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ARCH.2003.26, Rendition: 791607
The image displays a scrapbook page with various newspaper clippings related to lectures and appointments at Harvard University and the Fogg Museum in 1932.
Dr. Schapiro's Lecture on Medieval Designs (Crimson, April 22, 1932)
John Nicholas Brown to Speak on Cézanne (The Harvard Crimson, May 1, 1932)
Prof. Sachs Appointed to French Chair (The Harvard Crimson, April 7, 1932)
Museum Convention Here (The Harvard Crimson, April 30, 1932)
John Nicholas Brown at Fogg (The Harvard Crimson, May 2, 1932)
Prof. Conant at Cluny (The Harvard Crimson, April 15, 1932)
Creative Art: April - Alan Burroughs (The Harvard Crimson, April 29, 1932)
The page is labeled "Lectures" at the top, indicating the theme of the collected articles. Annotations and dates are handwritten, providing additional context to the clippings.
The image shows a collection of newspaper clippings and handwritten notes related to lectures, appointments, and events at Harvard University and other institutions, specifically focusing on art and history subjects.
Here's a detailed summary:
Lectures:
Dr. Schapiro on Medieval Designs:
John Nicholas Brown on Cézanne:
Prof. Sachs Appointment:
Additional Clippings:
Creative Art and Other Notes:
Other Clippings:
The clippings collectively document academic and cultural events, focusing on art history and lectures at prominent institutions, especially Harvard University.
The image is a collage of various newspaper clippings and notes related to lectures and academic appointments at the Fogg Museum and Harvard University, dated primarily around April and May 1932.
Top Left:
Top Center:
Top Right:
Center Left:
Center:
Center Bottom:
Bottom Left:
Bottom Center:
The document provides a snapshot of academic and cultural activities at Harvard University and the Fogg Museum during this period, highlighting lectures, appointments, and scholarly expeditions.
The image is a collage of newspaper clippings and notes, primarily related to lectures and appointments at Harvard University, specifically concerning the Fogg Museum and other academic events in April 1932.
Top Left (Crimson, April 22, 1932):
Top Center (Boston Herald, May 1, 1932):
Top Right (Monitor):
Middle Left:
Middle Center (Post):
Bottom Left:
Bottom Center:
The image overall provides a snapshot of academic activities and notable appointments at Harvard University in the early 1930s, particularly focusing on art history, lectures, and museum-related events.
The image consists of several newspaper clippings detailing various academic lectures and appointments from April and May 1932.
Top Left Clipping (Crimson, April 22, 1932):
Top Center Clipping (Transcript, April):
Top Right Clipping (Boston Herald):
Middle Clipping (University News Bureau, Miscellaneous clippings about the Fogg since April 15, 1932):
Bottom Clipping (Creative Art: April):
Additionally, there is a handwritten note under the top center clipping summarizing the details of John Nicholas Brown's lecture at the Fogg Museum.
The image is a collection of newspaper clippings and notes related to lectures and academic appointments, primarily from 1932. Here's a detailed summary:
Dr. Schapiro's Lecture on Medieval Designs (Crimson, April 22, 1932):
John Nicholas Brown to Speak on Cézanne (Boston Herald, April 19, 1932):
Sachs Appointed to French Chair (Monitor):
Museum Convocation (Transcript, April 30, 1932):
Post:
Prof. Conant at Cluny (University News Bureau):
Creative Art: April (Handwritten Note):
The clippings and notes are compiled on a single page, likely for archival or reference purposes, highlighting significant academic and cultural events and appointments from 1932.
The image displays a collection of vintage newspaper clippings and notes, possibly arranged on a page of a scrapbook or a compilation of archival documents. The clippings are from different sources and date back to the year 1932, focusing on academic events and announcements related to lectures and appointments within the medieval studies and art history community. Some of the information is highlighted or annotated with handwritten notes, possibly for emphasis or reference.
The top left clipping announces a lecture by Dr. Meyer Schapiro on medieval designs, noting that he is a noted scholar from Columbia University. It details the time and place of the lecture, along with its subject, "Principles of Medieval Design."
