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The document is a report on the 21st annual meeting of the College Art Association, held from March 30 to April 1. The event featured important papers and discussions led by prominent art figures, covering topics such as art history, archaeology, and modern art. Notable presentations included those by Charles D. Scalera on the Silver-Gilt Processional Cross, Philip Hendrie on the Glorification of St. Thomas, and Alfred H. Barr, Jr. on the Pilgrim Overboard. The report also highlights sessions on archaeological research, modern art, museum problems, and Far and Near Eastern art. Additionally, it mentions an open forum on the educational value of instruction in the arts and the conferring of an honorary doctorate by the College Art Association of America. The document concludes with a note that many important papers could not be reported due to space limitations, emphasizing the event's significance.

The image is a page from a publication, specifically a program or report detailing important papers read at the 21st meeting of the College Art Association (C.A.A.). The page is dated April 2, 1932.

The main topics covered in the meeting include:

1. Art History and Miscellaneous Topics:

   • Morning sessions on March 30 and April 1, with speakers from various institutions including Princeton University, Yale University, the Metropolitan Museum of Art, and others.

2. Reports on Archaelogical Research:

   • Morning session on March 30, with presentations such as:
     • Excavations at Durango, Mexico by Herbert Winlock.
     • A paper on the Royal Tombs of Southern Mexico by Herbert J. Spinden.
     • The Antiquities Expedition led by Charles R. Sisson.

3. Some Aspects of Modern Art:

   • March 30 afternoon session with talks on subjects like:
     • The Pilot Overboard by Forbes Watson.
     • Art History by Paul Liggett.

4. Museum and Art Historical Problems:

   • March 31 afternoon session, featuring talks on:
     • Ultra-Violet Rays as an Aid to the Study of Art by James J. Gibson.
     • Early American Silver by John Marshall.

5. Far and Near Eastern Art:

   • March 31 afternoon session, including:
     • Unique Seljuk Lacquer Decoration by Rudolf Myer Riefstahl.
     • An Arabic Woodcarving by the VIIIth Century by John D. Dominis.

6. Reports on Educational Aspects:

   • March 31 evening session, with:
     • A discussion on the Educational Value of Instruction in the Arts by Alfred V. Churchill.

7. Art History – Miscellaneous Topics:

   • April 1 morning session, including:
     • A discussion on the Date and Origin of a Romanesque Whale-Bone Carving by Helen M. Frue.

8. An Open Forum on the Educational Value of Instruction in the Arts:

   • April 1 morning session, chaired by Professor E. Baldwin Smith from Princeton University, featuring talks by notable figures in the field such as:
     • Frederick P. Keppel, President of Carnegie Corporation.
     • George J. Cox, Director of the Metropolitan Museum of Art.
     • Others from Columbia University, Harvard University, and the University of Michigan.

The program highlights the significant contributions and research in the fields of art history, archaeology, and modern art, showcasing the extensive engagement of scholars and educators at the meeting.

The image is a page from an April 1932 issue of "Art News" magazine. It details the program of papers presented at the 21st annual meeting of the College Art Association (C.A.A.), held over three days in March 1932.

Main Sections and Summaries:

1. Many Important Papers Read at 21st C.A.A. Meeting:

   • The meeting featured significant contributions from scholars and educators in the field of art.
   • The program included a range of topics, with each session focusing on different aspects of art history, archaeology, and modern art.

2. Museum and Art Historical Problems:

   • March 30, Afternoon Session:

     • David M. Robinson, John Hopkins University: Discussed "Ultra-Violet Rays as an Aid to the Study of the Old Masters."
     • James J. Ferris, Metropolitan Museum of Art: Presented on "Early American Silver."
     • John Marshall: Talked about "Notes on the Museum's Role in Child Welfare."
     • Henry Taylor, Worcester Art Museum: Delivered a lecture on "Illustrations to the Works of Goethe in the Library of the University of Virginia."
     • Blake Godwin, Toledo Museum of Art: Addressed "The New Building of the Toledo Museum of Art."
     • Venturi, Venetian Criticism of the XVI Century: Discussed by former professor at the University of Pennsylvania.
     • Unknown Treasure Found in the Royal University of Chicago: Discussed by Joseph Epstein.
     • Egyptian Art in Art History: Presented by Hermann J. Riesenfeld.

