cover, and handles.
The image is a page from the "Boston Evening Transcript," dated Saturday, April 16, 1932. It features an article from the "Antiques" section, authored by William Germain Dooley. The article highlights a significant silver piece made by John Burt, a renowned silversmith from Boston who was active between 1691 and 1745.
The focal point of the article is a large silver two-handled cup, engraved with the arms of the Brown family. This cup is displayed at the Fogg Museum in a permanent exhibition. The piece is notable for its detailed craftsmanship, including a coat of arms engraved on its cover and a maker’s mark located on the side near the left handle.
The article discusses the rarity and uniqueness of such colonial silver pieces, especially those that are not purely decorative. It mentions that John Burt's work is highly functional yet beautifully adorned, making it one of the most interesting pieces from the early American silversmithing era.
Additionally, the article provides historical context about the use of such cups in England during the late seventeenth and early eighteenth centuries. These larger cups were used for toasting and were often passed around during gatherings, containing warm drinks spiced with ingredients like wine, ale, sugar, and sometimes eggs.
The image of the cup shown in the article exemplifies the high level of artistry and craftsmanship typical of Burt's work.
The image is a page from the Boston Evening Transcript, dated Saturday, April 16, 1932. This page is a feature titled "Antiques," which started on June 7, 1924.
The main article is titled "Masterpiece by Burt Displayed at Fogg Museum" and discusses a silver loving cup with engraved arms of the Brown family, considered one of the most pretentious works by John Burt.
The article is written by William Germain Dooley and provides detailed information about the loving cup. It mentions that the cup was made by John Burt in Boston (1691-1745) and features the arms of the Brown family. The maker’s mark is located on the side near the left handle. The cup is described as being part of the permanent Harvard collection and is currently displayed at the Fogg Museum.
The article explains that the loving cup is an example of the elaborate craftsmanship of John Burt, who was known for his intricate designs. The cup has a cylindrical body and is adorned with a turned initial "B" at the top, surmounted by a conventional crown. The text also discusses the historical context of such cups, mentioning their use for ceremonial drinking occasions and their historical significance in America and England.
The photograph accompanying the article shows the large silver two-handled cup with the arms of the Brown family engraved on it. The caption under the photo reads: "Large Silver Two-Handled Cup, Made by John Burt, Boston (1691-1745) and Engraved with the Arms of the Brown Family. The Maker's Mark Occurs on the Side Near the Left Handle."
This image shows an old newspaper page titled "ANTIQUES" from the Boston Evening Transcript, dated Saturday, April 16, 1932. The feature is a Saturday Transcript feature that originally appeared on June 7, 1924.
The main focus of the page is a large, detailed black and white photograph of a large silver two-handled cup. The cup was made by John Burt of Boston (1691-1745) and is engraved with the arms of the Brown family. The maker's mark on the side near the left handle is noted in the caption below the image.
To the right of the photo, there is an article titled "Masterpiece by Burt Displayed at Fogg Museum," written by William Germain Dooley. The article describes the significance of the silver loving cup, its engravings, and historical importance. It discusses the craftsmanship of John Burt and the history of two-handled cups in America and England, highlighting their use for ceremonial and practical drinking purposes.
The page has three hole punches on the left side, indicating it was likely stored in a binder. The newspaper clipping has some aging signs, such as yellowing and slightly brittle edges.
This image depicts a vintage newspaper page from the Boston Evening Transcript, dated Saturday, April 16, 1932. The page features an antique-related article, with a large photograph of an ornate, large silver two-handled cup taking up most of the space. The heading of the page reads "Antiques," indicating that it's a special feature on antiques, possibly a regular section as it notes "A Saturday Transcript Feature Originated June 7, 1924."
The cup in the photograph is described in the caption as "Large Silver Two-Handled Cup, Made by John Burt, Boston, (1681-1745) and Engraved with the Arms of the Brown Family. The Maker's Mark Occurs on the Side Near the Left Handle." Below the image is additional text that belongs to articles on the page, including one with the title "Masterpiece by Burt Displayed at Fogg Museum." This suggests that the cup was considered an important piece of historical craftsmanship and was being exhibited at the time.
The paper itself shows signs of wear and aging, which is consistent with its antique content. The color tone is sepia indicative of the age of the paper and there are visible fold marks and a couple of punched holes on the left edge, suggesting it may have been preserved in a binder or archived.
The image is a page from the Boston Evening Transcript newspaper dated Saturday, April 16, 1932. It belongs to a Saturday Transcript feature titled "Antiques," which originated on June 7, 1924.
The centerpiece of the page is a large image of a silver two-handled loving cup, made by John Burt, Boston (1691-1745). The cup is engraved with the arms of the Brown Family, and the maker's mark appears on the side near the left handle. The image's caption confirms these details.
To the right of the image, there is an article titled "Masterpiece by Burt Displayed at Fogg Museum," written by William Germain Dooley. The article discusses the silver loving cup with engraved arms of the Brown Family, calling it the most pretentious work of Burt. The article elaborates on Burt's significance in American silver craftsmanship, his techniques, and his contributions to the art of silversmithing.
The page is old and yellowed, and it has two punched holes on its left side, indicating it may have been stored in a binder.
The image depicts a page from the Boston Evening Transcript, dated Saturday, April 16, 1932, featuring an article titled "ANTIQUES". The page is structured with a prominent illustration and accompanying text.
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The image is a historical newspaper clipping from April 16, 1932, showcasing an antique silver cup by John Burt, displayed at the Fogg Museum. The article celebrates the cup as a masterpiece, highlighting its craftsmanship, historical significance, and the artistry of Burt, an important figure in early American silversmithing. The illustration and accompanying text provide a detailed description of the cup's design, engraving, and place in the broader context of American decorative arts.