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The image is a vintage announcement for an exhibition of fifteenth-century illustrated books held at the Fogg Art Museum in collaboration with Harvard University. The exhibition, which ran through January and February, showcased a remarkable collection of rare and valuable illustrated books from the fifteenth century.

Key points from the announcement include:

1. Exhibition Details:

   • The exhibition features fifteenth-century illustrated books.
   • It was made possible through the generosity of various institutions and collectors, including the Boston Athenaeum, Carl H. Pforzheimer Library, Harvard College Library, and Widener Library.
   • Notable collectors such as Dr. Rosenwald contributed to the exhibition, making it one of the most important of the year.

2. Highlights of the Collection:

   • The collection includes books in nearly all their original, very fine bindings.
   • Outstanding examples of book illustration are showcased, with many being the finest and most important known.
   • Notable books include the Nuremberg Chronicle, the first illustrated book printed in the British Isles, and the first book printed in Ulm.
   • Rare items such as the Hypnerotomachia Poliphili, the only illustrated book printed by Aldus, and the Dante of 1481 are featured.
   • The exhibition also includes block books, which are unique and exceedingly rare.

3. Additional Information:

   • A lecture titled "The Wonders of Tell Halaf," a proto-Hittite city of 5000 B.C., was presented by Dr. Baron Max von Oppenheim on January 15.
   • The announcement emphasizes the rarity and historical significance of the books on display, highlighting their illustrations and the craftsmanship involved in their production.

4. Date and Transcription:

   • The document is dated October 18, 1932, as noted in the transcription at the bottom.

Overall, the announcement underscores the historical and cultural importance of the exhibition, highlighting the rarity and artistic value of the illustrated books from the fifteenth century.

The image is a page from a newspaper or magazine, specifically from the Fogg Art Museum at Harvard University, dated January 13, 1932. The page contains several articles related to an exhibition of fifteenth-century book illustrations.

1. Fogg Art Museum – Harvard University Exhibition:

   • The top left section announces an exhibition of book illustration in the fifteenth century running through January and February.
   • Notable lenders include Dr. Rosenbach of Philadelphia and Mr. Rosenwald, making this one of the most important exhibits of the year.
   • A significant event is scheduled: Dr. Baron Max von Oppenheim will present an illustrated lecture on Friday afternoon, January 15, at 4:30 PM in the Lecture Hall, discussing the wonders of Tell Halaf, a proto-Hittite city of 5000 B.C.

2. Collections and Critiques – Exhibit 15th Century Illustrated Volumes:

   • This section describes a remarkable collection of fifteenth-century illustrated volumes at the Fogg Museum.
   • The collection includes books from various notable sources: Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Wellesley College Library, along with Harvard College Library.
   • Highlights include a perfect copy of the Book of Hours from the best period and rare Spanish books, illustrated Caxtons, and Dutch books.
   • The two most important books illustrated with copperplate engravings are mentioned: Monte Santo di Dio di 1477 and Dante’s The Divine Comedy.

3. Fifteenth-Century Book Illustrations at Fogg Museum:

   • This section details the exhibition of significant fifteenth-century books, including:
     • The first illustrated book printed in Ulm, known as the Hucbald’s “Famous Women” (1473).
     • Books by Ulrich von Richenthal’s Kanzel, including the Tempest of Adam and Eve, and the Book of Hours.
     • Other notable illustrated works include the "Poor Preacher's Bible" and a fine copy of the Ars Memorandi (Mirror of Human Salvation).
   • The museum is fortunate to have a complete set of these books, showcasing their artistry and historical significance.

The page also includes a small inset text describing the book's provenance and the historical context of the illustrations, emphasizing the museum's extensive and valuable collection.

FOGG ART MUSEUM—HARVARD UNIVERSITY

An Exhibition of Book Illustration in the Fifteenth Century is being held through January and February. In addition to our own, many rare and beautiful books have been generously loaned by such collectors as Dr. Rosenbach of Philadelphia and Mr. Rosenwald, making this one of the most important exhibits of the year.

"The Wonders of Tell Halaf," a proto-Hittite city of 5000 B.C., will be shown by its discoverer, Dr. Baron Max von Oppenheim, in an illustrated lecture on Friday afternoon, January 15, at 4:30, in the Lecture Hall.

