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The image is a collage of newspaper clippings and articles related to exhibitions at the Fogg Art Museum in 1932. Here is a detailed summary of each section:

1. Top Left Section (Harvard Alumni Bulletin, March 4, 1932):

   • The article mentions two loan exhibitions at the Fogg Art Museum.
   • One exhibition features 16th-century book illustrations assembled with the help of Philip Hofer, Class of 1921, and includes rare books from the New York Public Library.
   • The other exhibition showcases stained glass and designs by the late Wright Goodhue, son of Harry Goodhue, a pioneer in the revival of medieval stained glass.

2. Top Middle Section (Crimson, March 9, 1932):

   • A special loan exhibition of 16th-century illustrated books is highlighted, including works by Holbein, Luther, and Dürer.
   • Notable books mentioned are Dürer's "Small Passion" and "Apocalypse," Holbein's "Dance of Death" and "Old Testament," Luther's Bible with woodcuts by Hans Schäufelein, and the "Metamorphoses" of Ovid.
   • The exhibition is open to the public for several weeks.

3. Top Right Section (Harvard Alumni Bulletin, January 22, 1932):

   • The Fogg Art Museum is exhibiting book illustrations from the 15th century, including works by Lester G. Hornby, and new acquisitions of Mayan objects and 17th-century prints.

4. Bottom Left Section (Boston Herald, March 20, 1932):

   • The article discusses the exhibition of Wright Goodhue's stained glass designs at the Fogg Museum.
   • Goodhue's work is described as a revival of medieval stained glass techniques, emphasizing simplicity and beauty.
   • The exhibition includes sketches, designs, and completed stained glass pieces, highlighting Goodhue's contribution to the art form.

5. Bottom Middle Section (Gazette, January 30, 1932):

   • The article focuses on the exhibition of book illustrations from the 15th century at the Fogg Art Museum.
   • It mentions the loan of rare and beautiful books from the collections of Dr. Rosenbach of Philadelphia and Mr. Rosenwald.
   • The exhibition also includes Mayan objects and 17th-century prints.

6. Bottom Right Section (Boston Transcript, March 26, 1932):

   • The article honors Wright Goodhue's memory and discusses his stained glass work.
   • It includes a photograph of a stained glass piece titled "The Virgin and Child" by Harry Wright Goodhue.
   • The article describes Goodhue's unique style and his contribution to the revival of medieval stained glass techniques.

Overall, the image captures the cultural and artistic significance of the exhibitions at the Fogg Art Museum in 1932, highlighting both historical book illustrations and the stained glass work of Wright Goodhue.

The image consists of several newspaper clippings and articles from the Harvard Alumni Bulletin and other publications, all discussing exhibitions and artworks at the Fogg Art Museum from early 1932. Here’s a detailed summary of each section:

1. Top Left (Harvard Alumni Bulletin - March 4, 1932):

   • Fogg Art Museum Exhibitions:
     • One exhibit features a collection of 16th-century book illustrations, assembled with the help of Philip Hofer. These works are on loan from the New York Public Library.
     • Another exhibit showcases stained glass designs by Harry Goodhue, who is noted for reviving medieval glass techniques.

2. Middle Left (Boston Herald - March 20, 1932):

   • Goodhue Designs at Fogg Museum:
     • The article highlights an exhibition of Harry Goodhue’s stained glass designs. Goodhue's work is recognized for its artistic brilliance, reminiscent of the medieval era. The article praises Goodhue’s unique ability to blend medieval techniques with contemporary artistry.

3. Top Middle and Right (Crimson - March 9, 1932):

   • Special Loan Exhibit:
     • A special exhibition includes works by renowned artists such as Holbein, Luther, and Dürer, featuring sixteenth-century books from a private collection.
     • The article lists notable pieces in the exhibit, including works like Dürer’s "Small Passion" and "Apocalypse," Holbein’s "Dance of Death," and Luther’s Bible.

