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The image is a page from a pamphlet or brochure for "Art Week in Boston," which took place from April 10 to April 16, 1932. The event was sponsored by the Boston Chamber of Commerce.

The brochure features a statement by Paul J. Sachs, Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum. He discusses the role of art in modern society, noting that art is no longer just for the favored few but is now a vital concern for the working millions. He highlights the importance of industry as a patron of art in the 20th century, contrasting it with the historical patrons like the church, state, and royalty.

The brochure also lists some of the exhibitions and events happening during Art Week:

• At the Fogg Art Museum in Cambridge, there were exhibitions of 16th-century illustrated books, watercolor studies by Lewis Rubenstein, and contemporary French paintings by artists such as Derain, Laurencin, Utrillo, Cézanne, Picasso, Ingres, Daumier, and Monet.
• A lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" was scheduled for Friday, April 15, at 4:30 PM at the Isabella Stewart Gardner Museum.

The design of the brochure is simple, with a central graphic element featuring the text "ART WEEK IN BOSTON" and a stylized crown or floral design in yellow. The overall color scheme is muted, with a beige background and black text.

The image shows a vintage document related to "Art Week in Boston" held from April 10 to April 16, 1932. The document includes a quote by Paul J. Sachs, Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum:

"Very few serious people now hold the view that perhaps they once held—that ART IS AN AVOCATION FOR THE FAVORED FEW...
In our twentieth century, art is the vital and the practical concern of the working millions. All types of men and women are to be looked upon in our time as potential patrons of art. However, the greatest patron of art today—the 'princely patron' of this generation—is Industry. For centuries the church, the state, and royalty gave artists their opportunities to exercise their creative faculties. Today, Commerce and Industry give important commissions—witness the development of the 'Rockefeller Center,' New York."

Below the quote, the document lists events and exhibits at the Fogg Art Museum in Cambridge, including:

• Exhibitions of 16th-century illustrated books
• Watercolor studies by Lewis Rubinstein
• 19th-century French drawings and paintings, featuring Degas, but also including works by Cézanne, Pissarro, and Renoir

Additionally, there is a lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" scheduled for Friday, April 15, at 4:30 PM at the Isabella Stewart Gardner Museum.

The event is sponsored by the Boston Chamber of Commerce. The document appears to be part of a larger booklet or pamphlet, as it is bound with a metal ring. The cover of the document features the words "ART WEEK IN BOSTON" prominently with a yellow sunburst graphic.

The image shows a document related to "Art Week in Boston" that took place from April 10 to April 16, 1932. The document appears to be a brochure or a program for the event, sponsored by the Boston Chamber of Commerce.

Key elements of the document include:

1. Front Cover:

   • The cover features the title "ART WEEK IN BOSTON" prominently displayed.
   • A decorative design includes a stylized sunburst motif.
   • The dates "APRIL 10 to APRIL 16, 1932" are clearly marked.

2. Inside Left Page:

   • There is a quote by Paul J. Sachs, Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum. The quote discusses the importance of art in the modern era and the shift from art being a pursuit of the privileged to being a concern of the working millions and a vital part of commerce and industry.
   • The quote begins: "Very few serious people now hold the view that perhaps they once held—that ART IS AN AVOCATION FOR THE FAVORED FEW..."
   • Sachs emphasizes that today's patrons of art are industry and commerce.

3. Inside Right Page:

   • Details about the Fogg Art Museum in Cambridge, including exhibitions of 16th-century illustrated books, watercolor studies by Lewis Rubinstein, and 19th-century French drawings and paintings by artists such as Degas and others.
   • It mentions an upcoming lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" scheduled for Friday, April 15 at 4:30 PM.

4. Museums and Events:

   • The document also references the Isabella Stewart Gardner Museum, indicating that it was part of the events for Art Week.

The document is perforated along the left side, suggesting it was part of a larger collection or series of documents. The date "April 1" is written in the top right corner, indicating it may have been a preliminary notice or part of a series of announcements.

The image is a page from a historical document that details an event called "Art Week in Boston" scheduled from April 10 to April 16, 1932. Here's a detailed summary:

1. Header and Event Details:

   • The header prominently displays "ART WEEK IN BOSTON" with a stylized yellow background and a decorative motif in the center.
   • The event was sponsored by the "Boston Chamber of Commerce."

2. Quotes and Context:

   • The left side contains a quote from Paul J. Sachs, Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum:
     • "Very few serious people now hold the view that perhaps they once held—that ART IS AN AVOCATION FOR THE FAVORED FEW..."
     • "In our twentieth century, art is the vital and the practical concern of the working millions. All types of men and women are to be looked upon in our time as potential patrons of art... However, the greatest patron of art today—the ‘princely patron’ of this generation—is Industry... For centuries the church, the state, and royalty gave artists their opportunities to exercise their creative faculties. Today, Commerce and Industry give important commissions—witness the development of the ‘Rockefeller Center’ in New York."

