The image shows a newspaper clipping from November 20, featuring an article titled "Mr. Edgell and His Friends, The Italians: The Harvard Professor's History of Sienese Painting of Half a Thousand Years Ago" by Albert Franz Cochrane. The article discusses the scholarly work of Professor George H. Edgell, who is the director of the Fogg Art Museum at Harvard University and an authority on Sienese painting.

Key points from the article include:

1. Professor Edgell's Work:

   • Edgell is recognized for his extensive research on Sienese painting, which culminated in the publication of "A History of Sienese Painting."
   • The book covers the history of Sienese art from the 13th to the 18th century, with a focus on the 14th century.
   • Edgell's scholarship is praised for its thoroughness and the inclusion of numerous illustrations.

2. Edgell's Reputation:

   • Among art students at Harvard, Edgell is known for his expertise and the enviable reputation of his lectures.
   • His work is noted for its detailed and personal approach, making complex art history accessible.

3. Sienese Painting:

   • The article highlights the significance of Sienese painting, particularly the works of artists like Duccio, Simone Martini, and the Lorenzetti brothers.
   • It discusses the historical and cultural context of Sienese art, including the city's occupation by the Florentines and the impact of this event on the art.

4. Critique and Reception:

   • The reviewer, Albert Franz Cochrane, praises Edgell's work for its scholarly depth and the personal insights it provides.
   • Cochrane also notes the book's accessibility, suggesting it can be enjoyed by both scholars and general readers interested in art history.

5. Additional Information:

   • The article mentions an exhibition at the Fogg Art Museum featuring 17th and 18th-century paintings, drawings, and watercolors.
   • It also includes a brief note on a lecture by Professor Edgell at Radcliffe College on the art of Duccio.

Overall, the article celebrates Professor Edgell's contributions to the field of art history, particularly his comprehensive study of Sienese painting.

The image contains a collection of articles and news clippings related to Professor Edgell and his historical work on Sienese painting. Here is a detailed summary:

1. Top Left Article: "Mr. Edgell and His Friends, The Italians"

   • Source: Herald, Nov. 20
   • Author: Albert Franz Cochrane
   • Content: This article discusses Professor George H. Edgell’s comprehensive study and teaching on the history of Sienese painting. It highlights his work as a scholar, especially his preparation and publication of a book that covers the history of Sienese art from the 13th to the 18th centuries. It mentions Edgell’s teaching at Harvard University and his extensive lectures and writings on the subject.

2. Top Right Article: "Sienese Painting"

   • Source: Various Newspapers (Morning Post, Herald, etc.), Nov. 20
   • Author: Prof. Edgell
   • Content: This article provides a detailed look into the history of Sienese painting. It emphasizes the city of Siena's rich cultural heritage and its significant contribution to art. It mentions the importance of Edgell's work and his lectures, which focus on the historical context of Sienese art.

3. Middle Left Clipping: "Fogg Art Museum"

   • Source: Cambridge, 19th century
   • Content: This article is about an exhibition at the Fogg Art Museum, Cambridge, featuring drawings and watercolors from the 13th to the 18th centuries, including modern woodcuts.

4. Bottom Left Clipping: Transcript from Nov. 30

   • Context: Discusses the significance of the art of Duccio and Simone Martini, noting their contributions during the Sienese Golden Age.
   • Specifics: It touches on the influence of these artists and their styles, particularly Duccio’s influence on later artists and the importance of the frescoes at the Basilica of San Francesco in Assisi.

5. Center Right Clipping: "The Harvard Professor’s History of Sienese Painting"

   • Highlighted Points:
     • Prof. Edgell's detailed studies and lectures on Sienese art.
     • The importance of his book in educating about Sienese art history.
     • Historical context of Sienese art in relation to the broader European art scene.

6. Detailed Excerpts and Specifics:

   • The articles and excerpts mention various historical figures like Leonardo da Vinci and the significance of their contributions.
   • They also discuss the academic and cultural impact of Edgell’s work, detailing his contributions to understanding the art of the Sienese period.
   • The notes highlight the educational importance of his work, especially his lectures and publications that provide insights into the history of Italian art.

The articles collectively emphasize Professor Edgell’s significant contributions to the study and appreciation of Sienese art and his role in educating the next generation of art historians.

