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The image shows a page containing two newspaper clippings.

1. The Expression of Art

   • This article discusses the concept of beauty in art and how it is perceived by different individuals.
   • It begins by stating that art is beauty "appropriately created" by man, and that the beauty of a work of art is not merely the result of chance.
   • The author argues that the general beauty of art is not something that can be explained by the artist, but rather something that must be felt and experienced by the viewer.
   • The article uses the example of a poet seeing the moon and being moved to write, illustrating how the beauty of the moon is not transmitted by the poet but felt by the reader.
   • It concludes by stating that art is emotion, and that thousands of readers for centuries will feel this emotion.
   • The article is credited to "Montclair" and dated August 8, 1932.

2. Sienese Painting

   • This review, written by A. Philip McMahon from New York University, discusses the book "A History of Sienese Painting" by G. H. Edgell, published by Lincoln MacVeagh, The Dial Press, New York, priced at $10.00.
   • The review praises the book as a comprehensive and authoritative history of Sienese painting, noting its importance as the first such work in English.
   • It highlights the extensive research and personal acquaintance the author has with the subject, as well as the high quality of the illustrations.
   • The reviewer notes that the book is not just for specialists but also for general readers interested in the history of art.
   • The review concludes by stating that the book will be a standard account of its subject matter for at least the next twenty-five years.

The page also includes handwritten annotations: "Aug. 2" at the top left, "Parnassus Sept." at the bottom right, and "Sienese Painting" at the top right. The clippings are affixed to a larger sheet of paper, likely for archival or reference purposes.

The image displays two separate sections of a newspaper clipping.

1. Left Section (Article on Art Expression):

   • Title: The Expression of Art
   • Source: Monitor, August 3, 1932
   • Content: This section discusses the concept of art as beauty purposefully created by man. It explains that while the beauty of art is often appreciated, it might not be understood as a premeditated expression. The author argues that artists must convey their emotions, and the technique employed should be understood as a means to express emotion rather than a mere skill. The text references a poem by A. Kingsley Foster titled "Beyond Architecture," where the poet compares the beauty of a moonlit scene to a painting. The author concludes by emphasizing the importance of emotion in art and how it is essential for readers to feel the same emotions that the artist intended to convey.

2. Right Section (Book Review on Sienese Painting):

   • Title: Sienese Painting
   • Reviewed by: A. Philip McMahon, New York University
   • Book: A History of Sienese Painting by G. H. Edgell, published by Lincoln MacVeagh, The Dial Press, New York, $10.00
   • Content: The review highlights Edgell's comprehensive and authoritative history of Sienese painting. It mentions that the book is a valuable resource for anyone interested in understanding the development of Sienese art. The reviewer notes that Edgell's work is thorough and includes numerous plates. The text also briefly touches on the significance of the art, mentioning the importance of understanding the emotional and aesthetic qualities of the works. The review suggests that the book will be useful for art historians and enthusiasts for at least the next twenty-five years.

The entire clipping is from a 1932 issue of a publication, presumably the Monitor, and includes both an article on the expression of art and a review of a significant book on Sienese art history.

The image shows an open book with two visible pages. On the left page, there is a newspaper clipping titled "The Expression of Art," dated August 3, 1932, from the Monitor. The article discusses the nature of art, emphasizing that art is beauty purposefully created by man, which stirs the senses and moves us. It explores how art evokes emotions and the role of the artist in capturing and transmitting these feelings. The clipping also includes a poem about the beauty of the moon.

On the right page, there is a review titled "Sienese Painting," part of "New Books on Art," reviewed by A. Philip McMahon from New York University. The review discusses the book "A History of Sienese Painting" by G. H. Edgell, published by Lincoln MacVeagh, The Dial Press, New York, at $10.00. The reviewer praises the book as a comprehensive and authoritative history of Sienese painting, highlighting its thorough documentation and the author's personal insights. The review suggests that the book is a significant contribution to the field and will be a standard work for years to come. The reviewer also notes some minor criticisms but overall recommends the book highly.

There is a handwritten note at the bottom of the right page that says "Parnassus - Sept."

The image contains two distinct sections: an article titled "The Expression of Art" and a book review section titled "New Books on Art."

The Expression of Art

Author: Anonymous (signed as Monitor)
Date: August 3, 1932

Summary:
The article discusses the nature of art and its purpose in conveying beauty and emotion. The author argues that art is beauty created intentionally by humans to express their feelings.