Collections and Critiques

EXHIBIT 15TH CENTURY ILLUSTRATED VOLUMES

Remarkable Collection at Fogg Museum Now Being Shown

An exhibition of fifteenth century illustrated books is now being held at the Fogg Museum, will continue through February 15th.

Through the generosity of the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Harvard College Library, it has been possible to assemble a most remarkable collection of books, nearly all in absolutely perfect condition, and many in their original fine bindings.

Hardly an outstanding center of book illustration is without an example, and that example the most important and finest there is. For instance, Augsburg, which produced more illustrated books than any other city in Germany, is represented by a number of important works, among them the "Lives of the Saints," 1471-2, Bible, about 1475, Spiegel des Menschenlichen Lebens (Mirror of Man's Life), about 1476, all printed by Gunther Zainer, whose cuts furnished the models for cuts in later editions of the same works all over Europe.

First Book in Ulm

The first illustrated book printed in Ulm, Boccaccio's Famous Women, of 1473, is shown. This contains an extraordinary initial, representing the Temple of Venus, in which the figures of the god and goddess are depicted in the round, and the rest of the letter is filled with the figures of the seven deadly sins.

The Naples Asop, the Verona Valturius, a perfect copy of the Hypnerotomachia Poliphili (Strife of Love in a Dream), printed in Venice in 1499, are among the treasures shown. The Hypnerotomachia is the only illustrated book printed by Aldus, and is one of the finest ever printed.

The two important books illustrated with copperplate engravings, the Monte Santo di Dio of 1477 and the Dante of 1481, both printed in Florence, are included in the exhibition. They are unquestionably fine copies and especially interesting because of their illustrations. They are beautifully illuminated.

The Fogg Museum is fortunate in having two of the three known copies of the Book of Hours of the best period, rare Spanish books, illustrated Caxtons, and the Dutch books which are exceedingly scarce.

Five Block Books

Five important block books are shown: Biblia Pauperum, Poor Preacher's Bible, Arma Christi, Speculum Humanae Salvationis (Mirror of Human Salvation). A block book is one in which the text is cut on the same block with the illustrations, so that the book is printed in one piece. Among the books on exhibition, one is unique, several are the only copies in America, and in many cases the copy shown is one of only two or three in this country. The Fogg Museum is particularly fortunate in being able to include the two finest of the block books, the Biblia Pauperum and the Speculum Humanae Salvationis.

The Fogg Museum is particularly fortunate in being able to include in this exhibition the two finest block books, the Biblia Pauperum and the Speculum Humanae Salvationis, which are in absolutely perfect condition, and in their original fine bindings.

Fifteenth-Century Book Illustrations at Fogg Museum

An exhibition of fifteenth-century illustrated books is being held at the Fogg Art Museum during January and February.

Through the generosity of the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Harvard College Library, it has been possible to assemble a most remarkable collection of books, nearly all in absolutely perfect condition, and many in their original fine bindings.

Hardly an outstanding center of book illustration is without an example, and that example the most important and finest there is. For instance, Augsburg, which produced more illustrated books than any other city in Germany, is represented by a number of important works, among them the "Lives of the Saints," 1471-2, Bible, about 1475, Spiegel des Menschenlichen Lebens (Mirror of Man's Life), about 1476, all printed by Gunther Zainer, whose cuts furnished the models for cuts in later editions of the same works all over Europe.

The first illustrated book printed in Ulm, Boccaccio's Famous Women, of 1473, is shown. This contains an extraordinary initial, representing the Temple of Venus, in which the figures of the god and goddess are depicted in the round, and the rest of the letter is filled with the figures of the seven deadly sins.

The Naples Asop, the Verona Valturius, a perfect copy of the Hypnerotomachia Poliphili (Strife of Love in a Dream), printed in Venice in 1499, are among the treasures shown. The Hypnerotomachia is the only illustrated book printed by Aldus, and is one of the finest ever printed.

The two important books illustrated with copperplate engravings, the Monte Santo di Dio of 1477 and the Dante of 1481, both printed in Florence, are included in the exhibition. They are unquestionably fine copies and especially interesting because of their illustrations. They are beautifully illuminated.