"SIENESE PAINTING" by PROF. EDGELL

Herald Nov 20

Mentor Nov 20

Post Nov 20

FOGG ART MUSEUM (Cambridge)

Old master drawings of the 16th, 17th, and 18th centuries, Italian and French, and Italian drawings and water colors of the 18th century, modern woodcuts.

The Fogg Art Museum of Harvard University, Cambridge, open week days from 10 to 5, and Saturday from 10 to 4, closed Sundays and holidays. Special exhibitions: Drawings of the 18th and 19th centuries, Italian and French, and Italian drawings and water colors of the 18th century, modern woodcuts. Open, through Nov. 30. Old Masters, Drawings of the 17th-19th centuries, modern woodcuts, through Dec. 31.

Mr. Edgell and His Friends, The Italians

The Harvard Professor's History of Sienese Painting of Half a Thousand Years Ago

By Albert Franz Cochrane

After many years of preparatory work, Professor George H. Edgell of Harvard University has completed and published his comprehensive history of Sienese painting. This field of Italian art has been a particular field of study for Professor Edgell, who as a fellow in Renaissance Studies in Rome, he first directed his attention to the fascinating problems of the Sienese school.

This scholarship has been recognized by the award of the Gold Medal of the Society of Antiquaries of London. The book is a monumental work, and is the first to treat the subject in such detail. The author has drawn on a wide range of sources, including many previously unpublished documents.

The book is divided into two volumes, the first of which deals with the period from the 13th to the 16th century. The second volume, which is to follow, will deal with the later period. The work is illustrated with many plates and a large number of figures.

The city of Siena, which is the subject of the book, is described in detail, and its history is traced from its earliest days. The book is a valuable contribution to the history of Italian art, and will be of great interest to all who are interested in the subject.

Transcript Nov 30

See also Sep 4 Jan 24

The image displays a newspaper clipping from the Harvard Crimson, dated November 20, detailing an article about Professor John Edgell and his contributions to the study of Sienese painting.

Headline:

Mr. Edgell and His Friends, The Italians

Subheading:

The Harvard Professor's History of Sienese Painting of Half a Thousand Years Ago

Author:

By Albert Franz Cochrane

Article Summary:

The article discusses Professor George H. Edgell's extensive work and research in the field of Italian art, particularly focusing on Sienese painting. After years of preparatory work and study in Rome, he developed a course at Harvard on the history of Renaissance art.

• Early Career and Studies:

  • Edgell initially focused on classical archaeology and Renaissance studies.
  • He was influenced by notable professors and scholars like Professor Frothingham and Bernard Berenson.
  • He spent time in Siena, where he became particularly interested in the Sienese school of painting.

• Teaching at Harvard:

  • He introduced a course on the history of Renaissance art, eventually specializing in Sienese art.
  • His lectures were noted for their enthusiasm and depth, despite initial criticisms of being too specialized.

• Publications and Research:

  • Edgell published a series of articles on the "Lost Painters of Siena," which helped revive interest in this field.
  • He is working on a book that aims to bring together his extensive research, which is expected to be a significant contribution to the understanding of Sienese art.

Event Announcement:

• Fogg Art Museum Exhibitions:
  • The article mentions an exhibition at the Fogg Art Museum in Cambridge, featuring old master drawings from the 15th, 16th, and 18th centuries, and watercolors by John Sell Cotman.

Contextual Note:

The city of Siena and its historical context are briefly mentioned, emphasizing the importance of Siena's artistic heritage and how Edgell's work is bringing this to light.

Transcript Note:

There is also a mention of a transcript for November 30 and January 24 at the bottom of the clipping.

The article overall highlights the passion and dedication of Professor Edgell to the study and teaching of Sienese art, underscoring his significant contributions to the field.

The image is a newspaper clipping featuring several articles related to an exhibition at the Fogg Art Museum in Cambridge, specifically focusing on Siena and Sienese painting. Here is a detailed summary of the contents:

Main Headline Articles:

1. "Sienese Painting" by Prof. Edgell

   • Herald, Nov 20
   • This article discusses the exhibition of Sienese paintings at the Fogg Art Museum, showcasing works from the 13th to the 18th centuries, including drawings and watercolors from the 18th century.

2. "Mr. Edgell and His Friends, The Italians"

   • By Albert Franz Cochrane
   • This piece explores the history of Sienese painting and Professor George H. Edgell's contributions to the study of this art form. Edgell, a professor at Harvard, is noted for his extensive work on Italian art and his role in bringing Italian Renaissance studies to Harvard. The article mentions Edgell's lectures and his influence on students, as well as his pioneering work in the field.