Key Points:

1. Art and Beauty: Art is described as something purposefully created to express beauty, unlike natural beauty such as a sunset.
2. Subjectivity in Art: The appreciation of art is subjective; some people might find beauty in a vase while others may not.
3. Emotional Impact: The author emphasizes that true art evokes deep emotions and connects with the viewer's inner feelings.
4. Artistic Skill and Emotion: The article highlights that technical skill alone is not sufficient for creating art; it must also convey emotion. The author uses examples such as the moon rising or a starry sky to illustrate how simple scenes can evoke profound emotions.
5. Universal Experience: Art has a universal appeal, making readers feel connected to the artist's expressed emotions.

New Books on Art

Reviewed by: A. Philip McMahon, New York University

Book Review: A History of Sienese Painting

Author: G. H. Edgell
Publisher: Frederick A. Stokes Company, New York
Price: $10.00

Summary:
The review discusses G. H. Edgell's book, "A History of Sienese Painting," which offers a comprehensive history of the development of the Sienese school of painting.

Key Points:

1. Comprehensive History: The book covers the entire history of Sienese painting and is noted for its thoroughness.
2. Versatility: Edgell's work is praised for its versatility and personal approach, making it appealing to both general readers and specialists.
3. Criticism: Despite its strengths, the book has some omissions and a personal tone that might not be universally appreciated.
4. Importance of Volume: The reviewer notes that this book is crucial for anyone interested in the subject, given the lack of comprehensive works on Sienese art.
5. Potential Longevity: The book is expected to remain a standard reference for at least the next 25 years.

The book review section is part of the "Parnassus" publication from September.

The image displays two articles from a newspaper, both related to art and art history.

Left Article:

• Title: "The Expression of Art"
• Author: Anonymous (likely a columnist or critic)
• Publication Date: August 3, 1932
• Source: Christian Science Monitor

Summary:
The article discusses the concept of art as a form of expression. It argues that art is created with the intent to convey emotions and ideas. The author explains that art can evoke emotions in the viewer, such as the appreciation of a beautiful sunset or the feeling of a poem. The text emphasizes that the artist's skill and technique are important, but the primary goal of art is to transmit emotion. The author uses examples like a moonrise and a poem to illustrate how art can express and evoke emotions.

Key Points:

• Art is created to express emotions.
• The artist's technique is secondary to the expression of emotion.
• Examples include a beautiful moonrise and a poem to illustrate the point.

Right Article:

• Title: "Sienese Painting"
• Subtitle: "New Books on Art"
• Author: A. Philip McMahon
• Source: New York University
• Book Title Reviewed: "A History of Sienese Painting" by G. H. Edgell
• Publisher and Price: Lincoln MacVeagh, The Dial Press, New York, $10.00

Summary:
The article is a review of "A History of Sienese Painting" by G. H. Edgell. The reviewer, A. Philip McMahon, notes that Edgell's work is comprehensive and authoritative, covering the entire development of Sienese school art. The review highlights that Edgell's book is substantial and thorough, with a detailed analysis of the Sienese school, including its history, artists, and their works. The reviewer mentions that Edgell has done extensive research, making the book a valuable resource for those interested in Sienese art.

Key Points:

• Comprehensive and authoritative history of Sienese painting.
• Detailed analysis and extensive research by G. H. Edgell.
• The book is a substantial addition to the field of art history.

Both articles emphasize the importance of understanding and appreciating art, either through the emotional expression it conveys or through the detailed historical analysis provided in scholarly works.

The image shows two newspaper clippings, each discussing different aspects of art.

1. Left Clipping: "The Expression of Art"

   • Source: Monitor, dated August 3, 1932
   • Author: A. Kingsley Fones
   • Content: The article discusses the concept of expression in art. It starts by defining art as beauty purposefully created by humans. The text argues that art's beauty can be appreciated only if it successfully transmits the artist's emotion. The author uses the example of a moonlit night to illustrate the difference between mere beauty and emotional expression in art. The article concludes with a poetic expression, stating that the moving moon and stars are art that conveys emotion and understanding.