4. Middle Right (Gazette - January 30, 1932):

   • Fogg Art Museum Exhibitions:
     • The museum continues to display an exhibit of 15th-century book illustrations, including works from Dr. Rosenbach of Philadelphia and Mr. Rosenwald.
     • There is also an exhibition of Mayan objects and 17th-century prints.

5. Bottom Right (Boston Transcript - March 26, 1932):

   • "Black Madonna and Child" by Harry Wright Goodhue:
     • This article discusses a specific work by Goodhue, "Black Madonna and Child," which is displayed at the Fogg Museum. It praises Goodhue’s craftsmanship, noting his skill in creating stained glass and comparing it to the high standards of medieval artisans.

6. Bottom Center (Image):

   • The image depicts a sculpture or artifact, likely a Mayan object, being honored in the museum’s exhibitions.

Overall, the articles collectively emphasize the significance of the exhibitions at the Fogg Art Museum during this period, highlighting both the historical book illustrations and the intricate stained glass works of Harry Goodhue.

The image consists of several newspaper clippings and magazine articles related to exhibitions at the Fogg Art Museum from early 1932. Here is a detailed summary of each section:

1. Harvard Alumni Bulletin (March 4, 1932)

   • Two loan exhibitions are now on display at the Fogg Art Museum:
     • A group of 16th-century book illustrations assembled with the help of Philip Hofer, a consultant on rare books from the New York Public Library.
     • An exhibit of stained glass by Harry Wright Goodhue, a revival of medieval ideals of glass.

2. Crimson (March 9, 1932)

   • A special loan exhibit of 16th-century illustrated books is being held at the Fogg Art Museum, including works by Holbein, Luther, and Dürer.

3. Harvard Alumni Bulletin (January 22, 1932)

   • The Fogg Art Museum features examples of book illustrations from the 15th century, including drawings by Lester Hornby, new acquisitions of Mayan objects, and 17th-century prints.

4. Gazette (January 30, 1932)

   • The Fogg Art Museum continues its exhibition of book illustration from the Fifteenth Century, featuring rare and beautiful books, including some from Dr. Rosenbach of Philadelphia and Mr. Rosenwald.

5. Boston Herald (March 20, 1932)

   • The Fogg Art Museum is showcasing an exhibition of stained glass designs by Harry Wright Goodhue, a notable Boston designer. The exhibit includes sketches and finished designs, highlighting Goodhue's work on the Cathedral of St. John the Divine in New York and the Boston Public Library. The article discusses Goodhue’s unique approach to stained glass, blending artistic beauty with symbolic and practical considerations.

6. Fogg Museum Honors Goodhue's Memory (Boston Transcript, March 26, 1932)

   • The Fogg Museum is honoring the memory of Harry Wright Goodhue with an exhibition of his stained glass designs. The exhibit includes a rare example of his early work, "Black Madonna and Child," which demonstrates his ability to capture the medieval spirit in his designs.

The articles collectively highlight the significant exhibits at the Fogg Art Museum, focusing on rare book illustrations and stained glass designs by Harry Wright Goodhue, showcasing the museum's commitment to preserving and displaying important works of art.

The image contains several newspaper clippings and articles related to exhibitions at the Fogg Art Museum, specifically focusing on Harry Wright Goodhue's designs and book illustrations from the 16th to 17th centuries.

1. Top Left Clipping (Harvard Alumni Bulletin, March 4, 1932):

   • Title: "Fogg Art Museum"
   • Description: Two loan exhibitions are on display: a group of 16th-century book illustrations and a collection of stained glass designs by Harry Wright Goodhue, a pioneer in medieval glass revival.

2. Top Middle Clipping (Crimson, March 9, 1932):

   • Title: "Special Loan Exhibit At Fogg Includes Holbein, Luther, Durer"
   • Description: A special loan exhibition of 16th-century illustrated books is displayed at the Fogg Museum. The exhibit includes works by Durer, Holbein, Luther, and others, featuring woodcuts and engravings.

3. Top Right Clipping (Harvard Alumni Bulletin, Jan. 22, 1932):

   • Title: "Fogg Art Museum"
   • Description: The Fogg Art Museum is showcasing book illustrations from the 15th century, drawings by Old Boston artist Lester R. Hornby, and 17th-century prints.