3. Program Information:

   • Fogg Art Museum (Cambridge):

     • Exhibitions included 16th-century illustrated books, watercolor studies by Lewis Rubinstein, and 19th-century French drawings and paintings featuring artists such as Cézanne, Pissarro, and Ingres, among others.
     • There was also a lecture on Egyptian Art by Professor Jean Capart from the University of Liège, Belgium, scheduled for Friday, April 15, at 4:30 PM.

   • Isabella Stewart Gardner Museum:

     • Specifics about events at this museum are not detailed on this page.

The document seems to be an advertisement or informational pamphlet for the cultural activities planned during "Art Week in Boston" in 1932, emphasizing the shift in the perception and role of art patrons from traditional elites to industry leaders.

The image shows a booklet or program for "Art Week in Boston," which took place from April 10 to April 16, 1932. The event was sponsored by the Boston Chamber of Commerce. The cover features an artistic design with a yellow background and an abstract, possibly floral, motif in the center. The text on the cover is bold and clear, indicating the dates and the title of the event.

On the left side of the booklet, there is a quote from Paul J. Sachs, who was a Professor of Fine Arts at Harvard University and the Associate Director of the Fogg Art Museum. The quote discusses the importance of art in the twentieth century, emphasizing that art is for everyone and that industry has become a significant patron of art, commissioning works like the Rockefeller Center in New York.

Below the quote, there are details about specific events during the week. The Fogg Art Museum in Cambridge is featuring exhibitions of 16th-century illustrated books, watercolor studies by Lewis Rubin, and 19th-century French drawings and paintings by artists such as Degas, Cézanne, Picasso, Ingres, and Renoir. Additionally, there will be a lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" at the Isabella Stewart Gardner Museum on Friday, April 15, at 4:30 PM. The events are free and open to the public.

The booklet is bound on the left side, suggesting it can be opened like a booklet to reveal more information inside.

The image is a page from a document promoting "Art Week in Boston," scheduled from April 10 to April 16, 1932. The event is sponsored by the Boston Chamber of Commerce.

The main text on the page includes a statement by Paul J. Sachs, who was a Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum. He discusses the changing perception of art:

• Sachs notes that very few serious people still believe art is only for the privileged few.
• He emphasizes that in the 20th century, art is a vital concern for millions and a practical focus for working individuals from all walks of life.
• He points out that historically, significant patrons of art included the church, the state, and the nobility.
• Today, commerce and industry provide essential opportunities for artists through commissions and creative roles. He cites the Rockefeller Center in New York as an example of industry supporting art.

The page also lists details about exhibitions and events at two museums during Art Week:

1. Fogg Art Museum in Cambridge:

   • Exhibitions of 16th-century illustrated books, watercolor studies by Lewis Rubenstein, and 19th-century French drawings and paintings by artists like Degas and Cézanne.
   • Other exhibitions of interest to all are also mentioned.
   • A lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" is scheduled for Friday, April 15, at 4:30 PM.

2. Isabella Stewart Gardner Museum:

   • This museum is mentioned but no specific events or exhibitions are detailed on this page.

The design features a large, bold title "ART WEEK IN BOSTON" with a stylized golden flame symbol between the words "ART WEEK." The overall aesthetic is vintage, matching the early 20th-century timeframe.

This image shows a scanned flyer or pamphlet promoting an event titled "ART WEEK IN BOSTON" that occurred from April 10 to April 16, 1932. The top right corner of the flyer displays the aforementioned date, and below it, in bold, large letters, is the main event title. Below the title is a stylized image resembling a lit torch or flame, and the location "IN BOSTON" is printed beneath the graphic.

To the left side of the flyer is a quote that says:

"Very few serious people now hold the view that perhaps they once held:—that ART IS AN AFFECTATION FOR THE FA-
VORED FEW."

Followed by more text that discusses the role of art in the twentieth century and how it concerns the "working millions" and is appreciated by people from various walks of life. It mentions the importance of art in modern times as it provides commissions and is integrated within industry. The quote is attributed to Paul J. Sachs, Associate Director of the Fogg Art Museum.

Towards the bottom left, there is information about the Fogg Art Museum in Cambridge, mentioning exhibitions of 16th century illustrated books, water color studies by John Ruskin, and other features including works by Degas. There's also a mention of a lecture by Professor Jean Capart of the University of Liege, Belgium, on "Egypt in Art," dated April 15.

The bottom of the flyer features the text "SPONSORED BY BOSTON CHAMBER OF COMMERCE," indicating the sponsor of the event. The flyer is punched with three holes on the left edge, suggesting it was filed in a binder or collected with other similar documents. The top right corner of the background page has "April 1" handwritten on it, which might indicate the date it was distributed or noted.

The image displays a flyer or pamphlet promoting "Art Week in Boston," which took place from April 10 to April 16, 1932. The event was sponsored by the Boston Chamber of Commerce. The flyer features a beige background with a yellow graphic of a stylized lamp and text in black.