2. Right Clipping: "A History of Sienese Painting"

   • Source: Reviewed by A. Philip McMahon from New York University
   • Book: "A History of Sienese Painting" by G. H. Edgell, published by Lincoln MacVeagh, The Dial Press, New York, priced at $10.00
   • Content: The review discusses the comprehensive history of Sienese painting written by Professor Edgell. The reviewer, A. Philip McMahon, appreciates the book's thoroughness and the inclusion of a substantial number of plates. He highlights the author's personal approach and the book's emphasis on the importance of Siena in art history, rather than focusing on individual artists like Duccio or Sassetta. The reviewer notes that the book is not merely a compilation of facts but also offers insights and opinions, making it valuable for both art historians and collectors.

The clippings are from a collection, as indicated by the handwritten notes and the date "Parnessus - Sept." on the bottom right corner of the right clipping.

The image is a scanned document of two columnar pages containing written text. The document is dated "Aug. 3, 1932" in the upper left corner. The left column features an article titled "The Expression of Art" which seems to be a contemplative piece on the nature of art. It discusses concepts such as beauty as a result of character, authenticity, emotion, and the role of the observer. This column is split into two parts with a large gap in the shape of a capital "F" where presumably the text is missing.

The right column appears to have two distinct sections. The top part is titled "NEW BOOKS ON ART Reviewed by A. Philip McMahon New York University" and the lower part starts with a headline "A HISTORY OF SIENESE PAINTING" by George Rodier, followed by a review or discussion of the content. This section of the document critiques the reviewed work's approach to art history and mentions specific figures like Duccio, Segna, Martini, and others.

On the bottom right of the document are the words "Parf45505 - Sept." which may indicate a reference or cataloging number. There are three hole punches on the right edge of the document, suggesting it was stored in a binder or similar filing system. The overall condition of the paper appears aged with typical signs of wear and discoloration compatible with old documents.

The image features a scrapbook page containing two clipped articles about art.

On the left side, there is an article titled "The Expression of Art" from the "Monitor" dated August 3, 1932. The article discusses the concept of art and beauty, particularly the emotional and expressive aspects of art. It highlights how artists translate emotions and responses onto their canvases and quotes from A. Kingsley's poem "Beyond Architecture."

On the right side, there is a review titled "New Books on Art" written by A. Philip McMahon from New York University and featured in "Parnassus," signed "Sept." The review discusses "A History of Sienese Painting" by G.H. Edgell, published by Lincoln MacVeagh, The Dial Press, New York, priced at $10.00. It describes the book as a comprehensive and authoritative history of the art development of the Sienese school and details Edgell's approach to the subject, including his analysis of art history and his personal standpoint on the controversial points of the period.

Handwritten annotations include "Aug. 3" at the top left, "SIENESE PAINTING" at the top right, and "Parnassus - Sept." at the bottom right of the page. The page has several holes punched along the edge, indicating it is part of a binder or a scrapbook.

The image shows two pages from a publication, likely a magazine or journal, dated August 3, 1933. The left page is titled "The Expression of Art" and appears to be an article or essay discussing the nature of art and artistic expression. It explores themes such as the role of emotion in art, the transmission of feeling through artistic creation, and the relationship between the artist and the viewer. The text is formatted in a classic serif typeface and includes a header with the date, suggesting it is part of a regular publication series.

The right page is titled "SIENESE PAINTING" and is part of a section titled "NEW BOOKS ON ART," reviewed by A. Philip McMahon from New York University. This page reviews a book titled "A History of Sienese Painting" by G. H. Edgell, published by Lincoln MacVeagh, The Dial Press in New York at a price of $10.00. The review discusses the book's comprehensive coverage of Sienese painting, its scholarly approach, and its value as a resource for students, collectors, and enthusiasts of art history. The review highlights the book's detailed analysis, its focus on the development of Sienese art, and the author's personal engagement with the subject.

Both pages are part of a publication titled "Monitor", as indicated at the bottom of the left page. The right page includes a handwritten note at the bottom, reading "Parneassus. Sept.", suggesting a possible reference to another publication or section. The overall layout and typography suggest a formal, academic, or artistic context, typical of mid-20th-century art journals or cultural magazines.

The image shows a page from a magazine or journal featuring an article titled "The Expression of Art" by A. Kingsley Porter. The article discusses the concept of expression in art and how it can be conveyed through various techniques and emotions. The text is accompanied by a small image of a poem by the poet Coleridge, which serves as an example of how art can evoke emotions and sensations. The article also touches upon the role of the artist in transmitting emotions through their work and the significance of expression in art. The page has a clean and organized layout, with the article text and image positioned prominently in the center.