4. Middle Left Clipping (Boston Herald, March 20, 1932):

   • Title: "Goodhue Designs at Fogg Museum"
   • Description: The Fogg Art Museum is displaying a collection of stained glass designs by Harry Wright Goodhue, highlighting his significant contributions to the revival of medieval glass art.

5. Middle Right Clipping (Gazette, Jan. 30, 1932):

   • Title: "Fogg Museum Honors Goodhue's Memory"
   • Description: The Fogg Art Museum is continuing its exhibition of book illustrations from the 15th century, including rare and beautiful books loaned from Dr. Rosenbach of Philadelphia and Mr. Rosenwald.

6. Bottom Clipping (Boston Transcript, March 26, 1932):

   • Title: "Black Madonna and Child by Harry Wright Goodhue"
   • Description: The Fogg Museum is featuring "Black Madonna and Child," a notable work by Harry Wright Goodhue, which exemplifies his artistic style and skill in stained glass design.

Overall, these articles highlight the Fogg Art Museum's efforts to exhibit significant historical and artistic works, particularly those related to the revival of medieval art forms and the contributions of Harry Wright Goodhue.

The image shows several newspaper clippings and a transcript related to exhibitions at the Fogg Art Museum in Cambridge, Massachusetts, in the early 1930s.

1. Top Left (Harvard Alumni Bulletin, March 4, 1932):

   • Describes two exhibitions at the Fogg Art Museum: one showcasing 16th-century book illustrations and the other featuring stained glass designs by Harry Wright Goodhue.

2. Top Right (Crimson, March 9, 1932):

   • Announces a special loan exhibit at the Fogg Art Museum including works by Holbein, Luthier, and Dürer. It highlights the collection of illustrated books from the 15th century, drawings by Lester Hornby, and Mayan objects, among others.

3. Middle Left (Boston Herald, March 20, 1932):

   • Titled "Goodhue Designs at Fogg Museum," this piece discusses an exhibition of stained glass designs by Harry Goodhue. It mentions Goodhue's revival of medieval stained glass techniques and his unique artistic approach.

4. Middle Right (Gazette, January 30, 1932):

   • Describes the ongoing exhibition of book illustrations from the 15th century and mentions the display of Mayan objects and 17th-century prints.

5. Bottom Left (Boston Herald Transcript, March 26, 1932):

   • Focuses on the work of the late Boston designer of stained glass, Harry Wright Goodhue. The piece emphasizes the revival of medieval aesthetics and the significance of Goodhue’s work in modern stained glass.

The images collectively highlight the museum’s efforts to exhibit and promote both historical and contemporary art, particularly focusing on stained glass and medieval book illustrations.

The image displays a collection of newspaper clippings and documents related to the Fogg Art Museum and the work of Harry Wright Goodhue, a stained glass artist. Here is a detailed summary of the contents:

1. Fogg Art Museum Exhibitions (Top Left and Right)

   • Two loan exhibitions are featured at the Fogg Art Museum:
     • One exhibition showcases 16th-century book illustrations, curated by Philip Hofer, with books from the New York Public Library.
     • The other exhibition presents stained glass designs by Harry Wright Goodhue, a pioneer in the revival of medieval glass techniques.
   • A special loan exhibition of 16th-century illustrated books, including works by Holbein, Luther, and Durer, is also mentioned. This exhibition is on view for several weeks.

2. Goodhue Designs at Fogg Museum (Middle Left)

   • An article from the Harvard Alumni Bulletin dated March 4, 1932, highlights an exhibition of Harry Wright Goodhue's stained glass designs at the Fogg Museum.
   • The article describes the historical significance and beauty of Goodhue's work, which is displayed alongside medieval glass from European churches.
   • Goodhue's work is praised for its adherence to medieval traditions and its unique, ethereal beauty.