   • March 31, Afternoon Session:

     • George Hewitt Myers, Textile Museum: Presented "Unique Seljuk Lacquer-Decorated Ivory Boxes from Turkey."
     • Rudolf Myre Riefstahl: Discussed "An Arabic Woodcarving of the VIII Century."
     • William C. Dindam, Metropolitan Museum of Art: Presented on "Yale University Excavations at Dura-Europos."
     • Louvre, Yale University: Discussed "The Collection of Lost Miniatures."
     • Harold K. Willoughby, University of Michigan: Talked about "Oriental Aesthetics."
     • Memnon Ga-Oglu, Detroit Institute of Arts: Presented "A Preliminary Report on a Sixteenth Century Painting."
     • Archaeology of the Altai Mountains: Discussed by the Museum of Far Eastern Art, Columbia University.

3. Far and Near Eastern Art:

   • March 31, Evening Session:
     • Fine Art as a Sociological Problem: Presented by Charles A. Pliny.
     • Half Hour of Music: Performed by a pianist.
     • Composition by Jan van Eyck: Discussed by William R. Valentiner, Detroit Institute of Arts.

4. Art History - Miscellaneous Topics:

   • April 1, Morning Session:
     • Alfred V. Churchill, Smith College: Presided over a session discussing "A Discussion of the Date and Origin of a Romanesque Whale-Bone Carving."
     • Helen M. Francis, New York University: Presented "The Romanesque Illustrated Calendar of the Psalter."
     • A. D. McDonald, Princeton University: Delivered a lecture on "The Enamel Cross-Reliquary of St. Christiano."
     • Jegas Drawings: Presented by the University of Michigan.
     • William Ingersoll, University of Michigan: Discussed "A Group of Drawings by Durer."

5. An Open Forum on the Educational Value of Instruction in the Arts:

   • April 1, Morning Session:
     • Chairman: Professor E. Baldwin Smith, Princeton University:
       • Discussed various significant phases of art education, with talks from notable figures such as Miss Ruth Bronson, Mr. Frederick P. Keppel, Mr. George J. Cox, Mr. A. Leroy Jones, and Mr. W. J. Turner.

This detailed program showcases the depth and breadth of topics covered during the 21st annual meeting of the College Art Association, highlighting the diverse interests and research areas within the field of art during that time.

The image is a page from the April 2, 1932, issue of "Art News" detailing the program of the twenty-first annual meeting of the College Art Association (C.A.A.), which took place from March 30 to April 1. The meeting included various sessions and discussions on art history, archaeological research, modern art, museum problems, and educational values in the arts.

Summary of Sessions and Papers:

March 30 - Morning Session (Art History - Miscellaneous Topics)

• Presiding: Charles R. Morey, Princeton University
• Papers:
  1. A Silver-Gilt Processional Cross in the Museum of Fine Arts, Boston – S. L. Bensusan
  2. Notes on the Museum's Role in Child Welfare – Henry Taylor, Worcester Art Museum
  3. The Royal Tombs of Southern Mexico – Herbert J. Spinden, Brooklyn Museum
  4. The Veracity in Modern Architecture – Alfred H. Barr, Jr., Museum of Modern Art
  5. A New Building for the Toledo Museum of Art – Blake More Godwin, Toledo Museum of Art
  6. The Influence of the Veronese – Herman Schnitzler, Harvard University

March 30 - Afternoon Session (Reports on Archaeological Research)

• Presiding: Herbert Winlock, Director of the Metropolitan Museum of Art
• Papers:
  1. Excavations at Tell el-Amarna – John Garstang
  2. The Royal Tombs of Southern Mexico – Herbert J. Spinden
  3. The Antich Expedition – Charles R. Morey
  4. Excavations at the University of Chicago – David M. Robinson
  5. The Royal Tombs of Southern Mexico – Herbert J. Spinden (again)
  6. The Royal Tombs of Southern Mexico – Herbert J. Spinden (repeated)

March 31 - Morning Session (Some Aspects of Modern Art)

• Presiding: Alfred H. Barr, Jr., Museum of Modern Art
• Papers:
  1. The Pilot Overboard – Forbes Watson, University of Chicago
  2. A Prophecy of Art History – Paul Liggett, New York University
  3. College Teaching and Contemporary Painting – Alfred H. Barr, Jr.
  4. The Aesthetic of Cézanne – Alfred H. Barr, Jr.
  5. Aesthetic Value in the Arts – Alfred H. Barr, Jr.