On the left side, there is a quote from Paul J. Sachs, a professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum. The quote discusses the changing views on art, emphasizing its importance to the working masses and the role of commerce and industry in commissioning art, highlighting developments like the Rockefeller Center.

Below this quote, there is information about the Fogg Art Museum in Cambridge, mentioning exhibitions of 16th-century illustrated books, watercolor studies, and 19th-century French drawings and paintings by artists such as Degas, Ingres, Daumier, and Monet. It also mentions a lecture by Professor Jean Capart of the University of Liege, Belgium, scheduled for April 15 at 4:30 PM.

At the bottom of the flyer, there's brief mention of the Isabella Stewart Gardner Museum. The document appears to be part of a larger compilation, as indicated by the holes punched along the left side, possibly for insertion into a binder.

The image shows a vintage brochure or flyer mounted on a white background. The brochure is titled "ART WEEK IN BOSTON," which took place from April 10 to April 16, 1932. The title is printed in bold black capital letters with a yellow decorative emblem or design beneath "ART WEEK." The event was sponsored by the Boston Chamber of Commerce.

On the left side of the brochure, there is a quotation from Paul J. Sachs, a professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum. The quote discusses the evolution of art patronage, emphasizing the importance of industry and commerce as patrons of art in the twentieth century, in contrast to previous centuries when the church, state, and royalty were the primary patrons.

Below the quotation, there is a section about the Fogg Art Museum in Cambridge, highlighting exhibitions of 16th-century illustrated books, watercolor studies by Lewis Rubinstein, 19th-century French drawings and paintings featuring artists like Degas, Cezanne, Picasso, Ingres, Daumier, and Monet. It also mentions a lecture by Professor Jean Capart of the University of Liege, Belgium, on "Egyptian Art," scheduled for Friday, April 15 at 4:30.

The brochure is affixed to a larger white sheet with three holes punched along the left edge, likely for placing in a binder. There is a handwritten note at the top right of the white sheet that reads "April 1." The overall appearance has a slightly aged and yellowed look, typical of archival documents from the early 20th century.

The image depicts a promotional flyer or brochure for an "Art Week in Boston" event, held from April 10 to April 16, 1932. The design is clean and formal, featuring a combination of text and graphical elements.

Key Elements:

Left Side:

• Quote and Commentary:

  • A prominent quote is displayed, discussing the role of art in society. It states:

    "Very few serious people now hold the view that perhaps they once held—that ART IS AN AVOCATION FOR THE FAVORED FEW... In our twentieth century, art is the vital and the practical concern of the working millions. All types of men and women are to be looked upon in our time as potential patrons of art... However, the greatest patron of art today—the principal patron of this generation—is Industry... For centuries the church, the state, and royalty gave artists the opportunities to exercise their creative faculties. Today, Commerce and Industry give important commissions—witness the development of the 'Rockefeller Center,' New York."

  • The quote is attributed to Paul J. Sachs, identified as a Professor of Fine Arts at Harvard University and Associate Director of the Fogg Art Museum.

• Event Details:

  • Fogg Art Museum (Cambridge):
    • Exhibitions include 16th-century illustrated books, watercolors, and drawings by artists such as Degas, Cézanne, Picasso, Ingres, Daumier, and Monet.
    • A permanent exhibition is also mentioned.
    • A lecture by Professor Jean Capart of the University of Liège, Belgium, on "Egyptian Art" is scheduled for Friday, April 15, at 4:30 PM.
  • Isabella Stewart Gardner Museum:
    • Listed below the Fogg Art Museum details, suggesting its involvement in the Art Week events.

Right Side:

• Title and Dates:

  • The main title reads: "ART WEEK IN BOSTON".
  • The event dates are clearly stated: APRIL 10 to APRIL 16, 1932.

• Graphic Design:

  • A stylized graphic element is present near the center-right, featuring a yellow flower-like design with a leaf or petal motif. This adds a decorative touch to the otherwise text-heavy layout.

• Sponsorship:

  • At the bottom, the event is noted to be SPONSORED BY THE BOSTON CHAMBER OF COMMERCE.

Overall Design:

• The flyer uses a clean, minimalist design with a balanced layout. The text is typed in a formal serif font, giving it a professional and academic tone.
• The inclusion of a quote by Paul J. Sachs adds intellectual weight to the promotional material, emphasizing the cultural and economic significance of art.
• The mention of specific museums (Fogg Art Museum and Isabella Stewart Gardner Museum) and the lecture by a noted scholar (Jean Capart) highlights the educational and exhibition-focused nature of the event.

Contextual Notes:

• The emphasis on industry as a patron of the arts reflects the early 20th-century shift in artistic patronage, moving away from traditional institutions like the church and royalty toward commercial and industrial support.
• The inclusion of lectures and exhibitions suggests a multifaceted approach to celebrating art, combining visual displays with intellectual discourse.

This flyer effectively communicates the purpose, scope, and sponsors of the Art Week in Boston, inviting the public to engage with art through exhibitions, lectures, and cultural events.