3. Displays Work of the Late Boston Designer of Stained Glass (Middle Right)

   • An article from the Crimson dated March 9, 1932, also covers the exhibition of Goodhue's work at the Fogg Museum.
   • The article emphasizes the importance of Goodhue's contributions to stained glass design and the influence of medieval art on his work.
   • It mentions that the exhibition includes both Goodhue's designs and actual stained glass panels.

4. Fogg Museum Honors Goodhue's Memory (Bottom Right)

   • Another article from the Harvard Alumni Bulletin dated January 22, 1932, and a transcript from the Boston Herald dated March 26, 1932, discuss the Fogg Museum's exhibition of Goodhue's work as a tribute to his memory.
   • The exhibition includes a collection of Mayan objects and 17th-century prints, in addition to Goodhue's stained glass designs.
   • The article highlights the significance of Goodhue's work in the context of the museum's collection and his legacy as an artist.

Overall, the clippings provide a comprehensive overview of the exhibitions at the Fogg Art Museum, with a particular focus on Harry Wright Goodhue's stained glass designs and their historical and artistic significance.

The image shows a collection of newspaper and magazine clippings discussing exhibitions and designs related to stained glass and illustrated books at the Fogg Art Museum. The clippings are neatly arranged on a beige or off-white board or paper. Some notable points include:

1. Multiple mentions of exhibitions at the Fogg Art Museum featuring stained glass works by Wright Goodhue and others.
2. Articles and notes dating from 1932 and 1933, with handwritten annotations indicating the source and date, such as:
   • "Harvard Alumni Bulletin March 4, 1932"
   • "Crimson March 9, 1932"
   • "Gazzette Jan. 30 1932"
   • "Boston Transcript March 26 1932"
3. Headlines include:
   • "GOODHUE DESIGNS AT FOGG MUSEUM"
   • "Displays Work of the Late Boston Designer of Stained-Glass"
   • "Special Loan Exhibit At Fogg Includes Holbein, Luther, Durer"
   • "Fogg Art Museum"
4. Mention of a special loan exhibition of sixteenth-century illustrated books and stained glass art.
5. A photo of a wooden sculpture titled "Black Madonna and Child" by Harry Wright Goodhue, described as a curious example of early American wood carving.
6. Articles emphasize the artistic qualities of stained glass, the revival of medieval glass art ideals, and exhibitions of early book illustrations.

The overall theme centers on art exhibitions at the Fogg Art Museum in the early 1930s, with a focus on stained glass and illustrated books from various historical periods.

This is an image of a historical newspaper clipping or a collection of clippings pertaining to art exhibitions and displays. The page includes several separate articles, each referring to events and exhibits associated with the Fogg Art Museum, which is connected to Harvard University.

There is a header at the top that reads "Harvard Alumni Bulletin March 4, 1932," indicating the date of publication. Below this header, there are several articles with their own titles, one of which is "Goodhue Designs at Fogg Museum," referencing designs by an individual named Goodhue being displayed at the museum. The article discusses how the art museum was exhibiting the architectural and ironwork creations of Goodhue.

Another section on the page says "Crimson March 9,1932," probably referencing another publication date. There is also a caption called "Displays Work of the Late Boston Designer of Stained-Glass."

To the right, there is an article titled "Fogg Art Museum" discussing an exhibition of book illustration from the 15th century, among other items, and noting that the museum houses drawings by Holbein, etchings by Dürer, and other works.

A portrait-style image of a statue is positioned on the lower right portion of the page with a caption: "The Fogg Art Museum Honors Goodhue's Memory." The statue appears to be a sculptural art piece, possibly related to Goodhue's work or legacy.

Various dates are stamped or handwritten on the newspaper clippings, such as "March, 9, 1932," and "March 26, 1932," indicating when these articles were being referenced or cataloged.

The overall context implies that the clips are archival materials, possibly intended for research or documentation of past exhibitions and the history of the Fogg Art Museum's collections and activities during that time period.

This image depicts a collection of newspaper clippings and articles related to exhibitions at the Fogg Art Museum in 1932. The articles are from several different publications including the Harvard Alumni Bulletin, the Boston Herald, the Crimson, the Gazette, and the Boston Transcript.