The Fogg Museum is fortunate in having two of the three known copies of the Book of Hours of the best period, rare Spanish books, illustrated Caxtons, and the Dutch books which are exceedingly scarce.

Five Block Books

Five important block books are shown: Biblia Pauperum, Poor Preacher's Bible, Arma Christi, Speculum Humanae Salvationis (Mirror of Human Salvation). A block book is one in which the text is cut on the same block with the illustrations, so that the book is printed in one piece. Among the books on exhibition, one is unique, several are the only copies in America, and in many cases the copy shown is one of only two or three in this country. The Fogg Museum is particularly fortunate in being able to include the two finest of the block books, the Biblia Pauperum and the Speculum Humanae Salvationis.

The Fogg Museum is particularly fortunate in being able to include in this exhibition the two finest block books, the Biblia Pauperum and the Speculum Humanae Salvationis, which are in absolutely perfect condition, and in their original fine bindings.

Transcript

Jan. 13, 1932

The image is a newspaper clipping from the Wednesday, January 6, 1954 edition of an unspecified publication. It contains articles related to an exhibition of fifteenth-century book illustrations at the Fogg Art Museum at Harvard University.

Main Article: Exhibit of 15th Century Illustrated Volumes

Headline:
"Exhibit 15th Century Illustrated Volumes: Remarkable Collection at Fogg Museum Now Being Shown"

Content:
An exhibition of fifteenth-century illustrated books is being held at the Fogg Museum from January through February. The exhibit showcases a notable collection, featuring many books generously loaned by collectors such as Dr. A.S.W. Rosenbach of Philadelphia and Mr. Rosenwald. The collection is described as one of the most important exhibits of the year.

Special Event:
A lecture titled "The Wonders of Tell Halaf" by Dr. Baron Max von Oppenheim, the discoverer of the proto-Hittite city of 5000 B.C., is scheduled for Friday afternoon, January 15, at 4:30 PM in the Lecture Hall.

Sidebar Article: Fifteenth-Century Book Illustrations at Fogg Museum

Content:
The sidebar provides details about the exhibition:

• The exhibition includes around a hundred illustrated books, many in nearly perfect condition.
• It is a rare opportunity to view such a comprehensive collection of early printed books outside of major European libraries.
• The Fogg Museum has assembled the exhibition with help from the Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, the Wellesley College Library, and the Harvard College Library.
• Some highlights include:
  • The first illustrated book printed in Ulm, Boccaccio's "Famous Women" (1473).
  • A block book titled "Apocalypse" from the Netherlands.
  • Rare and important works by early printers like Albrecht Pfister and Günther Zainer.
  • Books with complex engravings and illustrations, such as the Monte Santo di Dio and the Dante printed in Florence.
  • A book from the Strasbourg printer Johann Grüninger, featuring illustrations that set a standard for future works.

Collections and Critiques

The article also highlights the importance of these books, noting that they are often the only surviving copies of their editions and are significant for their historical and artistic value.

Transcript Note:

At the bottom right of the clipping, there's a handwritten note that reads "Transcript Jan. 13, 1954," indicating the source or date of transcription.

The image is a newspaper clipping from January 13, 1932, detailing an exhibition of fifteenth-century book illustrations at the Fogg Art Museum at Harvard University. The exhibition, running from January to February, showcases a collection of beautifully preserved and rare books that have been generously loaned by various collectors, including Dr. Rosenbach and Mr. Rosenwald.

Key points from the article:

1. Exhibition Overview:

   • The exhibition is titled "An Exhibition of Book Illustration in the Fifteenth Century."
   • It features rare and beautifully preserved books from the fifteenth century.

2. Loan Details:

   • The books are on loan from notable collectors such as Dr. Rosenbach and Mr. Rosenwald.
   • This makes the exhibit one of the most important of the year.

3. Lecture:

   • A lecture titled "The Wonders of Tell Halaf," about a proto-Hittite city from 5000 B.C., will be given by Dr. Baron Max von Oppenheim on January 15 at 4:30 PM in the Lecture Hall.