Sub-articles:

3. Fogg Art Museum Exhibitions:

   • Morning Post, Nov 20
   • The Fogg Art Museum is hosting an exhibition of Old Master drawings and watercolors, including works from the 15th to the 18th centuries. The exhibition runs from November 9 through December 22.

4. Transcript, Nov 30 (and see also Sept 4, Jan 24)

   • This article is a transcript of a lecture or article by Professor Edgell on Sienese art, discussing its history and significance. It delves into the art and culture of Siena, highlighting the city's rich artistic heritage and its influence on European art.

Details of the Articles:

• Mr. Edgell and His Friends, The Italians:

  • Describes Edgell's scholarly work and his dedication to the study of Italian art. It mentions his significant contributions to the field, particularly his efforts in introducing Italian Renaissance studies at Harvard.
  • Discusses Siena's historical and artistic prominence, including the famous Duomo and the contributions of artists such as Duccio, Lorenzetti, and others.

• Sienese Painting:

  • Focuses on the exhibition at the Fogg Art Museum, showcasing the breadth and depth of Sienese painting across several centuries.
  • Highlights the importance of Siena as an artistic center and the influence of its art on broader European art movements.

Additional Notes:

• The clipping also includes a small segment from a transcript dated November 30, which discusses the historical and cultural significance of Siena, mentioning its famous artworks and the contributions of various artists.

Overall, the clipping provides a comprehensive look at the Fogg Art Museum's exhibition of Sienese art, the scholarly work of Professor George H. Edgell, and the historical context of Siena's artistic achievements.

The image shows a newspaper clipping and a transcribed article related to the history of Sienese painting, written by Professor George H. Edgell. The clipping is from the Harvard Gazette, dated November 20, and the transcribed article is from the Transcript, dated November 30.

Newspaper Clipping (Harvard Gazette, Nov 20):

• Headline: "Mr. Edgell and His Friends, The Italians."
• Subheading: The Harvard Professor's History of Sienese Painting of Half a Thousand Years Ago.
• Article Summary:
  • Professor George H. Edgell has dedicated many years to the study of Italian art, particularly Sienese painting.
  • His research culminated in a comprehensive history of Sienese painting, which was published as part of the Harvard University Press series.
  • The article highlights Edgell's significant contributions to the field, including his lectures and studies on the subject, and his deep involvement in the cultural and artistic history of Siena.

Transcribed Article (Transcript, Nov 30):

• Title: "Sienese Painting" by Prof. Edgell.
• Main Points:
  • Edgell's work on Sienese painting is introduced as a significant contribution to the understanding of the art of Siena.
  • He discusses the historical context of Siena, noting its pivotal role in the development of Italian art.
  • The article mentions Duccio di Buoninsegna and other Sienese artists, such as Lorenzetti, who were crucial figures in the art scene.
  • Edgell's courses and scholarly works are praised for their comprehensive and accessible approach.
  • The text also includes a brief mention of the historical and cultural significance of Siena, including its political and economic history.
  • It concludes with a mention of the "Madonna of the Rose" and the importance of the Sienese school in the broader context of Italian art.

Additional Details:

• The newspaper clipping includes mentions of specific exhibitions and events, such as the "Fogg Art Museum" exhibition of Old Master drawings and water colors.
• The article also discusses the historical importance of Siena, especially its role during the 14th and 15th centuries.

Context:

• The article and clipping highlight Edgell's scholarly achievements and his deep engagement with the history and culture of Siena, emphasizing the importance of Sienese painting in the broader narrative of European art history.

This image displays a collection of newspaper clippings related to an article about "Sienese Painting" by Professor Edgell, as noted at the top of the page. The primary article is headlined "Mr. Edgell and His Friends, The Italians," and it's from the "Herald" dated November 20. Author Albert Frank Cochrane writes about a Harvard Professor's history of Sienese Painting from about half a thousand years ago. This particular clipping appears to be an academic discussion or review of artwork, specifically focusing on the historical and cultural significance of Sienese painting and its influence on or by the city of Siena in Italy.

The clipping contains detailed text which discusses various subjects such as the Harvard Fogg Art Museum, the influence of French and Italian artists on each other, as well as the art and architecture of the Tuscan city of Siena. Mentions of key figures and artists from history are evident, such as Duccio di Buoninsegna, Simone Martini, and the Lorenzetti brothers, along with references to their work and influence in the field of painting.