The articles primarily discuss two exhibitions at the Fogg Museum:

1. An exhibition of 16th-century book illustrations assembled with the assistance of Philip Hofer, a consultant in rare books for the New York Public Library. This exhibit includes works by Holbein, Luther, and Durer.

2. An exhibition of stained glass designs, featuring works of the late Harry Goodhue, who was noted for his revival of medieval stained glass techniques.

The articles provide dates and brief descriptions of the exhibitions and highlight the significance of the displayed works. There is also mention of other exhibits including drawings of Old Boston by Lester G. Hornby and Mayan objects.

Handwritten notes on the image indicate the sources and dates of the articles:

• Harvard Alumni Bulletin: March 4, 1932
• Crimson: March 9, 1932
• Harvard Alumni Bulletin: March, 1932
• Gazette: January 30, 1932
• Boston Transcript: March 26, 1932
• Boston Herald: March 20, 1932

The clippings are carefully arranged and suggest the importance of these exhibitions in the context of art and cultural history at the time.

The image shows a page from the Harvard Alumni Bulletin, dated March 4, 1932. The page is titled "Goodhue Designs at Fogg Museum" and discusses an exhibition of stained glass designs by Harry Wright Goodhue, held at the Fogg Art Museum in Cambridge, Massachusetts. The article highlights Goodhue's work as a pioneer in the revival of medieval ideals of glass art and provides context about his contributions to the field.

Key Elements of the Image:

1. Header Information:

   • The top of the page features the Harvard Alumni Bulletin header, with the date March 4, 1932.
   • There is also a mention of a Special Loan Exhibit at Fogg, which includes works by Holbein, Luther, Durer, and others, set to remain on view for several weeks.

2. Main Article:

   • The central article is titled "Goodhue Designs at Fogg Museum" and focuses on Goodhue's stained glass work.
   • It describes Goodhue as a pioneer in the revival of medieval ideals of glass art, noting his early work in the late 19th century and his influence on the art form.
   • The article emphasizes Goodhue's skill in creating stained glass windows, particularly his ability to balance literary and material elements, and his use of symbolic and narrative themes.
   • It mentions that Goodhue's work was displayed at the Fogg Museum, showcasing examples of his designs, including the "Black Madonna and Child", which is highlighted as a unique example of his style.

3. Exhibition Details:

   • The article notes that the exhibition features 20 medallions in stained glass, representing Goodhue's work from the late 19th century.
   • It discusses the late Boston designer of stained glass, Harry Wright Goodhue, and his influence on the art form, particularly in the context of the Gothic Revival movement.

4. Visual Elements:

   • On the right side of the page, there is an illustration or photograph of a stained glass window, likely one of Goodhue's works. The caption beneath the image reads:

     "Black Madonna and Child"
     A unique example of the art of the late Boston stained-glass worker. The young figure is carved from a plain, soft, and rough-hewn timber.

5. Additional Text:

   • The page also includes other sections, such as:
     • A mention of a Special Loan Exhibit at Fogg, featuring works by Holbein, Luther, Durer, and others.
     • A note about the Fogg Art Museum's Exhibition of Book Illustration of the Fifteenth Century, which includes rare books and illustrations from the collections of Dr. Rosenbach of Philadelphia and Mr. Rosenwald.
     • A brief description of Mayan objects and seventeenth-century prints on display.

6. Handwritten Notes:

   • There are handwritten notes on the page, including:
     • "Crimson March 9, 1932" at the top right.
     • "Gazette Jan. 30 1932" near the bottom right.
     • "Boston Transcript March 26 1932" near the bottom right.
     • "Boston Herald March 30, 1932" near the bottom left.

Summary:

The image is a historical document from the Harvard Alumni Bulletin, dated March 4, 1932, focusing on an exhibition of stained glass designs by Harry Wright Goodhue at the Fogg Art Museum. The article provides context about Goodhue's contributions to the revival of medieval stained glass art and highlights specific examples of his work, including the "Black Madonna and Child". The page also includes additional exhibition details and handwritten notes, suggesting it was part of a broader discussion or review of cultural events in Boston at the time.