4. Exhibit Highlights:

   • The collection includes one of the earliest illustrated books printed in Ulm, titled "Boccaccio's Famous Women," from 1473.
   • It contains an extraordinary illustration representing the Tempter as a woman's head with a serpent's body, depicting the seven deadly sins.

5. Important Books:

   • The exhibition includes two significant books with copperplate engravings: "Monte Santo di Dio" from 1477 and "Dante" from 1481, both printed in Florence.
   • The exhibition also features the "Naples Aesop," the "Verona Valtrus," and other early printed books.

6. Block Books:

   • Five important block books are highlighted, including "Biblia Pauperum" (Poor Preachers' Bible), "Ars Moriendi" (Art of Dying), and "Salvator Mundi" (Savior of the World).
   • These block books are unique and often the only copies in America.

7. Fogg Museum's Contribution:

   • The museum has managed to assemble a remarkable collection, including a manuscript by Ulrich von Richental's "Konstanz" from 1483, and other rare illustrated books.

8. Notable Features:

   • The exhibition includes a complete set of book illustrations from the fifteenth century, providing a comprehensive view of book illustration during that period.

The article emphasizes the rarity and quality of the books on display, making this exhibition a significant event for book lovers and art enthusiasts.

The image is a newspaper clipping from the Wednesday, January 13, 1932 issue of the Boston Transcript. The article details an exhibition of fifteenth-century illustrated volumes at the Fogg Art Museum at Harvard University, held from January through February.

Key points include:

1. Exhibition Overview:

   • The exhibition features rare and beautiful fifteenth-century illustrated books.
   • The collection was generously loaned by several collectors, including Dr. Rosenbach of Philadelphia and Mr. Rosenwald.

2. Lecture:

   • A lecture titled "The Wonders of Tell Halaf," a proto-Hittite city dating back to 5000 B.C., is scheduled for January 15 at 4:30 in the Lecture Hall.

3. Collection Highlights:

   • The exhibition showcases books from Augsburg, Germany, which were the most important and numerous in the fifteenth century.
   • Augsburg was a center for book illustration, producing more illustrated books than any other city in Germany.
   • The exhibition includes works such as the "Lives of the Saints" (1471-2), the "Bible about 1475," and "Spiegel des Menschlichen Lebens" (Mirror of Man's Life) from around 1476.
   • Notable books include the "Naples Aesop" and the "Verona Valtrus," which are among the earliest illustrated books printed in Italy.
   • The exhibition also features the first illustrated book printed in Ulm (1473), "Boccaccio's Famous Women," and other significant books such as "The Hours of the Virgin" and "The Book of Hours of Hours of Hours."

4. Specific Books:

   • Books like "Apocalypses" (Poor Preacher's Bible) and "Ars moriendi" (Art of Dying) are highlighted.
   • Copies of "The Book of Hours" and "The Hours of the Virgin" are also included, with some being extremely rare and unique.
   • The exhibition includes a copy of the "Bible" printed by Ulrich von Richental's Konzil in Constance and a "Book of Hours" printed by Hans Burgkmair in Augsburg.

5. Significance:

   • The Fogg Museum is noted for its exceptional collection of fifteenth-century illustrated books, providing a comprehensive view of the era's book illustration.

The clipping emphasizes the importance and rarity of the collection, showcasing the historical and artistic value of these illuminated manuscripts.

The image shows a page with multiple columns of printed text and clippings related to book illustration exhibitions at the Fogg Art Museum, Harvard University.

1. The top left section is titled "FOGG ART MUSEUM—HARVARD UNIVERSITY" and announces an exhibition of book illustration in the fifteenth century, held from January to February. It mentions rare and beautiful books loaned by collectors, and highlights a specific work, "THE WONDERS OF TELL HALAF," with a lecture by Dr. Baron Max von Oppenheim scheduled for January 15.

2. The central left section is titled "Collections and Critiques" with a subtitle "EXHIBIT 15TH CENTURY ILLUSTRATED VOLUMES." This section describes a remarkable collection of 15th-century illustrated books being shown at the Fogg Museum, with commentary on their rarity, condition, and significance. It discusses specific books such as the "First Book in Ulm," "Five Block Books," and mentions their unique features like woodcut illustrations and the rarity of certain editions.