There is a handwritten note on the left margin indicating "Transcript. Nov. 30. See also 5/4 + Ja 2/4," suggesting that there are additional related articles or references from other dates.

The paper is ostensibly part of a larger collection or research effort, as indicated by the three-hole punch on the left side, making it suitable for placement in a binder. The clippings are organized and pasted on a slightly larger sheet of lined note paper.

This image features a newspaper article titled "Mr. Edgell and His Friends, The Italians," which discusses the history of Sienese painting from half a thousand years ago, written by Albert Franz Cochrane. It appears to be a review or commentary on Professor Edgell's work and his contributions to the field of art history, particularly focusing on Italian art and Sienese painting.

The headline and sub-headline are large and bold, grabbing attention. The article is broken down into multiple columns, providing a detailed analysis of Professor Edgell's work. There is a further description written in pen at the top of the page, identifying the sources ("Herald Nov. 20," "Monitor Nov. 20," and "Post Nov. 20").

Additionally, there is a handwritten note at the bottom, saying "Transcript, Nov. 20. See also Sat & Jan 21." Presented within the format are three holes punched along the left margin, suggesting that the article may have been kept in a binder or similar archival storage.

The clipping discusses various aspects of Edgell’s career, contributions, and significance in the art world, especially his dedication to studying and teaching art, bringing recognition to Sienese paintings, and the impact of his scholarly work on Italian art history.

The image shows a page from a newspaper or magazine titled "Sienese Painting" by Prof. Edgell, dated November 20. The layout includes several sections:

Header:

• The top of the page features a bold title: "SIENESE PAINTING by PROF. EDGELL".
• Below the title, there is a smaller header: "Herald Nov 20", indicating the publication source and date.

Main Article:

• The central section is titled "Mr. Edgell and His Friends, The Italians", subtitled "The Harvard Professor's History of Sienese Painting of Half a Thousand Years Ago".
• The article is authored by Albert Franz Cochrane.
• The article begins with a detailed account of Professor George H. Edgell, a Harvard professor who has dedicated significant time and effort to the study of Italian art, particularly Sienese painting. It discusses his work, including his travels to Italy, lectures, and contributions to the field.

Sidebar Content:

• To the right of the main article, there is a sidebar with the heading "Fogg Art Museum (Cambridge)".
  • This sidebar provides details about an exhibition at the Fogg Art Museum, including dates (November 20–December 31), featured artists (e.g., Giovanni Bellini, Correggio, and others), and types of works on display (drawings, watercolors, and modern woodcuts).
  • It also mentions that the exhibition is open weekdays and Sundays, with special closures on holidays.

Additional Text:

• Below the main article, there is a smaller section with the heading "Post", dated Nov 20, which appears to be a separate commentary or editorial piece. This section discusses the Fogg Art Museum, its exhibitions, and related events, such as the Old Masters Drawings exhibition.
• The text in this section elaborates on the museum's offerings, including drawings from the 13th to 18th centuries and modern woodcuts.

Footer:

• At the bottom of the page, there is a handwritten note: "Transcript Nov 30", along with a reference: "See also 54/ 4 Jan 24". This suggests that the page is part of a larger transcript or archive, possibly indicating a later date or related document.

Visual Elements:

• The page is printed in black and white, typical of newspaper or magazine layouts from the early to mid-20th century.
• The text is formatted in a classic newspaper style, with clear headings, subheadings, and columns.
• There are no illustrations or photographs visible in the image; the content is entirely textual.

Overall Context:

The page appears to be from a publication focused on art, specifically highlighting the work of Professor Edgell on Sienese painting and promoting an exhibition at the Fogg Art Museum. The layout combines an in-depth article about Edgell’s contributions to art history with practical information about museum exhibitions. The handwritten note at the bottom suggests that this page is part of a larger archival or research collection.

This image is a newspaper clipping featuring an article titled "Mr. Edgell and His Friends, The Italians" by Albert Fritz Cochran. The article discusses the history of Sienese painting and its significance, focusing on the work of Professor George Edgell, who has been studying Italian art for many years. The article highlights Edgell's scholarship, his lectures at Harvard University, and his contributions to the field of Sienese painting. It also mentions the Fogg Art Museum's exhibition of Old Master drawings and watercolors, which includes works by Richard Edgell. The article provides insights into the history of Sienese painting, the influence of Siena on art, and the contributions of notable artists like Duccio and Simone Martini.