March 31 - Afternoon Session (Museum and Art Historical Problems)

• Presiding: David M. Robinson, Johns Hopkins University
• Papers:
  1. Ultra-Violet Rays as an Aid to the Study of Painting – James J. Brophy
  2. Early American Silver – John Marshall
  3. Notes on the Museum's Role in Child Welfare – Henry Taylor
  4. Illustrations to the Works of Goethe – George S. Hellman
  5. New Building of the Toledo Museum of Art – Blake More Godwin
  6. The Venetian Criticism of the XVI Century – Bernard Berenson
  7. Unknown Treasure Found in the Royal Museum – John R. Hinds
  8. A Place to Egyptian Art in Art History – Herman Schnitzler

March 31 - Evening Session (Far and Near Eastern Art)

• Presiding: George Hewitt Myers, Textile Museum
• Papers:
  1. Unique Seljuk Lacquer-Decorated Kotah – Rudolf Meyer-Riefstahl
  2. An Arabic Woodcarving of the VIII Century – George Hewitt Myers
  3. Yale University Excavations at Dura-Europos – Michael Rostovtzeff
  4. The Influence of Lost Wax Casting – Harold R. Willoughby
  5. Oriental Aesthetics – Amanda K. Coomaraswamy
  6. A Preliminary Report on a Sixteenth Century Painting – Mennet Gaoglu

April 1 - Morning Session (Art History - Miscellaneous Topics)

• Presiding: Alfred V. Churchill, Smith College
• Papers:
  1. A Discussion on the Date and Origin of a Romanesque Whale-Bone Carving – Helen M. Franke
  2. The Romanesque Illustrated Calendar – A. D. McDonald
  3. The Enamel Cross-Reliquary of St. Denis – A. D. McDonald
  4. The Drawings of Peter Paul Rubens – William E. Suida
  5. A Group of Drawings by Daumier – William E. Suida

April 1 - Morning Session (An Open Forum on the Educational Value of Instruction in the Arts)

• Chairman: Professor E. Baldwin Smith, Princeton University
• Participants:
  • Miss Ruth C. Hadley, Carnegie Corporation
  • Mr. George J. Cox, New York
  • Mr. George H. Edgell, New York
  • Mr. Leroy Jones, Columbia University
  • Mr. George H. Edgell, American Federation of Arts and Federation of Arts Clubs of America, New York City

The page concludes with a brief note on the symposium held at the Metropolitan Museum of Art, highlighting the significant discussions on various topics related to art history, archaeology, and education.

The image displays a page from the April 2, 1932 issue of "Art News," detailing the events and topics discussed during the twenty-first annual meeting of the College Art Association (C.A.A.) held from March 30 to April 1.

Key Sections:

Many Important Papers Read at 21st C.A.A. Meeting

This section highlights the significance of the meeting, noting that it was likely the most important event of the week globally for those interested in art scholarship and education.

Sessions and Topics:

1. Art History - Miscellaneous Topics:

   • Various speakers presented on diverse art history subjects:
     • Charles R. Morey from Princeton University on "A Silver-Gilt Processional Cross in the Museo Cristiano."
     • Frank J. Mather, also from Princeton, on "Piero della Francesca's Flagellation."
     • Walter W. S. Cook from New York University on "Romanesque Painting in Catalonia."
     • Edgar Waterman Anthony on "The Painter of the Glorification of St. Thomas—Masaccio, Angelico, Gentile da Fabriano?"
     • Arthur M. Hind from the British Museum on "The Influence of Vermeer and Chardin on Modern Etching."

2. Reports on Archaeological Research:

   • Herbert Winlock from the Metropolitan Museum of Art spoke about an opened session.
   • Alan Burroughs from the Fogg Museum talked about "The Royal Tombs of Southern Mexico."
   • Charles R. Morey discussed "The Antique Expedition."
   • Various other speakers presented on topics such as "Four Hittite Hymns," "Excavations at Minturnae," and "The Romanesque Frescoes of Santa Maria de Mur."