3. The rightmost column is a cut-out article titled "Fifteenth-Century Book Illustrations at Fogg Museum" which elaborates on the exhibit, mentioning the generosity of various donors, the originality and rarity of the books, and the importance of the collection. It references specific notable works and describes the significance of the exhibit in the context of book history.

4. At the bottom right of the page, there is a handwritten note or signature, possibly reading "Transcrpt Jan. 13, 1932."

The page overall provides detailed information about an exhibition of early book illustrations, focusing on their historical and artistic value.

This image displays a page that appears to be from a publication or a brochure related to an exhibition. The contents suggest it is associated with the Fogg Art Museum at Harvard University. The focus of the page is on book illustration in the fifteenth century.

At the top left, a section titled "FOGG ART MUSEUM—HARVARD UNIVERSITY" announces an exhibition on book illustration from the fifteenth century that features many rare and beautiful books, some owned by the museum and others by collectors. There is a special mention of a proto-Hittite city from 5000 BC, to be discussed by Dr. Baron Max von Oppenheim.

Below that, in a larger, bold font, "Collections and Critiques EXHIBIT 15TH CENTURY ILLUSTRATED VOLUMES" serves as the headline for the principal article, which talks about the exhibition. It mentions several notable books and prints, such as "The Miracles of the Blessed Virgin Mary" and “Monte Santo di Dio." Additionally, it references how this collection is a significant cultural artifact, detailing some of the books on display and providing context to their historical and artistic value.

On the top right, there is a section with the heading "Fifteenth-Century Book Illustrations at Fogg Museum," which seems to provide similar information to the left section, reiterating the importance of the books and their illustration.

The bottom right corner of the page includes a handwritten note that seems to be a “Transcript” dated "Jan.13, 1932."

Throughout the document, the text is set in a two-column format, typical for informational or scholarly articles. The page has a vintage or historical appearance, and the typeset suggests it may have been produced in the early 20th century. The document does not contain any images or illustrations aside from text block decorations and stylized initial letters that are characteristic of printed materials from earlier periods.

This image features three newspaper or magazine clippings about a book illustration exhibit in the fifteenth century, held at the Fogg Art Museum of Harvard University. The background appears to be a plain surface, likely paper or cardstock, to which these clippings are attached.

1. Top-left clipping:

   • Title: "FOGG ART MUSEUM—HARVARD UNIVERSITY"
   • Content: This clipping announces an exhibition of book illustration in the fifteenth century, held through January and February. It mentions the generous loans from collectors like Dr. Rosenbach of Philadelphia and Mr. Rosenwald, highlighting the significance of the exhibit. It also references a specific lecture by Dr. Baron Max von Oppenheim on "The Wonders of Tell Halaf," scheduled for Friday afternoon, January 15, at 4:30 PM, in the Lecture Hall.

2. Bottom-left clipping:

   • Title: "Collections and Critiques"
   • Content: This article discusses the exhibit of fifteen-century illustrated books at the Fogg Museum, continuing through February. It details contributions from various entities, including the Boston Athenæum, Wellesley College Library, and Harvard College Library. The article emphasizes the comprehensive collection of illuminated and illustrated volumes, mentioning exemplars from different countries and libraries. It provides examples of notable books featured in the exhibition, including
     • The "First Book in Ulm," printed in 1473
     • The "Naples Aesop," printed in 1499
     • The "Verona Valturrius,"
     • The "Monte Santo di Dio" and the "Dante of 1481"
   • Five important block books and their significance are also discussed.

3. Right-hand clipping:

   • Title: "Fifteenth-Century Book Illustrations at Fogg Museum"
   • Content: This detailed article discusses the exhibition, noting the types of books displayed, such as the "Bible Pauperum," "Apocalypsis," "Ars moriendi," and others. It describes the quality and historical significance of these illustrated books. The context includes mentions of collectors and contributing libraries, emphasizing the rarity and importance of the books on display. The author provides a critical viewpoint on the exhibit and a detailed examination of selected volumes.

At the bottom right of the right-hand clipping, there is a handwritten note indicating, "Transcript Jan. 13, 1932."