Beside it on the right, two clippings refer to a professor named Sachs. One article is headlined "Sachs Appointed To French Chair," reporting on his appointment related to the Fogg Art Museum and a French exchange professorship. His connection to Charles de Noailles, Vintner-General of the National Archives, is mentioned.
Below these clippings, there is a note and a smaller clipping that both mention a John Nicholas Brown speaking at Fogg on Cezanne, further emphasizing the academic tone of the content.
The bottom-left note reads "Creative Art, April. Alan Burroughs: 'A Van der Weyden Problem.'" with some numbers beneath it, potentially referencing a publication or an article within an academic journal or book.
The entire assemblage seems to serve as a historical record or research document referencing events and figures from the early 20th-century academic community, particularly those in art history and medieval studies.
This image shows a scrapbook page featuring a collection of newspaper clippings about lectures given by notable scholars. The clippings are organized into sections corresponding to the scholars Dr. Schapiro, John Nicholas Brown, Prof. Sachs, and Prof. Conant at Cluny.
The first clipping is about a lecture by Dr. Meyer Schapiro, a Columbia University scholar, who will give an illustrated lecture on "Principles of Medieval Design" at the Fogg Museum. This is dated Crimson, April 22, 1932.
An announcement that John Nicholas Brown will speak on Cezanne at the Fogg Museum titled "The Influence of Cezanne on Modern Art" dated Boston Herald, May 1, 1932. A similar clipping mentions another lecture by Brown for the Museum Convention at the Fogg, dated Transcript, April 30.
Several clippings detail Prof. Paul J. Sachs's appointment to a French Chair, which included lectures on French art history and sociology. Additionally, there is information about Sachs who received a year's leave of absence for research under the Bureau of International Research.
Another section elaborates miscellaneous clippings from various newspapers about Prof. Conant's expedition under Harvard at Cluny. Two specific clippings from The Boston Post (May 2) and The New York Herald Tribune (May 3) are mentioned.
Lastly, there is a reference to an article by Alan Burroughs named "A Van der Weyden Problem" published in Creative Art, April, from pp. 295-288.
The page is neatly organized with handwritten labels and annotations next to the clippings.
The image appears to be a collection of newspaper clippings and documents related to lectures and events at Harvard University in the 1930s. Here is a detailed description:
The clippings are organized in a grid-like format, with each clipping occupying a separate section. The clippings cover a range of topics, including:
Lectures by notable scholars and professors at Harvard, such as Dr. Meyer Schapiro, John Nicholas Brown, and Professor Sachs. The clippings provide details about the topics, dates, and times of the lectures.
Announcements of exhibitions and events at the Fogg Art Museum, including the exhibition of medieval designs by Dr. Schapiro and the annual meeting of the American Association of Museums.
Articles about the appointment of Professor Sachs as the director of the Fogg Art Museum and his role in promoting French art and culture.
Miscellaneous clippings about the Fogg Art Museum, including articles about the museum's collection and its role in the academic community.
A clipping about the excavations at Cluny led by Professor Conant, with references to the findings of the expedition.
The clippings are dated from April to May 1932, suggesting that this collection was compiled during that time period. The clippings provide a glimpse into the academic and cultural life at Harvard University in the 1930s, with a focus on the Fogg Art Museum and its role in promoting art, history, and culture.
The image displays a collection of newspaper clippings, organized and pasted onto a sheet of paper. The clippings are arranged in a somewhat orderly fashion, with some overlapping and others neatly aligned. The clippings vary in size and shape, suggesting they were taken from different newspapers or publications.
The clippings cover a range of topics, including lectures, appointments, and artistic events. Here are the details of each clipping:
Lectures:
John Nicholas Brown to Speak on Cezzanne:
Sachs Appointed to French Chair:
Museum Convention Here April 30:
Prof. Conant at Cluny:
Creative Art: April:
The clippings are dated from April 22, 1932, to May 3, 1932, and are sourced from various newspapers such as the Crimson, Boston Post, and The New York Herald Tribune. The clippings are pasted on a white background, and some have handwritten notes or annotations, indicating they were collected and organized by someone for reference or research purposes.