3. Some Aspects of Modern Art:

   • Forbes Watson from the Whitney Museum of American Art on "The Plot Overboard."
   • Paul J. Sachs from the Fogg Museum on "A Precept of Art History."
   • Alfred H. Barr Jr. on "Picasso: Teaching and Contemporary Pictures."
   • Additional speakers included George Boas and Alfred V. Churchill.

Museum and Art Historical Problems:

• Various issues and topics related to museums and art history were addressed:
  • Ultra-Violet Rays as an Aid to the Museum Worker.
  • Notes on the Museum's Role in Child Education.
  • New Building of the Toledo Museum of Art.
  • Problems faced by museums regarding preservation and curation.

Far and Sea Eastern Art:

• A session chaired by Langdon Warner, featuring topics such as:
  • Unique Seals from Laoqma-Decorated Pottery.
  • An Arabis Wonderworking at the V & A Museum.
  • An exhibition of Lost Miniatures.

Art History - Miscellaneous Topics (Second Session):

• Topics included:
  • Discussion on the Date and Origin of a Romanesque Wooden Beam.
  • The Romanesque Illustrated Calendar.
  • The Enamel Cross-Reliquary of S. Martino ai Monti.
  • Various other art historical discussions.

An Open Forum on the Educational Value of Instruction in the Arts:

• This forum included a discussion on the importance of arts education, led by several prominent educators and professionals:
  • Walter Siple, President of the College Art Association.
  • Frederick B. Deknatel from Harvard University.
  • Other speakers from Columbia University, Smith College, and the Pennsylvania Museum.

This meeting provided a comprehensive platform for discussing a wide range of topics in art history, archaeology, modern art, museum studies, and art education.

The image is a page from the April 2, 1932 issue of "Art News," detailing the 21st annual meeting of the College Art Association (C.A.A.). The meeting featured numerous important papers read by scholars and educators from around the world, covering various topics in art history, archaeology, and modern art.

The page is divided into several sections, each listing different sessions and the papers presented:

1. Art History - Miscellaneous Topics

   • Papers on topics like the influence of French art on American painting, the art of the Renaissance, and the role of the art critic.

2. Reports on Archaeological Research

   • Papers on excavations and archaeological findings from various sites, including reports on excavations in Greece, Turkey, and Iraq.

3. Some Aspects of Modern Art

   • Papers discussing modern art movements, artists, and contemporary art developments.

4. Museum and Art Historical Technique

   • Papers on museum practices, conservation techniques, and art historical methods.

5. Talks on Near Eastern Art

   • Papers focusing on the art and archaeology of the Near East, including discussions on textiles, sculpture, and architecture.

6. Art History - Miscellaneous Topics (continued)

   • Additional papers on various art historical subjects, including Romanesque art, Gothic sculpture, and Renaissance painting.

7. An Open Forum on the Educational Aspects of Art Appreciation

   • A discussion led by prominent educators and art professionals on the role of art appreciation in education.

The page also mentions that it is impossible to provide detailed summaries of all the papers but highlights the significance of the event for art scholars and educators. The meeting was noted for its diverse range of topics and the participation of leading experts in the field.

This is an image of a document; it looks like an old page from "Art News," dated April 2, 1932. The document is titled "Many Important Papers Read at 21st C. A. A. Meeting" and lists a variety of topics and speakers that seem to be related to different historical, architectural, and art-related subjects. For instance, it discusses museum and art historical problems, Far and Near Eastern art, and miscellaneous art history topics. There are also reports on archaeological research mentioned. Various names and subjects that were addressed during the meeting are included. The content's format is column-based, with the topics broken down into subsections, each mentioning the name of the presenter and a brief description of their paper or focus area. The text is in English and the page shows some signs of aging and discoloration, suggesting it is a physical document that has been scanned or photographed.

This image features a page from a publication titled "Art News" dated April 2, 1932. The page contains text discussing the 21st annual meeting of the College Art Association (C.A.A.), where various important papers were presented.