Overall, these clippings collectively convey the significance of the fifteenth-century illustrated book exhibition at the Fogg Museum, highlighting notable pieces, contributors, and the scholarly interest in the exhibit findings.

Description of the Image:

The image shows a page from a publication titled "Fogg Art Museum—Harvard University", specifically focusing on an exhibition of 15th-century book illustrations. The page is divided into two main sections, with text on both sides.

Left Side:

• Title: "Collections and Critiques"
• Subtitle: "Exhibit 15th Century Illustrated Volumes"
• Headline: "Remarkable Collection at Fogg Museum Now Being Shown"
• Content: This section discusses an exhibition of 15th-century illustrated books being held at the Fogg Art Museum, which will continue through February. It highlights the generosity of several donors, including Boston Athenaeum, Carl H. Pforzheimer, Lessing J. Rosenwald, and the Wellesley College Library, who have loaned rare and beautiful books to the museum. The text emphasizes the historical and artistic significance of these volumes, noting that many are in excellent condition and feature original bindings.
• Examples Mentioned:
  • Augsburg Bible: Described as the most important illustrated book produced by a city of printers, represented by other illustrated books such as The Lives of the Saints, 1472 Bible, Mirror of Man’s Life, and Spiegel des Menschlichen Lebens.
  • First Book in Ulm: An early printed book, The Famous Women, which is notable for its extra-ordinary illustration of Adam and Eve, where Eve’s body curves form the letter "S" and her tail represents the seven deadly sins.
  • Naples Aesop: A Poliphili copy of the Hypnerotomachia Poliphili (Strife of Love in a Dream), printed in Venice in 1499, among the finest ever printed.
  • Monte Santo di Dio of 1477 and Dante of 1481: Two important books illustrated with copperplate engravings, both printed in Florence.
  • Five Block Books: Important early printed works, including the Bible Papermachia (Poor Preachers’ Bible), Apocalypse, Ars moriendi (Art of Dying), Speculum salvationis (Mirror of Salvation), and Speculum humanae vitae (Mirror of Human Life). These are among the earliest examples of wood-block printing.

Right Side:

• Title: "Fifteenth-Century Book Illustrations at Fogg Museum"
• Content: This section provides an overview of the exhibition, noting that it features a collection of 15th-century illustrated books loaned from various owners, including rare and beautiful examples. It emphasizes the historical and artistic value of these volumes, many of which are in perfect condition and represent significant works from the period.
• Key Points:
  • The exhibition includes books from major printers such as Günther Zainer, whose works are represented by editions like Mirror of Man’s Life, 1472 Bible, and Spiegel des Menschlichen Lebens.
  • Notable illustrated books include:
    • Naples Aesop: An extra-ordinary illustration showing Adam and Eve, with Eve’s body forming the letter "S" and her tail depicting the seven deadly sins.
    • Monte Santo di Dio of 1477 and Dante of 1481: Illustrated with copperplate engravings.
    • Five Block Books: Early printed works, including the Bible Papermachia, Apocalypse, Ars moriendi, Speculum salvationis, and Speculum humanae vitae.
  • The exhibition aims to showcase the evolution of book illustration in the 15th century, highlighting the transition from wood-block printing to more advanced techniques.

Additional Details:

• Date and Context: The publication is dated January 13, 1932, as indicated by a handwritten note at the bottom right corner.
• Layout: The page is formatted in a classic newspaper or magazine style, with clear headings, subheadings, and descriptive text. The content is dense and informative, aimed at readers interested in art, history, and bibliography.
• Visual Elements: There are no images or illustrations on this page; the focus is entirely on textual descriptions of the exhibition and the books featured.

Summary:

The image depicts a page from a 1932 publication discussing an exhibition of 15th-century illustrated books at the Fogg Art Museum, Harvard University. The text highlights the historical and artistic significance of the books on display, including notable examples such as the Augsburg Bible, First Book in Ulm, Naples Aesop, Monte Santo di Dio, and the Five Block Books. The exhibition aims to showcase the evolution of book illustration during the 15th century, emphasizing the importance of these rare and beautifully illustrated volumes.