The article outlines the different topics and sessions that were covered during the meeting, which include:

1. Museum and Art Historical Problems
2. Far and Near Eastern Art
3. Reports on Archaeological Research
4. Aspects of Modern Art
5. Miscellaneous Topics in Art History
6. An Open Forum on the Educational Value of Research in the Art of Archaeological Collaborations

Notable speakers and their subjects are listed under each category, including individuals such as Alfred V. Churchill, David M. Robinson, Fiske Kimball, and Charles R. Morey. The article emphasizes the significance of the meeting, noting that it attracted leading art authorities from around the world. The text is printed in columns, giving a detailed schedule and topics of the papers read at the meeting.

The image shows a scanned page from a publication titled "Art News," dated April 2, 1932. The page is structured into several sections, each detailing topics and events related to art and art history. Here is a detailed description:

Header:

• The top of the page prominently displays the title "Many Important Papers Read at 21st C. A. A. Meeting", indicating that the content pertains to a meeting of the College Art Association (CAA).

Main Content:

The page is divided into multiple sections, each listing topics, speakers, and related information. Below is a breakdown of the sections:

1. Art History – Miscellaneous Topics

• Date: March 30, Afternoon Session
• Location: Metropolitan Museum of Art
• Presiding: Charles R. M.

Papers Presented:

1. "A Silver-Gilt Processional Cross in the Princeton University Museum" – I. E. Paison, Princeton University.
2. "The Nations of Aragon: A Study of the Royal Tombs of Southern Mexico" – Herbert J. Spinden, Brooklyn Museum.
3. "The Influence of St. Thomas Aquinas on the Glories of the York Minster" – Hermann Schnitzer, Harvard University.

2. Reports on Archaeological Research

• Date: March 30, Afternoon Session
• Location: Pollard Museum of Art, Oberlin College
• Presiding: Herbert Winlock, Director of the Metropolitan Museum of Art.

Papers Presented:

1. "The Royal Tombs of Southern Mexico" – Herbert J. Spinden, Brooklyn Museum.
2. "The Antioch Expedition" – Charles R. Morey, Princeton University.
3. "Excavations at Ur" – C. W. Blegen, University of Chicago.
4. "Four Hittite Pyramids" – H. H. von der Osten, University of Chicago.
5. "Excavations at Tell Asmar, Iraq" – Leonora M. C. C. H. S. L. R. F. S. S. S. Szobieski, University of Chicago.
6. "The Royal Tombs of Southern Mexico" – Herbert J. Spinden, Brooklyn Museum.
7. "The Royal Tombs of Southern Mexico" – Herbert J. Spinden, Brooklyn Museum.
8. "Excavations at Tell Asmar, Iraq" – Leonora M. C. C. H. S. L. R. F. S. S. Szobieski, University of Chicago.
9. "Excavations at Tell Asmar, Iraq" – Leonora M. C. C. H. S. L. R. F. S. S. Szobieski, University of Chicago.

3. Some Aspects of Modern Art

• Date: March 30, Evening Session
• Location: Whitney Museum of American Art
• Presiding: Alfred H. Barr, Jr.

Papers Presented:

1. "The Pilot Overboard" – Forbes Watson, The Museum of Modern Art.
2. "A Prophet of Art History: Paul Liéget" – Philip Malamud, New York University.
3. "College Teaching and Contemporary Art" – Alfred V. Churchill, Smith College.
4. "The Modern Gazelle at Southampton" – Alfred V. Churchill, Smith College.

4. Museum and Art Historical Problems

• Date: March 31, Morning Session
• Location: Metropolitan Museum of Art
• Presiding: David M. Robinson, Johns Hopkins University.

Papers Presented:

1. "Ultra-Violet Rays as an Aid to the Scholar: A Demonstration" – James J. Rorimer, Yale University.
2. "Early American Silver—John Marshall Phillips" – Yale University.
3. "Notes on the Museum’s Role in Child Education" – John Marshall Phillips, Yale University.
4. "Illustrations to the Works of Goethe" – Worcester Art Museum.
5. "New Building of the Toledo Museum of Art—Blake-More Godwin" – Toledo Museum of Art.
6. "Venetian Criticism of the XVI Century at Home and Abroad" – Joseph DiJone, University of Chicago.
7. "Unknown Treasure Found in the Royal Palace of Madrid—Joseph DiJone, University of Chicago" – Giving a Place to Egyptian Art History.

5. Far and Near Eastern Art

• Date: March 31, Afternoon Session
• Location: Metropolitan Museum of Art
• Presiding: Alfred H. Barr, Jr.

Papers Presented:

1. "A Unique Seljuk Lacquer-Decorated Koran Stand in the Museum of Konya (Turkey)" – Rudolf Meyer Rietschal, VII Research Institute, Moscow.
2. "An Arabic Woodcarving of the Reign of Tamerlane" – Rudolf Meyer Rietschal, VII Research Institute, Moscow.
3. "Problems in the Reconstruction of Lost Miniatures" – Harold E. Willoughby, University of Chicago.
4. "Oriental Aesthetics: Anna K. Coo-Boston" – Boston Museum of Fine Arts.
5. "A Preliminary Report on a Sixteenth Century Treatise on Persian Miniature Painting" – Memmet Gagu-Ogu, The DePauw University of Chicago.
6. "Archaeology of the Altai Mountains—Alfred F. Kohl" – Alfred F. Kohl, The Metropolitan Museum of Art, New York.

6. Art History – Miscellaneous Topics

• Date: April 1, Morning Session
• Location: Metropolitan Museum of Art
• Presiding: Alfred H. Barr, Jr.

Papers Presented:

1. "A Discussion of the Date and Origin of the Romanesque Wheel-Carving as Illustrated in the Romanesque Illustrated Calendar" – Helen M. Franc, New York University.
2. "The Enamel Cross-Reliquary, Missio Christiano-D. D. McDonald, University of Chicago" – D. D. McDonald, University of Chicago.
3. "Degas Drawings: Portrait Sketches in American Collections" – Arkes Morgan, Harvard University.
4. "Three Greek Vases from the Collection of the University of Michigan—Wilhelm B. Leonard" – Wilhelm B. Leonard, Harvard University.

7. An Open Forum on the Educational Value of Instruction in the Arts as a Preparatory College Entrance Credit

• Date: April 1, Evening Session
• Location: Metropolitan Museum of Art
• Presiding: Professor E. Baldwin Smith, Princeton University.

Details:

• The symposium also held at the afternoon session on April 1, with a stimulating session of papers on this occasion.
• Speakers included:
  • Miss Ruth Perry, Carnegie Corporation.
  • Mr. George J. Cox, Frederick P. Keppel, Carnegie Corporation.
  • Mr. A. R. Cooley, President, The American Federation of Arts.
  • Mr. Lenoy Jones, also of Columbia.
  • Professor Frederick A. Whiting, President, The National Art Education Association, New York City.

Footer:

• The page is stamped with "Art News" and dated "April 2 1932" in handwritten text at the bottom left corner.

Overall Layout:

• The page is formatted in a structured, columnar layout typical of academic or professional publications from the early 20th century.
• The text is typed, and the content is organized into clear sections with headings, dates, locations, and presiding individuals.
• The content reflects a scholarly focus on art history, archaeology, and modern art, with contributions from various institutions and experts.

This page provides a snapshot of the intellectual and academic discussions taking place at the 21st College Art Association meeting in 1932.

The image is a scanned page from a document titled "Many Important Papers Read at 21st C. A. A. Meeting." It appears to be a report or summary of the proceedings of the 21st annual meeting of the College Art Association, held on March 30, 31, and April 1, 1932. The document lists various papers presented at the meeting, along with the names of the speakers and their affiliations.

The page is divided into sections, including "Museum and Art Historical," "Far and Near Eastern Art," "Art History-Miscellaneous Topics," and "Reports on Archaeological Research." Each section lists the titles and authors of the papers presented during the meeting. The papers cover a wide range of topics, including art history, archaeology, museum studies, and art education.

The document also includes a section titled "Art News," which provides updates on recent developments in the art world. The page is dated April 2, 1932, indicating that it was likely published shortly after the meeting took place.

Overall, the image provides a glimpse into the academic and professional activities of the art world in the early 20th century, highlighting the diverse range of topics and perspectives represented at the College Art Association's annual meeting.